For precise monitoring, recording and controlled listening, the Sennheiser HD 280 Pro is designed as a closed, dynamic studio headphone. Its linear tuning, effective shielding from ambient noise and circumaural design make it a reliable work headphone for studio, broadcast and DJ applications. It combines a wide frequency range with a robust, foldable design and a fit designed for long sessions. Hear what is actually being recorded When recording and monitoring, the most accurate reproduction possible is essential. The headphones work with a linear frequency response from 8 Hz to 25 kHz and provide a balanced representation of bass, mids and highs. This allows you to check recordings, assess speech signals or trace individual details in the mix without certain frequency ranges being unnecessarily highlighted. This tuning is also beneficial for tracking and voiceover. Voices and instruments can be monitored in a controlled manner, while the closed design helps to keep the headphone signal away from sensitive microphones. Shielding for concentrated work Closed ear cups reduce distracting ambient noise while simultaneously limiting the sound that escapes to the outside. With ambient noise attenuation of up to 32 dB, the Sennheiser headphones are particularly suitable for recordings, monitoring in louder working environments and situations where crosstalk should be kept to a minimum. The circumaural pads provide additional passive isolation. This allows you to focus better on the incoming audio signal without having to increase the volume unnecessarily. Designed for long sessions Soft ear pads, a moderate clamping force and the fully circumaural fit are tailored for extended work sessions. The swivelling ear cups and the foldable headband facilitate both individual adjustment and space-saving storage after your session. The housing is made of robust polycarbonate and is designed for regular use. Wear parts like the ear pads are replaceable, so the headphones can be maintained and used for a long time without needing to replace the entire device. Flexible with studio equipment With a nominal impedance of 64 ohms, this model is suitable for typical studio sources such as audio interfaces, mixing consoles, headphone amplifiers and recording systems. The single-sided coiled cable offers between approx. 1.3 and 3 metres of freedom of movement, depending on the extension. The fixed 3.5 mm jack plug can also be used with 6.3 mm jack sockets via the included adapter. This allows you to switch between different professional and compact audio devices without any additional accessories. Is the Sennheiser HD 280 Pro right for your application? This model is for you if you are looking for closed headphones for precise monitoring and reliable shielding. It is suitable for both beginners with serious recording aspirations and experienced users who need robust work headphones for recurring sessions. For recording vocals and instruments For studio monitoring and controlled listening For voice recordings, voiceover and broadcast For DJs and monitoring in louder environments For mobile recording and FoH setups Features Sennheiser HD 280 Pro Closed dynamic studio headphones for recording, monitoring, voiceover and professional audio applications Linearly tuned reproduction for the most accurate assessment of recordings and audio signals possible Wide frequency range from 8 Hz to 25 kHz for detailed reproduction of bass, mids and highs Closed circumaural design with ambient noise attenuation of up to 32 dB 64 ohm nominal impedance for operation with typical audio interfaces, mixing consoles and headphone amplifiers Soft ear pads and moderate clamping force for comfortable work during long sessions Swivelling ear cups and foldable headband for flexible adjustment and space-saving storage Robust polycarbonate construction for regular use in the studio and on the go Single-sided coiled cable with a length of approximately 1.3 to 3 metres Replaceable ear pads facilitate maintenance and long-term use Technical specifications DesignClosed | Dynamic Wearing styleCircumaural Frequency response8 - 25,000 Hz Nominal impedance64 ohms Maximum sound pressure level113 dB Total harmonic distortion0.1 % Ambient noise attenuationUp to 32 dB Connection typeWired Connector3.5 mm jack | 6.3 mm jack via adapter CableSingle-sided coiled cable | Min. approx. 1.3 m | Max. approx. 3 m MaterialPolycarbonate Weight0.285 kg Dimensions (W x D x H)187 x 245 x 84 mm Scope of delivery Sennheiser HD 280 Pro studio headphones 3.5 mm to 6.3 mm jack adapter Safety guide
