Precise listening conditions are the basis for any successful production. With the Yamaha HS7, you get an active nearfield studio monitor that was developed exactly for this purpose. The speaker delivers a neutral, detailed reproduction so you can assess your recordings, mixes and sounds realistically. Thanks to the proven bi-amping system, high-quality drivers and a resonance-reduced enclosure, you get a clearly structured sound with controlled bass and transparent highs – exactly what you need in the studio. Neutral sound for precise work When mixing, honesty matters. The speaker operates as an active 2-way bass reflex monitor with a 6.5-inch woofer and a 1-inch tweeter. This creates a balanced sound across the entire frequency spectrum. Particularly in the midrange, the monitor impresses with high resolution, so vocals, instruments and details in the mix remain clearly recognisable. The goal is the most uncoloured sound reproduction possible, so you can make confident decisions in your mix. Bi-amping for clear dynamics Inside, a powerful bi-amping system does the work. Each driver has its own amplifier stage, enabling low-frequency and high-frequency ranges to be amplified independently. This ensures controlled dynamics, fast transients and stable reproduction even at higher levels. Overall, you have 95 watts total power available – enough headroom for precise monitoring in the studio or in a demanding home setup. Robust enclosure with clean bass The enclosure is made from robust MDF and designed to reduce unwanted resonances. The special construction with precise mitre joints provides high stability and improves sound definition. At the same time, the flow-optimised bass reflex port reduces disruptive air turbulence and supports clean bass reproduction. The result is a resonance-reduced enclosure design that keeps the sound precise and controlled. Adaptation to your room Not every room is acoustically perfectly prepared. That is exactly why this monitor offers practical adjustment options on the rear. With ROOM CONTROL, you can reduce overemphasised bass when placing the monitor close to a wall, while HIGH TRIM allows fine-tuning of the highs. This lets you flexibly match the speaker to your surroundings and obtain a precisely balanced sound image – even in smaller studios or untreated rooms. Ready to connect for your setup The studio monitor can be easily integrated into a wide range of setups. Thanks to balanced inputs, it is suitable for both professional studio environments and home studios. Audio interfaces, mixing consoles, synthesizers or other devices can be connected directly. The key connections at a glance: XLR input for balanced signal routing 6.3 mm jack input for balanced or unbalanced signals Direct integration into studio or recording setups Does the Yamaha HS7 fit your setup? The Yamaha HS7 is aimed at everyone who needs realistic sound reproduction when producing or mixing. This monitor is particularly suitable for musicians, producers and content creators who want to evaluate their projects precisely. In an ambitious home studio, it also provides a reliable reference. Ideal for producing, mixing and editing Suitable for home studios and smaller project studios Useful for anyone looking for a neutral reference to listen to Compatible with audio interfaces, mixers and recording setups Features Yamaha HS7 Active 2-way bass reflex nearfield studio monitor for precise monitoring in music production, mixing and recording Bi-amp system with total power of 95 watts for separate amplification of the high and low-frequency drivers 6.5-inch cone woofer for controlled and precise bass reproduction 1-inch dome tweeter for clear highs and detailed midrange reproduction Resonance-reduced MDF enclosure with stable construction to reduce unwanted vibrations ROOM CONTROL and HIGH TRIM for adjusting the sound to different room acoustics Balanced XLR input for professional studio connections 6.3 mm jack input for balanced or unbalanced audio signals Technical data Type Active studio monitor System 2-way bass reflex Woofer 6.5-inch cone Tweeter 1-inch dome Power 95 W total power | 60 W LF | 35 W HF Frequency response 43 – 30,000 Hz Crossover frequency 2 kHz Controls Volume | High Trim ±2 dB | Room Control 0 dB | -2 dB | -4 dB below 500 Hz Inputs XLR balanced | 6.3 mm jack balanced Enclosure Bass reflex MDF Power consumption approx. 55 W Weight 8.20 kg Dimensions (W x D x H) 210 x 284 x 332 mm In the box Yamaha HS7 studio monitor Power cable User manual
Precise monitoring starts with a monitor that doesn’t sugarcoat things for you. The Yamaha HS5 is an active 2-way nearfield monitor developed exactly for that purpose: to reproduce signals cleanly, directly, and in a way you can trace. Its 5-inch woofer, 1-inch dome tweeter, and the bi-amp system work together so you can make mixing decisions with confidence. Instead of colouring the sound, this model shows you what’s actually in your recording. That’s exactly why it’s a strong choice for recording, editing, mixing, and content production in smaller studios. Clarity instead of sound make-up This studio monitor is aimed at everyone who relies on linear playback when working. Vocals, mids, transients, and fine highs can be assessed more accurately because the loudspeaker doesn’t artificially boost or colour the sound. This helps you especially when you want to create mixes that also translate well on other systems.Especially in the nearfield, the Yamaha model really shows its strengths. You hear details early on, identify problematic frequencies faster, and can judge levels, panning, and dynamics more precisely. This saves corrections and makes your workflow more predictable. Construction with control With the HS series, Yamaha focuses on a well-thought-out design with a bi-amped system and a low-resonance MDF cabinet. The woofer is driven with 45 watts and the tweeter with 25 watts. That way, each driver works in its appropriate range, contributing to a clean, stable reproduction.In addition, the design reduces unwanted vibrations and cabinet resonances. You notice this especially during longer sessions: the sound stays controlled, well-defined, and easy to assess, without individual areas sounding unpleasantly pronounced. Adjustable to your room Not every workstation is acoustically ideal. That’s exactly why the speaker offers practical tools with Room Control and High Trim to adapt playback to your surroundings. This allows you to better compensate for problematic bass boosts in wall-adjacent positions or fine-tune the high-frequency range. Room Control for correcting low frequencies when placed near a wall High Trim for targeted adjustment of the high-frequency range Level controls for clean integration into your existing setup XLR and 6.35 mm jack input for flexible signal routing Especially in small production rooms, at the desktop, or in a mobile setup, this flexibility is a real advantage. You stay closer to a reliable monitoring situation, even if the room isn’t perfectly treated. Does the Yamaha HS5 fit your setup? This model is exactly right for you if, when producing, editing, or mixing, you’re looking for an honest studio monitor and consciously want to do without a glossed-over presentation. It’s particularly suitable for smaller workspaces, project studios, editing stations, and setups where short listening distance and precise mids are important. Well suited for beginners who want clean monitoring with expectations Just as sensible for advanced users who want to mix reliably Practical for audio interfaces, controllers, and studio equipment with XLR or jack Strong for speech recordings, music production, post-production, and content creation If you work analytically, want to make decisions that are easy to understand, and are looking for a compact speaker for precise nearfield listening, the HS5 is a clear choice. Features Yamaha HS5 Active 2-way bass-reflex nearfield monitor for precise monitoring in the studio and at a desktop workstation 5-inch cone woofer and 1-inch dome tweeter for balanced, detailed playback Linearly tuned sound for dependable monitoring results when mixing and editing Bi-amp system with 45 watts for the woofer and 25 watts for the tweeter Optimised mounting system and low-resonance cabinet for controlled playback with minimal sound colouring Room Control and High Trim control for adapting to different room acoustics XLR and 6.35 mm jack inputs for balanced and unbalanced signals MDF cabinet with compact design for use in smaller studios and production environments Technical data Type Active studio monitor Design 2-way bi-amp bass-reflex nearfield monitor Frequency response (-10 dB) 54 Hz - 30 kHz Frequency response (-3 dB) 74 Hz - 24 kHz Woofer 5-inch cone woofer | 45 W Tweeter 1-inch dome tweeter | 25 W Total power 70 W Crossover frequency 2 kHz Controls Level | Room Control | High Trim Connections XLR3-31 balanced | 6.35 mm jack balanced Power consumption 45 W Cabinet material MDF Weight 5.3 kg Dimensions (W x D x H) 170 x 222 x 285 mm What’s in the box Yamaha HS5 studio monitor Power cable Operating instructions
Precise monitoring starts with a loudspeaker that reproduces signals honestly. Yamaha HS8 is an active 2-way bass reflex nearfield monitor designed for clear, balanced playback and reveals details in the mix you can rely on. The 8-inch woofer works together with a 1-inch dome tweeter in a cleanly tuned Bi-Amp system. This creates a sound image that reaches deep down, stays differentiated in the mids and sounds controlled even in the high frequencies. The distinctive design with the white cone is also part of the series—it's been closely associated with it for years. Clarity without colouring This studio monitor is made to reproduce material as it actually is. Newly developed transducers ensure balanced signal reproduction across a wide frequency range. This helps you when mixing, producing and judging recordings, because vocals, transients and low-end content are not artificially emphasised, but presented in a way you can understand.Especially during long sessions, this direct tuning is an advantage. You hear faster where an arrangement works, where frequencies overlap and at what point an adjustment in the mix is really needed. Bi-Amp with clean separation Inside, a 75W LF- plus 45W HF Bi-Amp system is at work, with the high and low drivers each powered by their own power amplifier. This design improves control over the individual frequency ranges and contributes to a linear, high-resolution sound image. For you, that means better overview of level relationships, dynamics and the stereo image.The crossover frequency of 2 kHz is tuned so that both drivers work together cleanly. The result is a closed sound image that does not try to be spectacular, but instead remains reliable. Enclosure with a focus on quiet Here, Yamaha relies on an MDF enclosure with good damping properties to keep unwanted resonances as low as possible. That's exactly crucial in the studio, because colourations caused by the enclosure make any assessment harder. The bass reflex port has also been specifically optimised to reduce air turbulence at the openings and minimise disturbing side noise in the bass range. Adaptable to your room Not every workstation sounds the same. That's why this model with ROOM CONTROL and HIGH TRIM offers two practical options for adjusting the sound. Overemphasised bass when placed close to a wall can be controlled, while the high-frequency reproduction can be adapted to the room and your setup. This is especially helpful when working in small control rooms, home studios or environments that are not acoustically perfectly treated. Who is the Yamaha HS8 for? This model is a strong choice for anyone who needs more control and more depth when monitoring than you get from smaller nearfield monitors. Exactly right for ambitious producers, recording setups, project studios and advanced users who want to evaluate mixes in a well-founded way. The loudspeaker also plays to its strengths when editing, sound design and working with detailed arrangements. Suitable for mixing, production and critical listening Useful if you're looking for an 8-inch monitor with a powerful low-end foundation Well suited for fixed studio setups with an audio interface, mixing desk or controller A solid solution for entry-level users with ambition and for experienced users focused on precision Features Yamaha HS8 Active 2-way bass reflex nearfield monitor for precise and reliable work in the studio 8-inch cone woofer and 1-inch dome tweeter for clear lows, defined midrange and clean highs Wide frequency range for accurate monitoring and detailed reproduction Bi-Amp system with separate power amplifiers for the high and low drivers 75 W LF plus 45 W HF power amplification for a total output power of 120 W Specifically designed MDF enclosure for reducing unwanted resonances Optimised bass reflex port with reduced air turbulence and less extraneous noise ROOM CONTROL and HIGH TRIM for adapting to different room acoustics XLR and 6.3 mm jack inputs for balanced and unbalanced signals Classic series design with distinctive white cone Technical specifications Type Active 2-way bass reflex studio monitor Frequency range 38 - 30,000 Hz (-10 dB) Drive units 8-inch cone woofer | 1-inch dome tweeter Crossover frequency 2 kHz Power 120 W | LF: 75 W | HF: 45 W Connections XLR3-31 balanced | 6.3 mm jack balanced Power consumption 60 W Enclosure Bass reflex Material MDF Weight 10.2 kg Dimensions (W x D x H) 250 x 334 x 390 mm What's in the box Yamaha HS8 active nearfield monitor Power cable Operating instructions
