A drum pattern rarely stays exciting for over four minutes if it reacts in exactly the same way every time it loops. Subtle shifts, fills and changes in sound give the groove character. The Roland TR-8S combines the familiar TR "running light" programming with a versatile sound engine for electronic productions and live sets. TR and CR sounds, FM drums and custom samples Each kit features ACB emulations of classic Roland drum machines, FM sounds and preset samples. These include sounds from the TR-808, TR-909, TR-606, TR-707, TR-727 and CR-78. This allows you to build a pattern with well-known drum characters and then expand it with targeted, different sound colours. You can import your own WAV and AIFF files via SD card and assign them to the instrument parts. Around 600 seconds of sample time at 44.1 kHz mono provide space for self-recorded percussion, vocal snippets or unusual textures. The pitch, decay, start point, speed and direction of the samples can all be edited. 16 steps with variations and motion The sequencer manages 11 instrument parts as well as a separate part for Trigger Out. The 16 TR-REC buttons set steps directly in the running light, while the velocity-sensitive pad is suitable for live-played rhythms. Accents, flams and sub-steps help to turn rigid grids into more lively sequences. Each of the 128 patterns contains eight variations and two fill-in patterns. Probability values per step as well as motion recording introduce changes into recurring sequences. Parameters can thus be saved with pinpoint accuracy within the pattern, for example for filter movements, pitch jumps or effect changes. Effects and connections for a larger setup Instrument effects, reverb, delay and master effects shape individual sounds and the overall drum picture directly on the device. A CTRL knob can be assigned to suitable sound parameters for each channel. The external stereo input takes on further signal sources; the sidechain function processes it in interaction with the rhythm. Via six assignable outputs, you can send instruments or groups separately to a mixer, effect units or an audio interface. In addition, there is a Mix Out, a headphone output, MIDI In/Out and a separate Trigger Out. USB transmits audio and MIDI to a computer and allows multi-channel recording in your DAW. Does the Roland TR-8S fit your workflow? The Roland TR-8S is suitable for producers and live acts who want to develop beats directly on the device and not limit their sound to a fixed drum collection. The combination of step sequencer, sample import and sound editing is suitable for techno, house, electro, hip-hop and more experimental rhythmic arrangements. The groovebox also fits well into a hardware setup: MIDI and Trigger Out integrate external instruments, while the assignable outputs create separate paths to the mixing console or external effects. If you want to vary patterns, layer sounds and capture rhythmic ideas without a mouse, you get an extensive interface for doing so. Features Roland TR-8S Rhythm performer with ACB drums, FM sounds, preset samples and sample import 128 user drum kits and 128 user patterns 16-step sequencer with 11 instrument parts and separate trigger out part Eight variations and two fill-in patterns per pattern WAV and AIFF sample import via SD card Probability, motion recording, accent, flam and sub-steps for pattern creation Instrument effects, reverb, delay and master effects Six assignable outputs for separate routing of sounds or groups Stereo ext-in with sidechain function USB audio/MIDI as well as MIDI In/Out and separate trigger out Technical specifications TypeDrum machine with step sequencer and sample import User drum kits128 User patterns128 Sequencer16 steps | 11 instrument parts | 1 trigger out part Pattern variations8 per pattern Fill-in patterns2 per pattern SoundsACB drums | 72 FM tones | at least 300 preset samples | user samples Sample formatsWAV | AIFF Sample memoryaround 600 seconds at 44.1 kHz mono External storageSD card | SDHC support Audio outputsMIX OUT L/MONO and R | 6 x ASSIGNABLE OUT/TRIGGER OUT Audio inputsEXT IN L/MONO and R Additional connectionsHeadphones | MIDI In/Out | Trigger Out | USB-B | DC IN USBAudio | MIDI Power supplyPower adaptor Weight2.1 kg Dimensions (W x D x H)409 x 263 x 58 mm Included in the box Roland TR-8S Rhythm Performer Power adaptor Owner's manual "USING THE UNIT SAFELY" leaflet
The Maschine MK3 combines precise hardware with a versatile production environment and is designed for everyone who wants to shape beats, edit samples and arrange complete songs. The integrated 24-bit/96 kHz audio interface makes the unit ready to record immediately, while two high-resolution color displays provide orientation and noticeably simplify workflows. Larger pads, touch-sensitive knobs and a well-thought-out control layout ensure that you can capture ideas without detours. Precise control thanks to modern user interface The two full-color displays give you a clear view of samples, parameters and arrangements. Here you edit material directly on the hardware – from exact sample slicing to adjusting individual notes. Additionally, the 4-directional push encoder offers fast navigation through sounds, kits and projects. This creates a direct workflow that works without constant mouse handling. Expanded performance possibilities The color-coded, velocity-sensitive pads respond sensitively to your playing and dynamics. For detailed adjustments, nine touch-sensitive rotary knobs are available, instantly taking over parameters and precisely reproducing sonic changes. A Smart Strip opens up additional forms of expression – for example pitch bends or effect control – adding a playful component to your performance. Seamless integration into software environments The combination of hardware and software makes the system a versatile production tool. Thanks to plugin hosting for VST and AU, you can integrate external instruments and effects directly. The tag-based browser provides fast access to extensive libraries, including Komplete Select. MIDI in/out expands your setup with external devices, while drag-and-drop export transfers MIDI and audio data effortlessly into your DAW. Flexible sampling and extensive workflow With wide sample compatibility – including formats from many MPC models – you can instantly use your existing libraries. The threshold detection simplifies recording processes and ensures cleanly captured material. Step sequencing, automation functions and real-time recording support you in building complex arrangements in a clearly structured way. Features Native Instruments Maschine MK3 Versatile production system with integrated 24-bit/96 kHz audio interface Two high-resolution color displays for editing, navigation, mixing and slicing Large pads and touch-sensitive knobs for dynamic finger drumming 4-way push encoder for fast browsing and level setting USB or power supply operation for flexible use Hybrid of sequencer, sampler and effects with direct hands-on control 16 pads, 47 buttons and 9 encoders for recording and automation Smart Strip for note control, pitch bends and creative effects Step sequencing, real-time recording, note repeat, slicing and auto-mapping VST and AU plugin hosting from other manufacturers Tag-based browser for fast access to sounds and effects Automation recording and step automation for precise sound design Compatible with many MPC programs Threshold-based sampling for external and internal sources Plug-in operation in AAX, VST, AU and RTAS MIDI in/out for external sequencing Drag-and-drop export of audio and MIDI Group macro controls for flexible parameter assignments MIDI-mapping software for use in other programs Technical Data Audio interface: 96 kHz / 24 bit Line outputs: 2 x 6.35 mm jack Line inputs: 2 x 6.35 mm jack Microphone input: 6.35 mm jack (dynamic) Headphone output: stereo 6.35 mm jack MIDI: 1 in | 1 out Footswitch: 1 connection USB: USB 2.0 Power supply: USB 2.0 or power adapter DAW compatibility: VST | AU plugin Multi-core support: full Supported formats: stand-alone | VST | AU | RTAS | ASIO | Core Audio | DirectSound | WASAPI Weight: 2.2 kg Dimensions: 320 x 301 x 41 mm Scope of Delivery Native Instruments Maschine MK3 USB cable Maschine software (download via Native Access) Komplete Select (download via Native Access)
A beat can be created on the go when the foundation is established quickly and the idea doesn't have to pass through a large setup. The Roland Aira Compact T-8 combines six drum tracks with a bass track in the format of a small groovebox, designed for patterns, direct interaction, and interplay with other hardware. TR drums and a bass track based on the TB-303 For the rhythm section, you have a bass drum, snare, clap, tom, as well as open and closed hi-hats at your disposal. Their sonic foundation draws from the TR-606, TR-808, and TR-909; the ACB technology replicates the sonic characteristics and behaviour of classic Roland instruments. The bass track works with sawtooth and square waves and follows the operating concept of the TB-303 Bass Line. Notes, accents, and slides can be programmed step-by-step or played in real-time using the lower buttons. Build patterns quickly and change them during play The TR-REC sequencer stores 64 user patterns with up to 32 steps per pattern. Real-time recording, velocity, sub step, and last step give you more control over the timing and dynamics of individual steps. For transitions and variations, you have step loop, mute, fill, reload, and pattern shift available. With probability, you can keep recurring grooves variable without having to create a separate pattern for every deviation. Effects and connections for a small hardware setup Delay and reverb add more space to rhythms and bass, while overdrive and sidechain shape the sound precisely. The controls are located directly on the surface, allowing for adjustments without having to navigate through menus. Using sync in/out, MIDI in/out, and mix in/out, you can integrate the groovebox into an existing setup. USB-C transfers audio and MIDI and works as a class-compliant interface without the need for additional drivers with computers and compatible music apps. Powered on the go with a rechargeable battery or via USB The unit measures 188 x 106 x 36.2 mm and weighs 310 g including the battery. The integrated lithium-ion battery allows for up to 4.5 hours of operation; the T-8 can also be powered via USB-C and charged in about three hours. The rubber pads and compact format are perfect for sessions on a desk, in a backpack, or alongside other AIRA Compact instruments. Additionally, an external keyboard can control the bass track via MIDI. When does the Roland Aira Compact T-8 make a useful addition to your setup? The Roland Aira Compact T-8 is suitable for beatmakers, producers, and live performers who want to incorporate TR-inspired drums and a sequenceable bass line into their ideas without extensive cabling. It is particularly well-suited for spontaneous pattern sketches, acid-oriented bass figures, and small hardware setups with sync, MIDI, or USB-C. If you want to develop sequences directly using buttons and knobs, you get a clear interface for rhythm, bass, and performance functions. In combination with other AIRA Compact devices, a computer, or external MIDI instruments, the small groovebox remains a flexible building block for electronic music. Features Roland Aira Compact T-8 Compact rhythm and bass machine for electronic music and hardware setups Six drum tracks with sound foundation from the TR-606, TR-808, and TR-909 Bass track with sawtooth and square waves based on the operating concept of the TB-303 Bass Line ACB technology for modelling classic Roland instruments 64 user patterns with up to 32 steps per pattern Real-time recording as well as probability, sub step, last step, and velocity Step loop, mute, fill, reload, and pattern shift for performances and variations Delay, reverb, overdrive, and sidechain for sound processing Sync, audio, and MIDI connections in mini-jack format Class-compliant USB-C audio/MIDI interface without drivers Technical data Rhythm tracks6 | Bass drum | Snare drum | Hand clap | Tom | Closed hi-hat | Open hi-hat Bass track1 | Sawtooth and square waves User patterns64 Step sequencerup to 32 steps EffectsDelay | Reverb | Overdrive | Sidechain DisplayLED | 7 segments | 4 characters Sync connectionsIn | Out | Mini-jack Audio connectionsMix In | Mix Out | Phones | Stereo mini-jack MIDI connectionsIn | Out | Stereo mini-jack USBUSB-C | Audio | MIDI Battery lifeup to 4.5 hours Charging timeapprox. 3 hours Power supplyintegrated lithium-ion battery | USB Weight0.31 kg Dimensions (W x D x H)188 x 106 x 36.2 mm Included in delivery Roland Aira Compact T-8 Beat Machine USB-C to USB-A cable "Read Me First" leaflet
A beat often starts with a few tracks, but as you arrange, you add variations, transitions, and your own sound ideas. The Roland MC-707 bundles this process into a groovebox with eight tracks, a clip sequencer, sampling, and an extensive synthesis engine. This allows you to create productions and live arrangements directly on the device. Eight tracks for clips and scenes Each track can work with sounds, drum kits, or audio loops. 128 clips are available in total, meaning up to 16 per track. You can prepare patterns and musical parts, switch them during play, and save their combination as a scene for a song section. The TR-REC step sequencer originates from Roland's classic drum machines. The 16 velocity-sensitive pads can be used to input drums, basslines, and chords. Note Repeat, Chord Designer, scale settings, and Step LFO help you develop ideas without an external computer. ZEN-Core sounds and sound processing The sound generation uses Roland's ZEN-Core system with virtual analog modeling, modeling, and PCM. More than 3,000 preset sounds and over 80 drum kits form the starting material for electronic productions, complemented by sounds from well-known Roland instruments and drum machines. Multi-effects and EQ are available for every track. Additionally, there are chorus or delay, reverb, as well as a master section with effects, a compressor, and EQ. Knobs and faders provide direct access to the mix and sound; movements of the controls can be recorded as automation and played back within the clip. Sampling and looper in the project Your own WAV files can be integrated as user samples into tones or drum kits via the SD card. The sample library provides twelve minutes in mono or six minutes in stereo at 44.1 kHz. This allows you to integrate your own drum sounds, vocals, or individual instrument sounds into the set. Looper tracks record material via the external input or from existing tracks and synchronize it with the project. Audio loops can also be loaded from an SD card. Time stretch and pitch shift allow you to adjust loops to tempo and pitch without having to re-program the flow of a pattern. Integration into studio and live setup The stereo mix output supplies monitors, a mixing desk, or PA. Via the assignable outputs, a track can be output separately, while send/return integrates external effects devices. The EXT IN jacks accept stereo sources, instruments, or a dynamic microphone. MIDI In and two MIDI outputs connect the groovebox with hardware synthesizers and other sound generators. USB transmits audio and MIDI to the computer. For further work in a DAW, the MC-707 can output all eight parts individually to separate tracks. Operation, projects, and storage The backlit graphics display, eight channel faders, and the two rows of pads make the current state of a project quickly accessible. The controls are suitable for recording, mixing, and spontaneous changes in the arrangement without you having to switch to software. A project combines tracks, clips, tones, and used samples. The MC-707 saves this data to SD or SDHC cards. An SD card is already inserted, allowing you to create and save a new project right away. Is the Roland MC-707 suitable for your workflow? This groovebox is aimed at producers and live performers who want to bring beats, melodic parts, and audio loops together in a compact instrument. It gives you a dedicated workspace for electronic tracks and simultaneously enough connections to integrate external synthesizers, effects devices, or a computer setup. The MC-707 is particularly cohesive if you arrange clips into scenes, use your own samples, and want to record sound changes immediately. The combination of eight tracks, ZEN-Core sounds, sampler, and individual output via USB creates a solid foundation for ideas in the studio and a ready-to-perform live set. Features Roland MC-707 Eight-track groovebox for production and live performance Clip-based sequencer with 128 clips and up to 16 clips per track ZEN-Core sound generation with more than 3,000 preset sounds and over 80 drum kits 16 velocity-sensitive performance pads for drums, melodies, chords, and clip launch TR-REC step sequencer with up to 128 steps User sample import in WAV format via SD card Looper tracks with recording via EXT IN or from existing tracks Time stretch and pitch shift for looper tracks Track effects, EQ, chorus/delay, reverb, as well as master effects, compressor, and EQ Stereo mix output, assignable outputs, and stereo send/return MIDI In, two MIDI outputs, as well as USB audio and USB MIDI Individual output of all eight parts into a DAW via USB Technical data Sound generationZEN-Core for Tone and Drum Kit Tracks8 Track typesTone | Drum Kit | Looper (Audio Loop) Clips128 | up to 16 per track Maximum polyphonyZEN-Core 128 voices | dependent on the sound engine load Preset soundsmore than 3,000 Preset drum kitsmore than 80 Sample formatWAV | 32 to 96 kHz | 16 or 24 bit | mono or stereo Sample capacity12 minutes mono | 6 minutes stereo at 44.1 kHz Looper sample capacityapprox. 60 seconds at 44.1 kHz StorageSD card | SDHC supported ConnectionsPHONES | MIX OUT L/MONO and R | ASSIGNABLE OUT L and R | SEND/RETURN L/MONO and R | EXT IN L/MONO/MIC and R | MIDI In | MIDI Out 1 and 2 | USB-B | DC IN Weight2.1 kg Dimensions (W x D x H)426 x 263 x 60 mm Included items Roland MC-707 groovebox AC adaptor SD card, pre-installed SD card protector, pre-installed Owner's manual Leaflet "USING THE UNIT SAFELY"