For precise monitoring, recording and focused listening, the Sennheiser HD 200 PRO combines a closed-back over-ear design with a clear, powerful sound and straightforward handling. The wired headphones effectively shield you from ambient noise, helping you to assess vocals, instruments and mix adjustments with focus. Soft ear pads, a low weight and a 2-metre single-sided cable make them a practical tool for longer working sessions. Listen with focus instead of hearing your surroundings Thanks to the closed-back design, the ear cups fully enclose your ears and reduce distracting ambient noise. This passive noise attenuation is especially useful during recording, as it allows you to focus more on the headphone signal and perceive less external sound. Whether you are practising on an e-piano, working on an audio interface or checking a mix, this design creates a clearly defined listening environment. At the same time, the headphones are also suitable for casual music listening if you prefer a wired, closed-back solution. Keeping details in clear view Dynamic transducers and neodymium magnets ensure direct reproduction with clear dynamics and a powerful bass foundation. The frequency range of 20 to 20,000 Hz covers the standard human hearing range and enables a nuanced assessment of vocals, instruments and complete arrangements. With an impedance of 32 ohms, the headphones can be used easily with a wide range of devices. These include audio interfaces, mixers, laptops, digital pianos and many mobile players. An additional headphone amplifier is therefore not strictly necessary for typical applications. Designed for longer sessions Soft ear pads and a lightweight design keep the headphones comfortable to wear even during longer recording or practice sessions. The single-sided 2-metre cable gives you sufficient freedom of movement at your workstation while reducing cable clutter around your head and upper body. The permanently attached 3.5 mm jack plug fits directly into many computers and mobile devices. A 6.3 mm stereo jack adapter is included for studio equipment or instruments with a large headphone socket. This allows you to switch quickly between different devices without needing an additional adapter cable. Who is the Sennheiser HD 200 PRO for? These monitoring headphones are perfect for you if you are looking for an uncomplicated entry into recording and audio editing, or if you need a reliable wired headset for your existing setup. They are particularly useful for home recording and project studios, for musicians using a digital piano, and for users who prefer a closed-back over-ear design for recording and occasional mixing. For beginners and ambitious home users For recording, monitoring and occasional mixing For audio interfaces, mixers, laptops and digital pianos For focused music listening with a closed-back design Features Sennheiser HD 200 PRO Closed-back wired over-ear headphones for monitoring, recording and music playback Closed ear cups support effective passive attenuation of ambient noise Dynamic transducers with neodymium magnets deliver detailed reproduction with powerful bass Frequency range of 20 to 20,000 Hz for reproduction of the full standard hearing range 32 ohm impedance allows operation with numerous mobile devices and studio sources Soft ear pads and lightweight construction support comfortable work during longer sessions Single-sided 2-metre cable provides sufficient freedom of movement at your workstation 3.5 mm stereo jack plug for direct connection to many computers and mobile devices Included 6.3 mm stereo jack adapter expands connection options for studio equipment and instruments Suitable for home recording, project studios, digital pianos and occasional mixing Technical specifications DesignOver-ear Acoustic principleClosed-back Transducer typeDynamic Audio frequency response20 Hz - 20,000 Hz Impedance32 ohms Sound pressure level at 1 kHz108 dB Nominal power rating500 mW THD<0.1 % ConnectionWired Connector3.5 mm stereo jack | 6.3 mm stereo jack via adapter Cable routingSingle-sided Cable length2.0 m Weight without cable0.184 kg Dimensions (W x D x H)100 x 190 x 260 mm Scope of delivery Sennheiser HD 200 PRO monitoring headphones 6.3 mm stereo jack adapter
