Average rating of 5 out of 5 stars
Features Boss RC-505 MKII The industry standard tabletop looper, enhanced and improved once again Superior sound quality thanks to 32-bit AD/DA conversion and 32-bit floating point calculation Five simultaneous stereo tracks with independent control and dedicated volume faders Input FX and Track FX sections, each with four simultaneous effects and four DeepL access banks Individually customizable effect and track buttons for each phrase track Huge built-in effects selection with 49 input effects and 53 track effects, including Harmony, Electric FX and many more New, ultra-rugged faders with extended travel for even more precise adjustment New mark-back feature for extended undo/redo flexibility during performance Two XLR mic inputs with phantom power, two stereo input pairs and three stereo output pairs 99 memories, each with five phrase tracks, individual effects assignments, stand-alone playback settings, control assignments, and more Sync your loops with over 200 built-in rhythm patterns and 16 drum kits Comprehensive MIDI control Two external control inputs for connecting two footswitches or an expression pedal USB port for data backups, import/export of phrases via BOSS Tone Studio, and pattern import via RC Rhythm Converter Technical data Sampling Frequency: 44.1 kHz AD/DA Conversion: 32 Bit Number of Tracks: 5 Data Format: WAV (44.1 kHz, 32-bit float, stereo) Maximum Recording Time: Approx. 1.5 hours (1 track) | Approx.13 hours (total of All memories) Rhythm Type: 200 types or greater Rhythm Kits: 16 types INPUT FX: 49 types TRACK FX: 53 types MASTER FX: 2 types Memory: 99 Slots Display: Graphic LCD (128 x 64 dots, backlit LCD) Power Supply: AC adaptor Weight: 1.8 kg Dimensions: 420 (W) x 234 (D) x 67 (H) mm Scope of delivery Boss RC-505 MKII Loop Station AC adapter User manual Safety instructions
Average rating of 4.5 out of 5 stars
The Roland VT-4 Voice Transformer is a versatile effect processor specifically designed for the human voice, offering intuitive operation and high effectiveness. Whether you're a solo EDM artist, DJ, or lead singer in a band, the VT-4 provides extensive possibilities for shaping and crafting your vocal sound. The user-friendly interface allows you to create stunning vocal effects like harmonizers, vocoders, pitch-shifting, and many more without having to navigate through complex menus. The VT-4 delivers an impressive range of effects. These include classic effects like delay and reverb, as well as more modern treatments such as formant and vocoder effects. The quality of these effects is top-notch, and the interface is optimized for live performance. This allows you to make flexible adjustments during a performance to tailor your sound to the song and mood. With the VT-4, you can transform your voice in various ways. Particularly noteworthy is the real-time processing of pitch and formants. Using independent faders, you can adjust these parameters smoothly and without sound artifacts, transforming your voice into another gender's voice or altering it in size and tonal character. The VT-4 enables you to create complex vocal effects and use multiple effects simultaneously. The central Auto-Pitch knob allows you to precisely set the effect amount, while the megaphone button adds lo-fi dirt. Effects like the vocoder can be complemented with tape delay or vintage chorus, and each effect type is available in various variations. You can combine your effects, set parameters individually, and save your settings to the eight preset memory slots. The MIDI input provides additional expressive capabilities. Connecting a MIDI keyboard allows you to control the Auto-Pitch, vocoder, and harmonizer engines of the VT-4 in real-time through played notes. This lets you tune your voice to specific notes or create multi-part harmonies that follow the played chords. The compact VT-4 can be easily placed on most keyboards and integrated into your setup. For streamers and podcasters, the VT-4 is also an excellent choice. With its compact size, ease of use, and USB audio options, it's ideal for creating creative and unique vocal sounds in streams or podcasts. Whether you're changing your voice for different characters or adding dramatic effects, the VT-4 offers numerous opportunities for creative expression. Features Roland VT-4 Compact effect processor: Optimized for the human voice Intuitive interface: Easy control without complex menus or programming Diverse effects: High-quality 24-bit/192kHz effects such as harmonizers, vocoders, pitch-shifting, Mickey-Mousing, and more Real-time processing: Pitch and formants can be precisely adjusted via independent faders Multiple effects simultaneously: Combine and modify effects for complex sound design Effect variations: Various variations for each effect type, including lo-fi, vintage chorus, and tape delay MIDI control: Real-time control of Auto-Pitch, vocoder, and harmonizer via a MIDI keyboard Save presets: 8 memory slots for custom presets for quick recall of effect setups USB audio: Ideal for streaming and podcasting, enabling easy integration into digital workflows Portable power: Up to 5 hours of battery life with 4 AA batteries or via USB bus power Flexible use: Compact size allows for use on stage, in the studio, or on the go Real-time sound manipulation: Direct access to effects and parameters during performance Technical Specifications Audio: 24-bit signal processing, AD/DA conversion: 24-bit Sampling rate: 44.1 kHz, 48 kHz, 96 kHz, 192 kHz Power supply: 4 AA Ni-MH batteries, 4 AA alkaline batteries, USB bus power Power consumption: 500 mA Battery life: Approximately 6 hours (alkaline, without phantom power), approximately 7 hours (Ni-MH, without phantom power) Memory: 8 scene memories Weight (including batteries): 554 g Dimensions (W x D x H): 174 x 133 x 58 mm Included Accessories Roland Aira VT-4 User manual 4 AA batteries
Average rating of 5 out of 5 stars
The BOSS RC-600 Loop Station offers enormous creative potential for modern loop artists with its six stereo phrase tracks and a vast selection of onboard effects. With two microphone inputs, two instrument inputs, and three assignable stereo outputs, it provides ample routing options needed on stage or in the studio. A total of 49 input effects are available to shape your sound. Once a loop is running, 53 different track effect types are available to manipulate the sound. Up to four effects can be used simultaneously for each loop section, offering practically unlimited effect possibilities and making the integration of external effect processors unnecessary. With 99 memory slots—each for six phrase tracks, custom effect and playback settings, control assignments, and other adjustments—the RC-600 Loop Station has enough storage for all your projects. The RC-600 also offers advanced connectivity options for integration into larger setups thanks to the midi in/out ports. Two external control jacks, each supporting two footswitches or an expression pedal, allow for extended control of the loop station. Features Boss RC-600 6-track stereo loop station pedal with top 32-bit sound quality 6 stereo phrase tracks with independent controls for Rec/Play and Stop 9 freely assignable footswitches and 3 pedal modes for ultra-flexible performance options 2 microphone inputs with phantom power for vocalists and acoustic instrumentalists Huge selection of effects, including 49 input FX and 53 track FX, with up to 4 simultaneous effects per loop section Time-based effects like delays and modulations can be synchronized with the loop tempo Comprehensive support for external MIDI control 2 control jacks each support 1 expression pedal or 2 footswitches Over 200 rhythms with 16 different drum kits USB for phrase backup and import/export via BOSS Tone Studio and pattern import via RC Rhythm Converter Includes AC adapter Technical Specifications Sampling Rate: 44.1 kHz AD/DA Conversion: 32 Bit Processing: 32-bit floating point Number of Tracks: 6 Data Format: WAV (44.1 kHz, 32-bit floating point, stereo) Maximum Recording Time: approx. 1.5 hours (1 track), approx. 13 hours (all memory) Rhythm Types: 200 types or more Rhythm Kits: 16 types INPUT FX: 49 types TRACK FX: 53 types MASTER FX: 2 types Memory: 99 Display: Graphic LCD (128 x 64 pixels, backlit LCD) Power Supply: AC adapter Weight: 2.4 kg Dimensions (W x D x H): 435 x 163 x 66 mm Included in Delivery Boss RC-600 Power adapter User manual Safety instructions