The Maschine Mikro MK3 accompanies you as a compact groove tool that, despite its smaller form factor, offers the full range of functions of the larger models and enables direct, clear operation. You get hardware that integrates directly into your creative process without detours and immediately shows you how intuitive beatmaking can be. The combination of controller and software forms a closed production system that quickly takes you from an idea to a finished pattern. Reworked Workflow The new dedicated buttons for the different pad modes give you direct access to essential functions without having to search through menus. Whether Trigger, Keyboard, Chord, or Step mode – you switch effortlessly between playing styles and can adjust your musical approach at any time. In combination with the Maschine software, a smooth workflow emerges that especially shines when you want to capture spontaneous ideas. Pads and Control Elements The 16 velocity-sensitive pads respond precisely to every nuance of your playing and support both rhythmically expressive patterns and melodic lines. The setup is complemented by a push encoder that enables fast navigation and parameter adjustments. The mini display provides clear information so you always have the most important values in view, even without a large screen. Expressive Playing Techniques The dual-touch Smart Strip opens up additional performance possibilities for you. With it, you control effects, modulate sounds, or create playful accents that give your beats character. Thanks to this touch-sensitive control, the Mikro MK3 feels surprisingly versatile despite its compact size and expands your creative space. Software Integration The Maschine software runs either in standalone mode or as a plugin in your preferred DAW. The extensive software package provides you with a solid sound foundation featuring high-quality instruments, effects, loops, and samples. This allows you to get started without additional purchases – ideal when you want to dive right in. Features Native Instruments Maschine Mikro MK3 Compact groove controller for beat-oriented music production Reworked design with clearly structured user interface Direct switching of pad modes: Trigger | Keyboard | Chord | Step Standalone or plugin operation of the Maschine software 16 velocity-sensitive, illuminated pads for precise playing Push encoder for fast navigation and parameter selection Easy-to-read mini display for showing key information Dual-touch Smart Strip for creative effect control Large software package with instruments, effects, loops, and samples included Technical Data Compatibility: macOS | Windows (64-bit) Weight: 1.12 kg Dimensions: 320 x 117 x 45 mm Scope of Delivery Native Instruments Maschine Mikro MK3 controller Maschine Essentials software package NI Massive full version (after registration) NI Monark full version (after registration) NI Reaktor Prism full version (after registration)
You do not have to wait until your computer has booted up and the large setup is wired to start working on an idea for a beat. The Roland MC-101 brings four tracks, a comprehensive sound library and a clip-based sequencer into a compact format that is suitable for sketches, complete tracks and prepared parts for your live set. Four tracks for patterns and scenes Tone, drum kit and looper clips can be combined on the four tracks. In total, the groovebox manages 64 clips with 16 clips per track. The 16 backlit RGB pads are used for recording, triggering and editing patterns; you can chain scenes and clips together to create longer sequences. ZEN-Core sounds and your own samples The ZEN-Core sound engine provides at least 3,000 preset tones and at least 80 drum kits. These include sounds inspired by iconic Roland instruments such as the TR-808, TR-909, JUNO-106 and SH-101. The maximum polyphony is up to 128 voices, depending on the sound engine's load. Your own WAV files can be transferred to the device via SD card and used as a tone or drum kit. For user samples, a total of up to 12 minutes in mono or 6 minutes in stereo is available at 44.1 kHz. Looper tracks also process short audio loops with time stretch and pitch shift. Apply effects directly during production Each track has its own multi-effects and a track EQ. Additionally, chorus, delay and reverb are available, while master effects, master compressor and master EQ process the entire mix. The MC-101 makes it easier to position sounds spatially and tonally right while building a pattern. USB audio, MIDI and mobile power supply The groovebox functions as an audio and MIDI device via USB-B. You can record the complete mix or all four parts individually in a DAW and import audio signals from your computer for further loops or samples. MIDI In and Out as well as two 6.3 mm outputs, a headphone output and SD/SDHC storage integrate the device into hardware setups. For on-the-go use, four AA batteries or Ni-MH rechargeable batteries power the MC-101; USB bus power is also possible. The runtime is approximately three hours with continuous use on alkaline batteries and approximately 4.5 hours with Ni-MH batteries. Measuring 224 x 132 x 61 mm, it easily fits into any bag. Does the Roland MC-101 fit your workflow? The Roland MC-101 is suitable for producers who want to develop beats, basslines and synthesizer passages without a computer or capture them while on the move. It is also a practical building block for live acts when you need to integrate prepared clips, your own samples and MIDI devices into a small setup. The four tracks encourage clear arrangement planning and keep access to the central functions straightforward. Features Roland MC-101 Compact standalone groovebox with ZEN-Core sound engine Four tracks with a total of 64 clips Up to 128 voices of polyphony, depending on load At least 3,000 preset tones and at least 80 preset drum kits 16 backlit RGB pads and two-line LCD Import user samples via SD card Looper tracks with time stretch and pitch shift Track, send and master effects for sound processing USB-B for audio and MIDI as well as MIDI In and Out Power supply via AA batteries, Ni-MH rechargeable batteries or USB bus power Technical data Sound engineZEN-Core Tracks4 Clips64 | 16 per track PolyphonyUp to 128 voices | depending on sound engine load PresetsAt least 3,000 Preset drum kitsAt least 80 User samplesWAV | 32–96 kHz | 16 or 24 Bit | Mono or stereo User sample timeUp to 12 minutes mono | up to 6 minutes stereo at 44.1 kHz Effects90 track multi-effects | Track EQ | 9 chorus/delay types | 7 reverb types | 90 master effects | Master compressor | Master EQ DisplayLCD | 2 lines with 16 characters each | backlit StorageSD card | SDHC supported OutputsHeadphone stereo mini-jack | OUT L/Mono and R 6.3 mm jack MIDIMIDI In | MIDI Out | USB-MIDI USBUSB-B | Audio | MIDI | Bus power supply Power supply4 x AA alkaline battery | 4 x AA Ni-MH rechargeable battery | USB bus power Battery lifeApprox. 3 hours with alkaline | approx. 4.5 hours with Ni-MH Weight0.716 kg including batteries Dimensions (W x D x H)224 x 132 x 61 mm Included items Roland MC-101 groovebox 4 x AA alkaline battery SD card, inserted at factory SD card protector, inserted at factory Owner's manual
A drum groove often starts with a single kick, a syncopated hi-hat, or a bass line that suddenly fits the idea perfectly. The Roland TR-6S puts these workflow steps into a format that fits on your desk, in your live rig, and on the go. Its six-track sequencer combines classic Roland rhythm sounds with samples, FM tones, and direct hands-on control. Six tracks for your own drum kits Each of the six tracks can take on a different sonic character. In addition to circuit models of the TR-808, TR-909, TR-606, TR-707, and CR-78, there are preset samples, your own user samples, and an editable FM sound engine available. This allows you to combine familiar TR sounds with digital percussion sounds or your own recorded material in a single kit. A chromatically playable TR-808 bass part is also part of the sound engine. This is practical when you want to create basslines and drums without an additional instrument and program the groove in one compact device. TR-REC and animated patterns The 16 step buttons follow the familiar TR-REC principle: place steps, select an instrument, and hear the pattern immediately. Additionally, the Rhythm Performer records drums in real time. Sub steps, flam, and step loop provide denser patterns without making the basic rhythm unnecessarily complicated. Probability functions introduce controlled variations into repeated patterns. Motion recording records parameter movements, for example for filter sweeps or pitch changes. This allows a loop to remain as a starting point while changing audibly over multiple passes. Effects and sound shaping on the device EQ and compressor are available for processing individual sounds. Reverb, delay, and modulation create space and movement; filters and LFOs influence the character of the sounds more drastically. The effects section helps you to further develop a pattern without needing an additional computer. Using the free TR-EDITOR, you can manage and edit kits and patterns on your computer. Especially for extensive sound collections, the graphical interface makes it easier to access deeper FM parameters. USB audio, MIDI, and mobile power supply As a USB audio/MIDI interface, the TR-6S integrates into your DAW setup and transmits MIDI simultaneously. The MIDI In and MIDI Out jacks also enable synchronization with external synthesizers, sequencers, or other drum machines. Power is supplied via USB or four AA batteries. This makes the compact unit suitable for sessions away from your fixed workstation, but equally useful as a supplementary drum machine in a small studio or live setup. Does the Roland TR-6S fit your hardware setup? The Roland TR-6S is suitable for producers who want to program classic drum machine sounds and combine them with samples or FM sounds. The combination of step sequencer, real-time recording, and MIDI synchronization is also interesting for live acts because grooves can be adjusted quickly. For electronic productions with TR-inspired drums and your own sound sources For mobile beat sketching via USB or battery power For compact hardware setups with DAW, synthesizers, and external MIDI clock signal Features Roland TR-6S Compact six-track Rhythm Performer with step sequencer ACB circuit models of TR-808, TR-909, TR-606, TR-707, CR-78, and other Roland drum machines Preset samples and support for user samples Editable FM sound engine and chromatic TR-808 bass part TR-REC programming and real-time recording Sub steps, flam, step loop, motion recording, and probability functions Effects with EQ, compressor, reverb, delay, modulation, filter, and LFO USB audio/MIDI interface plus MIDI In and MIDI Out TR-EDITOR for editing and managing kits and patterns Power supply via USB or four AA batteries Technical data Sound engineACB circuit models | FM synthesis | Samples Instrument parts6 User kits128 User patterns128 Sample memoryapprox. 600 seconds Maximum sample length180 seconds MIDI1 x MIDI In | 1 x MIDI Out Power supplyUSB | 4 x AA battery Weight0.705 kg Dimensions (W x D x H)224 x 132 x 60 mm Scope of delivery Roland TR-6S Rhythm Performer 4 x AA batteries Safety instructions
A groovebox needs to capture ideas before they disappear. This is exactly what the Novation Circuit Tracks does by bundling a synthesiser, samples, sequencer and MIDI control into a single device that works without a computer and fits just as well into an existing hardware setup. Eight tracks for patterns, sounds and external instruments Two digital synth tracks with six voices of polyphony each deliver melodies, chords and pads. Four sample-based drum tracks handle beats and percussion, while two MIDI tracks control external sound generators via programmable CC data. This allows you to sequence internal sounds and connected instruments together within a single project. The sequencer works with patterns of up to 32 steps. Pattern chains reach up to 256 steps; micro steps, probability and mutation bring targeted variations or finely offset rhythms into the sequence. Via 16 scales, melodies stay in the selected key when played on the pads. 32 RGB pads and eight macro knobs The 32 velocity-sensitive pads serve as a playing surface for synths and drums, as a step sequencer and for launching patterns. Their RGB lighting indicates the current view and helps you switch between tracks, notes, steps and performance functions without the need for a display. Eight rotary knobs provide access to sound-relevant parameters of the synth and drum tracks. Movements of the macro knobs can be saved during recording. A master filter remains available for adjustments during an active pattern, for example, to shape a transition or thicken the overall sound. Effects, samples and project memory Every track can use reverb and delay; sidechain effects and a mix bus compressor complement the processing. 128 synth patches form the starting point for the two synth tracks. You can manage your own samples, patches and projects via microSD packs and Novation Components. There are 64 internal storage slots for projects available on the device. Components runs as software and allows for transferring samples, editing synth patches, MIDI templates and firmware updates. The USB-C connection carries MIDI data, power and the data connection to Components; audio is not transmitted via this connection. Audio, MIDI and synchronisation External sound sources can be brought into the mix via the two 6.35 mm TS inputs and processed with the internal effects. For output, L/Mono and R 6.35 mm TS jacks as well as a 3.5 mm headphone output are available. A separate 3.5 mm sync output keeps compatible hardware in time. Full-size five-pin MIDI jacks for In, Out and Thru turn the groovebox into the central sequencer of a hardware setup. MIDI also runs via USB-C. Receiving and sending notes, CC data, program changes and clock can be set separately, allowing you to precisely define its role within your existing setup. When does the Novation Circuit Tracks fit into your setup? The Novation Circuit Tracks is for you if you want to develop beats, chords and basslines directly on a compact groovebox while also incorporating external synthesizers or drum machines. The integrated battery with up to four hours of life also makes it interesting for sessions outside the studio; USB-C powers and charges the device. For electronic music, live jams and building song ideas, the device combines an immediate pad workflow with extensive MIDI connectivity. You can build a pattern, shape sounds, sequence external devices in the same arrangement and keep projects ready on microSD for future sessions. Features Novation Circuit Tracks Standalone groovebox with two digital synth tracks, four drum tracks and two MIDI tracks Two synth tracks with six voices of polyphony each and 128 patches 32 velocity-sensitive pads with RGB lighting for playing, step-sequencing and pattern launching 32-step sequencer with pattern chains up to 256 steps, micro steps, probability and mutation Eight macro knobs and master filter with recordable automation 16 scales for melodic playing in the selected key Reverb, delay, sidechain effects and mix bus compressor microSD slot, 64 internal project slots and support for Novation Components 5-pin MIDI In, Out and Thru as well as MIDI via USB-C Integrated lithium-ion battery with up to four hours of life Technical specifications Product typeStandalone groovebox Synth tracks2 | 6 voices of polyphony each Drum tracks4 | sample-based MIDI tracks2 | programmable CC output Pads32 | velocity-sensitive | RGB-lit SequencerPatterns up to 32 steps | Pattern chains up to 256 steps EffectsReverb | Delay | Sidechain | Mix bus compressor Audio inputs2 x 6.35 mm TS Audio outputs2 x 6.35 mm TS | L/Mono | R Headphone output3.5 mm MIDI5-pin In | Out | Thru | MIDI via USB-C Other connections3.5 mm Sync Out | USB-C | microSD slot Power supplyIntegrated lithium-ion battery | USB-C Battery lifeup to 4 hours Weight0.78 kg Dimensions (W x D x H)240 x 210 x 45 mm Included in delivery Novation Circuit Tracks groovebox USB-A power adapter 1.5 m USB-C to USB-A cable