Precise monitoring, high isolation, and a robust construction are the focus of these professional Sennheiser headphones. The closed, circumaural design supports a controlled assessment of recordings, mixes, and live signals. A linear frequency response from 6 Hz to 25 kHz, a maximum sound pressure level of 123 dB SPL, and passive noise attenuation of up to 32 dB make them particularly interesting for demanding work environments. At the same time, viscoelastic ear pads and an ergonomically tuned fit ensure that the headphones are designed for extended use. Hear details instead of embellishing sound For reliable monitoring, the clearest possible assessment of the audio signal is crucial. These dynamic headphones therefore operate with a linear frequency response of 6 Hz to 25 kHz and high-resolution, low-distortion reproduction. This allows voices, transients, low frequencies, and fine details to be classified in a differentiated way. This is particularly helpful for recording, editing, broadcast, and controlled listening. With a maximum sound pressure level of 123 dB SPL at 1 kHz, the model also offers sufficient reserves for applications where the monitor signal must remain clearly audible even in louder environments. The impedance of 64 ohms is designed for use with professional and semi-professional audio sources. Outside noise stays out Closed ear cups and the circumaural fit reduce disturbing ambient noise purely passively. The noise attenuation reaches up to 32 dB. This allows you to focus more strongly on the actual audio signal without needing electronic noise cancellation. At the same time, radiation to the outside is reduced, which is an advantage during microphone recordings and monitoring situations. Tailored for long working days Viscoelastic ear pads adapt to the shape of the head and support both isolation and comfort. The headband features a recessed cushioning zone designed to reduce individual pressure points. Together with an optimised contact pressure of around 6 N, this creates a stable fit designed for longer sessions, rehearsals, and production times. Weighing around 297 grams without the cable, the construction remains comparatively manageable. The ear cups can be folded, so the monitoring headphones take up less space during transport and storage. Designed for daily use Sennheiser relies on a modular design with replaceable components. Cables, ear pads, and headband pads can be replaced if necessary. Especially with regularly used studio and production equipment, this maintenance-friendly design is practical, as typical wear parts do not automatically require the replacement of the entire pair of headphones. The single-sided connection cable has a short coiled section and is designed for low handling and structure-borne noise. Via the 3.5 mm jack plug, the headphones can be connected directly to suitable devices. For devices with a large jack socket, a screwable 6.3 mm stereo adapter is included in the scope of delivery. Who is the Sennheiser HD 300 PRO for? This model is for you if you are looking for closed headphones for precise and focused monitoring. It is suitable for both ambitious beginners and experienced users who work with audio regularly and value significant isolation. For recording and controlled listening in the studio For sound engineers and FoH applications For broadcast and production environments For content creators with a demand for precise monitoring For work in environments with increased noise levels For users who prefer replaceable wear parts Features Sennheiser HD 300 PRO Professional closed-back over-ear monitoring headphones for precise listening, recording, and audio productions High-resolution and low-distortion reproduction with a linear frequency response from 6 Hz to 25 kHz Closed-back circumaural design for effective passive isolation from ambient noise Passive noise attenuation of up to 32 dB for focused working in louder environments Maximum sound pressure level of 123 dB SPL at 1 kHz for demanding monitoring applications Viscoelastic ear pads combine a good seal with comfort designed for extended use Recessed padded headband reduces punctual pressure during longer listening and work sessions Optimised contact pressure of around 6 N supports a secure and stable fit Replaceable cable as well as replaceable ear and headband pads facilitate maintenance and long-term use Single-sided cable with coiled section is designed for low handling and structure-borne noise Foldable design allows for space-saving storage and facilitates transport 3.5 mm jack connection and screwable 6.3 mm stereo adapter allow for connection to different audio sources Technical specifications DesignClosed | Circumaurale | Over-Ear Transducer principleDynamic Frequency response6 Hz - 25,000 Hz Impedance64 Ohm Sensitivity108 ±3 dB SPL / 1 V rms / 1 kHz Maximum sound pressure level123 dB SPL @ 1 kHz Total harmonic distortion<0.1 % @ 1 kHz | 94 dB SPL Passive noise attenuationUp to 32 dB Power rating500 mW Contact pressureApprox. 6 N Connection3.5 mm jack plug | 6.3 mm stereo jack adapter Cable routingSingle-sided Cable lengthApprox. 1.5 m Connection typeWired Operating temperature-15 °C to +55 °C Operating relative humidityUp to 90 % Weight0.297 kg Dimensions (W x D x H)187 x 245 x 84 mm Included in delivery Sennheiser HD 300 PRO monitoring headphones 1.5 m cable with 3.5 mm jack plug 6.3 mm stereo jack adapter Quick guide