The compact echo effects unit with integrated audio mixer offers you a well-thought-out combination of functionality and easy operation – ideal for karaoke nights, small live setups, or use in event spaces. Two separate microphone inputs with individual volume and equalizer controls allow you a clear and voice reproduction tailored to your preferences. The automatic talkover function ensures that the music automatically lowers as soon as someone speaks – perfect for announcements or singing performances. Additional audio sources like CD players, computers, or mobile devices can be connected via the two line inputs. Each input can be controlled separately, giving you maximum control over the mix. The switchable echo effect can be applied either to both microphones or the external mixing console. With a switchable delay range between 0–400 ms and 400–800 ms, you can precisely control the room effect – without complicated programming. A master volume control on the output manages the overall volume, while a mono/stereo switch allows you to output the signals optimally depending on the situation. The device is fully rack-mountable (19", 2 RU) and can thus be easily integrated into existing setups. Whether stationary or mobile – its robust construction and low weight keep it flexible for many uses. The clear arrangement of controls, sensible channel separation, and the reduced but well-thought-out features make this model a reliable solution for many application scenarios. The high signal-to-noise ratio of 60 dB contributes to clean signal processing, while the wide frequency response from 20 Hz to 20 kHz enables natural and balanced sound reproduction. Features JB-Systems KM 4.1 Compact echo effects unit with integrated mixer for karaoke and voice amplification Two microphone inputs with volume control, 3-band equalizer, and automatic talkover function Echo effect optionally applicable to microphone inputs or external mixing console Switchable delay time between 0–400 ms and 400–800 ms Two controllable line inputs for additional audio sources Master output with overall volume control and mono/stereo switch Suitable for rack mounting (19 inch, 2 RU) Easy operation and robust design for daily use Technical Data Power supply: AC 240V, 50Hz Color: black Frequency range: 20 Hz – 20000 Hz Signal-to-noise ratio: 60 dB Functions: integrated sound effects (delay) Inputs: RCA | jack | IEC Outputs: RCA Mounting: 19" rack mount Height units: 2 U Weight: 3.5 kg Dimensions (W x D x H): 483 x 180 x 44 mm Scope of Delivery JB-Systems KM 4.1 echo/mixer unit Power cable User manual
Average rating of 4 out of 5 stars
The BOSS GX-100 guitar and bass multi-effects processor features some of the best amps and effects from the flagship GT-1000 packed into a compact floorboard perfect for guitarists. The effects module integrates with virtually any type of guitar or bass setup. Simply connect a single cable to your amp's input or use the 4-cable method for even more configuration options. Explore 23 AIRD amps (Augmented Impulse Response Dynamics) and over 150 effects with a total of 15 simultaneous effect blocks to create your own sounds. The user-friendly interface makes it easy to make profound sound changes without being slowed down by menus. For maximum convenience, the GX-100 can be connected to a Mac or PC via USB for more detailed editing and preset management with the BOSS Tone Studio app. Featuring a brilliant color touchscreen that's easy to read even in bright daylight, the BOSS GX-100 puts everything you need to perform with confidence at your fingertips. Eight footswitches make it easy to navigate settings right on the board, and an expression pedal with toe switch offers the familiar feel of a wah pedal. The GX-100 also supports MIDI input and output for advanced control and integration into more complex stage setups. Features Boss GX-100 Amplifier modeling and multi-effects floorboard for guitar and bass Outstanding sound quality with 24-bit AD/DA, 32-bit floating-point processing, and 48-kHz sampling rate AIRD (Augmented Impulse Response Dynamics) technology creates amp models with the felleing and sound of real tube amps 23 AIRD amp models and over 150 effects cover an unlimited spectrum of sounds Combination of up to 15 simultaneous effect blocks with ultra-flexible routing options Freely assignable footswitches and expression pedal for customizing control options Multiple built-in speaker types to choose from, or load your favorite IR speaker files Rugged, portable design with vivid color touchscreen display that's easy to see even in bright daylight Built-in expression pedal with toe switch that feels like a classic wah pedal External control options such as footswitch/expression inputs and MIDI in/out Send/return loop allows you to use the amp's effects loop with the 4-cable method Control jack for channel switching on the amplifier Built-in USB recording interface USB port for editing/managing presets via the BOSS Tone Studio app Optional Bluetooth audio MIDI dual adapter (sold separately) allows sound editing and audio streaming from an iOS or Android mobile device Technical specifications Sampling frequency: 48 kHz AD/DA conversion: 24 bit Processing: 32-bit floating point Effects: 154 types Maximum number of effects: 15 + 3 (DIVIDER/MIXER, SEND/RETURN, PHRASE LOOP) *depending on conditions Memory: 200 (user) + 100 (preset) Phrase Loop: 38 sec. (Mono) | 19 sec. (Stereo) Internal tuner detection: +/- 0.1 cent Touchscreen color graphic LCD (480 x 272 dots) Power supply: AC adapter (included) Weight: 3.5 kg Dimensions (W x D x H) 460 x 193 x 73 mm Scope of delivery Boss GX-100 effect pedal Power supply unit (PSB-1U) Instruction manual Warranty & Safety Instructions
The BOSS BR-80 is the ultimate new recording and jamming tool for guitarists and all other musicians! It's small enough to fit in any jacket pocket, but contains a total of three devices! The BR-80 is a full-featured 8-track digital studio with an additional drum stereo track and fantastic effects for guitar, bass, vocals and mastering. It is also a field recorder with two built-in high-quality condenser microphones for top-quality direct stereo recordings of rehearsals and concerts, for example. Third, the BR-80 is a comprehensive "eBand" jam station with countless playbacks and accompaniment patterns from all genres of music for practicing and jamming. All three units can also be combined seamlessly: You can import the stereo recording of a song idea into the 8-track mode to produce a song from it. After you've recorded all the tracks, you can import the song into eBand mode and use it as a backing track for gigs. Features Boss Micro BR-80 Three modes: MTR (multitrack recorder), eBand and Live Rec Direct recording to SD/SDHC memory card (up to 32 GB) Built-in high-quality stereo condenser microphone for instant audio recording 64 V-tracks and eight simultaneous playback tracks eBand function for phrase training and play-along tracks Extensive library of built-in backing and rhythm patterns High-quality COSM amplifiers and effects on board Use as USB audio interface with integrated effects Technical specifications Tracks MTR mode: Tracks: 8 | Simultaneous recordings: 2 | V-tracks: 64 (8 V-tracks per track) Tracks eBand mode: Tracks: 2 (stereo) | Simultaneous recording: 2 (stereo) Tracks LIVE REC mode: Tracks: 2 (stereo) | simultaneous recordings: 2 Recording times MTR mode: 1 GB: 3 hours | 32 GB: 100 hours Recording times eBand mode: (eBand Song) 1 GB: 4 hours | 32 GB: 130 hours Recording times LIVE REC mode: (WAV 16-bit, stereo) 1 GB: 1.5 hours | 32 GB: 50 hours (MP3 128 kbps, stereo) 1 GB: 16 hours | 32 GB: 550 hours Recording media: SDHC memory cards: 4 GB - 32 GB | SD memory cards: 1 GB - 2 GB AD/DA conversion: 24 bit | sample rate 44.1 kHz Display: Graphic LCD 128 x 64 pixels (backlit) USB: 24-bit/44.1 kHz USB AUDIO (Hi-Speed USB) | USB Mass Storage (Hi-Speed USB) | USB Power Supply Power supply: 2x AA batteries or rechargeable batteries | AC adapter (optionally available) Power consumption: 130 mA (DC IN) alkaline batteries: approx. 6 hours (with constant playback of 8 tracks, power save function) Weight: 140 g Dimensions (W x D x H): 138 x 86 x 22 mm Scope of delivery Boss Micro BR-80 SD memory card (1 GB) USB cable (mini-B) 2 x alkaline batteries (AA, LR6)
Average rating of 4 out of 5 stars
With the BOSS SY-200 guitar synthesizer pedal, you can simply leave your bulky synthesizers at home! This compact pedal is equipped with 171 sounds spread across 12 styles. With just the push of a button, you get instant access to leads, pads, strings, basses, special effects, and more. Once you've found the right sound for your next creation, you can fine-tune the tone to perfection using the three knobs below the LCD screen. BOSS has equipped the SY-200 with enough memory to store 128 different sounds for instant recall. The MEMORY/CTL 1 footswitch lets you flip through presets and sounds quickly and easily. The SY-200 offers a full range of inputs and outputs to integrate this pedal directly into guitar and bass rigs of all kinds, including send/return, a CTL 2.3/EXP jack, as well as two 3.5mm MIDI jacks and a micro USB jack that allows for full MIDI support and firmware updates when connected to a computer. Features BOSS SY-200 Polyphonic synthesizer pedal for electric guitar and bass 171 sounds in 12 different styles 3 changeable parameters per sound Option to store up to 128 different user presets Parallel send/return loop for integrating effects pedals or connecting directly to a separate amplifier No additional pickups or electronics required Mix guitar and synth sounds with independent volume controls 3.5mm jacks for full MIDI support Micro-USB port for firmware updates on a computer Zero-latency operation CTL 2.3/EXP jack for additional control via expression pedal or footswitch (not included) Technical specifications Sampling frequency: 44.1 kHz AD/DA conversion: 24 bit Processing: 32-bit floating point Modes: LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO Memory: 128 Display: LCD (132 x 32 px, backlit LCD) MIDI In and Out: 3,5 mm TRS Micro USB (for updates) Battery operation with 3x AA batteries Power supply via mains adapter possible (not included) Power consumption: 230 mA Weight: 630 g Dimensions (W x D x H): 101 x 138 x 63 mm Scope of delivery BOSS SY-200 3x AA alkaline batteries 4x rubber feet User manual Leaflets & Notes