An 808 beat thrives on small adjustments: a longer-decaying bass drum, a differently tuned tom, or a short shuffle value can instantly change the character of a pattern. The Roland TR-08 brings this workflow to the desktop in a Boutique format, combining the operating logic of the TR-808 with connectivity for modern studio and live setups. ACB sound generation and direct sound controls Roland replicates the circuitry of the TR-808 using their proprietary ACB technology. Individual drum sounds can be edited immediately via knobs and switches: levels are available for all instruments, complemented by parameters such as Tone, Decay, Snappy, and Tuning for the respective sound groups. This means a beat is not just created by the programmed steps. The interaction between the bass drum, snare, hi-hats, toms, and percussion becomes audible as you turn the controls, making this small drum machine an instrument for active sound sculpting. Patterns with sub-steps, Tap and Step Write The sequencer operates with 16 steps and 16 sub-steps per step. This allows for the programming of dense hi-hat patterns, fast snare rolls, and finely resolved rhythmic shifts without the need for an external sequencing system. For creating patterns, both classic Step and Tap entry methods are available. The TR-08 continues to play as you switch between the two writing methods. An LED display supports the precise setting of tempo and shuffle, while the compressor can tighten up selected patterns. USB audio, MIDI and Trigger Out In a computer setup, the TR-08 transmits ten separate audio signals via USB. This allows you to edit or mix the bass drum, snare, and other tracks separately in your DAW. USB audio and USB MIDI are also available via the same Micro-B connector. Additionally, the device features MIDI In and Out, as well as a freely selectable Trigger Out. Mix In, Output, and headphone outputs are provided as 3.5 mm jacks. This allows the Rhythm Composer to be connected to other Boutique instruments, modular gear, or a compact live rig. Portable Boutique housing with dock and speaker With its metal front panel and DK-01 Boutique Dock, the TR-08 fits perfectly on a small studio desk or into a portable setup. The dock allows for different viewing angles. An integrated mini speaker enables monitoring even without connected headphones or speakers. Power is supplied via four AA batteries or USB. This allows the drum machine to run away from the computer, for example when sketching out ideas, during rehearsals, or as part of a streamlined hardware setup. Is the Roland TR-08 the right drum machine for your setup? The Roland TR-08 is suited for producers who want to shape the sound character and workflow of an 808 directly on the hardware. It integrates seamlessly into a DAW-based production system with separate USB tracks, as well as into a hardware rig with MIDI and trigger signals. If you develop beats using knobs, switches, and a clearly structured step sequencer, this compact Rhythm Composer offers direct access to typical 808 structures. The DK-01 Dock, battery or USB power, and the built-in speaker also support workstations with limited space and mobile sessions. Features Roland TR-08 Compact Rhythm Composer with ACB modeling of the Roland TR-808 Direct sound editing via Level, Tone, Decay, Snappy, and Tuning 16-step sequencer with 16 sub-steps per step Step and Tap programming during continuous playback Compressor for selected instruments LED display for tempo and shuffle settings Ten separate audio outputs via USB USB audio and USB MIDI via Micro-B connector MIDI In/Out and selectable Trigger Out for external instruments DK-01 Boutique Dock, integrated mini speaker, and battery power Technical specifications Product typeRhythm Composer / Drum machine Pattern memory16 banks | 12 x 16 patterns | 4 x 16 intro/fill-ins Sequencer16 steps | 16 sub-steps per step EffectsCompressor Audio outputs via USB10 separate outputs Audio connectionsMix In | Output | Headphones, 3.5 mm each MIDIIn | Out | USB-MIDI Trigger output3.5 mm USBMicro-B | Audio | MIDI Power supply4 x AA Ni-MH batteries | 4 x AA alkaline batteries | USB bus power Weight1.3 kg including batteries and Boutique Dock Dimensions (W x D x H)308 x 130 x 51 mm Included items Roland TR-08 Rhythm Composer DK-01 Boutique Dock - black 4x AA alkaline batteries (LR6) Owner's manual DK-01 Owner's manual Leaflet "USING THE UNIT SAFELY"
The standalone production system gives you direct, focused access to your musical ideas and relies on a workflow that works without a computer. With a combination of powerful hardware, integrated effects, and an extensive sound library, it creates an environment where you develop beats, shape arrangements, and play performances without interrupting your creative flow. Powerful Standalone Architecture The integrated quad-core processor ensures that even complex projects run smoothly and you can edit sounds, patterns, and effects without delay. Together with 4 GB dual-channel RAM, you get enough computing power for detailed sound design and demanding performances. The standalone function allows you to produce complete tracks without a computer – including browsing, sampling, and arranging. The hardware is designed so you can fully focus on your music. Two high-resolution color displays support you with precise slicing, editing notes, and navigating your library. The operation always remains clearly structured and easy to understand. Intuitive Playing Feel and Expanded Control The highly sensitive pads respond precisely to every dynamic and are suitable for drums, melodies, or performative accents. They are complemented by touch-sensitive knobs that give you very direct parameter handling. The Smart Strip enhances this experience by letting you bend sounds, control effects, or play melodies without needing an additional instrument. The system also offers clear advantages when navigating projects, kits, or effects. A 4-way encoder speeds up browsing through large libraries while letting you adjust levels, panorama, or group parameters directly. The result is a continuous workflow without unnecessary detours. Extensive Connectivity and Software Equipment An integrated 24-bit/96kHz audio interface gives you high-quality playback and recording. Thanks to the robust anodized-aluminum construction, the system is also suitable for live use. With integrated Wi-Fi, you download additional content, updates, or expansions directly to the device without a computer. At the start, you receive a large selection of instruments, synths, and effects – including FM8, Massive, Monark, Reaktor Prism, and the Kontakt Factory Selection. The included expansion packs cover various styles and give you a broad sonic foundation right away. Professional Workflow Without Limits In addition to standalone operation, the controller integrates seamlessly into a DAW and supports common plug-in formats. You connect external synths or drum machines via MIDI and can control their sequences directly from the device. Quick export of patterns as audio or MIDI also enables a flexible transition to fine-tuning on your computer. Features Native Instruments Maschine Plus Powerful standalone music production system with direct control and integrated sound library Precise work thanks to a 24-bit/96kHz audio interface for recording and playback Quad-core processor and 4 GB dual-channel RAM for stable performance even with complex projects Two high-resolution displays for editing, slicing, mixing, and navigation Highly sensitive pads and touch-sensitive knobs for dynamic playing and intuitive sound shaping Smart Strip for playful effect control, pitch movements, and creative performances 4-way push encoder for faster browsing and direct access to levels and navigation Integrated Wi-Fi for downloading sounds, updates, and expansions without a computer Comprehensive sequencer, sampler, and effects section with direct hands-on control Dedicated controller with 16 RGB pads, 47 buttons, and 9 knobs for production, arrangement, and automation Supports VST and AU plug-ins as well as use as a plug-in in AAX, AU, RTAS, and VST Tag-based browser for quickly finding kits, samples, effects, and instruments Import of Akai programs (MPC 500–4000) and convenient threshold detection when sampling MIDI I/O for controlling external devices and sequencing hardware Drag-and-drop export of patterns as audio or MIDI for DAW workflows Robust anodized-aluminum housing for studio and live operation Technical Data Frequency response audio interface: 20 – 20,000 Hz Dynamic range (line): 102 dB Supported systems: macOS 10.13–11 | Intel Core i5 | 4 GB RAM | Windows 10 64-bit | Intel Core i5 or equivalent | 4 GB RAM Weight: 2.2 kg Dimensions: 320 x 301 x 41 mm Scope of Delivery Native Instruments Maschine Plus music production system Maschine+ Selection software package Plus voucher for two additional expansion packs
A song idea doesn't have to start on a computer. A beat, a vocal snippet, or a bassline is often enough to capture a direction. The Roland MV-1 Verselab brings sequencing, sounds, sampling, and vocal recording into one device that streamlines the path from pattern to finished arrangement. Instrument tracks, vocals, and song structure Seven instrument tracks and a dedicated vocal track give beats, harmonies, and voice a firm place in the project. The TR-REC step sequencer works with up to 128 steps and is suitable for precisely programmed drums as well as for continuous patterns and song sections. You can use the 16 RGB pads to play in notes, drums, and samples directly, or use them for workflow control. The ZEN-Core sound engine provides over 3,000 sounds and more than 80 drum kits. This allows a sketch to be developed into a complete track without the need for additional sound generators. Vocal recording directly in the production For vocals and speech, the groovebox features an integrated microphone as well as an XLR input with +48 V phantom power. This allows you to connect a condenser microphone and record vocals directly into the ongoing project. Auto-pitch, harmonizer, and doubler shape the vocal track directly within the device. Up to 16 takes help you to collect different recordings and assemble them into a suitable track. This is practical when hooks, ad-libs, or spoken passages are to become part of the song structure. Samples, connections, and further work Your own sounds can be sampled as WAV files at 32 to 96 kHz at 16 or 24 bits in mono or stereo. The available recording time is up to 12 minutes in stereo; up to six minutes are available for mono. Time-stretch and pitch-shift support the adaptation of loops to tempo and key. Stereo line inputs and outputs, MIDI In/Out, and USB integrate the production space into an existing setup. Projects can be saved to an SD card. Zenbeats integration also enables further work on a computer, tablet, or smartphone if an arrangement is to be supplemented later outside the hardware. Power supply for fixed and mobile setups The device can be operated via the included power adapter, USB, or batteries. At 354 x 208 x 60 mm, it remains easy to accommodate on a small workstation and can also be taken along to sessions. The backlit two-line LCD supports orientation when accessing functions and projects. When is the Roland MV-1 Verselab suitable for your songwriting? The Roland MV-1 Verselab is suitable for producers, beatmakers, and songwriters who want to develop beats and vocals in a compact hardware workflow. It is particularly useful for ideas that need to grow without constant switching between multiple devices: programming patterns, playing in sounds, recording vocals, and directly continuing the arrangement. For beat productions with drum kits, melodic sounds, and your own samples For songwriters who want to capture vocal ideas directly with an instrumental For mobile sessions with battery or USB power supply Features Roland MV-1 Verselab Groovebox and vocal workstation for producing complete songs ZEN-Core sound engine with over 3,000 sounds and more than 80 drum kits Seven instrument tracks and one vocal track 16 RGB pads and TR-REC step sequencer with up to 128 steps Integrated microphone and XLR microphone input with +48 V phantom power Vocal effects with auto-pitch, harmonizer, and doubler Up to 16 takes for vocal recording Sampling of WAV files in mono or stereo Time-stretch and pitch-shift for loops Stereo line inputs and outputs as well as MIDI In/Out USB port, SD card storage, and Zenbeats integration Power supply via power adapter, USB, or batteries Technical specifications Sound generationZEN-Core sound engine Polyphony128 voices Tracks7 instrument tracks | 1 vocal track Preset soundsOver 3,000 Preset drum kitsOver 80 Step sequencerUp to 128 steps Sampling formatWAV | 32 to 96 kHz | 16 or 24 bit | mono or stereo Sample timeUp to 12 minutes stereo | up to 6 minutes mono DisplayTwo-line, backlit LCD StorageSD card MIDIMIDI In | MIDI Out Weight1.16 kg Dimensions (W x D x H)354 x 208 x 60 mm Included in delivery Roland MV-1 Verselab Power adapter SD card, pre-installed in the product SD card protective case