Yamahas active nearfield monitor in white is aimed at everyone who doesn’t want a prettified playback when listening to and assessing music. The model combines a linear sound image with a well thought-out cabinet design and flexible adjustments for different rooms. This way, you can hear details, level relationships and nuances in the mix clearly and in a way that’s easy to understand. At the same time, the distinctive white membrane provides a look that fits in just as well in the studio as it does in a tidy home setup. Precision instead of colouring This studio speaker has been developed to reproduce signals with as little alteration as possible. That’s exactly what matters when you’re mixing, arranging or want to judge sound sources accurately. The 2-way design with a 6.5-inch woofer and a 1-inch dome tweeter delivers a balanced relationship between clarity, directness and controlled bass.It’s especially evident during longer sessions how important a clean match is. Instead of artificially adding something, the playback remains easy to follow and honest. This helps you make safer decisions in the mix and spot problems in the material earlier. Tailored to your room Not every room sounds the same. That’s why the white HS7 version offers practical controls that let you adapt the speaker to your environment. With Room Control, you can reduce disruptive bass portions when placing the speakers close to the wall, while High Trim finely adjusts the high-frequency range.This is particularly useful in smaller studios, project studios or setups that can’t be fully optimised acoustically. It gives you a practical way to set up cleaner, more reliable playback. Built for controlled working The MDF cabinet in a bass reflex design is designed for stable reproduction and helps keep unwanted resonances low. In combination with the Bi-Amp system with separate amplification for high and low frequencies, the monitor works in a controlled and direct way. This means the sound stays precise even when you’re working intensively on an arrangement or a mix.With XLR and 6.3 mm jack inputs, the system can be easily integrated into many production environments. An audio interface, controller or mixing console can be connected without detours. Who is the Yamaha HS7 W suitable for? Yamaha HS7 W is just right for you if, when producing, mixing or critical listening, you rely on honest reproduction and want a monitor that fits flexibly into your setup. The model suits ambitious beginners, advanced producers and anyone who wants to work reliably in a home studio or control room. suitable for recording, mixing, editing and mastering preparation suitable for home studios and professional workplaces ideal if you need balanced connections and room adjustment a good choice if you value sound fidelity and a clear design Features Yamaha HS7 W Active 2-way nearfield monitor for precise and linear audio reproduction in the studio 6.5-inch cone woofer and 1-inch dome tweeter for balanced detailed reproduction Bi-Amp amplification with separate power stages for the high- and low-frequency ranges Room Control switch for adjusting deeper frequencies to the room acoustics High Trim switch for targeted fine adjustment of the high-frequency range Bass reflex cabinet made of MDF for controlled reproduction and reduced resonances XLR and 6.3 mm jack input for flexible integration into different audio setups White version with a characteristic diaphragm for a distinctive and timeless look Technical data Type Active studio monitor System 2-way Woofer 6.5 inch cone Tweeter 1 inch dome Power 95 W | LF: 60 W | HF: 35 W Power consumption approx. 55 W Controls Volume | High Trim switch +/- 2 dB | Room Control switch 0 dB | -2 dB | -4 dB below 500 Hz Frequency response 43 - 30,000 Hz Crossover frequency 2 kHz Connections XLR IN balanced | 6.3 mm jack IN balanced Cabinet Bass reflex | MDF Weight 8.2 kg Dimensions (W x D x H) 210 x 284 x 332 mm What’s in the box Yamaha HS7 W monitor speaker Power cable User manual
Precise monitoring starts with a speaker that doesn’t dress things up. The Yamaha HS8 W is an active 2-way nearfield monitor designed for clear, direct and reliable playback. That’s exactly what matters in the studio, when you want to assess mixes properly, spot mistakes and balance arrangements with confidence. The white finish with the distinctive cone also provides a clear visual accent without drawing attention away from the actual sound. This model combines acoustic control with a restrained, studio-friendly design. Clarity without detours Yamaha’s studio monitor consistently focuses on honest playback. Instead of artificially boosting the sound, it uses a neutral tuning that makes vocals, transients and the low-end range easy to follow. This is especially helpful when you’re working on mixes where every decision has to land.With the 8-inch woofer and the 1-inch tweeter, you get a balanced sound image with plenty of overview in the bass and a clean presentation in the highs. Especially in productions where kick, bass, synths or dense vocals need to stay clearly separated from each other, this concept really shows its strength. Built for control The enclosure is designed to keep interfering influences as low as possible. The solid MDF construction supports a low-resonance reproduction, so you can concentrate on what’s really in the signal. That makes the speaker a reliable tool for recording, mixing and editing.Also included is the bass reflex principle, which extends the lower frequency range in a controlled way without losing sight of precision. This way, the sound remains not only powerful, but above all easy to follow—an important point when you want to make decisions not by feel, but by ear. Fine-tuning for your room Not every workstation sounds the same. That’s exactly why the white HS series with Room Control and High Trim offers practical adjustments to better match the listening behaviour to your surroundings. This is useful when speakers are placed close to walls, the room reacts vividly in the treble range, or you want to rein in the bass range.Particularly in smaller production rooms, home studios or multi-purpose workstations, these adjustments make a real difference in everyday use. You don’t get an overcomplicated control concept—just the tools you regularly need in the studio. Performance with a system Inside, there’s a Bi-Amp setup with separate power amplifiers for the low- and high-frequency ranges. This separate amplification ensures that both paths are driven specifically and carry out their tasks cleanly. The result is a controlled, transparent impression with good detail across the entire spectrum. 120 watts total power 75 watts for the low-frequency range 45 watts for the high-frequency range XLR and 6.35 mm jack input for flexible integration This makes it easy to integrate the monitor into different studio setups, from an audio interface on your desk to a permanently installed production environment. The connections accept both balanced and unbalanced signals and keep integration pleasantly straightforward. Does the Yamaha HS8 W fit your setup? This model is right for you if, when producing, mixing or editing, you rely on reliable detail reproduction and are looking for a speaker system that doesn’t flatter you. It’s suitable for ambitious beginners who want to work with honest monitoring from the start, as well as for experienced producers, engineers and content creators with clear quality standards. well suited for home studio, editing desk and project studio ideal for mixing, editing, beat production and sound design a good match if you work with audio interfaces via XLR or TRS interesting for anyone looking for a larger nearfield monitor with a clean bass foundation Features Yamaha HS8 W Active 2-way bass reflex nearfield monitor for precise and uncoloured audio monitoring in the studio 8-inch cone woofer and 1-inch dome tweeter for balanced playback across a wide frequency range Bi-Amp system with separate power amplifiers for the low- and high-frequency ranges for targeted control of both paths 120 watts total power with 75 watts in the LF and 45 watts in the HF range Frequency range from 38 to 30,000 Hz at -10 dB for controlled monitoring of low to high frequencies Room Control and High Trim controls for adjusting to different room acoustics Low-resonance enclosure design for clean and easy-to-follow reproduction MDF enclosure with solid workmanship for long-term use in the studio XLR and 6.35 mm jack inputs for flexible connection to balanced or unbalanced signals White finish with distinctive cone for a clear, modern studio look Technical data Type Active 2-way bass reflex studio monitor Frequency range 38 - 30,000 Hz (-10 dB) Drive units 8-inch cone woofer | 1-inch dome tweeter Crossover frequency 2 kHz Power 120 W | LF: 75 W | HF: 45 W Connections XLR3-31 (balanced) | PHONE (balanced) Power consumption 60 W Enclosure Bass reflex Material MDF Weight 10.2 kg Dimensions (W x D x H) 250 x 334 x 390 mm In the box Yamaha HS8 W studio monitor Power cable User manual
The Roland TR-8S is an innovative drum machine that combines the best of the classic TR series with modern technology. Thanks to Roland's proprietary Analog Circuit Behavior (ACB) technology, it delivers the authentic sounds of legendary drum machines like the TR-808, TR-909, and TR-606, while also offering the possibility to add your own samples. This flexibility opens up countless creative opportunities to personalize your sound and create new sonic worlds. Create your own kits and patterns with any combination of ACB drum sounds and your own samples, which can be imported from the SD card. The TR-8S also features new functionalities compared to the TR-8, such as two automatable "Fill Sections" per pattern, even more effects and sounds, and the ability to lock parameter values for individual steps. The device not only offers a wide range of classic drum sounds, but also allows you to modify parameters like pitch and decay for each individual track. The sounds have also been significantly improved, so you not only have more TR drums at your disposal, but they also sound even more authentic. If you haven't heard of the TR-8 yet: The Roland TR-8S Rhythm Performer is an advanced groove machine for all electronic genres. With highly detailed virtual analog emulations of the Roland TR-808 and TR-909 drum machines, including classic step-sequencer programming in a sturdy case and with superb sound quality. For more information, check out the Roland TR-8S Review on the DJ Blog! Features Roland TR-8S Equipped with the largest and most authentic collection of Roland TR sounds available The Analog Circuit Behavior technology delivers punchy and authentic sounds Supports WAV and AIFF samples via SD card slot Includes 81 ACB sounds and 150 factory samples Supports up to 600 seconds of sample time at 44.1kHz – a single sample can be up to 180 seconds long Step sequencer controls 11 instrument parts and 1 exclusive part for the trigger output (6.35mm output) Lock parameter values for any sequence steps with fine or extreme variations Each pattern offers 3 fill types and 8 pattern variations for crazy performance potential Built-in audio interface 8 analog audio outputs allow you to route your sounds separately for recording or editing Control the intensity of the accent function in real-time for dynamic grooves Record steps manually or capture your drums in real-time Original TR-REC behavior provides an authentic programming experience for the TR series 16 backlit pads Dedicated tempo control and TR-909 shuffle control let you create beats that naturally pulse and groove MIDI clock synchronization ensures tight timing with external devices Technical Specifications Type: Drum machine / step sequencer with sample import Pads: 1 x velocity-sensitive performance pad, 16 x TR-REC buttons Sounds: Collection of classic TR drum machine sounds, ACB modeled sounds, 300 preset sample sounds, user samples Kits: 128 user kits Patterns: 128 patterns, 8 variations per pattern Sequencer: 16-step sequencer, 11 instrument tracks, 1 trigger-out track Sampling: WAV and AIFF playback Effects: Reverb, delay, compressor, phaser, flanger, overdrive, distortion, HPF, LPF Analog Inputs: 2 x 1/4" (line) Analog Outputs: 2 x 1/4" (mix-out), 6 x 1/4" (assignable outputs / trigger-out) Headphone Jack: 1 x 1/4" MIDI I/O: In/Out/USB Other I/O: 1 x 1/8" (trigger-out) USB: 1 x Type B Storage: SD/SDHC card slot (backup, restore, import) Power Supply: Roland PSD AC adapter (included) Weight: 2.1 kg Dimensions (W x D x H): 409 x 263 x 58 mm Included Accessories Roland TR-8S Power adapter User manual