The SL-2 offers the power of BOSS' original SL-20 pedal in a much more pedalboard-friendly format, allowing you to chop and slice the signal into complex rhythms and percussive grooves. There are 11 different rhythms to choose from, and the tempo can be set either with the knob or by activating the tap tempo function. In addition, the Type knob offers five different slice variations - Single, Dual, Tremolo, Harmonic, and SFX - that set it apart from conventional tremolo sounds! The SL-2 is packed with high-end features like MIDI input, expression/control input, stereo I/O and a dedicated BOSS app for even more patterns. Features Boss SL-2 Chops and slices the signal in 11 percussive groove variations Balance and Attack knobs for adjusting mix level and effect strength Duty knob for adjusting the length of the slice pattern Tempo can be adjusted either with the knob or via the built-in tap tempo function Type knob switches between the slicer types Single, Dual, Tremolo, Harmonic and SFX MIDI input offers even more control options USB connection for even more slice patterns via the dedicated BOSS Tone Studio for SL-2 app External footswitch jack for remote control of tap tempo and other temporary functions Stereo I/O for dynamic ping-pong slicer sounds Technical Specifications Sample rate: 48 kHz AD conversion: 24 bit + AF method DA conversion: 32 bit Power supply: 9V battery or AC adapter (not included) Runtime with batteries: approx. 2.5 hours Weight: 0.45 kg Dimensions: 73 (W) x 129 (D) x 59 (H) mm Scope of delivery Boss SL-2 slicer 9V battery Instruction manual Warranty & Safety Instructions
Average rating of 4.6 out of 5 stars
The BOSS SY-1000 synthesizer pedal for guitar and bass represents the culmination of BOSS and Roland guitar synthesizer technology, refined over decades of player feedback. Three different synthesizer instrument engines can be played simultaneously to create exceptionally deep and rich sonic textures. As with any other effects pedal, you can connect your guitar or bass directly via a 6.3mm cable, or use Roland's GK pickup (available as an option) for the most precise pitch measurement and adjustment of individual string parameters. Combined with the built-in effects loop, multi-effects functions, instrument modeling, external control inputs and freely assignable footswitches, the BOSS SY-1000 is the most advanced synthesizer pedal ever designed. The Dynamic Synth engine features two 16-step sequencers that let you add whole new dimensions of dynamics to your synth patches. Each step of each sequencer can control pitch, filter and amplitude independently, with 13 different envelopes available. The results can sound extreme, of course, but can also be subtly dosed for extremely lively patches. With its updated sound engine powered by a dedicated DSP and offering 32-bit/48-kHz conversion, the BOSS SY-1000 is the best-sounding BOSS guitar synthesizer yet. Features Boss SY-1000 The most advanced BOSS synthesizer pedal ever, for guitar or bass Updated synth engine with custom DSP and 32-bit/48-kHz processing for unparalleled sound quality and zero latency Overlay of up to three simultaneous instrument sounds for diverse, immersive timbres Independent control of pitch, level, and panning for each string when using a GK pickup (sold separately) Dynamic synth engine follows the instrument's natural volume envelope for expressive playability Two 16-part sequencers allow modulation of pitch, filter and amplitude OSC synth engine recreates classic analog synthesizer architecture for epic lead, pad and bass sounds GR-300 synth engine is a faithful recreation of the legendary Roland GR-300 guitar synthesizer from the '80s Effects and amps derived from the famous GT-1000 guitar synthesizer Freely assignable footswitches for customizing the control layout Connections for USB audio/MIDI, 5-pin MIDI I/O, and guitar-to-MIDI/bass-to-MIDI functionality Dedicated guitar and bass modes are optimized for optimal performance with each instrument type Customize sounds with BOSS Tone Studio Editor software and download professional patches from BOSS Tone Central Technical specifications Storage: 200 presets and 200 users each for guitar and bass AD/DA conversion: 32bit Sample rate: 48 kHz Graphic display: 512x160 pixels Over 150 effects Power consumption: 800 mA Power supply with a 9 V DC power adapter (included) Weight: 2.5 kg Dimensions (W x D x H): 345 x 245 x 67 mm
Average rating of 5 out of 5 stars
The world-famous RE-201 Space Echo effect returns in compact pedal form with the BOSS RE-2 Space Echo! The RE-2 Space Echo offers authentic multi-head tape echo effects with extended delay times, the popular spring reverb sound, and a wealth of control over effect parameters. RE-2 Space Echo sounds fantastic with guitars and keyboards as well as drum machines. An external footswitch/expression pedal input provides creative, independent control options. The true stereo signal path is perfect for multi-amp rigs and studio mixing applications. Thanks to the Wet/Dry mode, you can choose whether to output the dry, raw signal or work with the echo effect. The BOSS RE-2 Space Echo delivers the legendary space echo sound in a pedalboard-friendly format. Features Boss RE-2 Authentic sound of the classic Roland RE-201 Space Echo in a compact pedal Multi-head tape echo effects offer longer delay time than the original RE-201 vintage spring reverb effect with stereo operation for wide space sound Tape modulation via wow and flutter controls Twist effect with footswitch control for creative manipulation options True stereo signal path is perfect for keyboards, multi-amp rigs and studio applications Wet and dry mode - choose between unprocessed material or processed Tap tempo and carryover function Technical Specifications Power supply: 9V battery | AC adapter (PSA series: sold separately) Battery operation: approx. 4.5 hours Weight: 450 grams Dimensions (W x D x H): 73 x 129 x 59 mm Scope of delivery Boss RE-2 9V battery Manual Warranty & safety instructions
The Roland RE-201 Space Echo is considered one of the most innovative and inspiring delay effect units in music history. Nearly 50 years later, the distinctive echoes and unique character of the RE-201 are brought back to life in the BOSS RE-202 Space Echo Digital Delay Pedal in the form of a compact, portable package. But the RE-202 is no mere clone: all 11 original echo combinations are available, with a fourth tape head providing an additional twelfth combination. The classic Bass, Treble and Repeat Rate controls are familiar to experienced users, but are also easily accessible to novices for that special Space Echo charm. The additional Saturation and Wow and Flutter controls add even more timbre and modulation. Four built-in presets for instant recall of favorite sounds. Up to 127 presets can be recalled via midi. Modern guitarists, keyboardists and studio owners looking for added flexibility and functionality to their digital delays will love the RE-202. Features Boss RE-202 The timeless sound and feel of Roland's RE-201 in a modern pedal Offers the popular multi-head echoes with extended delay time Includes all 11 original echo combinations with an additional 12th through a fourth tape head Separate stereo reverb section with original spring reverb plus reverb, plate, room and ambience Saturation controls for adjusting compression and preamp coloration Wow and Flutter control adds different levels of tape modulation Tape button switches between "new" and "vintage" tape sounds for even more sonic variety Input button switches between Guitar and Level modes to suit any setup Wet/Dry mode 4 integrated presets, expandable to 127 via MIDI Tap tempo and carryover function Physical stereo inputs and outputs Expandable control via external footswitches, expression pedal or MIDI Technical specifications Sample rate: 48 kHz AD conversion: 24 bit + AF method DA conversion: 32 bit Signal processing: 32 bit Memory: 127 presets Power supply: AC adapter (included) Weight: 860 grams Dimensions (W x D x H): 192 x 133 x 52 mm Scope of delivery Boss RE-202 AC adapter Rubber feet Manual Warranty & Safety Instructions
Average rating of 4.6 out of 5 stars
The Boss SY-1 embodies the epitome of an intuitive pocket-sized synthesizer. This device, which carries the legendary BOSS guitar synthesizer technology within it, allows you to unleash the true expressive power and diversity of 121 different responsive sounds at your fingertips. All of this comes in the typical BOSS compact pedal design, effortlessly integrating into any musical environment. What sets the SY-1 apart is that you don't need to dive into the depths of synthesizer programming to achieve impressive results. Simply connect your instrument, and you can immediately immerse yourself in a world of tones and textures. From expressive lead sounds to powerful basses, rhythmic patterns, and atmospheric pads, the SY-1 offers you a wealth of possibilities. The foundation of this impressive pedal is an advanced technology derived from the SY-300. Despite its array of features and sounds, the SY-1 remains compact and takes up minimal space on your effects pedalboard. Thanks to its polyphonic nature, you can let individual notes and chords ring out in full splendor. Another advantage of the SY-1 is its plug-and-play capability. A simple jack cable is all you need, and you can start right away without any noticeable latency. Thanks to cutting-edge BOSS innovations, playing with the SY-1 feels like a natural extension of your instrument. Delving into the universe of synthesizer sounds with this pedal is an absolute joy. The 121 available sounds are divided into eleven categories, providing a vast range of tones. With the intuitive controls, you can fine-tune each sound to your taste, adding a personal touch to your playing. The SY-1 is not only a standalone pedal but also integrates beautifully into existing setups. With its send/return loop and dedicated mix controls, you can easily incorporate additional effects and blend the synthesizer sound with your traditional guitar tone. Additionally, the SY-1 