Build beats in seconds – exactly what the Korg Electribe 2 was developed for. The Music Production Station in striking metallic blue combines a powerful analog modeling synth with a PCM sound engine and a 16-step sequencer into a compact instrument for music production and live performance. 409 oscillator waveforms, 16 velocity-sensitive trigger pads, and an integrated XY touchpad give you everything you need to quickly turn your musical ideas into sound. Sounds without detours The sound engine of the Korg Groovebox brings together 55 analog modeling oscillators with an extensive PCM library. From simple waveforms such as Saw, Pulse, or Sine to complex variations like Ring Mod, Cross Mod, or VPM, you have a broad range at your disposal. All sound parameters can be adjusted directly via the controls on the surface – without having to dive into menus. The filters come from the KingKORG and simulate classic synthesizer filter types, allowing you to shape drums, basses, and synth sounds precisely. Sequencing with tempo 16 parts with 64 steps each (16 x 4) form the backbone of the sequencer. Patterns can be programmed via realtime recording using the pads or via step recording note by note. With the Pattern-Chain function from System Version 2, you can link up to 250 patterns in a row – ideal for complete song structures. There are also 25 groove templates, 35 scale types, and 50 gate arpeggiator variations that add rhythmic depth to your sequences. Effects with character Each of the 16 parts has its own insert effect with 38 types – from compression to overdrive to modulation effects. The master effect can be controlled via the touchpad, just like with the Kaoss Pad. Effects such as „Vinyl Break", „Odd Stepper", or „Seq Reverse" directly affect the sequencer playback and create creative breaks during performance. Up to 24 motion sequences per pattern record movements of the controls, making your sound changes reproducible. Work in sync Using the sync connection, you link the production station with other Korg Groove machines such as the Volca series, the SQ-1, or the Electribe sampler. MIDI in and out (via the included adapter cables) allow you to integrate it into your existing setup. Using the audio input, you can feed in external signals and process them with the internal filters and effects. You export patterns either as a WAV file or directly as an Ableton Live project file – each part ends up as its own clip in Live. Mobile and robust The zinc die-cast housing makes the blue Electribe tough and at the same time pleasantly compact. With just 1.6 kg and the option to run the device using six AA batteries, you can be productive even without a mains socket. Battery life is around five hours – enough for extended sessions on the go. Why the Korg Electribe 2 fits you Are you producing electronic music and looking for a hands-on instrument that works without a laptop? Do you need a compact groovebox for live performances that seamlessly fits into your existing equipment? Then you’ve come to the right place. The Korg Production Station is particularly suitable if you: Produce house, techno, EDM, or trap Prefer a hardware-based workflow Want to sketch patterns quickly and then continue working on them in Ableton Live Need a portable setup for performances or mobile production Already use other Korg devices like Volca or SQ-1 For beginners in hardware production, the groovebox offers a quick start thanks to 200 preset patterns and more than 200 downloadable bonus patterns. Advanced producers benefit from the deep sound design and extensive performance features. Features Korg Electribe 2 Synth-based Music Production Station with Analog Modeling and PCM sound engine 409 oscillator waveforms for drums, bass, synths and instruments 16 velocity-sensitive trigger pads with multiple modes (Trigger, Keyboard, Chord, Step Jump, Pattern Set) Integrated XY touchpad for controlling master effects, gate arpeggiator and touch scale 16 filter types (LPF, HPF, BPF) from the KingKORG for versatile sound shaping 38 insert effect types per part and 32 master effect types including Kaoss Pad effects 16-step sequencer (x4) with 16 parts, pattern chain and up to 250 linkable patterns Export as an Ableton Live project file or WAV (48 kHz, 16 bit) Sync connection for linking with Volca, SQ-1 and other Korg devices Battery operation possible (6x AA, approx. 5 hours runtime) Robust zinc die-cast housing in metallic blue Ableton Live Lite included as a free download Technical specifications Sound generation Analog Modeling + PCM sound engine Maximum polyphony 24 voices Oscillator types 409 (Kick, Snare, Clap, HiHat, Cymbal, Tom, Percussion, Voice, Synth FX, Synth Hit, Inst Hit, Synth, Instrument, Audio In) Filters 16 types (LPF | HPF | BPF) Modulation types 72 Scale types 35 Gate arpeggiator types 50 Groove types 25 Insert effects 38 types (per part) Master effects 32 types Sequencer 16 steps x 4, 16 parts Patterns 250 (200 presets | 50 initial) Motion sequences up to 24 per pattern Pattern Set up to 64 patterns Pattern Chain up to 250 patterns Trigger pads 16 (velocity-sensitive) Sampling frequency 48 kHz AD/DA conversion 24 bit Connections L/Mono | R output (6.3 mm jack) | headphones (3.5 mm stereo mini-jack) | audio input (3.5 mm stereo mini-jack) | MIDI In | MIDI Out | USB Micro-B | Sync In | Sync Out External storage SD card (512 MB – 2 GB) | SDHC card (up to 32 GB) Power supply Power adapter (DC 9V) or 6x AA batteries Battery life approx. 5 hours (with NiMH rechargeable batteries, Power Saving activated) Housing Zinc die-cast Weight 1.6 kg Dimensions (W x D x H) 339 x 189 x 45 mm Included in delivery Korg Electribe 2 Music Production Station (Metallic Blue) Power adapter (DC 9V) MIDI adapter cable (2 pieces) Ableton Live Lite (licence key)
Compact, direct, and focused on music: With this Groovebox from AlphaTheta, you develop chord progressions, beats, and complete song ideas without detours. The device combines a well thought-out sequencer with a smart chord helper, real-time effects, and a clear operating logic. This is how sketches, grooves, and fully developed patterns are created quickly and within a musically coherent framework. Especially when you want to not only search for harmonic ideas, but make them audible right away, you get a tool here that leads your creativity without forcing you to commit. Chords that think further The integrated Chord Cruiser supports you in developing suitable progressions and draws on up to 110,000 possible combinations. Instead of searching for the next step for a long time, you try out the suggestions directly using the keypad and shape them into your own sequence.In addition, you have access to 18 chord sets. Some are oriented towards modern styles such as House or Future Bass, while others provide classic harmonic foundations. That’s why the Groovebox is suitable both for quick idea generation and for targeted work on musical tension progressions. More structure in a small space At the center is an 8-track sequencer, with which you can lay down drums, basslines, pads, or melody elements in parallel. For each track, up to 16 patterns can be stored, which you arrange logically using the pattern chain function. This keeps your workflow compact without limiting your song structure.With 128 steps, i.e. 8 bars, you get enough space for precise placements, variations, and recurring motifs. This makes the device interesting for short loop-based ideas as well as for clearly structured arrangements. Motion in the pattern The Running Direction function works particularly independently. It changes the playback direction of your sequences with the press of a button and brings entirely new rhythmic variations into play immediately. This kind of change is often exactly the moment when a solid loop turns into an exciting groove.Three built-in effects also come into play, which you control in real time via the XY pad. Arpeggiator, delay, and ducker give chords and beats more movement, depth, and dynamics—without interrupting your workflow. Playing without detours The combination of key and scale function, along with visual LED support, helps you focus more on musical ideas. On the keyboard, only the relevant notes are available, making improvisation much more accessible and reducing mis-hits. This is useful when you want to quickly capture what you’re thinking of.With 145 sound presets, 16 drum kits, a lowpass filter, and an amp envelope, the compact production hub also provides enough material to shape sounds directly on the device. Via MIDI and USB-C, it can be seamlessly integrated into an existing setup with a DAW or external hardware. And the fact that it can be powered via USB-C or with six AA batteries also makes spontaneous sessions that much easier. Does it fit your workflow? AlphaTheta ChordCat is a particularly good match for you if you develop musical ideas quickly, work harmonically with confidence, and still want to arrange flexibly. The device suits beginners who appreciate composition support from scale and chord functions, as well as experienced producers who are looking for a compact sketching hub for on the go, the desk, or an existing MIDI setup. well suited for your first tracks and intuitive chord work practical for mobile beat sketches without a fixed power source useful for setups with DAW, MIDI hardware, or external synthesisers interesting for anyone who wants to develop patterns quickly and further process them Features AlphaTheta ChordCat Compact Groovebox for chord work, beat production, and quick song sketches Chord Cruiser suggests harmonically suitable chords from up to 110,000 combinations 18 chord sets with genre-oriented templates and classic harmonic foundations 8 tracks enable working simultaneously with multiple sounds or instruments 16 patterns per track and pattern chain for smooth transitions in the arrangement 128 steps across 8 bars for detailed sequences and clear song structures Running Direction changes the playback direction of patterns for new rhythmic impulses Three built-in effects with arpeggiator, delay, and ducker controllable in real time via the XY pad Scale and key function with LED display for an intuitive and confident playing feel 145 sound presets, 16 drum kits, lowpass filter, and amp envelope for flexible sound shaping Technical data Tracks 8 Patterns per track 16 Steps 128 Effects Arpeggiator | Delay | Ducker Sound memory 145 sound presets | 16 drum kits Connections MIDI IN | MIDI OUT/THRU | USB Type-C Power supply DC 5 V, 500 mA (USB) | AA batteries x6 Operating time approx. 5 hours with batteries Weight 0.40 kg Dimensions (W x D x H) 247 x 111 x 33 mm What’s in the box AlphaTheta ChordCat Groovebox USB cable USB-C to USB-C Quick start guide Warranty information Safety instructions
With the DrumBrute Impact, you get a analogue drum machine that combines direct access, clear response, and a fast workflow. Ten independent drum sounds, an intuitive step sequencer, and many performance functions turn the device into a tool with which you don’t just program beats, but actively shape them. Instead of menus and nested settings, you work directly on the sound here. That makes the Arturia machine particularly interesting when you want to capture rhythmic ideas quickly, vary them live, or expand your setup with a characterful analogue rhythm centre. Sound with a direct personal signature At the centre are 10 analogue voices for kick, snares, toms, hats, cymbal, cowbell and FM sound. The character is, by default, punchy, dry, and present, so grooves can hold their own clearly in the mix. With the dedicated knobs, you can quickly get involved and change individual sounds directly while playing. Exactly that creates a living, shapeable sound that doesn’t feel static.What’s especially exciting is the Color function, which can be used per instrument and even per step. This gives individual hits more bite, more overtones, or a different tonal colouration. This is how variations come about that don’t sound like mere repetition, but like deliberately designed movement in the pattern. Sequencing without detours The sequencer is designed for speed and overview. You can create up to 64 patterns, each with up to 64 steps, and program rhythms step by step or play them in real time. With functions such as polyrhythm, accent, swing, and a random generator, you can quickly create grooves with their own pulse and more depth.There’s also a song mode, pattern chaining, as well as independent lengths per instrument. This is particularly useful when you want to develop more complex sequences from simple ideas. Instead of spending a long time editing on the computer, you build structures directly on the device and immediately hear where your beat is headed. Performance that stays in motion For spontaneous interventions, the compact model includes everything that matters in day-to-day creativity. Mute and solo functions, pattern looper, and roller make it easy to build in breaks, fills, and rhythmic shifts directly. Especially when jamming or using it live, it provides controlled dynamics without the flow getting stuck.Additional character comes from the switchable distortion on the sum. It gives the drums more grit, warmth, and edge, depending on how clearly you intervene. This way, you can deliberately thicken the basic sound or add a rougher, more biting note to your pattern. Ready for your setup Even with the connections, the groovebox is set up flexibly. MIDI, USB, and various clock options make it easier to integrate into hardware and software setups. You can sync the machine with a DAW, synths, sequencers, or older equipment, while drawing on a practical range of connections.Particularly useful are the separate group outputs for kick, snare, hi-hats, and FM sound. This lets you route key elements directly to the mixer, effects, or external processing. This gives you more control when recording, arranging, and for the final fine-tuning. Who is the Arturia DrumBrute Impact for? The Arturia DrumBrute Impact is just right for you if you’d rather develop beats directly with your hands than with the mouse. It suits producers, live acts, and beatmakers who want quick access to rhythm, sound shaping, and performance functions. Even if you already work with external gear, MIDI hardware, or a DAW, the device fits very well into existing setups. Suitable for beginners who want direct, hands-on operation Interesting for advanced users who want to use analogue drums with intent Practical for live performers focused on spontaneous pattern interventions Useful for studios with external routing and separate sound processing If you’re looking for a drum machine that doesn’t get in the way with complicated technology, but makes ideas audible quickly, this model is a very fitting choice. Especially if you value analogue sound, clear operation, and flexible synchronisation. Features Arturia DrumBrute Impact Compact analogue drum machine with direct access to sound, sequencing, and performance functions 10 analogue drum sounds with kick, snare 1, snare 2, tom hi, tom low, cowbell, cymbal, closed hat, open hat, and FM sound 64 patterns with up to 64 steps per pattern Accent placement and Color sound colouring per instrument and per step, except for the cowbell Polyrhythm function with individual pattern lengths per instrument Song mode for chaining patterns and creating complete sequences Swing globally or per instrument, as well as a random generator for pattern variations Pattern looper and roller for beat repeats and drum rolls in real time Switchable distortion on the sum with bypass function Flexible synchronisation via internal, MIDI, clock, USB, as well as 1PPS, 2PPQ, DIN24, and DIN48 Group outputs for kick, snare, hi-hats, and FM sound for separate routing and further processing Built-in metronome with headphone override for unobtrusive monitoring Technical specifications Type Analogue drum machine Sound generation 10 analogue voices Patterns 64 Steps per pattern Up to 64 Sync options Internal | MIDI | Clock | 1PPS | 2PPQ | DIN24 | DIN48 Connections 6.3 mm jack line output | group outputs for kick, snare, hi-hats, and FM | 3.5 mm mini-jack headphone output | 3.5 mm mini-jack clock in | 3.5 mm mini-jack clock out | MIDI in | MIDI out | USB USB-MIDI interface Yes Metronome Integrated Weight 1.84 kg Dimensions (W x D x H) 350 x 290 x 90 mm What's in the box Arturia DrumBrute Impact drum computer External power supply Power cable