Yamahas studio headphones are designed for precise listening without embellishment. The closed over-ear design, the high-resolution 45-mm drivers and clean stereo imaging give you a direct, controllable sound image. This is how you hear the midrange, treble and bass in a balance that is intended for recording, editing, mixing and other control tasks. At the same time, wearing comfort remains in place even when a session runs longer. Clarity that makes decisions easier At the centre are the 45-mm drivers with CCAW voice coil, designed for detailed, true-to-source reproduction. Especially with vocals, transients and finely graded spatial information, it helps you assess edits with confidence. The wide frequency response reinforces this impression with reproduction that reaches deep down and stays open in the upper range—without losing focus on precision.Yamaha places its trust here in a balance for controlled monitoring. This makes the headphones particularly interesting when you don’t just want to listen to music, but want to judge tracks, identify problem areas and check mixes reliably. Clean imaging of individual elements ensures that the soundstage, dynamics and tonal balance remain understandable. Sound isolation with practical benefits The closed, ear-surrounding design effectively reduces outside noise and simultaneously keeps sound leakage to the outside low. This is helpful in the studio when you want to work in a focused way or avoid bleed during recording. Even with live monitoring or on the go, the signal remains better in focus as a result.In addition, there are large, soft padding that sits comfortably and makes long sessions easier. The construction is designed so the headphones fit securely without putting unnecessary strain on you. This is a noticeable advantage, particularly during longer production phases, because you can focus more on the material and less on the headphones. Flexible, robust, built for everyday use For flexible use, the model offers swivelling ear cups and an adjustable mechanism. This makes it easier for you to work individually—such as when you want to check briefly using only one side. The slide controls and the movable arm construction support a fit that remains comfortable even over several hours.Just as important is the robust design. Aluminium die-cast yokes and the foldable construction are designed for regular use, whether in a fixed studio setup or when transporting between different work locations. With spiral and straight cables, you are also set up to be flexible depending on your workstation. Does the Yamaha HPH-MT8 fit your workflow? This model is just right for you if you place value on precise control rather than a flattering balance when listening. It’s suitable for producers and audio engineers, as well as for anyone who wants to assess recordings and mixes intentionally. Ambitious users with a solid studio requirement also get a tool here that is clearly geared towards reliable monitoring. Suitable for recording, editing, mixing and critical listening Useful when you want to keep outside noise out as effectively as possible Practical for long sessions thanks to comfortable padding and an adjustable design Suitable for stationary use and mobile transport thanks to a foldable design Features Yamaha HPH-MT8 Professional studio headphones with closed over-ear design for controlled and precise monitoring 45-mm dynamic drivers with CCAW voice coil for detailed and true-to-source sound reproduction Wide frequency response for differentiated midrange, clear treble and a bass range that reaches deep Closed, ear-surrounding design for strong noise isolation and low sound radiation to the outside Large, soft leather pads for high wearing comfort even during longer working phases Movable ear cups for flexible monitoring, even with just one ear Robust construction with aluminium die-cast yokes for professional continuous use Foldable design with transport bag for easy storage and safe transport Technical specifications Type Closed | ear-surrounding | over-ear Frequency response 15 Hz – 28 kHz Sensitivity (SPL) 102 dB/mW Maximum input power 1600 mW at 1 kHz Impedance 37 Ohm at 1 kHz Drivers 45 mm dynamic with CCAW voice coil Cable 1.2 m spiral cable | 3.0 m straight cable Connection 3.5-mm stereo plug | 6.3-mm stereo adapter Weight 0.35 kg Dimensions (W x D x H) 161 x 89 x 214 mm What’s in the box Yamaha HPH-MT8 studio headphones 1.2 m spiral cable 3.0 m straight cable 6.3-mm adapter Bag