offers extended real-time control options to make your performances even more dynamic. Hold down the pedal switch to sustain the current synthesizer sound while playing your regular guitar sound over it, or connect an external footswitch or expression pedal for even more flexibility. The Boss SY-1 is a revolution in compact format, bridging the gap between your instrument and the fascinating world of synthesizers. A must-have for every creative musician. Boss SY-1 Features Intuitive operation of a pocket-sized synthesizer Combines legendary BOSS guitar synthesizer technology Impressive 121 responsive sounds Effortless integration through BOSS compact pedal design No in-depth knowledge of synthesizer programming required Advanced technology inspired by the SY-300 Polyphonic sounds allow for both single-note and chord play Absolute plug-and-play functionality with no noticeable latency Diversity of sounds divided into eleven categories Intuitive controls for sound customization Send/Return loop for integrating additional effects Extended real-time control options through external devices SY-1 Sound Categories LEAD 1/2—Versatile solo sounds, optimal for individual notes PAD—Rich tones, from atmospheric pads to powerful synthesizer brass tones, ideal for chords BASS—Solid synthesizer bass tones, including filtered and sub-octave sounds STR—Traditional analog synthesizer strings with various layers and sweeping effects ORGAN—Wide range of organ sounds, some with rotary effect BELL—Percussive synthesizer sounds with distinctive metallic resonance SFX 1/2—Diverse synthesizer sound effects, from powerful one-shots to dynamic pitch and filter modulations SEQ 1/2—Rhythmic sounds pulsating through pitch or filter frequency modulations Technical Specifications Connections: INPUT: 6.35 mm jack OUTPUT: 6.35 mm jack SEND: 6.35 mm jack RETURN: 6.35 mm jack EXP/CTL: Stereo 6.35 mm jack DC IN Power Supply: Alkaline battery (9 V, 6LR61) AC adapter (PSA series - Not included) Power Consumption: 115 mA Continuous Usage Battery Life: Approx. 2 hours Dimensions: Width: 73 mm Depth: 129 mm Height: 59 mm Weight (including battery): 450 g Package Contents Boss SY-1 9V battery Quick start guide Warranty & safety instructions
The Boss GT-1B brings the true potential of every bass player to life. As an essential multi-effects device, it offers an impressive combination of premium sound tools, mobility, and easy operation, all packed into a rugged and stylish housing. The focus of the GT-1B's design is on sound quality. The advanced BOSS sound engine, optimized specifically for bassists, grants you access to an unparalleled selection of amplifiers and effects, allowing you to shape your bass sound as desired. The sound maintains its unique character and authenticity, even when using high-quality effects based on the innovative MDP technology. In addition to basic tools like the graphic EQ and T-Wah, the GT-1B works its magic with impressive effects like harmonizer, bass synth, and defretter. And with the integrated looper, spontaneous jam sessions are now easily achievable. Another hallmark of the GT-1B is its mobility. Not only is it lightweight and compact, but it's also durable enough to meet the demands of touring. Whether you switch between AC or battery power, this device ensures that you can take your sound anywhere you go. Designed to fit securely in an instrument bag, nothing stands in the way of your musical adventures. The GT-1B's intuitive and user-friendly interface is another advantage, suitable for both beginners and professionals. It offers quick access to effects, facilitates fine-tuning of sounds, and provides a clear overview of selected effect categories. Plus, with integration into the BOSS Tone Central platform, you have unlimited access to a wealth of professionally programmed patches and comprehensive editing software. Despite its compact size, the GT-1B doesn't lack professional control options. From versatile footswitches to the expression pedal, everything is designed to provide you with a perfect playing experience. And for those who want to further refine their sound in a digital work environment, the USB connection allows for easy integration with any DAW. With the Boss GT-1B, you receive a mobile powerhouse that not only revolutionizes your bass sound but also elevates your creativity and performance to a new level. Boss GT-1B Features BOSS sound engine developed specifically for bassists Wide selection of amplifiers and effects Innovative MDP technology for sound optimization Various effects like harmonizer, bass synth, and defretter Integrated looper for creative sessions Lightweight and compact design, ideal for on-the-go Dual-mode: AC or battery operation Intuitive user interface with easy access and fine-tuning Compatibility with the BOSS Tone Central platform Wide range of pre-made patches and editing software Advanced control options with footswitches and expression pedal USB connection for integration with DAWs and other platforms Technical Specifications Sampling frequency: 44.1 kHz AD conversion: 24-bit + AF method DA conversion: 24-bit Effect types: 90 Patches: 99 (user) + 99 (presets) Phrase Loop: 32 seconds Display: Graphic LCD (132 x 32 dots, backlit) Connections: INPUT, OUTPUT (L/MONO, R), CTL2, 3/EXP2, AUX IN, PHONES, USB COMPUTER, DC IN Power supply: Alkaline battery (AA, LR6) x 4 or AC adapter (sold separately) Power consumption: 200 mA Battery life: approximately 7 hours (with alkaline batteries) Weight (including battery): 1.3 kg Dimensions (Width x Depth x Height): 305 x 152 x 74 mm Package Contents Boss GT-1B 4x AA batteries User manual Warranty & safety instructions
The BOSS IR-200 is a pedal-style amp simulator with premium guitar and bass amp models covering the full range of genres. This flexible stompbox also includes an impulse response loader with a large buffer of built-in, high-resolution IRs and space for 128 Users IRs. It is possible to run up to two IRs simultaneously in mono or stereo, while a range of onboard EQs allow detailed sound shaping. In addition, the unit features studio-quality room, studio, and reverb ambience effects that can warp any sound from subtle to abspaced. The IR-200 features a state-of-the-art DSP with 32-bit AD/DA, 32-bit floating point processing, and a 96kHz sampling rate with crystal clear sound characteristics. A built-in USB audio interface and extensive footswitch control support round out the IR-200's features. For live performance, studio recording and practice purposes, the BOSS IR-200 takes the concept of direct sound to a new level. Features BOSS IR-200 Full-featured amp simulator and impulse response loader in an extremely compact package 32-bit floating-point AD/DA conversion with 96kHz sampling rate Roland Adaptive Focus method, which significantly improves the signal-to-noise ratio of the AD/DA Two custom DSPs provide first-class IR reproduction 8 realistic guitar amp simulations and 8 bass amp simulations Easy-to-use gain, level, bass, middle and treble controls on top of the unit for adjusting amp models Factory equipped with 144 BOSS IRs and 10 Celestion Digital IRs 128 user IR memory locations for mono/stereo WAV files up to 32-bit/96 kHz and 200-500 ms in length Allows simultaneous operation of up to two IRs, either mono or stereo 2 EQs in each memory location, plus 2 global EQs, all with selectable parametric or graphic function Studio-quality room, studio, and reverb ambience effects Effects loop with mono send and mono/stereo return and selectable pre-cab or post-EQ positioning USB audio interface for recording and playback with Mac, PC or iOS Support for external control via footswitch, an expression pedal, or TRS MIDI Technical specifications Sampling frequency: 96 kHz AD conversion: 32 bit + AF method DA conversion: 32 bit Processing: 32-bit floating point Memory: 128 locations IR data format: mono/stereo, maximum 500 ms, 44.1/48/96 kHz, 16 bit linear/24 bit linear/32 bit floating point Preset IR: 154 User IR: 128 Display: LCD (132 x 32 dots, backlit LCD) Power supply: AC adapter Weight: 0.66 kg Dimensions (W x D x H): 101 x 138 x 63 mm Scope of delivery BOSS IR-200 AC adapter 4x rubber feet Instruction manual Leaflets and hints