A crisp kick, an open hi-hat and a few shifted steps can set an entire track in motion. The Roland TR-1000 bundles this direct approach to rhythm into a drum machine that combines analog circuitry, digital sound generation and sampling in one instrument. Analog TR circuitry and digital sound sources In the analog domain, the Rhythm Creator works with 16 recreated circuits from the TR-808 and TR-909. They provide the familiar foundation for kick, snare, hi-hat and other classic drum sounds, but can be further shaped using extended parameters and a wide dynamic range. In addition, ACB models, FM, virtual analog and PCM sound generation are available. The 75 ACB-Tones also include circuit-bent 8X/9X models. This allows you to combine classic drum characters with synthetic percussion sounds, basslines and digital textures within a single kit. Sampling with on-the-fly editing Your own recordings, imported samples and the included library are at the heart of the sound structure. The sampler operates at 48 kHz and 16-bit, supports WAV, AIFF and MP3 and can record individual samples up to 16 minutes in length. The TR-1000 has 64 GB of internal memory, 46 GB of which are reserved for your own data. Stereo sampling, resampling, BPM sync, time-stretching and non-destructive slice editing keep your material flexible. This is practical when you want to continue working on a field recording, a vocal phrase or a short drum break as part of a pattern without committing to the original file. Layer tracks, effects and sound shaping Four layer tracks can either combine two sound generators or process them separately. They are complemented by six single tracks and a dedicated part for trigger-out. Each track features a compressor, multimode filter or four-band EQ, as well as amp and envelope control. For further processing, an analog state-variable filter and analog drive are available alongside digital instrument effects, reverb, delay and master effects. In the four layer tracks, you can also set up effects, internal sidechaining, LFO destinations and output paths per track. Sequencing with timing and arrangement The TR-REC sequencer remains the fast entry point for step patterns, but it is augmented by real-time recording and off-grid input for shifted timing. Motion recording captures parameter movements, while probability, cycle conditions and various playback directions can change repetitions within a pattern. Swing per track and shift functions help to shift the groove precisely. In Song mode, patterns and variations can be chained and repeated in your own sequence. This allows the machine to play back even longer arrangements while both your hands are occupied with other instruments or the mixing console. Connections for studio, stage and modular equipment The rear panel offers mix outputs, a separate analog FX output and multiple individual/trigger outputs. External stereo sources can be integrated via the External In jacks. Trigger, CV, Filter CV and clock connections connect the drum machine to compatible modular and hardware equipment. MIDI is available via inputs and outputs with DIN sync. Via USB-C, the TR-1000 works as an audio/MIDI device on your computer, while the USB-A port accepts external devices. A pedal jack and a headphone output complete the connections for performance and production. When does the Roland TR-1000 make a useful addition to your setup? The Roland TR-1000 suits producers and live acts who want to use classic TR sounds as a starting point and develop them further with sampling, layering and deep sequencing. The wide range of audio, MIDI, DIN sync and CV connections is also helpful for hybrid setups with synthesizers, Eurorack and DAW. Anyone who likes to program patterns directly on hardware and wants to control parameter movements, variations and complete song flows will receive an instrument with plenty of room for their own workflow. The combination of analog voices, digital engines and sample editing keeps the sound selection unified within a single drum machine. Features Roland TR-1000 Rhythm Creator with analog, digital and sample-based sound generators 16 recreated analog circuits from the TR-808 and TR-909 75 ACB-Tones including circuit-bent 8X/9X models FM, virtual analog, PCM and sample sound generation Sampler with stereo sampling, resampling, BPM sync and time-stretching Four layer tracks, six single tracks and a trigger-out part TR-REC sequencer with real-time recording, motion recording and probability Analog and digital effects with filter, drive, reverb, delay and master effects Song mode for chaining patterns and variations Audio, MIDI, DIN sync, trigger and CV connections Technical specifications User Drum Kits2,048 | 128 kits x 16 projects User Patterns2,048 | 128 patterns x 16 projects Step sequencer4 layer tracks | 6 single tracks | 1 trigger-out part | 16 steps per variation | 8 variations per pattern | 4 fill-in patterns per pattern Sound generationAnalog 16 tones | ACB 75 tones | FM 7 tones | PCM 340 tones | Sample 2,121 tones Sampler16-bit linear | 48 kHz | Import WAV | AIFF | MP3 | maximum sample length 16 minutes Effects2 filters | 2 amps | 2 compressors | 17 instrument effects | 6 reverbs | 4 delays | 14 master effects | Analog filter | Drive Internal memory46 GB user area DisplayGraphic OLED ConnectionsPhones | Mix Out L/Mono and R | Analog FX Out L/Mono and R | Individual Out/Trigger Out | External In | Trigger/CV | Pedal | MIDI | USB-C Audio/MIDI | USB-A | AC In Power supplyAC 117–240 V | 50/60 Hz Power consumption38 W Weight5.5 kg Dimensions (W x D x H)486 x 311 x 125 mm Included items Roland TR-1000 Rhythm Creator Power cord USB-C to USB-C cable with ferrite core Owner's manual
Sample-based grooves, direct edits to the sound, and a workflow without detours: the KORG-Sampler is designed for fast beatmaking. You load your own waveforms from an SD card, sample external sources directly via the audio input, or access a wide selection of ready-to-use preset sounds. In addition, there are 16 parts per pattern, a clearly structured step sequencer, velocity-sensitive pads, and an X/Y touchpad that let you put rhythms, basslines, and melodies together without long setup. Samples at the centre This model isn’t a pure groovebox with a fixed pool of sounds, but an open production station for your own material. You can import your own samples, adjust start and end points, change pitches, create time slices, and resample processed sounds directly again. This means your material doesn’t stay static—it evolves with every editing step.The machine is particularly strong when you build new patterns from individual fragments. Phrases can be broken down, rearranged, and used rhythmically differently. In this way, a simple starting sample quickly turns into more complex structures—without interrupting the creative flow. Ready to play, quick to build The controls are designed so you don’t have to manage ideas first—you can make them audible right away. The 16 velocity-sensitive trigger pads take on different tasks depending on the mode: previewing sounds, setting steps, playing melodies, or inputting chords. The touchpad complements this approach with Gate Arp, Touch Scale, and master FX control.Especially when developing new grooves, that’s a real advantage. You hear immediately what’s happening, and you can further shape sequences in parallel. Motion sequence, groove types, and last step also give you additional tools to break up rigid grids and produce results that are more rhythmically alive. Sound control without detours Alongside sample access, the red electribe sampler also offers thoughtfully designed sound processing. With 72 modulation types, three filter variants, and a large selection of insert and master effects, you can shape individual parts precisely. You can record knob movements, so your sound isn’t only edited—it’s also dynamically shaped as the pattern progresses.That means the device is suitable not only for sketching ideas, but also for sonically precise, fully developed patterns. Compressor, overdrive, EQ, and performance-ready master effects directly influence the character of a beat, without you first needing to switch to software. Ready for stage and setup The groovebox shines not only in standalone operation. With sync, MIDI, and audio connections, it can be integrated into larger hardware or laptop setups. Pattern set and pattern chain help you build longer sequences, while step jump and the X/Y pad allow spontaneous edits within the running pattern.The concept also makes sense for further processing on your computer. Sequences can be exported as Ableton Live projects, so individual parts can be edited and mixed separately later. This keeps the fast hardware start, without forcing you to do without detailed post-production for the final release. Who is the Korg Electribe Sampler Red for? This model is for you if you’d rather develop beats directly than click everything together with a mouse. Korg Electribe Sampler Red is particularly interesting for producers, live performers, and sound tinkerers who work with samples, but still want to get quick, usable results. With touch scale, chord mode, and direct access to the sequencer, the device is also accessible for beginners—while resampling, motion sequences, pattern chain, and export to Ableton Live provide enough depth for experienced users. It’s right for you if you want to actively edit your own samples and reshape them Suitable for live setups with external devices, sync, and spontaneous edits Useful if you develop ideas first on hardware and then continue working in Ableton Live Good for beginners focused on intuitive operation, and for advanced users who expect a strong workflow and performance Features KORG Electribe Sampler Red Sample-based music production station for fast beatmaking, sound design, and performative sequencing Import samples via SD or SDHC card, plus direct sampling of external signals via Audio In Up to 499 user samples with editing functions such as start and end point, tune, time slice, and resampling Large preset selection with drum, loop, voice, effect, and instrument samples for many styles 16 parts per pattern with up to 64 steps per part for versatile grooves and song structures 16 velocity-sensitive trigger pads plus an X/Y touchpad for trigger, sequencer, keyboard, chord, and performance modes 72 modulation types, three filter variants, as well as insert and master effects for targeted sound shaping Motion sequence, groove function, last step, step jump, pattern set, and pattern chain for dynamic patterns Export sequences as an Ableton Live project or WAV file for further editing in the DAW Sync, MIDI, USB, and audio connections for integration into hardware and laptop setups Battery operation with six AA cells for mobile work without a mains connection Red metal enclosure in a distinctive electribe look with a robust die-cast chassis Technical specifications Sound engine PCM Sound Engine + Analog Modeling Sound Engine Maximum polyphony 24 voices Sample types Analog (16) | Audio In (2) | Kick (37) | Snare (44) | Clap (12) | HiHat (37) | Cymbal (8) | Hits (33) | Shots (44) | Voice (31) | SE (7) | FX (30) | Tom (10) | Percussion (31) | Phrase (15) | Loop (22) | PCM (31) | User Sample (499) Preset samples 920 types Filter LPF | HPF | BPF Modulation 72 types Scale types 35 Gate arpeggiator types 50 Sampling frequency 48 kHz AD/DA conversion 24-bit User samples Up to 499 samples Memory capacity Total max. 270 seconds calculated in Mono Editing options Start/End point | Loop Start point | Tune | Time Slice | Level | Direction | Resampling Insert effects 38 types Master effects 32 types Steps per part 16 steps x 4 Number of parts 16 Number of patterns 250 patterns Motion sequences Up to 24 per pattern Groove types 25 Pattern set Up to 64 patterns can be stored Pattern chain Up to 250 patterns can be chained Export Ableton Live project file format | WAV file format 48 kHz 16-bit Event recording Up to 100 files can be stored Trigger pads 16 velocity-sensitive pads Pad modes Trigger | Sequencer | Keyboard | Chord | Step Jump | Pattern Set Touchpad modes Gate Arp | Touch Scale | Master FX Audio connections L/Mono Output | R Output | Headphones | Audio Input MIDI In | Out USB Micro B Sync In | Out External storage media SD card from 1 GB | SDHC card up to 32 GB Power supply DC 9V mains adapter | 6 x AA batteries alkaline or nickel-metal hydride Battery life Approx. 5 hours Power consumption Less than 500 mA Colour Metallic Red Weight 1.6 kg Dimensions (W x D x H) 339 x 189 x 45 mm What’s in the box KORG Electribe Sampler Red Music Production Station DC 9V mains adapter 2 x MIDI adapter cable Ableton Live Lite licence card
The Yamaha Seqtrak is a true all-rounder for modern musicians and producers who want to realize their musical ideas anytime, anywhere. This compact, battery-powered device combines the functionalities of a step sequencer, a drum machine, multiple synthesizers, and a sampler with comprehensive mixing capabilities. Equipped with a microphone and speakers, it is the ideal companion for creative minds who want to capture their musical ideas spontaneously. The heart of this versatile musical instrument is the sequencer. With its dynamic and intuitive control options, it provides a solid foundation for music production. Each of the tracks has six pattern slots that can be seamlessly switched to bring variety to musical creations. This area is the framework where various sounds find their place, whether for recording, live performances, or spontaneous production on the go. The drum section, consisting of seven tracks including kick, snare, clap, and other percussion sounds, allows experimenting with high-quality sounds from an extensive sound library. With over 2,000 sounds, Yamaha's Seqtrak offers a rich arsenal for shaping your own beats. Additionally, you can integrate your own or external samples using an app. The step sequencer with up to 128 steps ensures complex structured rhythms. In addition to the rhythm section, the synthesizer and sampler section impresses with its tonal diversity. Three synthesizers based on the advanced AWM2 engine and a classic FM synth allow you to create a wide range of sounds, from warm analog tones to characteristic digital sounds. The integrated sampler also opens up the possibility of recording and editing your own sounds. In the field of sound design, the device excels with extensive editing options. Each sound can be individually customized in terms of pitch, volume, or with effects like reverb and delay. These features make it possible to precisely shape the sound and tailor it to your own preferences. Furthermore, the accompanying SEQTRAK App offers additional options for fine-tuning and expanding the musical palette. With this app, you can control all parameters in detail and even create visual accompaniments for the tracks you create. Features Yamaha Seqtrak Combines step sequencer, drum machine, synthesizer, sampler, and mixing functions in one device Compact and portable design, ideal for on-the-go use Battery-powered with integrated microphone and speakers Sequencer with dynamic and intuitive control options Six pattern slots per track for diverse music creation Drum section with seven tracks and a wide selection of high-quality sounds Over 2,000 sounds in the sound library, expandable via app and user samples Three synthesizers based on AWM2 and FM technology for versatile sound shaping Sampler for recording and integrating your own sounds Extensive sound design options for individual sound adjustments Effect section with reverb, delay, and other effects Complete songs can be created from idea to final sound design SEQTRAK App for advanced settings and visualizer function Wi-Fi and Bluetooth support for wireless connections Technical Specifications Tone Generators: AWM2, FM with 4 operators Maximum Polyphony: AWM2: 128, FM: 8 Waveforms: Preset: 800 MB (converted to 16-bit linear format), User: 500 MB Effects: Reverb (12 types), Delay (9 types), Master Effect (85 types), Single Effect (85 types), Master EQ (5 bands), LP-HP filter for each track Track Types: DRUM, SYNTH, DX, SAMPLER Number of Tracks: 11 Sounds: Preset Sound: 2032, Preset Sampler Sound: 392 (expandable via the SEQTRAK App) Number of Projects: 8 (saveable in the SEQTRAK App) Connections: USB Type-C, Headphone Jack (Stereo Mini-jack), MIDI IN/OUT A/D Input: [AUDIO IN] (Stereo Mini-jack) USB Audio Interface: Input: 2 channels (Stereo 1 channel), Output: 2 channels (Stereo 1 channel), Sampling Frequency: 44.1 kHz, Bit Depth: 24-bit Bluetooth: MIDI Transmission/Reception Wi-Fi: Data transfer with dedicated app Sequencer Block: Maximum Steps: 128 Speakers: 2.3 cm, 1 W Microphone: Internal MEMS microphone Power Supply: Rechargeable Lithium-Ion Battery (2,100 mAh, 7.6 Wh), USB Power Delivery (PD) Battery Life: 3-4 hours Battery Charging Time: 3-5 hours Power Supply: Power Consumption 6 W Dedicated Software: SEQTRAK App Weight: 0.5 kg Dimensions (W x D x H): 343 x 97 x 38 mm Package Contents Yamaha Seqtrak USB-C to USB-C cable Special MIDI converter cable Quick Start Guide Warranty & Safety Information