Yamahas HS5 W is an active nearfield monitor for your studio, designed for clear, direct reproduction. The white finish provides a bright, tidy accent in your working area and combines practical design with precise tuning for recording, editing and mixing. The 5-inch woofer, the 1-inch tweeter and the Bi-Amp system work together so that you can assess signals in a differentiated way without being misled by a polished sound image. Clarity that makes decisions easier This studio monitor is designed to give you an as honest as possible picture of your material. That’s exactly where its strength lies: You hear details that matter during processing, such as midrange, transients, vocals or subtle differences in the stereo image. This helps you classify tracks more confidently and align mixes cleanly.Particularly in smaller production environments, controlled and traceable playback is more important than an artificially inflated sound. Yamaha’s model supports you with a linear character that doesn’t disguise problems in the material, but makes them audible. Bi-Amp system with a clean split The combination of separate amplification for high and low frequencies ensures a consistent way of working with the two drivers. With 70 watts total power, there’s enough headroom for precise nearfield monitoring without the loudspeaker losing its control too early. That means the reproduction remains just as comprehensible when you focus on dynamics, balance and ambience.The crossover frequency of 2 kHz clearly separates the working ranges. This creates a cohesive sound image that especially pays off for vocal recordings, acoustic instruments, electronic music and densely arranged productions. Tuned to your room Not every workstation sounds the same. That’s exactly why Room Control and High Trim are so useful. With these controls, you adjust playback to the position of the speakers and to the characteristics of your room. This is particularly helpful if the boxes are placed close to walls or if the treble range needs to be set a little more restrained or more present.Together with the resonance-reduced MDF enclosure, you get a monitor designed for controlled work. Unwanted influences are reduced so you can focus more on what’s really happening in your recording. Simple in look, practical in everyday use The white version looks modern, unobtrusive and fits well visually in studios, edit suites or content setups with light-coloured furnishings. At the same time, setup remains functional: using XLR and 6.35 mm jack, you integrate the loudspeaker easily into existing setups with audio interface, controller or mixing console. Balanced and unbalanced signals can be connected flexibly. Does the Yamaha HS5 W fit your setup? This model is a good choice if you want to hear more reliably when producing, recording or editing, and if you’re looking for a compact nearfield monitor . It’s particularly suitable for home studios, editing workstations, smaller control rooms and for anyone who wants to make decisions based on substance rather than effect. suitable for beginners who want clean monitoring just as useful for advanced producers and content creators ideal if desk or stand space is limited strong for recording, editing, mixing and speech productions If you’re looking for a compact active monitor that works in a straightforward way, can be sensibly adapted to the room and also sets clear accents visually in white, this version is a convincing solution. Features Yamaha HS5 W Active 2-way bass reflex nearfield monitor for precise, controlled work in the studio 5-inch cone woofer and 1-inch dome tweeter for well-balanced nearfield reproduction Linearly tuned frequency response for reliable monitoring results Bi-Amp system with 45 watts for the woofer and 25 watts for the tweeter Well-matched power amplifiers for clean drive of both paths Acoustically optimised enclosure to reduce unwanted resonances ROOM CONTROL and HIGH TRIM for adjusting to the room and placement XLR and 6.35 mm jack inputs for balanced and unbalanced signals Technical data Type Active studio monitor Design 2-way bass reflex nearfield monitor Frequency response 54 Hz - 30,000 Hz Woofer 5 inch cone woofer | 45 W Tweeter 1 inch dome tweeter | 25 W Total power 70 watts Crossover frequency 2 kHz Controls Level | Room Control | High Trim Power consumption approx. 45 W Enclosure MDF Connections XLR | 6.35 mm jack Weight 5.30 kg Dimensions (W x D x H) 170 x 222 x 285 mm What’s included Yamaha HS5 W active studio monitor Power cable Operating instructions
The Maschine MK3 combines precise hardware with a versatile production environment and is designed for everyone who wants to shape beats, edit samples and arrange complete songs. The integrated 24-bit/96 kHz audio interface makes the unit ready to record immediately, while two high-resolution color displays provide orientation and noticeably simplify workflows. Larger pads, touch-sensitive knobs and a well-thought-out control layout ensure that you can capture ideas without detours. Precise control thanks to modern user interface The two full-color displays give you a clear view of samples, parameters and arrangements. Here you edit material directly on the hardware – from exact sample slicing to adjusting individual notes. Additionally, the 4-directional push encoder offers fast navigation through sounds, kits and projects. This creates a direct workflow that works without constant mouse handling. Expanded performance possibilities The color-coded, velocity-sensitive pads respond sensitively to your playing and dynamics. For detailed adjustments, nine touch-sensitive rotary knobs are available, instantly taking over parameters and precisely reproducing sonic changes. A Smart Strip opens up additional forms of expression – for example pitch bends or effect control – adding a playful component to your performance. Seamless integration into software environments The combination of hardware and software makes the system a versatile production tool. Thanks to plugin hosting for VST and AU, you can integrate external instruments and effects directly. The tag-based browser provides fast access to extensive libraries, including Komplete Select. MIDI in/out expands your setup with external devices, while drag-and-drop export transfers MIDI and audio data effortlessly into your DAW. Flexible sampling and extensive workflow With wide sample compatibility – including formats from many MPC models – you can instantly use your existing libraries. The threshold detection simplifies recording processes and ensures cleanly captured material. Step sequencing, automation functions and real-time recording support you in building complex arrangements in a clearly structured way. Features Native Instruments Maschine MK3 Versatile production system with integrated 24-bit/96 kHz audio interface Two high-resolution color displays for editing, navigation, mixing and slicing Large pads and touch-sensitive knobs for dynamic finger drumming 4-way push encoder for fast browsing and level setting USB or power supply operation for flexible use Hybrid of sequencer, sampler and effects with direct hands-on control 16 pads, 47 buttons and 9 encoders for recording and automation Smart Strip for note control, pitch bends and creative effects Step sequencing, real-time recording, note repeat, slicing and auto-mapping VST and AU plugin hosting from other manufacturers Tag-based browser for fast access to sounds and effects Automation recording and step automation for precise sound design Compatible with many MPC programs Threshold-based sampling for external and internal sources Plug-in operation in AAX, VST, AU and RTAS MIDI in/out for external sequencing Drag-and-drop export of audio and MIDI Group macro controls for flexible parameter assignments MIDI-mapping software for use in other programs Technical Data Audio interface: 96 kHz / 24 bit Line outputs: 2 x 6.35 mm jack Line inputs: 2 x 6.35 mm jack Microphone input: 6.35 mm jack (dynamic) Headphone output: stereo 6.35 mm jack MIDI: 1 in | 1 out Footswitch: 1 connection USB: USB 2.0 Power supply: USB 2.0 or power adapter DAW compatibility: VST | AU plugin Multi-core support: full Supported formats: stand-alone | VST | AU | RTAS | ASIO | Core Audio | DirectSound | WASAPI Weight: 2.2 kg Dimensions: 320 x 301 x 41 mm Scope of Delivery Native Instruments Maschine MK3 USB cable Maschine software (download via Native Access) Komplete Select (download via Native Access)
With this active subwoofer you round off your monitoring with a controlled, deep bass range that makes a real difference in everyday studio work. The 8-inch bass reflex system delivers precise, powerful and clear sound without unnecessarily bloating the mix. Especially when making decisions in the lower frequency range, this model helps you reliably place fine details and assess productions for mixing and mastering with greater confidence. Depth you can hear The Yamaha subwoofer expands your setup down to 22 Hz, making frequency components audible that often remain in the background with many compact monitor solutions. This is particularly important when you want to cleanly match kick, sub-bass and the overall balance in the low end. Instead of undefined pressure, you get bass reproduction that stays understandable and fits better into critical listening situations.Especially in home rooms, project studios or when building a precise 2.1 system, it brings noticeable advantages. Low-end information can be assessed more clearly, transitions between bass instruments become easier to grasp and your overall sonic image feels more complete without losing clarity. Tuned for studio work Inside, a 150-watt amplifier is designed specifically for the requirements in the bass range. As a result, the unit delivers direct, controlled power that is not limited to simply increasing volume. The key here is accurate reproduction of low frequencies, so you can reliably judge what is actually happening in the mix, even with complex productions.It is particularly useful to pair it with the Yamaha HS studio monitor series. This creates a cohesive system that expands your existing monitoring in the low range and gives you a more balanced foundation for your work. Flexibly integrated into your setup For adapting to the room, your monitors and your working style, you have Low-Cut and High-Cut controls available in the range of 80 to 120 Hz. This lets you set the transition to the rest of the system precisely, instead of simply adding the subwoofer. The built-in phase switch also makes integration easier and helps you align it cleanly with your loudspeakers. adjustable crossover range for different setups phase switch for a consistent system integration XLR and jack inputs for flexible cabling XLR outputs for L, R and EXT SUB Solid construction, cleanly tuned The MDF enclosure with bass reflex design provides a stable base and supports controlled playback with as few disruptive resonances as possible. This is especially important in everyday studio use, because it’s not only the frequency response that matters, but also how the enclosure itself behaves. The construction is designed for reliable operation and supports a clear, defined low-end range. Does the Yamaha HS8S fit your workflow? The Yamaha HS8S is the right choice for you if, when producing, mixing or mastering, you need more security in the bass range and want to extend your monitoring purposefully. It works well for home studios with a serious approach as well as for professional workstations where decisions in the deep bass range need to be made quickly and in a way you can trust. It is particularly useful if you already work with nearfield monitors and are looking for a solution that can be integrated into your existing setup with adjustable crossover functions. suitable for ambitious home studios and professional rooms ideal for mixing, mastering and detail-critical monitoring perfect as an addition to Yamaha HS studio monitors for everyone who wants to assess deep frequencies in a controlled manner Features Yamaha HS8S Active studio subwoofer with 8-inch bass reflex system for precise and deep extension of monitoring Frequency reproduction from 22 to 160 Hz for controlled presentation of deep bass components 150-watt amplifier designed for the low-frequency range for powerful and clean bass reproduction Phase switch for uncomplicated adjustment to existing monitor setups Low-Cut and High-Cut controls from 80 to 120 Hz for precise tuning of the crossover range Balanced XLR and jack inputs for flexible integration into professional audio systems XLR outputs for left and right channels as well as EXT SUB for expanded system cabling Robust MDF enclosure with bass reflex design to reduce unwanted resonances Technical specifications Type Active subwoofer Low-frequency driver 8-inch cone Power 150 W Power consumption 70 W Frequency range 22 - 160 Hz Inputs 2x XLR3-31 (balanced) | 2x PHONE (balanced) Outputs 2x XLR3-32 (balanced) (L&R) | 1x XLR3-32 (balanced) (EXT SUB) Enclosure Bass reflex | MDF Weight 12.5 kg Dimensions (W x D x H) 300 x 389 x 350 mm What’s in the box Yamaha HS8S subwoofer Power cable Operating instructions
The Novation MiniNova is a powerful and professional performance synthesizer from Novation, whose 300 factory sounds can be edited and changed with five performance knobs or the eight Animate buttons. Per voice, five effects are available for further sound manipulation. Since the MiniNova synthesizer can be connected to a laptop, desktop computer, keyboard or sound module via USB connection and MIDI in and out and has excellent sound characteristics, it offers ideal conditions for the use in electronic music, rock-pop and mainstream. In addition to the strong vocoder, the unit also has strong vocal tune effects, which can either add the finishing touches to vocal signals or create completely new effects. This creates classic vocoder vocal sounds as known from hip hop and urban productions. Guitars and other signals can also be processed with the vocoder and the effects section with reverb, distortion, chorus/phase, gator, compressor and EQ. The synthesizer not only provides 300 factory sounds, but also space for 128 of your own sounds. Its practical search function contains search criteria such as genre (techno, hip hop etc.) or sound type (bass, lead etc.) and makes navigation much easier. The fifth controller is a large filter cutoff knob for delicate interventions or radical cuts, while the other four performance controllers allow you to edit strong sounds in real time. The MiniNova also comes with a strong arpeggiator, which allows you to jam with arpeggios in real time via the eight Animate buttons. To store more sounds on a computer, for example, a free patch management software is included in the delivery. The MiniNova Editor is a plug-in for DAWs or music software and provides full access to the MiniNova hardware. Features Novation MiniNova Very powerful mini-synth with the sound engine from UltraNova Brand new VocalTune and classic vocoder effects Change and warp sounds in real time 300 impressive factory sounds with direct access search function Up to five effects per voice Editing software and patch management software included Guitars and other instruments can be edited with the vocoder and effects Free sound packs available including vintage synth and bass synth sounds 37-key controller keyboard with MIDI I/O Technical data Up to 512 patches can be stored Polyphony: 18 Mono-Timbral Audio input via 6.3 mm jack Line outputs via 2x 6.3 mm jack (Stereo L/R) MIDI input and output USB Headphone output XLR mic input for dynamic microphones Weight: 2,52 kg Dimensions (W x H x D): 560 x 75 x 250 mm Scope of delivery Novation MiniNova Power supply unit Gooseneck microphone Xcite+ - Software Bundle