You are a guitarist and you place great importance on your sound. The right amp, the matching pedals - all carefully selected to create your very own tone. But what about your voice? Until now, it hasn't been so easy to treat your vocals with the same attention to detail. However, that has changed with the Boss VE-500 Vocal Performer. The Boss VE-500 Vocal Performer is a real powerhouse and the missing puzzle piece in your sound setup. It offers high-quality, professional sound and combines BOSS's expertise in impressive DSP performance. This device provides you with harmonious vocal effects and automatic pitch correction that aligns with the chords of your guitar. And that's not all. A powerful vocoder and central sound enhancement tools are integrated, as well as top-notch reverb, delay, and modulation sounds. It also features special effects like distortion and filtering. The unique strength of the VE-500 lies in its adaptability. Thanks to programmable presets, you can instantly recall your favorite settings for each song or style. It was specifically designed for singing guitarists like you, offering premium voice processing that seamlessly integrates into your existing effects setup. Its versatility truly shines when you look at the automatic harmony generation, controlled by your guitar or MIDI. Need good background singers? With the VE-500, you can effortlessly refine your songs with impressive, ear-catching vocal harmonies. And if you want to get creative, the built-in vocoder gives you the ability to transform your guitar sounds with electronic voices and a plethora of entirely new timbres. Not only that, but the VE-500 also features automatic pitch correction controlled either by your guitar or MIDI. Use it for transparent pitch stabilization or for the specific effects heard in modern hits. In terms of performance, the VE-500 offers easy handling with its large display and control knobs and buttons. Everything has been considered to provide you with the best experience on stage or in the studio. Boss VE-500 Vocal Performer Features Advanced vocal effects processor for singing guitarists Automatic vocal harmony and pitch correction synchronized with played guitar chords Outstanding sound quality thanks to powerful BOSS DSP engine Wide selection of effects tailored for vocals Core sound enhancement tools for optimal vocal presentation Built-in vocoder for innovative electronic voice effects Separate routings for live and harmonized vocals possible Built-in looper for creative looping arrangements Flexibility with three assignable foot switches and support for external switches or an expression pedal 99 user-customizable presets for storing individual settings MIDI and USB-MIDI connectivity for advanced control and interaction Editor/Librarian software for sound editing and patch management Technical Specifications Sample Rate: 48 kHz AD Conversion: 32 bit + AF Method (Adaptive Focus Method for improved signal-to-noise ratio) DA Conversion: 32 bit Processing: 32-bit Floating Point Patches: 99 user + 50 presets Display: Graphic LCD (132 x 32 pixels, backlit) Power Supply: AC Adapter (PSA Series) Power Consumption: 310 mA (with phantom power), 210 mA (without phantom power) Weight: 860 g Dimensions (W x D x H): 170 x 138 x 62 mm Package Contents Boss VE-500 Vocal Performer AC Adapter User Manual Warranty & Safety Information
With its unmatched sound quality and musical expressiveness, the GT-1000 heralds a new era in amplifier/effects processor performance. This world-class sound machine introduces groundbreaking new AIRD (Augmented Impulse Response Dynamics) technology, based on decades of BOSS research and fueled by an ultra-fast DSP engine, 32-bit AD/DA, 32-bit floating-point processing and a 96 kHz sampling rate throughout. Based on BOSS' proven Tube Logic approach, the GT-1000's comprehensive AIRD system brings unparalleled musical response and flexibility to a digital guitar processor. AIRD amplifiers live and breathe like real tube amps, delivering an inspiring feel and authentic sonic dynamics previously unattainable. With AIRD's sophisticated Output Select functionality, you can achieve this amazing sound with any setup, from standard guitar amps to direct recording and full-range stage monitoring applications. Convenient Bluetooth® functionality also lets you wirelessly customize your sounds, make control assignments, and manage patches via the BOSS Tone Studio app. With its virtually unlimited power and sleek design, the GT-1000 is an absolute gamechanger, offering guitarists and bassists new creative expression options. Features Boss GT-1000 Flagship guitar amp/effects processor with uncompromising sound quality and unmatched expressiveness Industry-leading 32-bit AD/DA, 32-bit floating-point processing and 96 kHz sampling rate throughout Next-generation BOSS DSP engine designed specifically for music applications AIRD (Augmented Impulse Response Dynamics) technology provides a natural playing feel and optimal integration with all types of external devices Expressive amplifiers carefully engineered with AIRD Extensive selection of onboard effects, including BOSS MDP effects and algorithms taken directly from the DD-500, MD-500 and RV-500 pedals Amps and effects can be routed in numerous series and parallel combinations Ultra-fast patch switching and delay/reverb transfers Innovative stompbox function greatly simplifies the use of common effect settings in many different patches Easy operation with large display and six freely assignable switch buttons Technical specifications Sampling frequency: 96 kHz AD conversion: 32 bit Effects: 145 types Patches: 250 (User) + 250 (Preset) Phrase loop: 38 sec (mono) | 19 sec (stereo) Display: LCD, backlit, 512 x 160 px Power supply: AC adapter | 1.2 A Dimensions (W x D x H): 462 x 248 x 70 mm Weight: 3.6 kg Scope of delivery Boss GT-1000 AC adapter (PSB-1U + power cord set) User manual Safety instructions
The BOSS GA-FC EX Foot Controller offers greatly improved control and workflow over a standard Katana setup, all with hands-free operation for easy stage use. This flexible foot controller lets you switch between all your favorite Katana sound presets in an instant, and a quick tap of the effects switch gives you the ability to further customize each channel with a variety of different effects. Two dedicated expression pedal connections give you even more real-time control over the sound - Exp Pedal 3 mode even allows you to connect a third expression pedal! Running multiple Katanas in your live setup? No problem, the GA-FC EX's Foot Control 2 mode provides an effortless way to connect to up to two amps. Expand mode even allows you to add another GA-FC EX/GA-FC footswitch to your setup for even the most complex installations. BOSS products are known for their durability, so it's no surprise that the GA-FC EX features a rugged metal chassis and heavy-duty switches that can withstand even the roughest stages and tours. Features Boss GA-FC EX Footswitch Controller for BOSS Katana Artist MkII, Katana Head MkII, Katana 100 MkII, Katana 100/212 MkII With the 4 channel switches and the panel switch you can switch between all sound presets of the Katana A quick tap of the effects switch lets you fine-tune each preset in real time with boost, modulation, delay, reverb and more Intuitive controls and highly visible dual-color LEDS for easy status identification 2 dedicated expression pedal jacks, in addition to another control jack with 3-way mode selector switch Exp Pedal 3 mode allows for the connection of an additional expression pedal Easily upgrade 2 amplifiers with Foot Control 2 mode Adding an additional GA-FC EX or GA-FC foot switch in Expand mode Works as a standard GA-FC controller with various other BOSS amp models No external power supply required Technical specifications Weight: 1 kg Dimensions (W x D x H): 392 x 81 x 49 mm Scope of delivery Boss GA-FC EX Foot Controller Foot controller cable Instruction manual The following BOSS amplifiers support all GA-FC EX functions Katana-Artist MkII Katana-Head MkII Katana-100 MkII Katana-100/212 MkII The GA-FC EX can be used with the following BOSS and Roland products that support the GA-FC Foot Controller, but only the standard GA-FC control functions are available. BOSS Katana-100, Katana-100/212, Katana-Head and Katana-Artist BOSS Nextone Special, Nextone Artist, and Nextone Stage BOSS Waza Tube Amp Expander BOSS Katana-210 Bass and Katana-110 Bass BOSS Acoustic Singer Pro and Acoustic Singer Live Roland Blues Cube Artist, Blues Cube Artist 212, and Blues Cube Tour
The BOSS SDE-3000D Dual Digital Delay is more than just a tribute to the legendary Roland SDE-3000. Introduced in 1983, the Roland SDE-3000 has shaped the sound of many legendary recordings as one of the first digital delay devices. The SDE-3000D pedal faithfully recreates this unique sonic aesthetic by reproducing the specific sonic characteristics of the original. This includes not only the distinctive warm delay but also the unique analog LFO and the ability to independently control the phase offset of the two delay lines. The new BOSS pedal not only delivers the unmistakably warm sound of the original, but its retro design and control panel have also been preserved. With adjustable delay times of up to 3000 ms, modulation inspired by the original, phase switches, and high-pass and low-pass filters, the SDE-3000D offers exceptional musical possibilities. Although the pedal includes all these classic features, it has been optimized for the requirements of modern guitar rigs. Featuring a switchable footswitch, external footswitch jacks for expanded functionality, MIDI I/O on space-saving mini-TRS jacks, and 100 storable presets, the SDE-3000D is state-of-the-art. Additionally, the stereo I/O provides versatile applications, whether in dual-mono, wet/dry, or stereo configurations. But that's not all. The reverb pedal also offers enhanced modulation based on the circuitry of the original, allowing you to even adjust the waveform of the LFO. This pedal takes the art of delay to a new level, making it the top choice for guitarists who love the warm, musical sound of the Roland SDE-3000 but need the additional convenience and flexibility of a modern pedal. Features Boss SDE-3000D Authentic recreation of the legendary Roland SDE-3000 rackmount digital delay Replicates the gain-dependent frequency response, anti-aliasing filter saturation, and component modulation of the original Emulates the characteristic coloring of the original device's external feedback loop Mirrors almost all parameters of its predecessor Retro display and controls modeled after the original device 2 discrete delay lines emulate the functionality of 2 vintage SDE-3000 units in a rack Freely adjustable delay time with 2 ranges: 0-1500ms and 0-3000ms Modulation inspired by the original device with identical analog LFO behavior Phase switches for the primary delay and the delay feedback loop Low and high-cut filters for shaping delay feedback sounds Assignable onboard footswitch for tap tempo, hold, and more External footswitch jacks for up to 4 footswitches, 2 expression pedals, or a GA-FC/GA-FC EX foot controller MIDI I/O on space-saving mini-TRS jacks Extensive analog I/O - operates in dual-mono, wet/dry, and stereo 100 recallable presets - a significant improvement over the original device's 8 presets Technical Specifications: Sampling Frequency: 48 kHz A/D Conversion: 24-bit + AF method D/A Conversion: 32-bit Processing: 32-bit floating-point Memory: 100 Display: 7-segment, 12-character LED display Power Supply: AC adapter Power Consumption: 450 mA Weight: 1.1 kg Dimensions (W x D x H): 199 x 135 x 54 mm Package Contents: Boss SDE-3000D Power Adapter (PSB-1U + Power Cable Set) 4x Rubber Feet Quick Start Guide Warranty & Safety Instructions