Unlike most drum and rhythm machines that are geared toward electronic instruments, BOSS designed the DR-01S Rhythm Partner entirely for acoustic musicians. Basic sounds include shakers, maracas, conga and cajon, for example, in addition to acoustic drums. You can also count on excellent sound quality, as these sounds come directly from top-of-the-line BOSS and Roland products. Most rhythm machines are relatively inflexible in their patterns. With the DR-01S, BOSS has decided to create a little more room for customization. It's quite easy to recall simple patterns with different variations that fit almost any acoustic style you want to play. Instruments can be removed or added from the mix above this to add variety. Volume and tempo controls are just a button press away, and there are additional features for count-in and metronome modes. Want to jam out to your favorite songs? No problem. Just plug a device of choice into the DR-01S's aux-in jack, and you can play backing tracks from a media player. You can also connect a larger PA via the line-out jack. Another great feature of the DR-01S Rhythm Partner is its easy configuration with external footswitches. A series of footswitches can be used to control start/stop, tap tempo and sound triggering on the fly. Features Boss DR-01S Easy-to-use rhythm box with great sound especially for acoustic musicians Packed with simple and tasteful grooves to support all unplugged music styles Convenient all-in-one design with built-in high-quality speakers Convenient user interface for selecting instruments and grooves, adjusting volume and tempo, and much more Seven parallel instrument categories contain a variety of sounds, including tambourine, shaker and congas, to complete drum sets, sound effects, a metronome and more Individual patterns for each instrument category; overlay patterns from all categories in real time Store up to 50 of your favorite rhythm combos for quick access Control various functions and trigger sounds with optional footswitches Line output for connection to an acoustic guitar amp or larger sound system Aux input for using the DR-01S as a speaker for smartphones and other playback devices Operates on six AA batteries or via the included AC adapter Technical data Max. Polyphony: 24 voices Tempo: quarter note (40 - 300) Bars: 3/4, 4/4, 6/8 Number of favorites: 50 Speaker: 4 inch | 7 W Display: LED | 7x3 lines DA conversion: 24 bit Power supply: AC adapter (included) or 6x AA batteries Max. Operating time with battery power: approx. 10 hours Weight: 0.9 kg Dimensions (W x D x H): 210 x 143 x 127 mm Sounds Shaker Maracas Bell Whistle Tambourine Pandeiro Claves Cowbell Triangle Guiro Bongo Hand clap Paila Conga Cajon Drums Metronome Sound effects Scope of delivery Boss DR-01S AC adapter (PSB-1U + power cord set) Instruction manual Warranty and safety instructions
A beat often only gains character when the kick, snare and percussion do not all come from the same sound world. This is exactly where the Korg Drumlogue comes in: The hybrid drum machine combines four analogue drum parts with six digital sample parts and a freely usable multi-engine. Analogue base, digital addition Bass drum, snare drum as well as low and high tom are created via independent analogue circuits. The most important parameters are available as knobs directly on the surface, allowing you to adjust pitch, sound shaping and level without tedious menu navigation. Six PCM and user sample parts complement the analogue base with additional percussion, samples and accents. The concept remains clear: The analogue voices provide the foundation, while digital parts can thicken a groove or consciously break it up. Each part has its own volume control. This makes it easier to rebalance a beat while working instead of searching for individual tracks in a mixing menu at the end. A multi-engine for further sound ideas The eleventh part works with the Korg multi-engine. In addition to noise and VPM, a slot for user synthesizers is available. As a result, the drum machine can take on additional synthesizer sounds alongside its fixed drum and sample parts, which can be treated like another voice in the pattern. Custom synthesizers can be developed for this purpose via the logue SDK. These can contain features such as filters, LFOs or MIDI-controlled polyphony. The multi-engine therefore expands the sound library not just with an additional preset collection, but with an open layer for individually programmed sounds. Do not just think of sequences in a straight line The sequencer manages 11 parts over up to 64 steps. For more vivid rhythms, probabilities, alternative triggers and micro-offsets are available per step; furthermore, groove patterns can be used per track. Motion and accent recordings capture movements and emphases directly in the pattern. With chain mode, patterns can be linked into longer sequences. In loop mode, you can switch between variations, while randomize can create new starting points for an existing pattern. The OLED display and four assigned encoders help to process these interventions visibly and immediately. Effects and connections in the setup Reverb, delay and a master effect can work simultaneously. This allows individual sounds to be placed spatially or an entire beat to be shaped further without having to immediately supplement the device with external effects. Programmes and drum kits each offer 128 memory slots, of which 64 are occupied from the factory. On the rear panel, main outputs in L/mono and R, four additional audio outputs, a headphone output, audio in, MIDI in/out and sync in/out are provided. USB-A and USB-B cover MIDI controllers as well as the connection to the computer and make the Drumlogue a well-connectable building block for a hardware or hybrid setup. The Korg Drumlogue for your pattern-oriented setup The Korg Drumlogue is suitable for producers who are looking for a directly playable rhythm machine with an analogue core and would like to develop their beats further with samples as well as digital synthesizer sounds at the same time. It fits particularly well into setups in which patterns are built, varied and subsequently connected to other devices via multiple outputs or MIDI. The combination of volume controls, chain and loop modes is also practical for live performers, because grooves can be changed during playback. The open multi-engine provides space for your own sound ideas without losing the clear access to the classic drum parts. Features Korg Drumlogue Hybrid drum machine with 4 analogue drum parts, 6 PCM/user sample parts and multi-engine Analogue sound generation for bass drum, snare drum, low tom and high tom Multi-engine with noise, VPM and slot for user synthesizers 11-part sequencer with up to 64 steps Step probability, alternative triggers, micro-offsets and groove patterns per track Motion and accent recording as well as randomize function Chain mode and loop mode for arranging and varying patterns Individual volume controls for all parts, OLED display and four encoders Reverb, delay and master effect can be used simultaneously 128 programmes and 128 drum kits, each with 64 factory slots Main out, four additional audio outputs, audio in, MIDI, sync as well as USB-A and USB-B USB-A for class-compliant MIDI controllers and USB-B for connection to the host Technical specifications Polyphony11 voices Sound generationAnalogue: 4 parts | PCM / user samples: 6 parts | Multi-engine: 1 part Multi-engineNoise | VPM | User synthesizer Programmes including rhythm patterns128 | of which 64 are factory programmes Drum kits128 | of which 64 are factory kits EffectsReverb | Delay | Master effect ConnectionsHeadphones | Main out L/mono and R | Audio out 1–4 | Audio in | MIDI in/out | Sync in/out | USB-A | USB-B Power supplyAC adapter DC 9 V Weight1.4 kg Dimensions (W x D x H)317 x 189 x 73 mm Included in delivery Korg Drumlogue hybrid drum machine AC adapter Quick Start Guide Safety instructions
The AKAI MPC Live III is a standalone music production workstation for beatmaking, sampling, sequencing, and live performance. The third generation combines the familiar MPC workflow with a significantly more powerful 8-core system, 8 GB of RAM, and 128 GB of internal storage. New MPCe pads with 3D-sensing, a performance touch strip, an integrated step sequencer, as well as the 7-inch multi-touch display give you direct access to sounds and parameters. Thanks to the battery, built-in stereo speakers, and microphone, you can produce and record samples even without a computer. MPCe pads with three-dimensional control The 16 velocity and pressure-sensitive MPCe performance pads with 3D-sensing expand the classic MPC playing feel with additional control options. Movement and pressure can be used for different parameters, allowing sounds to be changed and modulated while playing. The pads are complemented by a freely assignable performance touch strip for pitch, modulation, automation, and other functions. More power for extensive projects Inside, there is a Gen2 8-core CPU with 8 GB of RAM. Compared to the MPC Live II, this provides significantly more processing power for instruments, effects, and complex arrangements. MPC3 supports up to 32 plugin tracks, 16 stereo audio tracks, and up to 256 stereo voices. The internal storage offers 128 GB and can be expanded via SD card, USB storage, or an additional SATA drive. The system also includes 30 GB of sound content and numerous instruments. MPC3 provides features such as Pro Reverb, EQ, Clip Matrix, CV Playgroup, Super Time Stretch, and Pro Stems Separation. You can chop, arrange, and directly integrate samples into your productions. Sequencing without detours For beat programming, there are 16 dedicated step sequencer buttons available. Velocity, timing, automation, nudge, and other parameters can be edited precisely. Four touch-sensitive Q-Link knobs with multiple banks allow quick access to frequently used settings. Via XYFX, the touch display also becomes a freely usable X/Y controller for effects. Sampling and recording directly integrated Two XLR/TRS combo inputs with microphone preamps allow direct recording of microphones, instruments, and line signals. An integrated studio microphone is ready for spontaneous recordings. Via the stereo RCA input, you can connect a turntable or other playback devices, for example. Sampling is also possible directly via USB-C from a compatible computer or iPhone. Control centre for your setup With six TRS outputs, two MIDI inputs, two MIDI outputs, and eight CV/Gate channels, the workstation can be extensively integrated into hardware setups. Two USB-A ports, USB-C, Wi-Fi, and Bluetooth expand the connection options. Via USB-C, the device can also be used as a multi-channel audio and MIDI interface. Ableton Live Control and Ableton Link facilitate the connection with computer-based productions. Who is the AKAI MPC Live III suitable for? The workstation is aimed at producers, beatmakers, and live musicians who are looking for a standalone production workflow with extensive hardware connectivity. Thanks to the battery, speakers, and internal microphone, it is just as suitable for mobile sessions as it is as a central production environment in the studio. It is particularly interesting for you if you want to combine sampling, finger drumming, hardware synthesizers, modular systems, and software instruments in one common setup. Features AKAI MPC Live III Standalone music production workstation for sampling, sequencing, beatmaking, and live performance 16 MPCe performance pads with velocity sensitivity, pressure sensitivity, and 3D-sensing technology Gen2 8-core processor with 8 GB RAM for extensive instrument, effect, and audio projects 7-inch multi-touch colour display with XYFX function for direct effect control 16 dedicated step sequencer buttons for fast programming and editing Performance touch strip for freely assignable modulations and real-time controls 128 GB internal storage with expansion options via SATA drive, SD card, and USB MPC3 operating system with Pro Reverb, EQ, Clip Matrix, CV Playgroup, Super Time Stretch, and Pro Stems Separation Up to 32 plugin tracks, 16 stereo audio tracks, and 256 stereo voices Integrated studio microphone and stereo speakers for mobile work Two XLR/TRS combo inputs as well as stereo phono/line input via RCA Extensive hardware connectivity with MIDI, eight CV/Gate channels, USB-C, USB-A, Wi-Fi, and Bluetooth USB-C audio and MIDI interface with multi-channel bidirectional transmission Direct sampling from compatible computers and iPhones via USB-C Ableton Live Control and Ableton Link for integration into corresponding production environments Integrated rechargeable lithium-ion battery for unplugged operation Technical data Device typeStandalone music production workstation | Sampler | Sequencer | Groovebox Operating systemMPC3 ProcessorGen2 8-core processor Memory8 GB RAM Internal storage128 GB Sound content30 GB Plugin tracksUp to 32 Audio tracksUp to 16 stereo tracks PolyphonyUp to 256 stereo voices Pads16 velocity and pressure-sensitive MPCe pads with 3D-sensing | 8 pad banks Display7-inch multi-touch colour display Q-Link knobs4 touch-sensitive 360° knobs | 4 Q-Link banks Sequencer control16 dedicated step sequencer buttons Additional controllersPerformance touch strip | 360° encoder | Volume knob Audio inputs2 x XLR/TRS combo | 2 x RCA as stereo input | integrated microphone Audio outputs6 x 6.3 mm TRS | 1 x 6.3 mm stereo headphone output MIDI2 x MIDI In 5-pin | 2 x MIDI Out 5-pin CV/Gate4 x 3.5 mm TRS with a total of 8 CV/Gate channels USB2 x USB-A | 1 x USB-C Storage expansionSD card slot | internal SATA drive bay Wireless connectivityWi-Fi | Bluetooth USB audioUp to 24 bidirectional audio channels via USB-C USB MIDIUp to 32 bidirectional MIDI channels via USB-C SpeakersIntegrated stereo speakers BatteryRechargeable lithium-ion battery Power supply19 V DC | 3.42 A | Power supply connection Weight3.9 kg Dimensions (W x D x H)435.9 x 256.0 x 67.1 mm Included in delivery AKAI MPC Live III Power supply unit USB cable Quick start guide
The AKAI MPC One G2 brings the classic MPC workflow into a compact standalone production powerhouse with significantly more powerful hardware. A new 8-core processor, 4 GB of RAM, and 64 GB of internal storage provide the headroom for larger projects with up to 16 stereo audio tracks and 32 plugin instances. It also features 16 velocity- and pressure-sensitive RGB pads, a 7-inch multi-touch screen, and MPC3 as the central production environment. You can use it to create and edit samples, beats, instruments, and complete arrangements without a computer. More power for larger projects Inside, it is powered by the new G2 8-core CPU with 4 GB of RAM. Compared to the previous generation, it significantly expands the potential scope of a standalone production. Up to 16 stereo audio tracks and 32 plugin programs can be used within a single project. The maximum voice count has also been increased to up to 256 voices. The internal storage comprises 64 GB and offers space for sounds, projects, and expansions. Additionally, you can use storage media via USB or the SD card slot. Older MPC projects, programs, and sequences are also supported, ensuring your existing material remains usable. MPC3 right at your fingertips The MPC3 operating system combines the familiar pattern-oriented MPC workflow with a more modern, track-based production method. The Linear Arranger allows you to build and edit complete songs directly on the hardware. Automation, sampling, sequencing, mixing, and working with internal instruments all stay within a single, unified interface. The 7-inch HD multi-touch screen serves as the central hub. Samples can be chopped and edited via touch, while the 16 RGB-backlit MPC pads are ready for drum programming, sampling, and melodic playing. Four Q-Link knobs with their own OLED displays give you quick access to important parameters and show you exactly which function is currently assigned. USB-C for audio, MIDI, and sampling The new USB-C interface expands integration into modern production environments. You can sample audio directly from a computer or compatible mobile device and use the MPC as an audio interface via USB-C. Up to 24 input and 24 output channels are available between the MPC and your computer. USB-C can also act as a host for compatible controllers and storage media. For external instruments, the workstation features MIDI In and Out as well as eight CV/Gate outputs. This allows you to sequence synthesizers, drum machines, and modular systems directly. Furthermore, up to 32 input and output channels can be integrated into a standalone setup via a compatible class-compliant USB audio interface. Flexible in the studio and in hardware setups Analogue stereo inputs and outputs allow for the direct connection of external audio sources and studio gear. Wi-Fi and Bluetooth complement the wired interfaces and support Ableton Link and wireless MIDI connections with compatible devices, among others. Importing and exporting Ableton projects is also supported. Is the AKAI MPC One G2 right for you? This compact production station is suitable for beatmakers, producers, and musicians who want to produce without a computer while still executing extensive projects. It is particularly interesting if you focus on sampling and pad-based production, or if you want to control multiple synthesizers, MIDI devices, and modular hardware from a central unit. For standalone music production without a computer For sampling, beatmaking, and complete song arrangements For larger projects with many audio and plugin tracks For MIDI-, USB-, and CV/Gate-based hardware setups Features AKAI MPC One G2 Compact standalone music production workstation for sampling, sequencing, beatmaking, and arrangement G2 8-core processor with 4 GB RAM and 64 GB internal storage MPC3 operating system with track-based workflow and Linear Arranger Up to 16 stereo audio tracks and 32 plugin programs in standalone operation 16 velocity- and pressure-sensitive RGB MPC pads for drums, samples, and melodies 7-inch HD multi-touch screen for sample editing, arrangement, and operation Four Q-Link knobs with OLED displays for direct access to parameters USB-C for sampling, audio interface operation, MIDI, data transfer, and compatible USB devices Up to 24 input and 24 output channels via USB-C when connected to a computer Eight CV/Gate outputs for controlling modular and analogue hardware MIDI In and Out as well as support for class-compliant USB audio interfaces Wi-Fi and Bluetooth with support for Ableton Link and wireless MIDI connections Technical data Device typeStandalone sampler | sequencer | music production workstation Operating systemMPC3 ProcessorG2 8-core CPU RAM4 GB Internal storage64 GB Maximum voice count256 voices Maximum audio tracks16 stereo tracks Maximum plugin programs32 Pads16 velocity- and pressure-sensitive RGB MPC pads Display7-inch HD colour display | multi-touch Q-Link knobs4 | OLED displays Line inputs2x 6.35 mm TRS balanced | 1 stereo pair Line outputs2x 6.35 mm TRS impedance-balanced | 1 stereo pair Headphone output1x 3.5 mm stereo jack CV/Gate outputs4x 3.5 mm stereo TRS | 8 CV/Gate channels in total MIDI1x MIDI In 5-pin DIN | 1x MIDI Out 5-pin DIN USB1x USB Type-A | 1x USB Type-C host/device USB-C audio to computerUp to 24 inputs | Up to 24 outputs USB-C MIDI32 bidirectional MIDI channels Class-compliant USB audio interfaceUp to 32 input and output channels Storage expansionSD card | USB storage Wireless connectionsWi-Fi | Bluetooth Power supply12 V DC | 3 A | centre positive Weight2.1 kg Dimensions (W x D x H)272 x 272 x 53 mm Included in delivery AKAI MPC One G2 standalone music production workstation USB-C cable 12 V / 3 A power supply