Compact, clearly laid out and pleasantly direct in everyday use: This analogue mixing console is designed for anyone who wants to combine several signals cleanly, record them reliably and integrate them into a digital workflow without detours. Four microphone inputs, multiple stereo channels, built-in effects and a USB audio interface make the model a well thought-out control centre for small studios, streaming setups, rehearsal rooms and mobile applications. In addition, it has a robust metal construction and a control surface that stays easy to understand even when things need to happen quickly. Clean sound right from the start At its heart are the discrete D-PRE microphone preamps, which pass on signals naturally, open and with good detail reproduction. Especially for speech, vocals or acoustic instruments, the result is controlled and direct, without becoming unnecessarily complicated. With the mono channels, high-pass filters and PAD switches are also available, helping You keep levels and interfering components under control already at the source. Less tweaking, faster to the goal Especially practical when dealing with dynamic signals is the simple operation. The 1-knob compressors on the mono channels make it easier for You to bring vocals more forward and to integrate instruments more evenly into the mix, without having to work through a long list of parameters. In addition, there are 3-band EQs on the mono channels, letting You quickly adapt treble, mids and bass to the respective source. This keeps operation direct, even when You are managing multiple inputs in parallel. Effects with direct practical value A clear plus point is the built-in 24 SPX effect programmes. This gives vocals, instruments or complete signals more space and depth, without having to plan additional outboard. Reverb, echo and other effect variants are quick to access and fit well for applications that call for a compact setup. This is particularly useful if You work live, produce content or want to keep a small setup flexible. Work analogue, record digitally Using the built-in USB audio function with 24 Bit / 192 kHz, the mixer can be integrated into computer and mobile setups with ease. As a result, it is suitable not only for mixing, but also for recording, streaming or content production. Compatibility with iPad and the included Cubase AI download version underline that Yamaha has thought not only about classic live applications, but also about modern, space-saving production environments. Built for regular use The device remains interesting exactly where technology has to be transported, set up and used frequently. The metal chassis provides stability, while balanced XLR main outputs, a separate headphone output and clearly arranged connections make day-to-day use easier. With the compact format, the Yamaha mixer fits well on small work tables, in mobile rigs or in setups where space is limited but no compromises are wanted in terms of connection variety and ease of use. Does the Yamaha MG10XU suit Your setup? The Yamaha MG10XU is the right choice precisely when You are looking for a manageable but versatile mixer that can be operated without detours and at the same time keeps modern recording paths open. It is particularly well suited for musicians, speakers, small bands, podcasters, streamers and users in a home studio who want to manage multiple sources cleanly. This model also makes sense for mobile sound reinforcement or compact production locations, because it combines analogue directness with digital connectivity. Especially entry-level users with high expectations benefit from the clear interface, while experienced users will appreciate the solid equipment, the usable effects and the reliable integration into existing workflows. Well suited for speech, vocals, instruments and small live setups Ideal for recording and streaming without an additional audio interface Practical for compact workstations with limited space For users who value direct operation more than menu navigation Features Yamaha MG10XU Analogue 10-channel mixing console for compact recording, streaming and live setups Up to 4 microphone and 10 line inputs for flexible signal routing Discrete D-PRE microphone preamps with Inverted-Darlington circuit for natural sound 24 SPX effect programmes for reverb, echo and other practical sound processing 1-knob compressors on the mono channels for quick dynamic processing 3-band equaliser on the mono channels for targeted tone shaping High-pass filter at 80 Hz on channels 1 to 4 to reduce low-frequency interference 24-bit/192-kHz USB audio function with 2 In / 2 Out for direct computer connection +48 V phantom power for operating compatible condenser microphones PAD switches on the mono inputs for better handling of high levels Balanced XLR main outputs for clean signal transmission Metal enclosure for high stability in the studio and during mobile use Technical data Number of channels 10 Microphone/line inputs 4 x Combo XLR/TRS | 6 x TRS | 4 x RCA Main outputs 2 x XLR | 2 x TRS Monitoring outputs 2 x TRS Aux sends 1 Post EQ bands 3 highs | Mids | lows Effects 24 digital SPX effects USB connection USB Type B | 24-Bit/192 kHz | 2 In / 2 Out Phantom voltage +48 V Power supply 100–240 V AC | 50/60 Hz Power consumption 22.9 W Headphone output 6.3 mm jack PAD switch On each mono input Chassis Metal Weight 2.1 kg Dimensions (W x D x H) 244 x 294 x 71 mm What's in the box Yamaha MG10XU mixing console AC adapter Cubase AI download information Operating instructions Warranty and safety instructions
The Roland SP-404MKII is the logical evolution of its popular predecessor, with new features, functions, and meaningful details. It's a compact, portable sampling workstation that focuses on the essentials while delivering impressive power under the hood. An updated resampling workflow simplifies the re-recording of patterns and effect layers. With a generous selection of new effects in addition to the classic SP effects, the sound design potential is enormous, making it ideal for genres where a dirtier sound is desired, such as boom bap or drum and bass. An OLED display not only shows current information but also provides visual sample editing, allowing you to tap edit points in real-time or for pattern sequencing. The SP-404MKII is equipped with a USB-C port for connection to mobile devices. You can sample audio from mobile apps, recorded videos, or any other audio source on your device. Furthermore, the USB port can be used to connect with the SP app on your computer for sample editing and project management. Performers who typically use two SP sampling workstations will appreciate the new DJ mode of the SP-404MKII. It offers a completely new approach to live performance, allowing you to control and mix two audio files with eight pad controllers per side. Roland SP-404 MKII Features Compact and mobile sampling workstation for production and live performance 144 pre-installed samples and patterns in 9 banks for quick start Huge sample storage capacity with 16 GB onboard memory and support for 32 GB SD cards 16 velocity-sensitive RGB pads with 9 color modes OLED display for visual waveform editing Can sample from mobile devices via USB-C or even stream audio directly to the device Envelope and pitch-shift for shaping samples Effects such as lo-fi cassette simulation, resonator, vocoder, auto-tune, and guitar amp simulator through the microphone/guitar input Updated resampling workflow makes re-recording samples with different effects easier Two headphone outputs for collaborating with other musicians without a mixer or headphone splitter Skip Back Sampling captures up to 25 seconds of performance - never miss a sample just because the record button wasn't pressed Pad Link allows triggering up to 4 pads simultaneously Roll button for triggering note repeats at speeds from 1/2 beat to 1/64 beat In DJ mode, you can mix and edit 2 audio files with 8 sliders per side BPM can be set per bank for script-controlled tempo changes Powered by USB-C, mobile battery, 6 AA batteries, or AC adapter (included) Technical Specifications Maximum Polyphony: 32 voices Internal Storage: 16 GB Samples = 2,560 (16 samples x 10 banks x 16 projects) Patterns = 2,560 (16 patterns x 10 banks x 16 projects) Maximum Sampling Time: 16 minutes (approximately 176 MB per sample) Skip-Back Sampling: 25 seconds (capturing the last moments of performance) Data Format: 16-bit linear WAV, AIFF, MP3 import supported Sampling Frequency: 48kHz Display: OLED graphic display Effects: Multi-effects: 37 types | Input effects: 2 types Resolution: 80 ticks per quarter note Pattern Length: 1 to 64 bars Recording Modes: Real-time loop recording External Storage: SD card for backup, restore, import, and export functions Power Supply: AC adapter (included), 6 x AA batteries, USB Weight: 1.1 kg Dimensions (W x D x H): 177 x 276 x 70 mm Included in the Box Roland SP-404 MKII AC adapter Roland user registration card Warranty card Quick Start Guide Information and cautions sheets
Yamahas 10-channel mixing console is designed for setups where compact dimensions and clean signal routing have to go hand in hand. It combines 4 microphone and 10 line inputs with an integrated USB audio interface, internal effects and a clearly structured control surface. This makes the mixer suitable for band rehearsals, small live situations, streaming, recording and flexible use in a home studio. The sound remains natural and neutral, while features such as the 1-knob compressor, D-PRE preamps and PAD switches make everyday work noticeably easier. Clear sound, within easy reach At the centre are the D-PRE microphone preamps with an inverted Darlington circuit. They provide a clean, transparent signal and give vocals, instruments and playback sources a controlled foundation. Especially with acoustic sources or speech, you can see how balanced and unforced this mixer works. The sound doesn’t feel artificially “puffed up”, but stays open and easy to place in the mix.Alongside that, there is a 3-band EQ on all mono channels. This lets you shape signals quickly without having to wade through complex menus. That’s useful when a microphone needs more presence, a keyboard needs to make room in the mix, or a voice has to remain clear and understandable during live operation. More control, with no detours The 1-knob compressor on the mono channels is particularly practical for everyday use. Instead of long setting routines, you adjust dynamics with a single twist. This helps with vocals, bass, guitar or speech signals when you want to capture level peaks and bring the signal more forward in the mix. For small productions and mobile setups, this is a real advantage because you reach a cohesive result faster.The integrated PAD switches on the mono inputs also help with this. Louder sources can be integrated more cleanly without unnecessarily pushing the input signal right up to the limit. Together with the 48V phantom power, the console remains open to different microphone types and various playback equipment. Effects and USB integrated in a sensible way The internal SPX effects with 24 programs give you reverb, delay and other processing directly on the unit. This saves external accessories and keeps the setup tidy. This is particularly convenient for small stages, speeches, rehearsal-room recordings or content production, as you can work without additional devices.Via the USB 2.0 interface, you can also use the model as a 24-bit/192-kHz audio interface with 2 inputs and 2 outputs. This makes it possible to handle recording and playback directly with a computer or compatible tablets. In combination with MG Rec & Play and support for Cubase AI and Cubasis LE, the compact mixer quickly becomes a practical hub for recording, rehearsal and playback. Built for regular use The metal housing suits users who don’t just keep their equipment permanently set up in the studio. The mixer remains portable, feels robust and is designed for frequent set-up and pack-down. Symmetrical XLR outputs and the straightforward arrangement of the controls make practical use even more convenient. compact build with faders for direct access well suited for small bands, speech, streaming and recording iPad-compatible via Camera Connection Kit or Lightning to USB camera adapter 2x7-LED meters for quick level checks Who is the Yamaha MG10XUF for? The Yamaha mixer is just right for you if you’re looking for a compact mixing console that brings live mixing, recording and playback together in one device. It fits singer-songwriters, small bands, wedding speakers, content creators, mobile tech setups and home studios that prefer to work directly and without unnecessary complexity. Even if you regularly work with microphones, stereo playback sources and a computer or iPad, this console offers a very well-rounded set of functions. well suited for beginners who care about clean sound just as suitable for experienced users who want a compact working unit ideal for rehearsal rooms, small events, livestreams and mobile recording setups practical if you want effects and a USB interface directly on the mixer Features Yamaha MG10XUF Compact 10-channel mixing console for stage, home studio, rehearsal room and smaller events 4 mic and 10 line inputs in a configuration with 4 mono and 3 stereo channels D-PRE microphone preamps with an inverted Darlington circuit for a natural and transparent sound 1-knob compressors on the mono channels for fast and simple dynamic control 3-band EQ on all mono channels for direct tone shaping without detours SPX effects section with 24 programs for reverb, delay and other practice-oriented processing Class-compatible USB 2.0 interface with 24-bit / 192 kHz and 2 In / 2 Out for recording and playback Compatible with iPad from version 2 via Apple iPad Camera Connection Kit or Lightning to USB camera adapter PAD switches on every mono input for better handling of louder signal sources 48V phantom power, symmetrical XLR outputs and robust metal housing for reliable everyday use Technical data Type 10-channel mixing console Inputs 4 Mic | 10 Line | 4 Mono + 3 Stereo USB audio 2 In / 2 Out | 24-bit | 192 kHz | USB 2.0 Effects SPX | 24 programs EQ High +15 dB to -15 dB @ 10.000 Hz EQ Mid +15 dB to -15 dB @ 2.500 Hz EQ Low +15 dB to -15 dB @ 100 Hz High-pass filter 80 Hz Phantom power +48 V Outputs Symmetrical XLR outputs Level meter 2 x 7 LED THD 0,03 % Frequency response 20 - 48.000 Hz Power supply PA-10 mains adapter Power consumption approx. 23 watts Weight 3.3 kg Dimensions (W x D x H) 275 x 390 x 110 mm In the box Yamaha MG10XUF mixing console AC power cable Cubase AI download information User manual