A compact 2-channel graphic equalizer that gives you precise control over your sound and reliably supports you in both small setups and permanently installed systems. The device works with two identical 15-band sections that allow you to finely adjust the frequency response across the entire audible range. Precise sound shaping The two 15-band units offer you targeted frequency correction from 20 Hz to 20 kHz. Each band control operates with a range of ±12 dB, allowing you to effortlessly compensate even small tonal inconsistencies. The clear arrangement of the sliders makes operation intuitive, even if you have little experience with equalizers. Effective control of input signals For each of the two channels, you have a gain control and a 50 Hz low-cut filter available. With it, you remove low-frequency noise that often results from footfall or air movement. The 4-segment level meters help you achieve a stable input signal without unnecessarily affecting the sound. Flexible integration into existing systems With balanced XLR and jack connections on both input and output levels, the equalizer can be easily integrated into different audio environments. The bypass function also allows you to directly compare the processed and unprocessed signals. The robust 19" housing in 1-U format makes the device rack-friendly and ensures secure mounting. Reliable performance in daily use Thanks to the robust construction, the clearly structured control surface and the long-lasting electronics, you get a tool that fits unobtrusively yet efficiently into your workflow. The internal voltage selection ensures that the equalizer can be safely operated worldwide – an advantage if you want to use your equipment flexibly. Features JB-Systems GEQ 215 Two-channel 15-band graphic equalizer for precise sound shaping and flexible adjustment of the frequency spectrum Range per band: ±12 dB Balanced XLR and 6.3 mm jack inputs and outputs Bypass switch for direct signal comparison Switchable 50 Hz low-cut filter Gain control per channel 4-segment level meters to monitor output signals 19" rack format, 1 U Suitable for indoor use Technical data Mains voltage: AC 100–240 V | 50/60 Hz Frequency range: 20–20,000 Hz Controllable frequencies: 25 Hz | 40 Hz | 63 Hz | 100 Hz | 160 Hz | 250 Hz | 400 Hz | 630 Hz | 1 kHz | 1.6 kHz | 2.5 kHz | 4 kHz | 6.3 kHz | 10 kHz | 16 kHz Low-cut filter: 50 Hz / –12 dB Signal-to-noise ratio: 95 dB Functions: equalizer Inputs: 3-pin XLR | jack | IEC Outputs: 3-pin XLR | jack Color: black Rack mounting: 19" rack-mountable Height unit: 1 U IP rating: indoor Weight: 2.06 kg Dimensions (W x D x H): 482 x 150 x 45 mm Scope of delivery JB-Systems GEQ 215 equalizer Power cable Manual
The Boss IR-2 Pedal allows you to deliver your distinctive sound directly to a PA system or recording setup whenever YOU need it. At the heart of the IR-2, YOU'll find a selection of eleven high-quality amp types paired with top-notch speaker simulations (IRs) from Celestion Digital. The device offers straightforward controls for Level, Gain, Bass, Mid, and Treble. Additionally, there's an Ambience effect to add spatial depth to YOUR tone. The Boss IR-2's mono/stereo loop allows for integrating effects after the amp emulation, which is especially useful if YOU want to use modulation, delay, or reverb effects. There's also a headphone jack for quiet practice or monitoring. Integration with music software is facilitated by the USB-C connection, providing options for recording and audio playback on computers or iOS devices. YOU can also load your own cabinet IRs through the dedicated IR-2 IR Loader App (for macOS/Windows). A unique feature is the ability to switch between two amp/cabinet tones using the pedal switch or an external footswitch. The Boss IR-2 is not only a tool for shaping sound but also an investment in reliability and quality. The build quality and components are of high quality, backed by Boss's five-year warranty. Furthermore, the device can be used independently as an amplifier or cabinet simulator, adding another layer of flexibility. The Boss pedal offers exceptional audio quality, a variety of options for sound shaping, and practical features for live and studio applications. It is an essential tool for guitarists looking for a reliable, versatile, and user-friendly pedal that enhances their sound in any situation. Boss IR-2 Features Versatile amp emulator and cabinet IR loader in a compact BOSS pedal High-quality audio thanks to 32-bit floating-point processing and a 96 kHz sampling rate Eleven different amp types and high-quality Cabinet IRs from Celestion Digital Straightforward controls for Level, Gain, Bass, Mid, and Treble Dedicated Ambience effect for spatial adjustments Mono input and stereo outputs for flexible connection options Mono/stereo effects loop allows integration of modulation, delay, and reverb effects after amp emulation Headphone jack for quiet practice or monitoring USB-C connection for recording and audio playback on computers or iOS devices Ability to switch between two amp/cabinet tones using the pedal switch or external footswitch IR-2 IR Loader App for macOS/Windows to load custom cabinet IRs Independent use of amp and cabinet sections Five-year warranty from BOSS Technical Specifications Sampling Rate: 96 kHz AD Conversion: 24-bit + AF method (Adaptive Focus, a proprietary Roland & BOSS method improving signal-to-noise ratio) DA Conversion: 32-bit Signal Processing: 32-bit floating-point IR Cabinet Data Format: Mono, up to 500 ms, 44.1/48/96 kHz, 16-bit linear/24-bit linear/32-bit floating-point Preinstalled IR Cabinets: 11 User Custom IR Cabinet Slots: 11 Controls: Type, Gain, Treble, Level, Middle, Ambience, Bass, Pedal Switch Connections: Input, Output A (Mono), Output B, Send (1/4-inch phone type), Return (1/4-inch TRS phone type), CH SEL, DC IN, Headphones (Stereo miniature phone type), USB Type-C(R) Power Supply: Alkaline battery (9 V, 6LR61/6LF22) or AC adapter (PSA series, sold separately) Power Consumption: 160 mA Estimated Battery Life during Continuous Use: Approximately 3.5 hours (6LR61) Weight (including battery): 450 g Dimensions: 73 (W) x 129 (D) x 59 (H) mm Package Contents Boss IR-2 Pedal 9V Battery Warranty & Safety Information
The Warm Audio Centavo Overdrive is a tribute to a legendary classic among overdrive pedals, known for its unique sound and coveted boost function. This pedal, which has captured the hearts of guitarists like Jeff Beck, Joe Perry, John Mayer, and Josh Homme, offers an accurate reproduction of the original from the years 1994 to 2009. The popularity of the original pedal remains unbroken to this day, reflected in the astronomical prices for a specimen. The Centavo keeps the myth of the original alive by faithfully reproducing the legendary and beloved tones. The Centavo not only provides the famous boost sounds but also an overdrive function that plays on the edge of distortion. Whether you want to sharpen your rhythm channel or achieve true transparent overdrive rhythm tones, the Centavo covers it all with the authenticity of the original. As a boost pedal, it excels, but it truly unleashes its full potential at higher gain settings, offering a platform for truly transparent overdrive tones. The "MOD" function on the back, once requested by Jeff Beck for the original, allows for extended bass response, particularly affecting the lower strings and leading to more intense low-end drive tones. The Centavo features three simple controls: Gain, Treble, and Output. The Gain range of the Centavo only starts to break up the tone late, with the actual distortion kicking in towards the end of the gain stage. The Treble control is excellent for adding more highs to dull-sounding guitars, such as those with double humbuckers or mahogany instruments. With its high output power, the Centavo can deliver both a clean boost and natural distortion, especially when your amplifier's tubes are already pushed to their limits. The MOD switch on the back is a useful tool if the lower register of the overdrive initially sounds too thin. The Warm Audio Centavo Overdrive not only offers a faithful reproduction of one of the most coveted overdrive pedals of all time but also provides a wealth of possibilities to give your guitar playing a whole new dimension. Features Warm Audio Centavo Overdrive Authentic reproduction of the coveted overdrive pedal produced from 1994 to 2009 Offers both classic boost tones and finely nuanced overdrive Ideal for a variety of guitar styles, from rhythm to lead 'MOD' switch expands the bass range for added depth in the low-end Three controls: Gain for distortion intensity, Treble for high-frequency adjustment, and Output for overall volume Late gain breakup, ideal for differentiated distortion effects Versatile for different guitar types, particularly effective with guitars with a darker tone Can be used as a booster or to generate natural distortion Technical Specifications TL072 operational amplifier Vintage-style diodes Buffered bypass Gain, Treble, and Output controls 'MOD' switch for bass response Champagne-colored enclosure with Oxblood knobs 6.35 mm input/output jacks Powered by 9V battery or DC adapter (not included) Weight: 0.91 kg Dimensions (W x D x H): 172 x 127 x 57 mm