The AKAI MPC Live III Retro combines the current MPC standalone workflow with the classic colour scheme of early MPC generations. Behind the retro look lies a modern production platform featuring an 8-core processor, 8 GB of RAM, 128 GB of internal storage and MPC3 OS. New MPCe performance pads with 3D sensing, a performance touch strip, 16 step sequencer buttons and the 7-inch touchscreen ensure direct access to beats, samples, instruments and arrangements. Integrated speakers, a microphone and a battery also allow for completely mobile sessions without the need for additional equipment. MPCe pads with additional expression layer The 16 MPCe performance pads with 3D-sensing technology extend the classic pad concept with additional movement and pressure information. This allows you to change, modulate or trigger sounds differently depending on position and playing style. The RGB lighting supports orientation within kits and performance assignments. In addition, a freely configurable performance touch strip is available. It can be used, for example, for pitch bends, filter sweeps, effects or automation. For classic step sequencing, the workstation also features 16 dedicated step buttons, allowing you to program and edit rhythms directly. Performance reserves for MPC3 An 8-core processor with 8 GB of RAM forms the foundation for extensive standalone projects and current MPC3 features. These include the Clip Matrix, Pro Stems Separation, Super Timestretch, CV Playgroup as well as additional mixing and effect tools. The Clip Matrix allows for starting and looping audio and MIDI clips, thus supplementing the classic MPC sequencer with a performance-oriented workflow. 128 GB of internal storage is available for sounds and projects. The capacity can be expanded via SD cards, USB storage media and an internal 2.5-inch SATA bay. This makes the system suitable for larger sample libraries and extensive production archives. Producing without additional equipment The integrated stereo monitor speakers and the condenser microphone allow for quick sampling, recording and listening directly on the device. An internal lithium-ion battery makes operation independent of the power supply and enables several hours of mobile use. Audio can also be sampled directly via USB-C from compatible computers or mobile devices. This allows, for example, recordings from an iPhone to be transferred directly into an MPC project without having to transfer files first. Extensive connections for studio and hardware Two XLR/TRS combo inputs support microphones, line signals and instruments. They are complemented by a stereo phono input as well as six balanced line outputs. Two MIDI inputs and two MIDI outputs as well as eight CV/Gate channels allow for the control of synthesizers, drum machines and modular systems. Up to 24 bidirectional audio channels and 32 MIDI channels are available via USB-C. Two USB-A ports, Wi-Fi and Bluetooth expand the integration of external devices. For Ableton Live, there is a dedicated Control Mode as well as support for Ableton Link. Who is the AKAI MPC Live III Retro suitable for? The Retro Edition is aimed at producers, beatmakers and live performers who are looking for a complete standalone workflow with mobile capabilities while preferring the classic MPC look. Thanks to the battery, speakers and microphone, you can work independently of the studio, while the extensive audio, MIDI and CV connections also cover larger hardware setups. For standalone production without a computer For sampling, beatmaking and live performance For expressive playing with MPCe pads and touch strip For MIDI, CV/Gate and modular hardware setups Features AKAI MPC Live III Retro Standalone Music Production Center in a classic retro colour scheme for sampling, sequencing, arrangement and performance 8-core processor with 8 GB RAM for extensive MPC3 projects and current plugin functions 16 MPCe performance pads with 3D-sensing technology and RGB lighting Performance touch strip for pitch, filter, effects, automation and freely assignable parameters 16 dedicated step sequencer buttons for direct access to pattern programming 7-inch multi-touch colour display for editing, arrangement and XYFX control MPC3 OS with Clip Matrix, Pro Stems Separation, Super Timestretch and CV Playgroup 128 GB internal storage with expansion via SD card, USB and internal SATA bay Integrated stereo monitor speakers and condenser microphone for mobile recording and playback Rechargeable lithium-ion battery for off-grid production Two XLR/TRS combo inputs, six line outputs and stereo phono input USB-C audio and MIDI interface with up to 24 audio channels and 32 MIDI channels Eight CV/Gate channels as well as two classic MIDI inputs and outputs each Wi-Fi, Bluetooth, Ableton Link and dedicated Ableton Live Control Mode Technical specifications Device typeStandalone sampler | Sequencer | Music production workstation EditionRetro Operating systemMPC3 OS Processor8-core processor RAM8 GB Internal storage128 GB Storage expansionSD card | USB storage | 2.5-inch SATA drive Pads16 velocity and pressure-sensitive MPCe pads with 3D sensing | 8 pad banks Step sequencer16 dedicated step buttons Performance controllerTouch strip Q-Link knobs4x touch-sensitive 360° Q-Link knobs Display6.9-inch | Full colour display | LED backlight | Multi-touch Audio resolution24-bit | 44.1 kHz | 48 kHz | 96 kHz Signal processing32-bit floating point Microphone/line inputs2x XLR/TRS combo balanced Phono inputs2x RCA unbalanced | 1 stereo pair Line outputs6x 6.35 mm TRS impedance-balanced | 3 stereo pairs Headphone output1x 6.35 mm stereo jack MIDI2x MIDI In 5-pin DIN | 2x MIDI Out 5-pin DIN CV/Gate4x 3.5 mm TRS | 8 CV/Gate channels USB2x USB Type-A | 1x USB Type-C USB-C audioUp to 24 bidirectional audio channels USB-C MIDIUp to 32 bidirectional MIDI channels Wireless connectionsWi-Fi | Bluetooth Integrated microphoneCondenser microphone Integrated speakersStereo BatteryRechargeable lithium-ion battery Power supply19 V DC | 3.42 A | Centre positive Weight3.9 kg Dimensions (W x D x H)436 x 256 x 67 mm Scope of delivery AKAI MPC Live III - Retro Edition Power supply USB cable Quick start guide
AKAI MPC Sample brings sampling, sequencing and beatmaking into a compact standalone device that is ready to use without a computer. The groovebox is visually inspired by the MPC60 and combines 16 RGB-backlit MPC pads with polyphonic aftertouch, an integrated sequencer and extensive sampling functions. More than 100 drum kits, 60 effects, real-time timestretching and RePitch provide material for your own productions right out of the box. Thanks to the battery, microphone and built-in speaker, you can record sounds, edit them and create beats without having to take any additional equipment with you. Sampling directly and without detours The workflow focuses on fast recording and editing of samples. Audio enters the device via the integrated microphone, the two line inputs, USB-C or internal resampling. The Instant Sample Chop Mode divides recordings into individual sections and supports manual chopping as well as automatic detection via threshold. Real-time timestretching and RePitch subsequently help with the rhythmic and tonal adjustment of the material. Eight banks with 16 samples each are available per project. This allows you to organise up to 128 samples. Individual samples can be up to 20 minutes long. Additionally, the Recall function keeps the last 30 seconds of an audio recording or pad performance in memory, in case you didn't manage to record a spontaneous idea in time. 16 MPC pads for beats and performance The more compact 16 velocity-sensitive RGB pads with polyphonic aftertouch form the heart of the operation. In addition to classic finger drumming, dynamics, pressure and various pad parameters can be incorporated directly into the performance. Via the 16-Level function, a sound can be distributed across all pads with different values for, for example, velocity or other parameters. The integrated MPC sequencer works with a resolution of 960 PPQ and offers well-known functions such as Note Repeat, quantisation and MPC Swing. Eight banks with 16 sequences each allow for up to 128 sequences within a project. In Song Mode, these can then be assembled into complete arrangements. 60 effects directly in the device Four internal effect processors provide a total of 60 different effect types. These include Pad FX, Knob FX, Flex Beat and a Color Compressor, as well as effects such as vinyl and tape emulations, filters, delay, reverb, ring modulation and other sound tools. Effects can be applied to individual pads, the input signal or the main output. Three knobs allow for direct intervention during playing and sampling. The classic 30 mm MPC fader is also present and can be assigned to various pad parameters. This means that key sound changes remain immediately accessible via the hardware. Designed for on the go An integrated lithium-ion battery allows for up to five hours of mobile operation. With an internal microphone and 3-watt speaker, you can record samples and listen to ideas without having to set up a complete rig first. The internal memory includes 8 GB, of which about 2 GB are used for factory data. Your own samples and projects can be added via a microSD card. USB-C handles power supply, audio, MIDI and access to the SD card. Additionally, stereo line inputs and outputs, a headphone jack, MIDI In/Out and a configurable sync output are available. Audio from compatible computers, iOS and Android devices can also be used as a sampling source. Who is the AKAI MPC Sample suitable for? The portable groovebox is interesting if you want to work directly with samples and pads and don't need an extensive standalone studio to do so. It is suitable for newcomers to the MPC workflow as well as experienced beatmakers looking for a small device for on the go, spontaneous samples or supplementary live performances. For mobile sampling and beatmaking For compact DAWless setups For finger drumming and sample-based productions For quick ideas on the go and in the studio Features AKAI MPC Sample Portable standalone groovebox for sampling, sequencing, beatmaking and performance without a computer 16 velocity-sensitive RGB MPC pads with polyphonic aftertouch Integrated MPC sequencer with 960 PPQ, MPC Swing, Note Repeat and Song Mode Instant Sample Chop with manual and threshold-controlled editing as well as real-time timestretching and RePitch Four internal effect processors with a total of 60 effect types for pads, inputs and main output More than 100 integrated drum kits to get you started on your own productions right away Three real-time knobs and classic 30 mm MPC fader for direct sound editing 2.4-inch colour display with high-resolution waveform display for sample editing Integrated microphone and 3-watt speaker for mobile sampling and monitoring Rechargeable lithium-ion battery with up to five hours of runtime 8 GB internal memory and microSD card slot for your own samples and projects USB-C for power supply, audio, MIDI and SD card access as well as stereo I/O, MIDI and Sync Out Technical specifications Device typePortable standalone sampler | sequencer | effect processor Internal memory8 GB | Of which approx. 2 GB factory data RAM2 GB Pads16 RGB-backlit velocity-sensitive MPC pads with polyphonic aftertouch Polyphony32 stereo voices Disk streamingUp to 32 voices Samples per project16 samples x 8 banks | 128 samples Sequences per project16 sequences x 8 banks | 128 sequences Maximum sample length20 minutes per sample Recall recording30 seconds of audio or pad performance Sequencer resolution960 PPQ Display2.4 inches | 6.1 cm | Full-colour LCD Effects60 effect types | Pad FX | Knob FX | Flex Beat | Color Compressor Knobs3x 270° real-time knobs | 1x 360° push encoder | Record gain knob Fader30 mm fader | Assignable Audio inputs2x 6.35 mm TRS | Mic/Line level Audio outputs2x 6.35 mm TRS | Line level Sync output1x 3.5 mm TRS CV/Gate | Configurable sync rates Headphone output1x 3.5 mm TRS MIDI1x 3.5 mm TRS Type A MIDI In | 1x 3.5 mm TRS Type A MIDI Out USB1x USB-C | Power supply | Audio In/Out | MIDI In/Out | SD card access External storage mediummicroSD card Integrated microphoneYes Integrated speaker3 W Import formatsWAV | MP3 | AIF/AIFF | SND | S1S | S3S | FLAC | OGG Internal signal processing44.1 kHz | 32-bit float Recording24-bit | 44.1 kHz Supported sampling rates for file import44.1 kHz | 48 kHz | 96 kHz BatteryRechargeable lithium-ion battery | Up to approx. 5 hours of playback Power supplyUSB-C | 5 V / 2 A with external power supply or power bank Weight0.92 kg Dimensions (W x D x H)194 x 236 x 50 mm Included in delivery AKAI MPC Sample USB-C cable