The intuitive interface and well-thought-out layout make this MIDI controller a true partner in the creative process. With its 49 velocity-sensitive keys, versatile assignable knobs and faders, and eight pressure-sensitive pads, you can not only produce music but truly play it. Everything needed for composing, arranging, and performing is within easy reach – including a dedicated transport section with direct access to basic DAW functions. Thanks to full Mackie/HUI compatibility, it works seamlessly with almost any popular music software right away. Instead of constantly switching between mouse and keyboard, you control recording, playback, or undo directly via the controller. Particularly useful is the Chord Play Mode, which allows complex chords to be played easily with a single finger – ideal for harmonic ideas without the need for a music theory background. The included software package makes the KeyLab Essential a true all-rounder. With Analog Lab, you gain access to over 5000 sounds of classic synthesizers, organs, and pianos. Not only do they sound excellent, but they can also be controlled directly via the hardware – including browsing and parameter control. Ableton Live Lite and UVI Grand Piano Model D complete the software bundle and provide you with everything you need to start being productive right away. The two-line LCD display makes navigating presets and settings easier. Ports for USB, DIN MIDI, and a sustain pedal make the device versatile – suitable for both home studio and live situations. Thanks to the compact design, the KeyLab Essential 49 remains portable and takes up minimal space on your desk. For those looking for a powerful and affordable entry into the world of music production, Arturia’s versatile controller is a thoughtfully designed tool. The combination of ease of use, high-quality hardware, and strong software support offers real value for creative processes. Features Arturia KeyLab Essential 49 Universal MIDI controller with 49 velocity-sensitive keys and comprehensive DAW control Includes 8 velocity-sensitive pads with aftertouch for dynamic drum and sample performance 9 rotary knobs and 9 faders with fixed assignments or freely assignable for maximum control Full integration with Arturia Analog Lab including sound browsing and parameter control Chord Play Mode for easy playing of complex chords with just one finger Compatible with all major DAWs thanks to Mackie/HUI protocol Transport section with direct access to playback, recording, and other functions Two-line LCD display for clear overview and navigation Includes extensive software with Analog Lab, Ableton Live Lite, and UVI Grand Piano Model D USB and MIDI Out for easy integration into any setup Technical Specifications Number of keys: 49 Number of pads: 8 velocity-sensitive pads with aftertouch Rotary knobs: 9 rotary knobs Faders: 9 faders (30mm) Encoder: 1 clickable endless encoder Buttons: 13 function buttons Transport control: Play/Pause | Stop | Record | Loop | Next | Last Pitchbend & Modwheel: Present Display: Two-line LCD display Ports: USB | DIN MIDI Out | Sustain pedal Software compatibility: VST | VST3 | AU | AAX DAW compatibility: Pro Tools | Logic Pro X | FL Studio | Bitwig | Cubase | Ableton Live | Digital Performer | Studio One Weight: 3.00 kg Dimensions (W x D x H): 784 x 248 x 76 mm Package Contents Arturia KeyLab Essential 49 Controller Keyboard USB cable Quick Start Guide Analog Lab 2 (download version) Ableton Live Lite (download version) UVI Grand Piano Model D (download version)
The Moog DFAM is a unique semi-modular analog percussion synthesizer that enhances your music production with characteristic Moog sounds. This synthesizer allows you to create powerful analog rhythms without the need for patch cables. Thanks to its flexible patchbay system, the DFAM opens up a wide range of creative possibilities. Two oscillators and a noise generator provide a broad palette of timbres, from deep basses to sharp, percussive sounds. With selectable filters – lowpass and highpass – you can shape your sounds precisely to your liking. The heart of the DFAM is its dynamic 8-step sequencer. Each step of the sequencer has its own controls for pitch and velocity, allowing you to adjust the sequences in real time. This lets you create not only typical percussion elements but also impressive basslines and complex rhythms. The ability to connect the sequences with other modules expands the possibilities, making the DFAM a versatile tool in your setup. Whether used alone or in combination with other Eurorack modules, the Moog DFAM easily integrates into any existing system. With 24 CV inputs and outputs, it offers numerous connection options and an almost unlimited number of sound design possibilities. You can even remove it from its case and install it into an Eurorack case to gain even more flexibility. The Moog DFAM is the ideal companion for musicians and producers looking for a unique and intuitive drum synthesizer that delivers impressive results both in the studio and on stage. Features Moog DFAM 100% analog percussion synthesizer with dynamic 8-step sequencer Legendary analog Moog sound Semi-modular design – no cable connections required, but creative expansion options via patchbay 24 patch points for extensive sound design possibilities Two oscillators and a noise generator for a wide range of percussive sounds (kicks, snares, hi-hats, and more) Selectable lowpass and highpass filters for precise sound shaping Step sequencer with controls for pitch and velocity at each step External audio input for processing audio from other synthesizers or Eurorack modules Fully compatible with Eurorack setups and can be integrated into an Eurorack case Perfect complement to the Moog Mother-32 synthesizer module and fits into 2- and 3-tier Mother-32 racks Technical Specifications Polyphony: Monophonic Oscillators: 2 x oscillators, 1 x white noise generator Waveforms: Triangle, Square Noise Generator: Yes Envelope Generators: VCO/VCF/VCA Filters: Lowpass/Highpass 4-pole transistor ladder filter Sequencer: 8-step sequencer with controls for pitch and velocity Analog Outputs: 1 x 6.35 mm (Line/Headphones) Other Inputs and Outputs: 24 x 3.5 mm patchbay points Power Supply: 12V DC, 1200mA power adapter (included) Power Consumption: 230 mA Weight: 1.59 kg Dimensions (W x D x H): 319 x 133 x 107 mm
Four microphone preamps at the highest level, packed in a robust housing: The Audient iD44 is aimed at those who seek uncompromising sound quality. With its discrete Class-A circuit design, directly from Audient's legendary ASP8024-HE mixing console, this desktop audio interface offers exceptionally precise sound reproduction and a natural analog warmth. Particularly when recording, which requires an authentic and characterful sound aesthetic, the preamp section showcases its strengths. With a total of 20 inputs and 24 outputs, the iD44 is suitable for both smaller project studios and ambitious home recordings. Two ADAT interfaces allow flexible digital expansion, while the two discrete JFET instrument inputs are specifically tailored to the needs of guitarists and bassists. Headphone monitoring is not neglected: Two independently adjustable headphone outputs offer high-level reserves and excellent sound quality. The operation is pleasantly direct. Large, machined aluminum knobs provide a premium tactile feel. In addition, there are customizable function buttons and ScrollControl, a clever feature that allows comfortable control of various DAW parameters. Other practical features such as Talkback, Dim, and Cut buttons make everyday studio work significantly more efficient. A high-quality DSP mixer with extremely low latency ensures that you can work without disturbing delays, even in demanding sessions. Thanks to the sturdy metal housing and a dedicated power switch, the iD44 is perfectly suited not only for the desktop but also for mobile use. Additionally, the comprehensive Audient ARC software package – including plugins from Eventide and a license for Steinberg Cubase LE – rounds off the overall package. Features Audient iD44 Powerful 20-in, 24-out desktop audio interface focused on professional sound quality Four discrete Class-A console microphone preamps with extremely low noise and harmonic warmth Durable housing made entirely of metal for long-lasting durability Machined aluminum knobs for an excellent user experience Separate main and alternate speaker outputs for flexible monitoring ScrollControl allows intuitive DAW remote control directly through the large main pot Three customizable function buttons for a personalized workflow Talkback, dim, and cut functions available at the push of a button Integrated wordclock output for synchronizing external digital devices High-speed USB 2.0 interface for reliable data transmission Comprehensive Audient ARC software package included Technical Specifications Microphone preamps: 4 x Class-A console preamps Instrument inputs: 2 x discrete JFET inputs ADAT expansion: 2 x inputs and outputs Resolution: 24-bit Sampling rates: 44.1 | 48 | 88.2 | 96 kHz Headphone outputs: 2 x independent stereo outputs Inserts: 2 x balanced insert paths Wordclock: 1 x output USB connection: High-speed USB 2.0 Weight: 1.75 kg Dimensions (W x D x H): 276 x 174 x 51 mm Included in the Box Audient iD44 Audio Interface USB cable Power supply Audient ARC software package (download licenses)
Arturia MicroFreak is a compact hybrid synthesizer that combines digital sound generation with an analogue filter. The instrument is aimed at everyone who wants more from sound design than classic standards. 21 oscillator modes, a resonant multimode filter, an unusual touch interface and strong performance features provide direct access to experimental, musical and anytime transformable sounds. Despite its compact build, the synthesizer feels remarkably open, flexible and full of connectivity potential. Sound without a fixed drawer At its core there is a digital oscillator with 21 modes. These include wavetable, granular, karplus-strong, superwave, vocoder and other engines from the Mutable Instruments ecosystem, as well as Noise Engineering. This covers a wide range: from fine, moving pads to harsh, angular textures and percussive impulses.The sound generation is rounded off by an analogue multimode filter with low-pass, high-pass and band-pass. The resonant 12 dB/octave circuit brings structure, punch and control to the signal without losing the open character of the digital engines. Exactly this combination of digital variety and analogue shaping is what makes the small Arturia synth so distinctive. Direct access instead of detours The touch-sensitive 25-key surface responds to pressure and offers polyphonic aftertouch. It plays differently from a classic keyboard, but that’s precisely what makes it appealing. Playing gestures, pressure changes and spontaneous interventions are immediately audible, which is especially convincing for lively sounds and improvised ideas.In addition, there’s a capacitive touch strip and a clearly readable OLED display. This lets you make quick adjustments, change parameters and shape the synthesizer—not just play it. Even as a controller in combination with software or external devices, this interface is an exciting approach. Sequences with your own handwriting The integrated 64-step sequencer provides two patterns and four automation tracks per preset. This allows you to capture ideas quickly and develop them in detail. Notes, movement and modulation interlock directly without slowing down the creative flow.In addition, arpeggiator, chord mode, scale quantizer and the spice-&-dice function expand your playful access. Random variations, controlled deviations and rhythmic changes are created without complicated