Average rating of 5 out of 5 stars
This compact device from the renowned BOSS 200 series is a compact reverb pedal full of inspiring sounds and endless possibilities. The Boss RV-200 incorporates state-of-the-art technology that allows you to choose from a range of twelve different reverb types. At its core is the newly developed Arpverb, enriching your sonic landscapes with unique, almost dreamlike textures. Whether you're seeking subtle room colors or complex ambient sounds, the RV-200 makes it possible. Operating the RV-200 is effortless and intuitive. With just a few adjustments, you can create impressive sounds. The pedal offers 127 presets for quick access, ensuring you always have the perfect sound at your fingertips, no matter the situation. The pedal provides flexible control options that elevate your performance to the next level. Two assignable footswitches allow you to control effects like Warp or Twist in real-time, adding a new expressive dimension to your music. These features are especially useful for creating stunning sonic landscapes live on stage. The device offers unparalleled sound quality. The combination of 32-bit AD/DA conversion, 32-bit floating-point processing, and a 96 kHz sampling rate ensures that your music always sounds clear and precise. Every nuance of your playing is faithfully reproduced, making the RV-200 an essential tool for any serious musician. Stereo input and output options with various dry/wet mix settings enhance your flexibility in the studio or on stage. The ability to connect and control multiple 200 series pedals via MIDI opens up a universe of creative possibilities. The RV-200 is a versatile, powerful tool that takes your musical ideas to new heights. Features of Boss RV-200 Versatile Reverb Selection: 12 different reverb types, including the innovative Arpverb, offer a wide range of sonic possibilities Simple and Fast Operation: Intuitive interface for easy sound adjustment and customization Presets: 127 presets for your favorite settings, allowing quick access to your preferred sounds Expressive Effects: Innovative functions like Warp and Twist, controllable via footswitches, open up new creative horizons High-Quality Sound: 32-bit AD/DA conversion and 32-bit floating-point processing ensure crystal-clear audio quality Versatile Connectivity: Stereo input and output, as well as advanced control options via external footswitches, expression pedals, and TRS MIDI I/O MIDI Compatibility: Easy integration and control in a larger pedal setup via MIDI User-Friendly Design: Panel Lock function prevents unintentional changes to settings Flexible Power Options: Operates on three AA batteries or an optional AC adapter Compact and Sturdy Construction: Ideal for use on tour and in the studio Technical Specifications Sampling Frequency: 96 kHz AD/DA Conversion: 32-bit Signal Processing: 32-bit Floating Point Reverb Modes: 12 different modes (ROOM, HALL, PLATE, SPRING, SHIMMER, ARPVERB, SLOWVERB, MODULATE, +DELAY, LO-FI, GATE, REVERSE) Memory Capacity: 127 presets plus manual mode Display: 7-segment display with 3 characters (LED) Connections: INPUT (A/MONO, B) jacks: 1/4-inch phone type OUTPUT (A/MONO, B) jacks: 1/4-inch phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type MIDI (IN, OUT) jacks: Stereo miniature phone type DC IN jack USB port: USB2.0 micro B (for firmware updates only) Power Supply: Alkaline Batteries (AA, LR6) x 3 AC Adapter (sold separately) Power Consumption: 260 mA Expected Battery Life (Continuous Use): Alkaline: Approximately 4 hours (depending on actual usage conditions) Dimensions: Width: 101 mm Depth: 138 mm Height: 63 mm Height (including rubber feet): 65 mm Weight: 610 g (without batteries) 680 g (with batteries) Package Contents Boss RV-200 Reverb Pedal 4x Rubber Feet 3x AA Batteries Instruction Manual Warranty & Safety Information
The BOSS DM-101 Delay Machine is your remedy for intense cravings for analog delay. This digitally controlled, BBD-powered guitar effects pedal offers you 12 inspiring modes, ranging from gritty, vintage-like slaps to crystal-clear, modern-sounding repeats. The DM-101's modulation section includes controls for rate and depth, as well as a variation knob for added versatility. Additionally, you get stereo operation with flexible routing options, selectable carryover to prevent cut-off delay trails, and tap tempo with note subdivisions. The DM-101 Delay Machine is the ultimate solution when it comes to combining vintage sound and modern flexibility. While the pedal utilizes modern CPU control, its sound remains 100% analog - every audio signal passing through the DM-101 remains untouched by digital processing. Inside this stompbox, you'll find eight 2,048-stage bucket brigade devices that deliver a warm, saturated, and highly musical tone. However, thanks to the digital control, you retain a level of control not achievable with typical BBD analog delays. The Delay Machine features 12 modes that cover the full range of analog delay effects, from gritty vintage echoes to modern analog delays with extended high-frequency clarity. These modes are not the result of digital modeling; they are thoroughly analog. The DM-101 achieves this versatility through various circuit elements, such as the number of active BBD chips, the order of the BBD chips, low-pass filter settings, and clock frequencies. For enthusiasts of the warm, saturated sound of analog delay seeking precise digital control, the DM-101 Delay Machine offers the perfect blend. With its flexibility, it can easily hold its own against any modern digital offering. Whether you prefer traditional warm analog tones or find inspiration in crystal-clear sounds with pronounced high-end, the DM-101 has exactly what you need. Get ready for a warm, analog delay sound character and discover the versatility of the Boss DM-101 Delay Machine. Features of the Boss DM-101: BBD-based analog delay with modern CPU control 8 bucket brigade devices provide a warm, saturated, and musical tone Digital control allows for a level of control not achievable with typical BBD analog delays 12 inspiring modes ranging from gritty vintage-style slaps to crystal-clear, modern-sounding repeats Modulation section with controls for rate and depth, as well as a variation knob for added versatility Stereo operation with flexible pan and routing options Selectable carryover to prevent cut-off delay trails Tap tempo with note subdivisions 4 built-in memory slots; 127 memory slots accessible via MIDI Expandable control via external footswitches, expression pedals, and MIDI Configurable audio outputs for mixed operation, wet/dry rigs, and wet-only parallel setups The BOSS DM-101 Delay Machine features 12 modes: Classic: Traditional warm analog sound with up to 1,200 ms of delay time Vintage: Retro analog sound inspired by the legendary BOSS DM -2 Delay Pedal from 1981 Modern: Crystal-clear analog sound with distinctive high-end and up to 840 ms of delay time Multi-Head: Emulates a multi-head tape delay but with an analog BBD character Nonlinear: Generates consecutive short delays ranging from 35-190 ms that increase in volume Ambience: Simulates a small room with the variation knob adjusting the room size and early reflections Reflect: Creates a stereo reverb effect with the variation knob adjusting the amount of predelay Doubling + Delay: A stereo effect that combines a doubled sound with a longer delay Wide: A stereo delay with offset delay times for left/right, providing an expansive sound Dual Mod: A stereo delay with different modulation phase settings for the left and right outputs Pan: A sampled stereo delay with different delay times spread across the sound field Pattern: A stereo delay with various rhythmic patterns Technical Specifications: Memory: 127 + Manual Bypass: Buffered bypass Controls: ON/OFF switch, MEMORY switch, TAP switch MOD RATE knob, MOD DEPTH knob, VARIATION knob, MODE knob, DELAY TIME knob, INTENSITY knob, DELAY VOLUME knob MEMORY button, TAP DIVISION button Connectors: INPUT jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type MIDI (IN, OUT) jacks: Stereo miniature phone type DC IN jack USB port: USB Micro-B type (for updates only) Power Supply: AC adapter Current Draw: 260 mA Weight: 830 g Dimensions: 192 (W) x 133 (D) x 52 (H) mm 192 (W) x 133 (D) x 53 (H) mm (including rubber feet) Included in the Box: Boss DM-101 AC adapter 4x rubber feet User manual Warranty & safety instructions