The AKAI MPC XL is a comprehensive standalone production centre for sampling, sequencing, recording, mixing, and live performance. The Gen 2 8-core processor works with 16 GB of RAM and an internal 256 GB SSD, offering plenty of room for large MPC3 projects with numerous instruments and audio tracks. In addition, there are 16 MPCe performance pads with 3D sensing, a 10.1-inch multi-touchscreen, 16 Q-Link knobs with OLED displays, a performance touch strip, and an extensive step sequencer. Thanks to microphone, instrument, MIDI, CV/gate, and USB-C connections, the system can simultaneously serve as a sampler, production centre, and control hub for a larger hardware setup. Performance for extensive MPC3 projects Inside, it features a Gen 2 8-core processor with 16 GB of RAM. This allows MPC3 to manage up to 32 plugin instruments, 16 audio tracks, and 256 voices simultaneously. Even complex arrangements, extensive plugin setups, and long sessions can be built entirely within the hardware. An internal 256 GB SSD is available for projects, samples, presets, and instruments. Around 30 GB of sounds and more than 21 sound engines provide a broad foundation for your own productions right out of the box. Additional storage can be connected via SD cards and the three USB-A ports. MPCe pads with 3D control The 16 MPCe performance pads with 3D sensing capture additional motion and position information on the pad surface. This allows each pad to be used as its own XY control surface. Effects, modulations, instrument variations, and other parameters can be influenced directly via playing movement. An assignable performance touch strip adds another level of expression to the pads. Pitch curves, modulations, effects, or automations can be controlled directly during a performance. The integrated step sequencer also features 16 RGB-backlit function buttons for rapid pattern programming. 16 Q-Link knobs with direct feedback 16 touch-sensitive Q-Link knobs are available for parameter control. The associated OLED displays provide immediate feedback on the current values and functions being controlled. This allows you to edit instruments, effects, mixer parameters, and automations without having to constantly switch between different screen pages. Many central functions have their own dedicated controls on the surface. Transport, sequencing, sampling, and mixing remain directly accessible as a result. Hardware control is complemented by a large 10.1-inch multi-touch display, which can be used to graphically edit projects, plugin instruments, samples, and mixer functions. Recording and sampling integrated directly Two XLR/TRS combo inputs with microphone preamps allow for direct vocal and instrument recording. Additionally, there are two separate instrument inputs for guitars, basses, keyboards, or other signal sources. A stereo RCA input is suitable for further sampling sources. For external signal paths, the device has eight separate line outputs. This allows you to route individual tracks, instruments, or groups to external mixers, effects units, or other studio hardware. Features such as stem separation, clip launching, time-stretching, resampling, and internal effects are integrated directly into MPC3. Hub for MIDI and modular systems Extensive hardware setups can also be connected directly. Two MIDI inputs and four MIDI outputs allow for the control of multiple synthesizers, drum machines, and other MIDI devices. Modular and analog instruments can additionally be addressed via 16 CV/gate outputs. MPC3 provides the CV Playgroup for this purpose, among other features. USB-C expands the device with a bidirectional 24-channel audio connection and enables integration into computer and hybrid setups. Three USB-A ports offer space for controllers, storage devices, and other compatible USB hardware. Who is the AKAI MPC XL for? This production centre is aimed at producers, beatmakers, and musicians who are looking for an extensive standalone workstation with direct hardware control. It is particularly interesting for complex studios with multiple synthesizers, modular hardware, or external routing. Even if you want to build entire productions from sampling through to recording and arrangement within one system, the large control interface offers a corresponding direct workflow. For extensive standalone productions For sampling, beatmaking, recording, and arrangement For hardware studios with MIDI and CV/gate devices For live performance and extensive external routing Features AKAI MPC XL Standalone music production centre for sampling, sequencing, recording, mixing, and live performance Gen 2 8-core processor with 16 GB RAM and 256 GB internal SSD MPC3 operating system with up to 32 plugin instruments, 16 audio tracks, and 256 voices 16 MPCe performance pads with 3D sensing and freely configurable XY control 16 touch-sensitive Q-Link knobs with individual OLED displays 10.1-inch multi-touch display for arrangement, sampling, mixing, and plugin control Performance touch strip for modulation, pitch, effects, and other assignable parameters Step sequencer with 16 RGB-backlit function buttons Two XLR/TRS combo inputs with microphone preamps as well as two separate instrument inputs Eight separate line outputs for flexible routing and external mixing setups 16 CV/gate outputs as well as two MIDI inputs and four MIDI outputs USB-C as a bidirectional 24-channel audio interface as well as three additional USB-A ports Integrated functions for stem separation, clip launching, time-stretching, effects, and resampling Around 30 GB of sound content and more than 21 integrated sound engines Technical specifications Device typeStandalone music production centre | Sampler | Sequencer | Production workstation Operating systemMPC3 ProcessorGen 2 8-core processor RAM16 GB Internal storage256 GB SSD Sound contentApprox. 30 GB Sound enginesMore than 21 Maximum plugin instruments32 simultaneously Maximum audio tracks16 Polyphony256 voices Pads16 MPCe performance pads | 3D sensing | RGB lighting | XY control Q-Link knobs16 touch-sensitive knobs | OLED display per knob Step sequencer16 RGB function buttons Display10.1 inch | Multi-touch | Full colour Performance controllerAssignable touch strip Microphone inputs2x XLR/TRS combo | Integrated microphone preamps Instrument inputs2x instrument input Stereo input2x RCA | 1 stereo pair Line outputs8 separate line outputs MIDI2x MIDI In 5-pin DIN | 4x MIDI Out 5-pin DIN CV/gate8x 3.5 mm TRS stereo | 16 CV/gate outputs Footswitch2x 6.35 mm footswitch input USB-A3 ports USB-C1 port | Bidirectional 24-channel audio I/O | Smart device support Storage expansionSD card slot | USB storage Power supplyExternal power supply unit Weight7.2 kg Dimensions (W x D x H)543 x 488 x 94 mm Included in delivery AKAI Professional MPC XL Power supply unit (19 V DC, 3.42 A)
Grooveboxes
A groovebox brings together the most important steps of beat and track production in a single device: selecting or creating sounds, recording patterns, arranging tracks and editing the mix. Sequencer and sound generation go hand in hand. Some devices work entirely without a computer, while others use software as an integral component. In our range, you will therefore find drum machines, sampling-oriented production devices and pad controllers alongside classic grooveboxes.
The term is intentionally broad. The deciding factor is not the label on the casing, but how you want to work: building a rhythmic pattern quickly, developing a whole track on multiple tracks, processing your own samples, or controlling an existing studio setup. The filters for sound generation, MIDI inputs and outputs, multitimbrality, polyphony and integrated sequencers help to narrow down the selection effectively.
Topics in this article
- What distinguishes a groovebox from a synthesizer, sampler and controller
- Patterns, clips and tracks: The sequencer determines the workflow
- Correctly classifying sound generation and sampling
- Connections, MIDI and computer integration
- Which form factor suits your use case?
- Brands and product groups in our range
- Avoiding typical bad purchases
- Frequently asked questions about grooveboxes
What distinguishes a groovebox from a synthesizer, sampler and controller
A single synthesizer focuses on creating and shaping sounds. A sampler records audio signals or loads samples so that you can play and edit them. A groovebox combines such functions with a sequencer that captures musical ideas as patterns or clips. This creates a complete workflow directly on the device.
A standalone groovebox generates and arranges music without a computer running. This is practical for a direct hardware workflow, for jams, or when the device is intended to take on a specific task in a live setup. Devices with USB, MIDI and audio inputs can still be integrated into a studio. Standalone does not mean that you have to do without expansion options.
Software-based pad controllers also belong in this category because they offer a similar way of working when beatmaking. However, they control an application on the computer and require it for sound generation, project management or audio output. If you deliberately want to produce without a laptop, the reliance on a computer is one of the first criteria for exclusion.
| Workflow | Typical focus | What you should look out for |
|---|---|---|
| Standalone groovebox | Tracks, patterns and performances directly on the device | Track count, operating concept, memory, connections and song or clip mode |
| Drum machine | Rhythms, kits and performable beats | Sound generation, sample import, pattern variations and individual outputs |
| Sampling groovebox | Cutting, sequencing and reshaping your own sounds | Sampling input, memory, editing functions and export |
| Software controller | Pads and hardware operation for production software | Required software, computer, audio interface and compatibility |
Patterns, clips and tracks: The sequencer determines the workflow
The integrated sequencer is the part with which you organize notes, drums, automation and often scenes. With a classic step sequencer, you place steps one after the other and build a pattern from them. This suits drums, basslines and repeating sequences well. Pads or keys also allow you to play in ideas live. The pure number of steps is less important than the question of how quickly you can generate variations and switch between them.
Clip-oriented devices manage short musical building blocks per track. You can, for example, start a drum loop, a bassline and chords separately, combine them or save them as a scene. This is particularly useful when a sketch is to become a complete track or a live set. Pattern-oriented drum machines are often more direct when rhythm and performance are in the foreground.
Even with modern hardware, the rule applies: a deep sequencer is of little use if the path to the next pattern slows you down. Therefore, look at the available controls, access to mute, solo, volume and effects, as well as the display of the current project. Faders, knobs and pads make a big difference if you want to intervene spontaneously rather than just program.
Correctly classifying sound generation and sampling
Some grooveboxes primarily offer synthesis sounds and presets. Others specialize in drum sounds or combine modeled sounds, digital synthesis and samples. With sampling-capable devices, you can import your own material, and depending on the model, record, cut, reverse, transpose or distribute it to pads directly. A device with its own sample import remains more open to new sounds in the long term than a pure preset machine.
For electronic beats, a drum machine with good real-time operation can be exactly the right choice. Roland is strongly represented in this category with various TR and MC concepts; the devices range from compact rhythm production to multitrack grooveboxes. Anyone working mainly with melodies, chords and their own soundscapes should also pay attention to polyphony, multitimbral parts and the possibilities of synthesis.
The boundary to the sampler category is deliberately fluid. If recording, chopping and rearranging audio is your main theme, it is worth taking a close look at inputs, memory and editing functions. If, on the other hand, you primarily want to build your own melodies and drum patterns without long preparation, a clear pattern workflow is often more important than extensive sample management.
Connections, MIDI and computer integration
MIDI inputs and outputs become important as soon as multiple devices play together in a setup. Via MIDI, a groovebox can send or receive tempo and start/stop signals, control external synthesizers and run in sync with other sequencers. A single MIDI output is often sufficient for a simple setup, but multiple controllable channels and good channel management become relevant if the groovebox is intended to take over multiple external sound sources.
Audio connections determine how you hear, record and integrate the device into a mixer. A stereo output is sufficient for getting started and for many jams. Separate outputs give you more control in the mixing desk or DAW later on because individual instruments can be edited separately. Depending on the model, USB can transmit power, MIDI and audio. Therefore, check the specific function instead of equating USB with a multi-channel audio interface across the board.
A controller for the computer is useful if you are already working with a DAW or specialized beat software and want to replace the mouse workflow with pads and knobs. The appropriate category for this is MIDI controllers. For pure jamming without a screen, a standalone device is usually the more consistent solution.
Which form factor suits your use case?
Compact devices with few tracks and clear operation are well-suited for capturing ideas on the go or for complementing an existing synthesizer with drums and sequencing. However, small dimensions alone do not automatically mean an easy entry: tiny displays and dual assignments save space, but can require patience with longer arrangements.
Larger grooveboxes often offer more direct knobs, more extensive editing options and a better overview of multiple tracks. This is an advantage for complete productions and live performances, but it costs space and usually requires a longer learning curve. For beginners, therefore, what counts above all is a comprehensible initial workflow: programming a beat, adding a bass, saving and recalling should work without constant looking up.
- For fast drum patterns: prioritize step sequencers, easily accessible performance functions and suitable sound generation.
- For complete tracks without a computer: check multiple tracks, song or scene management, memory and audio export.
- For your own samples: compare import or recording, editing, storage space and sample assignment.
- For a hardware setup: define MIDI roles, audio inputs and the number of required outputs beforehand.
- For software production: pay attention to the required application and its function as a controller rather than as a standalone instrument.
Brands and product groups in our range
In our current range, different concepts meet. Roland covers both beat-oriented and multitrack workflows with its TR rhythm machines and MC grooveboxes. With Electribe and Drumlogue, Korg stands for further hardware approaches between pattern production, synthesis and samples. Novation, Yamaha, Arturia, BOSS and AlphaTheta supplement the selection with compact sketch machines, drum and chord workflows or standalone sound concepts.
Do not compare models solely by the number of sounds or by a single feature. A device can lead to good results very quickly with few tracks, whereas a more extensive model is more suited for complex arrangements, automations or a fixed studio setup. The filters for sound generation, polyphony and multitimbrality are particularly helpful if you want to bundle multiple musical tasks in one box.
Avoiding typical bad purchases
The most common mistake is a wrong expectation regarding independence. A pad controller can feel like a groovebox when playing, but it requires software and a computer. Conversely, a standalone groovebox does not automatically replace an audio interface, a mixer or a DAW. Decide first what the device is really supposed to take over in your setup.
Also, pay attention to the appropriate number of your own tracks . Those who only want to build a beat and a bassline do not need a large production hub. Those who want to control multiple external sound sources, samples and automations in a song will reach their limits more quickly with a very compact box. The input method is also important: some prefer working with steps, others with pads, keys or a larger display.
Frequently asked questions about grooveboxes
Can a groovebox work without a computer?
Many grooveboxes are standalone instruments with their own sound generation, sequencer and memory. Controller-based systems, on the other hand, need a computer with the appropriate software. The product description shows which workflow the respective model follows.
Do I need a groovebox with a sampling function?
Only if you want to use your own recordings, vocal snippets or external sounds directly in the device. For pure drum and synth patterns, a device with suitable internal sound generation is often sufficient.
What are multiple MIDI channels and multitimbrality important for?
They become interesting when you want to generate multiple parts simultaneously or control external instruments with the groovebox. They are less decisive for a single internal drum pattern.
Which groovebox is suitable for beginners?
For getting started, a clear structure with intuitive controls and a simple path to initial patterns is more important than the longest possible list of features. Consider beforehand whether you want to make drums, melodies, samples or a mixture of these.