menus. The result is an instrument that doesn’t just reproduce, but actively contributes when developing new ideas. Modulation, voice, connection With the modulation matrix, you link 5 sources with 7 destinations, three of which are freely assignable. This makes it possible to organise filter sweeps, oscillator contours or LFO movements very flexibly. This structure is strong enough for complex sounds, but it remains quick and practical in everyday use.The vocoder mode extends the concept to speech and vocal processing, and the appropriate gooseneck microphone is included. There are also USB, MIDI, clock and CV/gate/pressure outputs. This allows the MicroFreak to integrate smoothly into DAW setups, hardware rigs and modular environments. Does the Arturia MicroFreak fit you? This model is just right for you if you’re looking for unusual sounds, enjoy working directly on the instrument and appreciate compact devices with real depth. It suits beginners who want a versatile first hardware synthesizer just as much as experienced users who need fresh oscillator concepts, modulation and sequencing in a small format. well suited for sound design, electronic production and experimental ideas interesting for DAW setups, modular systems and hybrid workflows ideal if you want to play expressively while also sequencing quickly suitable for anyone who uses presets and wants to systematically expand their own sounds Features Arturia MicroFreak Compact hybrid synthesizer with digital sound generation and an analogue multimode filter 21 oscillator modes with wavetable, granular, superwave, karplus-strong, vocoder as well as other engines from Mutable Instruments and Noise Engineering Analogue resonant state-variable filter with low-pass, high-pass and band-pass at 12 dB/octave 25 touch-sensitive keys with polyphonic aftertouch and a capacitive touch strip for expressive playing 64-step sequencer with 2 patterns and 4 automation tracks per preset Modulation matrix with 5 sources and 7 destinations, 3 of which can be assigned freely Arpeggiator with up-, order-, random- and pattern modes as well as spice-&-dice variations Monophonic, unison or paraphonic play with up to 4 voices Chord mode and scale quantizer for controlled and fast musical work Vocoder mode included, with gooseneck microphone for speech and vocal processing 320 factory presets and a total of 512 preset slots for your own and saved sounds USB, MIDI, clock as well as CV/gate/pressure connections for integration into DAW and modular setups Technical specifications Display OLED Presets 320 Factory | 512 Preset Slots Oscillator modes 21 Play modes Monophonic | Paraphonic up to 4 voices | Unison Sequencer 64 Steps | 2 Pattern per preset | 4 automation tracks per preset Filter Analogue state-variable filter | Low-pass | High-pass | Band-pass | resonant | 12 dB/octave Modulation matrix 5 sources | 7 destinations | 3 destinations freely assignable Line output 6.3 mm jack, balanced Headphone output 3.5 mm jack CV / Gate / Pressure outputs 3.5 mm jack Clock In / Out 3.5 mm jack MIDI In / Out 3.5 mm TRS jack USB port available Weight 1.02 kg Dimensions (W x D x H) 311 x 233 x 55 mm What’s included Arturia MicroFreak synthesizer 12V DC power supply unit 2x MIDI port adapter Gooseneck microphone Registration card
With the Yamaha MG12XU, you get a 12-channel mixing console that combines clean signal routing, thoughtful operation and practical equipment in a compact format. It is suitable for live applications, rehearsal rooms, streaming, small bands, speech sound reinforcement and fixed installations alike. What stands out in particular is the combination of D-PRE microphone preamps, integrated SPX effects, a USB audio interface and a clearly laid-out surface that lets you get started without detours. Clarity you can hear straight away The built-in D-PRE preamps provide a natural basic sound with clean reproduction of vocals, instruments and acoustic details. With microphones in particular, you can hear how controlled and open the console works. Bass stays stable, the highs feel present without becoming sharp, and even with more complex signals the overall sound remains easy to follow.In addition, there are high-quality op-amps that process the signal transparently. That means the Yamaha mixing console is not only suitable for straightforward sound reinforcement tasks, but also for setups where clean pre-amplification and reliable signal quality are at the centre of attention. Direct control during live operation In practical use, what matters most is how quickly you reach the desired result. That is exactly where the 1-knob compressors come into their own. Instead of spending a long time setting parameters, you adjust the dynamics with a single hand movement. This is particularly helpful for vocals, bass or guitar when a signal needs more density, contour or balance.Supporting this are 3-band EQs on the mono channels and high-pass filters for the microphone inputs. This allows you to reduce unwanted low frequencies, place vocals more clearly in the mix, or separate individual sources from each other more effectively. Operation remains clear and suitable for everyday use. Effects and USB sensibly integrated The internal SPX digital effects give you 24 programmes for reverb, delay and other processing that blends well into the mix. This is particularly useful if you want to work without an additional effects unit, but still want to create more spatial depth or added presence. The effects are quick to access and fit well with typical live and project studio applications.Also included is the integrated USB audio interface with 24-bit and up to 192 kHz. This makes it easy to integrate the console into your recording or streaming setup. Recording and playback via computer or compatible mobile solutions are possible without complicated extra hardware. For many applications, this connection between an analogue mixer and audio interface is precisely what makes the decisive difference. Built robustly, easy to connect The console sits in a stable metal housing and is well prepared for frequent use. At the same time, the control surface is logically arranged, so you can work reliably even in hectic situations. LED metering helps you keep an eye on levels cleanly and spot overloads in time.With mono, stereo and aux structures, group outputs, monitor out and headphone output, the model covers many typical applications. Condenser microphones can also be connected without any trouble thanks to +48V phantom power. Pad switches on the mono inputs additionally help to handle high input levels cleanly. Does the Yamaha MG12XU fit your setup? This model is a good choice for you if you are looking for a clear mixing console with real practical use and you do not want to do without effects, USB connectivity and solid sound processing. It suits singer-songwriters, small bands, technicians for compact live setups, content creators and anyone who wants to mix speech and music with reliable control. suitable for beginners who expect good usability useful for advanced users who need flexible input and output options strong for live mixing, rehearsal rooms, streaming, teaching and small installations particularly practical if you want to mix analogue and record straight via USB Features Yamaha MG12XU 12-channel mixing console with integrated effects and USB audio interface for flexible live and recording applications D-PRE microphone preamps with an inverted Darlington circuit for natural, punchy signal reproduction 1-knob compressors on the mono channels for quick, practice-oriented dynamic control SPX effect section with 24 programmes for reverb, delay and other sound-shaping effects 3-band EQ on each mono channel for targeted processing of highs, midrange and lows High-pass filter on microphone inputs to reduce unwanted low frequencies USB audio interface with 24-bit and up to 192 kHz for recording and playback in high resolution +48V phantom power for the use of condenser microphones PAD switch on the mono inputs for safe handling of high input levels Robust metal housing with a clear control surface and LED metering for reliable use Technical data Type Analogue 12-channel mixing console with USB audio interface and SPX effect section Phantom power +48 V USB audio interface Class 2.0 compliant | 24-bit | up to 192 kHz Input channels 4 x Mono MIC/LINE | 2 x Mono/Stereo MIC/LINE | 2 x Stereo LINE Output channels 2 x Stereo Out | 1 x Monitor Out | 1 x Phones | 2 x Aux Send | 2 x Group Out High-pass filter 80 Hz | 12 dB/Oct. | on MIC inputs Equaliser High +15 dB/-15 dB | 10 kHz shelving Equaliser Mid +15 dB/-15 dB | 2,5 kHz peaking Equaliser Low +15 dB/-15 dB | 100 Hz shelving Peak LED Lights up at 3 dB below clipping after EQ Level Meter 2 x 12-segment LED | PEAK | +10 | +6 | +3 | 0 | -3 | -6 | -10 | -15 | -20 | -25 | -30 dB THD 0,03 % at +14 dBu (20 Hz to 20 kHz) | 0,005 % at +24 dBu (1 kHz) Frequency response +0,5 dB/-1,5 dB at 20 Hz to 48 kHz Power supply AC 100 - 240 V | 50 / 60 Hz Weight 4.2 kg Dimensions (W x D x H) 308 x 422 x 118 mm What’s in the box Yamaha MG12XU mixing console Power cable Cubase AI download information User manual Safety and warranty information
Pioneer DJ VM-80 is an active monitoring speaker for studio work and DJ setups, combining precise playback with a thoughtfully designed cabinet construction. The model is built on modern amplifier technology, high-quality components and flexible sound adjustment, so you can better tailor the sound to your room and your working style. This creates a monitor that supports controlled and balanced playback both when producing and when playing records. Precise amplification for everyday studio use Inside, a Class-D amplifier with DSP works, resolving up to a 96 kHz sampling rate. The product is therefore designed for wideband audio playback with low distortion and remains linearly matched across the entire frequency range.This design is especially helpful during long sessions when you want to assess mixes or fine-tune transitions properly. The speaker delivers a matter-of-fact, direct reproduction, without needlessly pushing itself into the foreground sonically. Controlled bass with a thoughtfully designed diaphragm An aramid fibre woofer diaphragm is used for the low-frequency range. According to the manufacturer, it is 30 percent lighter than conventional variants with paper lining, supporting a punchy reproduction in bass and deep midrange.The concept is complemented by ribs in the bass reflex opening, which guide the airflow in a targeted way. This provides greater tightness in the lower frequency range and a clearer punch, without encouraging unnecessary vibration. Cabinet focused on quiet operation and stability A key feature is the 4 mm aluminium front baffle. It reduces resonances and unwanted vibrations, which is especially beneficial when you rely on the most uncoloured reproduction possible.The bass reflex cabinet itself is also designed for careful, clean working. In combination with the MDF vinyl laminate and the stable front, the result is a build that brings together sound quality and durability in a sensible way. A wider listening range for precise work The model uses a horn with constant directivity, so the mid and high frequencies are distributed powerfully and evenly throughout the room. This creates a wide listening area that still allows you a consistent perception even if you move slightly while working or playing records.The shape of the horn and the design at the edge of the low-frequency driver are tuned to make the transition to the high-frequency driver as natural as possible. This helps support a coherent sound picture without abrupt breaks between the frequency ranges. Sound tuning to suit your room Especially practical is the adjustable DSP on the rear panel. With the Low EQ and High EQ, you can adapt the speaker to different positions and acoustic conditions.Both controls can be set to four positions each, allowing 16 EQ combinations. This is helpful if you want to tune the monitor in a home studio, a production room or a DJ setup so that it fits better with the room size, placement and surfaces. Why does the Pioneer DJ VM-80 fit your setup? This model is suitable for you if you are looking for a monitor for studio use and DJ setups that combines controlled reproduction with adjustable sound shaping. It works well for people getting started with higher expectations, for advanced users and for anyone who wants to work reliably in a home studio or project studio.The speaker is particularly suitable for applications such as: Music production and editing Mix preparation in a home studio DJ monitoring at the setup Listening in rooms with varying acoustic conditions Features Pioneer DJ VM-80 Active monitoring speaker for studio use and DJ setups Class-D amplifier with DSP and 96 kHz sampling rate Linear playback across the entire frequency range 4 mm aluminium front baffle to reduce resonances and vibrations Newly developed aramid fibre woofer diaphragm with 30 percent lower weight Ribs in the bass reflex opening for tighter, punchier bass Horn with constant directivity for a wide, even listening area Adjustable DSP with Low EQ and High EQ, plus 16 possible EQ settings Technical specifications Design Bi-Amp 2-way active speaker Amplifier Class-D with DSP Sampling rate 96 kHz Cabinet Bass reflex Material MDF vinyl laminate Input impedance 10 kΩ Woofer 8 inch Tweeter 1 inch soft dome Frequency range 34 - 36,000 Hz Max. sound pressure level 115 dB Power consumption 60 watts Standby 0.3 watts or less Weight 9.70 kg Dimensions (W x D x H) 267 x 325 x 400 mm In the box Pioneer DJ VM-80 monitoring speaker Power cable Soft feet stands User manual Precautions for use Warranty card