With the HPH-MT5, Yamaha has created a studio headphone that stands out for its precision and versatility. This model is aimed at those who rely on highest detail accuracy in music production. Whether you're working in the studio or on the go, this headphone allows you to analyze your sound sources realistically and without distortion. Thanks to its closed, over-ear design, it reliably isolates external noise, so you can focus on your work without distractions. The carefully tuned construction ensures that even subtle details in your mixes are clear and audible. Yamaha has designed the headphone to highlight problem areas in audio material, enabling you to work on optimizations and give your mixes the final touch. The headphone not only impresses with its sound but also with high wearing comfort. With its lightweight design and soft synthetic leather ear pads, you can use it for hours without fatigue. The flexible swivel-arm construction and adjustable fit make it the perfect companion for long sessions. When it comes to durability, Yamaha sets standards. The construction with high-quality materials such as ABS plastic and aluminum ensures stability and longevity, even with intensive use and frequent transportation. A practical carrying case and a detachable cable complete the overall package. Features Yamaha HPH-MT5 Precise sound reproduction thanks to 40mm neodymium drivers with a wide frequency range Closed, over-ear design for optimal noise isolation Lightweight design at only 0.25 kg for hours of comfortable use Comfortable ear pads and adjustable headband made of durable material Rotatable ear cups for flexible single-ear monitoring Robust construction with ABS plastic and aluminum die-cast for maximum durability Flexible design with swiveling arms and adjustable slider length for a perfect fit Detachable 3-meter cable for versatile applications Includes 6.3mm adapter and practical carrying case for safe transport Technical Specifications Construction: Closed, over-ear Impedance: 51 Ohms Frequency response: 20 Hz to 20,000 Hz Maximum input power: 1.6 W Sound pressure level (SPL): 100 dB/mW Drivers: 40 mm, with CCAW voice coils Cable length: 3 m (straight) Connector: 3.5mm jack with 6.3mm adapter Weight: 0.25 kg Dimensions (W x D x H): 165 x 88 x 203 mm Package Contents Yamaha HPH-MT5 3 m straight cable with 3.5 mm jack 6.3 mm adapter Nylon carrying case
When practising on a digital piano or electronic drums, you want the sound to stay in the room while you hear all the details clearly. The Roland RH-5 is a closed-back monitor headphone designed for exactly these situations, combining 40 mm drivers with a long connection cable for use with instruments, computers, and recording setups. Closed-back design for focused listening The closed, dynamic design shields the ear from the surroundings and keeps the playback closer to you. This helps when practising, monitoring a mix, or if other instruments are being played nearby. The headphones are an over-ear model, sitting comfortably over your ears. 40 mm drivers for instruments and audio playback Inside, there are 40 mm drivers at work. They cover a frequency range of 10 to 22,000 Hz and are designed for balanced playback for digital pianos, guitars, synthesizers, and electronic drums. You can also use them to directly check playbacks, streams, or finished mixes. 3-metre cable with two jack formats The 3 m cable provides distance between your position and the instrument, audio interface, or mixer. The gold-plated 3.5 mm stereo mini-jack plug is suitable for many mobile devices and headphone outputs. A suitable adapter is included for large 6.3 mm jack sockets. Technical tuning for standard headphone outputs With an impedance of 32 ohms, the RH-5 can be used with many headphone outputs. Its sensitivity is 92 dB/mW, with a maximum input power of 1,000 mW. In this way, Roland brings together the essential specifications for instruments, computers, and audio hardware. Which setups is the Roland RH-5 suitable for? The Roland RH-5 is perfect for musicians who practise on digital pianos, electric guitars, or electronic drums and want to listen in a closed-back environment. It also complements home recording setups when you are monitoring tracks or working on a mix. Thanks to the long cable and the included adapter, it can be easily connected to various headphone outputs. Features Roland RH-5 Closed-back dynamic monitor headphones for music-making and audio playback 40 mm drivers for balanced sound reproduction Frequency range from 10 to 22,000 Hz 32 ohms impedance for many headphone outputs 3 m long connection cable for instruments, computers, and mixers Gold-plated 3.5 mm stereo mini-jack plug Adapter from mini-jack to 6.3 mm jack included in delivery Weight of 190 g without cable Technical specifications DesignClosed-back | dynamic Driver40 mm Frequency range10–22,000 Hz Impedance32 ohms Sensitivity92 dB/mW Maximum input power1,000 mW Cable3 m ConnectionGold-plated 3.5 mm stereo mini-jack | Adapter to 6.3 mm jack Weight0.19 kg without cable Included in delivery Roland RH-5 monitor headphones Adapter from 3.5 mm mini-jack to 6.3 mm jack