For decades, Roland has been at the forefront of technological development for guitarists. With this synthesizer for guitarists, Roland has created a device that combines sound innovation and versatility at the highest level. Here, advanced synthesizer technology and precise modeling of guitars, basses, and amplifiers come together to open up virtually unlimited sonic possibilities. This system combines the latest synthesizer generation with over 900 available sounds and advanced modeling technology. The core of the device lies in its ability to generate complex sound combinations from various sources with almost no delay. Whether you're looking for powerful leads, intricate rhythm patterns, or unconventional soundscapes – this device provides the foundation for limitless creativity. What is particularly impressive is the speed and precision with which the system responds to your playing. Thanks to state-of-the-art pitch detection technology, even dynamic playing techniques are implemented accurately and lightning-fast. The operation is designed so that you can achieve impressive results without in-depth technical knowledge. For beginners, there is an intuitive "Easy Edit" function, while experienced musicians can take advantage of extensive customization options. In addition to its sonic strengths, this device also offers practical features such as audio file playback via a USB port, an integrated looper for spontaneous ideas, and an audio/MIDI interface for seamless integration into your studio setup. With its thoughtful design, this all-rounder quickly becomes an indispensable part of your musical work. This device is much more than a guitar synthesizer – it is a tool that brings your musical ideas to life with impressive quality and versatility. An essential companion for any guitarist looking to break sound boundaries. Features Roland GR-55S Guitar synthesizer and modeling technology in one device Over 900 synthesizer sounds from the latest Roland technology Precise modeling of guitars, basses, synths, and amplifiers based on the VG-99 Combination of synth sounds and modeled tones for unique soundscapes Blazing-fast pitch detection for accurate and delay-free sound execution Intuitive operation with "Easy Edit" function and large graphical display 270 pre-programmed sounds and 297 user memory slots for custom presets Built-in 20-second looper for spontaneous musical ideas Two USB ports: audio/MIDI interface and audio playback directly from a USB stick Versatile effects such as multi-effects, modulations, reverb, and delay Control via footswitches and freely assignable expression pedal Seamless integration into your studio setup via MIDI and USB connectivity Technical Specifications Sound Generator: PCM (2 tones), Modeling (1 tone) Tones: PCM (910 types), Modeling (23 types for guitar mode, 17 types for bass mode) Effects: Multi-effects (20 types) Amplifier models (42 types) Modulation effects (14 types) Delay (7 types) Reverb (5 types) Chorus (4 types) Equalizer (1 type) Patch Memory: Guitar mode: 270 presets, 297 user memory slots Bass mode: 90 presets, 297 user memory slots AD Conversion: 24-bit for GK pickup, 24-bit + AF method for normal pickups DA Conversion: 24-bit Sampling Rate: 44.1 kHz Nominal Output Level: -10 dBu (output and guitar out jacks) Output Impedance: 2 kΩ USB Playback: Supports WAV and AIFF files Display: Graphical LCD with 240 x 64 dots Ports: GK IN (13-pin DIN) Guitar Out (6.3 mm jack) Stereo output (L/MONO, R, 6.3 mm jack) Headphone output (stereo, 6.3 mm jack) MIDI IN/OUT (5-pin DIN) USB for computer (Hi-speed USB for MIDI and audio) USB for storage devices Power supply jack Power Supply: DC 9 V Power Consumption: 700 mA Weight: 3.3 kg Dimensions (W x D x H): 405 x 244 x 78-106 mm Package Contents Roland GR-55 AC adapter (PSB-1U + AC power cable) The Roland GR-55S comes without a pickup/GK cable. This is sold separately.
Effect devices
A great mix isn’t created by tracks and timing alone – it’s defined by depth, spatial feel, and that little extra that makes all the difference. That’s exactly where PA effect units come into play. Reverb, delay, filters, and modulation turn a solid setup into a real sonic experience.

Table of contents
- Types of PA effect units
- Which device do I need for what?
- What to look out for when buying
- Integration into your setup
- Common mistakes – and how to avoid them
- The right place to start
Types of PA effect units
The selection is large – and that’s a good thing. Every effect type has its own strengths and its own application area. If you know what you need, you can buy with purpose and avoid wasting money.
Delay & Echo
Delay delays the input signal and sends it back once or multiple times after an adjustable time – from a short slapback to long, rhythmically structured repeats. In setups, delays are particularly well suited for dramatic transitions: freeze the signal on the last beat, pull the fader down, and let the delay fade out. That works.
Differences that matter sonically:
- Digital delay – precise, clean, versatile
- Tape delay / vintage echo – warmer, slightly chaotic character, very musical
- Ping-pong delay – the signal moves between left and right, wide stereo image
For many devices, delay times can be matched to the BPM using tap tempo – essential for live use.
Reverb / Hall
Reverb simulates acoustic spaces – from a dry snare in a small studio room to the endless decay of a cathedral. The difference from delay: With reverb, the decay merges into a “sheet” of countless small reflections. It sounds more organic, more spacious, and more atmospheric.
Common reverb types at a glance:
| Reverb type | Sound character | Typical application |
| Room | Small, natural, dry | Vocals, drums |
| Hall / Large Hall | Large, open, dramatic | Live shows, pads, synths |
| Plate | Smooth, dense, classic | Snare, vocals, studio |
| Spring | Springy, vintage, slightly metallic | Dub, surf, retro sounds |
| Shimmer / Ambient | Endless, spherical, experimental | DJ sets, ambient, transitions |
Modulation effects & filters
Chorus, flanger, phaser – these effects bring movement to the signal. A chorus makes individual sounds wider and warmer, a phaser produces the typical “sweep” from modulation, and a flanger sounds metallic and psychedelic. Used on its own, it’s often subtle; combined with reverb or delay, it becomes a powerful tool.
Filter effects belong to the basic kit in a DJ context: a low-pass filter for the classic buildup of tension, a high-pass for reduced transitions, and a band-pass for bringing out individual elements. If you’ve once used an external hardware filter live on a mixing desk, you won’t want to miss it anymore.
Multi-effect units
Multi-effect units bundle several effect types into a single device – often with preset storage, MIDI control, and a compact form factor. They’re ideal for anyone who wants to stay flexible without building a full effects track. The trade-off: less individual depth per effect type compared to specialised single units. For many applications, however, that’s entirely sufficient.

Which device do I need for what?
The answer depends on your setup. Quick guidance:
- DJ booth: Filters and delay are the effects most commonly used here. A hardware unit in the mixer’s send/return path gives you more control and a more independent sound than the built-in mixer effects.
- Live band / PA: Reverb for vocals is almost always included. Hall processors in a 19" rack are the standard. For dynamic sound reinforcement situations, it’s important that the device can be switched quickly by preset.
- Fixed installation (club, theatre, venue): Reliability and remote controllability matter here. Rack units with MIDI or Ethernet connectivity have an advantage.
- Studio / recording: More time to experiment, and more depth is desired. This is where specialised devices with many adjustable parameters are worth it.
What to look out for when buying
Not every effect unit fits every setup. These points help you narrow it down:
| Criteria | What’s behind it |
| Connections | XLR (balanced) for PA and studio, jack for pedalboard and guitar setups – make sure it’s compatible with your mixer |
| Signal quality | 24-bit / 96 kHz is considered the standard for high-quality sound without audible artefacts |
| Latency | Especially critical for live use – low latency is a must |
| Operation | Physical controls beat menu-diving – especially on stage, direct access matters |
| Preset storage | Saves time when switching between scenes or sets |
| MIDI control | Enables remote control and automation in a larger setup |
| Form factor | Rack (19") for fixed installations, desktop/pedal format for mobile setups |
Integration into your setup
How an effect unit is integrated determines sound and control. The two most common approaches:
- Send/Return (aux path): The effect unit only receives as much signal as you send. Traditionally used for reverb and delay – you mix the effect and the original signal separately. More control, fewer unintended side effects.
- Insert (in the signal chain): The entire signal is routed through the device. Useful for compressors, filters, or EQ – but be careful with effects that use wet/dry mixing, as the original sound is completely replaced.
Pay attention to clean cabling: balanced cables (XLR or TRS jacks) reduce interference and hum – especially on longer signal paths on stage, that makes a real difference.

Common mistakes – and how to avoid them
Effect units can enhance a mix enormously – or ruin it. Three mistakes happen again and again:
- Too much reverb: A common beginner mistake. Overly long hall tails make the mix muddy and unclear. Less is almost always more.
- Level clipping: If the input signal is too hot into the effect unit, distortion occurs. Check the input trim and keep an eye on the overload LED.
- Using unsuitable presets live: What sounds good in headphones doesn’t necessarily work in a large room with natural reverb. Test presets in the actual environment and adjust them.
The right place to start
If you’re new to the topic, you’ll do well with a compact multi-effect unit. It gives you access to the most important effect types without much effort – and quickly shows you which effects you truly need.
If you already know what you want, it’s better to invest in a specialised single unit. A high-quality hall processor or a dedicated delay with well thought-out controls makes a clearly audible difference in direct comparison.
Browse through the category – and if you’re unsure which device fits your setup, just write to us. We’re happy to help.