Vintage E-Piano sounds, direct operation and a format that you can take along without detours: the Yamaha Reface CP combines the character of classic keyboard instruments with a modern, clearly structured workflow. Six distinctive keyboard sounds, an effect section that’s instantly accessible, and the high-quality 37-key mini keyboard make this compact model a flexible tool for production, rehearsal, and spontaneous playing. Klassiker auf Abruf Six distinctive sounds are built into the housing, based on well-known vintage instruments. From warm Tine pianos to punchy reed sounds and on to Clavi and Toy piano character, you get exactly the timbres that cut through in the mix quickly and feel instantly familiar when you play.What’s particularly practical is the clear selection without an overloaded menu structure. You can switch quickly between different sound types, giving you an instrument that doesn’t just provide a typical E-Piano sound, but cleanly covers multiple musical directions. Effekte mit direktem Zugriff The integrated stompbox-style section is designed to work deliberately and immediately. Drive, Tremolo, Chorus, Delay and Reverb can be set directly without you having to work through submenus. This keeps the focus on playing rather than editing.Especially with a compact keyboard, that’s a major advantage: you can add more depth, movement, or grit right away to a dry basic sound. In just a few hand movements, you can create broad pads, rhythmic modulation, or compact, punchy sounds for recording and live setups. Klein gebaut, gut spielbar The 37-key HQ mini keyboard is designed for mobility without feeling cheap. The keyboard action responds pleasantly and directly and, despite its compact design, delivers a controlled playing feel that works well for melodies, chords, and rhythmic parts.There’s also the high polyphony with 128 voices. This ensures clean, smooth playing, even when you use sustain or play dense harmonies. With a compatible pedal, you can also use sustain including half-damping functionality, making the playing even more nuanced. Bereit für unterwegs This Yamaha E-Piano isn’t tied to a fixed location. Its low weight, built-in speakers, and battery operation make it a solution you can set up quickly and use anywhere. Up to 5 hours of battery operation give you extra playing time when there isn’t a power outlet nearby. built-in stereo speaker system mains operation or operation with six AA batteries compact format for desk, rehearsal, or travel luggage ready to use quickly without additional accessories Connections with practical relevance Even the connections reflect a well-thought-out design. Through the Aux input, you can connect external sources such as a smartphone or tablet. There are also line outputs for a mixing desk, audio interface, or DI box, a USB-to-Host port for connecting to computers and mobile devices, and MIDI via mini-DIN.That means the instrument fits both into a simple home setup and into an expanded production environment. You can rehearse right away, record, integrate MIDI, or pass the signal to a PA without any hassle. Für wen passt das Yamaha Reface CP? This model is just right for you if you’re looking for classic E-Piano sounds, but don’t want to transport a large, heavy vintage solution. It’s suitable for beginners who appreciate a clearly accessible setup, as well as for experienced keyboard players, producers, and songwriters who want to integrate a compact sound module with its own character into their setup. ideal for mobile setups and small studios useful for live performers with limited space interesting for producers focused on retro keyboard sounds practical for anyone who wants to work directly without a long learning curve If you value quick operation, selected sounds, and flexible connection options, this compact vintage keyboard is a solid choice. It’s aimed at musicians who would rather play and shape the sound than work through complex menus. Features Yamaha Reface CP Compact mobile E-Piano with six characterful vintage keyboard sounds and a direct control interface Six carefully modelled sound types with influences from Tine, Reed, Clavi, Toy, and CP E-Pianos Stompbox-style effects section with Drive, Tremolo or Wah, Chorus or Phaser, Delay and Reverb 37 HQ mini keys with a natural playing feel and high-quality workmanship 128-voice polyphony for smooth playing even with dense chords and sustain Sustain pedal support with half-damping function when using a compatible optional pedal Built-in stereo speaker system for direct use without external monitoring Power via power adapter or six AA batteries for mobile use up to 5 hours Aux In for external audio devices and USB-to-Host for connecting to computers and mobile devices Line outputs and MIDI connectivity for studio, stage, and integration into existing setups Technical specifications Keyboard 37 keys in HQ mini format Polyphony 128 voices Sound generation SCM + AWM2 Amplifier output 2 x 2 W Speakers 2 x 30 mm Effects Drive | Tremolo/Wah | Chorus/Phaser | Digital Delay/Analog Delay | Reverb Power supply Power adapter PA-130 or comparable | 6 x AA batteries | Ni-MH rechargeable batteries Connections DC In | Headphones 6.3 mm stereo | MIDI mini-DIN in/out | Aux In 3.5 mm stereo | L/MONO and R line outputs 6.3 mm | USB-to-Host Pedal options Sustain pedal compatible with FC3(A) | FC4(A) | FC5 | Half-damping function with FC3(A) Weight 1.9 kg Dimensions (W x D x H) 530 x 175 x 60 mm Included in delivery Yamaha Reface CP E-Piano Power adapter MIDI breakout cable Owner’s manual
The Roland JD-Xi combines the best features of analog and digital sound generation in a compact way, making it a true all-rounder for musicians and producers. With an analog synthesizer engine and a variety of digital sounds, the device offers an enormous range of tones. The analog section delivers powerful bass and lead sounds, which gain even more depth through a dedicated sub-oscillator, while the digital synthesizers impress with an impressive polyphony of 128+1 voices and Roland's legendary SuperNATURAL sounds. This includes a wide range of sounds, from rich pads to brilliant strings to expressive electric pianos. Don’t be fooled by its compact size. This synthesizer powerhouse hides unexpected potential, which in the right hands can turn into a true synthesizer monster. The Roland JD-Xi can sound really fat analog, hammering out lively leads and basses through the outputs, or create silky smooth digital surfaces or pads. Of particular interest is the integrated vocoder, which can be controlled via a flexible gooseneck microphone. Not only can the synthesizer’s tones be modified, but also your own voice to create unique vocal effects. The AutoPitch function allows you to transform your singing into the typical electronic sound – an essential tool for modern music production. The 4-track pattern sequencer also offers the possibility to create complex loop-based compositions. The easy operation and the variety of preset patterns provide numerous creative possibilities for both beginners and experienced musicians. The use of real-time and step recording modes, as well as the TR-REC mode, reminiscent of the classic Roland drum machines, adds an extra playful component to music production. Thanks to the USB connectivity, the created tracks can be easily integrated into music software, while the synthesizer, with a wide range of effects and sound options, is flexible enough for use in any music project. The Roland JD-Xi is a powerful and versatile tool that leaves nothing to be desired when it comes to creative music creation. Features Roland JD-Xi Crossover synthesizer with analog and digital sound generation for an enormous sound variety 37-key keyboard with great playing feel Analog synthesizer section for authentic bass and lead sounds with sub-oscillator Two digital synthesizer sections with 128-voice polyphony and SuperNATURAL sounds 1 drum section with PCM drum kits Integrated vocoder for creative vocal and speech modulations, controlled via a flexible gooseneck microphone AutoPitch function for robotic, electronic vocal effects 4-track pattern sequencer for creating loops and complete compositions 4 simultaneous effects for creative sound design USB connection for audio and MIDI connection to music software on the computer Includes a wide selection of ready-to-play sounds and patterns Additional sounds can be downloaded from Roland's website Technical Specifications Sound generation: Hybrid (analog/digital) Sound generation: Digital (SuperNATURAL), Analog, PCM Drum Kits Effects: Effect1 (Distortion, Fuzz, Compressor, Bit Crusher), Effect2 (Flanger, Phaser, Ring Mod, Slicer), Delay: 2 types, Reverb: 6 types Vocal effects: Vocoder, Auto Pitch, Auto Note Sequencer: 4 tracks (2x digital synth, 1x drums, 1x analog synth) Number of keys: 37 mini keys with velocity sensitivity Other controls: Pitchbend, modulation wheel Polyphony: 129 voices (128 digital, 1 analog) Arpeggiator: Yes Audio inputs: 1 x XLR, 1 x 1/4" Audio outputs: 2 x 1/4" Headphone output: 1 x 1/4" USB: 1 x Type B MIDI I/O: In/Out/USB Power supply: AC power adapter (included) User sounds: 256 free slots Weight: 2.2 kg Dimensions (W x D x H): 575 x 245 x 85 mm Included Accessories Roland JD-Xi Manual AC Adapter Microphone
Pioneer DJ VM-70 is an active monitor speaker for studio applications and DJ setups, designed for precise and reliable playback. The model combines modern amplifier technology, carefully considered cabinet details and adjustable sound controls, so you can tailor the speaker more effectively to the room and your application. This makes the item suitable both for working on productions and for dependable pre-listening in everyday DJ use. Well-tuned sound for precise work Inside, a Class-D amplifier with DSP handles resolution at a 96 kHz sampling rate. This design supports wideband audio playback with low distortion and a linear feel across the entire frequency range. This is a clear advantage, especially when listening for details in mixes or when preparing sets.As a Bi-Amp 2-way system, the speaker separates playback cleanly between lows and highs. This keeps the presentation controlled and easy to follow, without colouring the sound unnecessarily. Powerful bass with controlled response For the lower frequency range, Pioneer DJ uses an aramid fibre woofer cone. It is 30% lighter than conventional versions with paper lining, supporting a powerful reproduction in bass and deep midrange. At the same time, the lightweight construction also benefits durability.To complement this, the bass reflex design features ribs in the opening. This solution improves airflow and delivers a tighter, more precise punch in the low end. Fewer resonances, more control An important part of the concept is the 4 mm aluminium front baffle. It reduces vibrations and unwanted resonances, which directly affects the cleanliness of playback. In particular in work environments where you make decisions by ear, this provides a more reliable basis.The cabinet itself is also consistently designed for sonic stability. The combination of a well thought-out construction and robust materials supports a calm, controlled overall impression. Even playback in the listening range For the midrange and treble, the model relies on a horn with constant directivity. This creates a broad, even listening area in which frequencies are controlled and projected. This makes it easier to judge vocals, synths, drums and spatial details.The shape of the horn is designed so that the transition to the tweeter feels natural. Combined with the 1-inch soft dome tweeter, it results in a coherent and direct treble reproduction. Adjustable to your room Every room sounds different. That’s why the speaker offers adjustable DSP with separate controls for Low EQ and High EQ. Both can be switched in four positions, enabling a total of 16 EQ settings. This lets you better adapt the behaviour of the monitor to placement, room size and acoustic conditions.This is especially useful when you’re not working in an acoustically perfectly treated studio. Even in a home setup or in a production room with varying placement, the tuning remains flexible. Thoughtful design for everyday use The hexagonal front and neatly executed cabinet combine function and appearance in a sensible way. The brushed alumite coating highlights the professional character without drawing too much attention to itself.In addition, a protective bracket on the tweeter reduces the risk of damage to the high-frequency diaphragm. This is particularly handy when the monitor is used regularly in the studio or in a DJ environment. Does the Pioneer DJ VM-70 fit your setup? If you’re looking for a monitor that’s suitable for studio work and DJ setups alike, this speaker is a good choice. The model is aimed at ambitious beginners, advanced users and also those who want reliable work in a project studio or home studio.It’s particularly well suited for applications such as: Music production and mixing in a home or project studio Listening to DJ sets and preparing performances Rooms where flexible DSP adjustment is required Setups where controlled bass and clean midrange are important Features Pioneer DJ VM-70 Active monitoring speaker for studio applications and DJ setups Class-D amplifier with DSP and 96 kHz sampling rate Bi-Amp 2-way setup for separate playback of lows and highs 4 mm aluminium front baffle for reducing resonances and vibrations Newly developed aramid fibre woofer cone with 30% lower weight Bass reflex opening with ribs for tighter, punchier bass Horn with constant directivity for a wide and even listening area Adjustable DSP with Low EQ and High EQ controls in 4 positions each Technical Specifications Construction Bi-Amp 2-way active speaker Amplifier Class-D with DSP Sampling rate 96 kHz Cabinet Bass reflex Material MDF vinyl laminate Input impedance 10 kΩ Woofer 6.5 inch Tweeter 1 inch soft dome Frequency range 37 - 36,000 Hz Max. sound pressure level 112 dB Power consumption 45 watts Standby 0.3 watts or less Weight 7.70 kg Dimensions (W x D x H) 229 x 312 x 341 mm What's in the box Pioneer DJ VM-70 active monitoring speaker Power cable Flexible stand feet User manual Precautions for use Warranty card
Building on the amazing success of the Yamaha HS Series used in studios around the world, Yamaha is introducing a new special edition that brings unprecedented accuracy to your mixes - the HS Matched Pair Monitors. To deliver the best possible performance, the HS MP Speakers in the Special Edition use specially selected components to match the performance of the speakers in each pair as closely as possible, just like an expensive matched microphone pair! In addition, the serial numbers of the speakers in each pair are sequential. With the creation of these specially matched pairs, Yamaha has once again succeeded in improving the performance of some of the world's most popular studio monitors. The HS7 nearfield reference monitors are the industry standard for any studio. Known for their excellent signal reproduction and superb sound quality, these Yamaha monitors will delight you. The Yamaha HS7 is a powerful 2-way active bass reflex near-field monitor with 6.5" cone woofer and 1" dome tweeter. With its excellent sound and classic white cone look, the active near-field monitor is a great package for all music lovers. With multiple trimmers on the rear panel, the Yamaha HS7 can also be customised to suit your listening environment, ensuring a pristine listening experience. Features Yamaha HS7 MP MP Matched Pair Special Edition - to celebrate 15 years of HS monitors Perfectly matched for best sound quality Special production process using only selected parts Active 2-way bass-reflex near-field monitors Incl. 6.5" cone woofer and 1" dome tweeter 60W-LF- plus 35W-HF-Bi-Amp-System for 95W power amplification ROOM-CONTROL and HIGH-TRIM tone control XLR and jack inputs for balanced and unbalanced signals Technical data Type: Active studio monitor System: 2-way Power: 95 W (HF: 60 W - LF: 35 W) Power consumption: 55 W Controls: Volume, High Trim switch +/- 2dB, Room Control switch (frequencies below 500 Hz can be lowered by 0, -2 and -4dB) Frequency response: 43 - 30,000 Hz Transition frequency: 2 kHz Connections: XLR IN (balanced), 6.3mm jack IN (balanced) Cabinet: bass reflex, MDF Dimensions per monitor (W x H x D): 210 x 332 x 284 mm Weight per monitor: 8.2 kg Delivery quantity: 1 pair = 2 pieces
The Roland JU-06A is a versatile, compact synthesizer module that combines the sonic magic of the legendary JUNO-60 and JUNO-106 in a compact and modern design. Especially for electronic musicians, this device offers the opportunity to experience both classic sounds and modern features in one instrument. The JU-06A impresses with its authentic sound quality, allowing you to recreate the typical sound of the two famous predecessors in all its glory. The module features a range of user-friendly controls, including 17 dedicated knobs, allowing you to adjust sounds in real-time. The ability to switch between the characteristic filter models of the two synthesizer icons offers an impressive variety of timbres. The JU-06A reproduces the signature chorus experience of the JUNO series, delivering the warm, pulsating sound that synth fans worldwide appreciate. With the 16-step sequencer, you can store up to 16 patterns and develop creative ideas on the go. Thanks to the option of running the JU-06A on 4x AA batteries and the integrated speaker, it is possible to start spontaneous music productions without additional equipment. The sturdy metal casing ensures that the synthesizer meets the demands of mobile use and can be taken anywhere. Whether as a standalone instrument or as part of a larger setup, the Roland JU-06A offers a wide range of applications. It can easily be connected to other devices via USB or MIDI and can even be used as an audio interface. For better playability, the JU-06A can be expanded with an optional K-25m keyboard, into which the boutique synthesizer can be directly plugged. Features Roland JU-06A Compact and portable synthesizer module that combines the legendary JUNO-60 and JUNO-106 sounds Easy operation with 17 dedicated knobs for extensive sound shaping Directly switchable models for JUNO-60 and JUNO-106 via the control panel Two different chorus modes to create the signature sound of the JUNO series 16-step sequencer with the ability to store up to 16 patterns Sturdy metal casing, ideal for mobile use Integrated speaker for operation without additional audio hardware Battery operation (4 AA batteries), perfect for mobile use USB and MIDI connections for easy integration into a larger setup Can be used as a USB audio interface for simple production setups Optional K-25m keyboard dock (sold separately) for enhanced playability Technical Specifications Sound generation: Digital Keys: 16 performance keys Polyphony: 4 voices Presets: 64 patches for JUNO-60, 64 patches for JUNO-106, 16 x Chord Memory Oscillators: 1 DCO (Digitally Controlled Oscillator) Waveforms: Square, saw, sub, PWM, noise Envelope generator: 1 ADSR LFO: 1 LFO (Low Frequency Oscillator) VCA: Yes (Voltage-Controlled Amplifier) Filter: High-pass filter, VCF (Voltage-Controlled Filter) Effect types: 2 chorus effects, 1 delay Arpeggiator: Yes, with mode switch, range switch, and speed control Sequencer: 16-step, 16 patterns, monophonic Analog inputs: 1 x 3.5mm TRS (stereo input) Analog outputs: 1 x 3.5mm TRS (stereo output) Headphone jack: 1 x 3.5mm MIDI I/O: In/Out/USB Additional connections: 1 x 3.5mm (external clock input) USB: 1 x Micro-B Expansion: K-25m keyboard dock (sold separately), DK-01 dock (sold separately) Power supply: USB bus powered / 4 x AA batteries (Ni-MH, Alkaline) Power consumption: 500mA Weight: 0.99 kg Dimensions (W x D x H): 300 x 128 x 49 mm Included in the Box Roland JU-06A User manual 4x AA batteries Warning notices
Studio Equipment
For aspiring artists who are interested in making music at home, there has never been a better time than right now. The options are plentiful, and the prices are a fraction of what they used to be:
A simple home studio can deliver results that, not too long ago, would have had to be booked in a professional studio.
But with all the options currently available online or in a shop, it can be difficult to know where to start. Here we’ve put together a small shopping guide with things you should keep in mind so you’re not disappointed when buying your studio equipment.
Contents
Audio Interfaces
The inputs on the audio interface are the only way to get analogue sounds from e.g. microphones or guitars, digital into your computer.
After all, it’s the audio interface that processes all audio signals that enter the computer and also come out of it, via analogue-to-digital and digital-to-analogue converters.
Every computer already has audio converters, which are usually integrated on the mainboard, but they are not designed for professional audio quality. And while practically every standalone interface offers better converters than those in the computer, the audio quality can also be scaled based on the price and the number of inputs.
Which audio interface should I buy?
To answer that, you first need to consider what operating system you have?
For most users (including Apple), a USB interface is therefore the first choice. Internal sound cards offer virtually no advantages anymore and are currently hardly available on the market.
A sound card based on USB-C is currently the best choice and the safest option for all operating systems in the long term.
The next important question you need to ask yourself is: How many inputs do you need?
The more inputs the sound card has, the more expensive it will naturally be. Behind each input/output there is a component in the form of an AD/DA converter, which costs money in production. That’s why you should think carefully in advance about what devices you have and how many devices you want to record on how many inputs. Small home setups or guitarists will surely manage with an interface with 2 inputs. For semi-professional studios or band recordings, you’ll almost certainly need more inputs.
Studio Monitors
Of all the decisions you have to make when setting up a home studio, this could be the most difficult. Judging music will always be a subjective activity, and the same applies to judging how it sounds.
At the same time, there are also some general points: Most people want studio speakers that reproduce the sound as neutrally as possible and don’t colour or distort your productions too much. Monitors should, for example, not boost the bass, because that interferes with your ability to hear exactly what’s really happening in the low frequencies; the speakers you listen to music on aren’t necessarily the ones you want to make music on.
Nevertheless, everyone will probably have a slightly different idea of what a neutral sound image actually sounds like, and there are other factors that influence the music from the monitors, including the size and the design. All monitors are really only as good as the room they’re used in.
Which studio monitors can you recommend to me?
Currently very popular are the KRK Rokit series. It’s available in different sizes and is very affordable price-wise. They offer a very neutral sound at a good price/performance ratio.
The same can be said for the Yamaha HS series. It’s only minimally more expensive and has a broad fan base in many home studios worldwide.
Midi Controller
Mouse, trackpad, keyboard - none of these is a particularly intuitive music tool. That means you need a kind of controller - whether it’s a midi keyboard or a controller with pads - to control or play sounds in your DAW. The range of possibilities is, once again, surprisingly wide.
If you’re looking for something with rotary knobs and something for playing drums, something like the Akai MPK series might fit. If you want more, you’ll pick something bigger, for example the large MPK series from Akai or the Novation Launchkey series.
All these controllers can be integrated into any DAW more or less seamlessly and offer flexible assignment of the controls to the functions of any software. In principle, you can do anything with these controllers - but you also have to set everything up yourself.
Alternatives to the keyboard
If you’re looking for something that reflects the software on the monitor or doesn’t need to be set up extensively, you should take a look at Native Instruments’ Maschine or Ableton’s Push controller.
The NI Maschine is a pad-based instrument that can be integrated into Native Instruments’ software instruments, samplers and effects to enable quick, intuitive editing and performance techniques such as pattern editing, step sequencing and sample slicing.
Hardware Instruments, Samplers, Synthesizers
The wide world of hardware instruments includes many decades of electronic synthesizers, drum machines, sequencers, effects - to name just a few, not forgetting all the traditional sound generators like guitars, drums and trumpet horns.
But when it comes to electronic gadgets, despite the appeal of classics like the Roland TR-808 or Juno-106, their worldwide fame means that prices have exploded over the past few years; many eBay sellers ask for almost €4,000 for a Roland TR 808 in good condition. Fortunately, there is a robust market for modern replicas or cost-effective imitations from the manufacturers for users who are looking for the classic sound.
The Roland Boutique series, for example, is a range of miniature versions of the company’s most legendary machines. Korg has also done a lively business with the revival of various classic machines from earlier years.
Grooveboxes are also still particularly popular grooveboxes. These small all-in-one groove monsters were created around the turn of the millennium and were able to handle a complete production in a single box with a sequencer, internal sounds, effects and even a sampler. In the meantime, the devices have evolved and now form a symbiosis of hardware that drives a software solution. Best example: The Maschine by Native Instruments.
From the original idea of a groovebox, Korg has its Electribe series and Roland with the Roland MC series left.
Studio Mixing Consoles
The mixing console represents the control centre in a home recording studio or live setup, and you should choose one deliberately. Many mixing consoles have a built-in audio interface for recording and connecting to the computer. We have a large selection of USB, Firewire and digital mixing consoles for recording your live performances and studio productions. Before anything else, you should consider how many channels you need and the effects section.
The equalizers on the mixing console help you reduce and boost frequencies by producing a clean, loud signal. Smaller mixing consoles with up to 4-6 channels are suitable for solo musicians with XLR and jack inputs for instruments with stereo backing tracks and keyboards. But even band recordings or home recording setups also achieve good and cost-effective results with mid-sized studio mixing consoles.
Some mixing consoles also have effects built in, such as delay, chorus and many other effects that give the live mix the finishing touch. For larger installations and professional touring musicians, mixing consoles with 20 channels and more are available.