Designed for precise work in the studio, this closed-back monitor headset delivers a neutral, clearly resolved sound with controlled bass reproduction. Especially with modern electronic music, it shows what matters: clean details, stable midrange, and a bass foundation that doesn’t get in the way. The circumaural design effectively shields outside noise, while the flexible build and soft velour pads also feel comfortable during long sessions. Clean listening, confident decisions The 40 mm HD drivers are designed for precise playback up to 40 kHz. This way, you can hear subtleties in the highs, transients, and spatial information with particular clarity. This is a clear advantage when mixing, critical listening, and evaluating sound designs.Instead of colouring the sound, the tuning remains deliberately controlled. That helps you classify tracks, layers, and effects more easily and make decisions that remain nachvollziehbar on other systems as well. Bass with structure So that low frequencies don’t sound blurred, this model uses dual air chambers in the ear cups. The optimised airflow supports a tight, clean bass range and helps you distinguish kick drums, basslines, and sub-bass components more clearly from one another.It’s complemented by a robust construction and a damping structure that reduces unwanted resonances. The result is a controlled sound image with more calm in the mids and more overview in the low end. Isolation that lets you get work done The fully closed-back design provides effective isolation against ambient noise. Especially when recording, editing, or producing with focus, it helps you stay concentrated even in less quiet environments.The ear-enclosing housings create enough space around the ear. This supports clean separation in the sound image and conveys an ordered, wide presentation without unnecessary harshness. Comfort for long sessions Wide ear pads made from Hybrid-Memory foam with a velour covering ensure a comfortable fit and a relaxed wearing feel. The material feels soft against your skin and remains comfortable even over longer periods, without pressing unnecessarily.There’s also a freely adjustable headband and flexibly mounted ear cups. That means the studio headset adapts better to your head shape and stays comfortable even during long working phases. Does the Pioneer HRM-7 suit you? This model is the right choice if you value honest monitoring when producing, editing, or critical listening, and you don’t want to give up comfort. It’s aimed particularly at producers of electronic music, home and project studios, as well as anyone who works with headphones for long stretches and is looking for a closed system with clear bass reproduction. Suitable for producing, mixing, editing, and detailed pre-listening Highly useful for long sessions thanks to a flexible fit and soft velour pads Well suited if you’re looking for a closed model with neutral tuning Also interesting for ambitious beginners who want to listen cleanly instead of colouring the sound Features Pioneer HRM-7 Professional, fully closed studio monitor headset for precise, neutral work 40 mm HD drivers for high-resolution playback with an extended frequency range up to 40 kHz Dual air chambers in the ear cups improve airflow and support clean bass Damping structure reduces resonances for controlled bass and clear midrange Ear-enclosing design with effective shielding against disruptive ambient noise Large ear pads made from hybrid memory foam with a velour covering for high wearing comfort Freely adjustable headband for a flexible, comfortable fit Straight cable and coiled cable enable a suitable connection depending on your workstation Technical data Type Fully closed-back dynamic stereo headset Frequency response 5 - 40,000 Hz Impedance 45 Ohm Sound pressure level 97 dB Max. input power 2,000 mW (JEITA) Driver diameter 40 mm Driver principle Dynamic Connection cable 1.2 m coiled cable | 3 m when stretched | 3 m straight cable Plug 3.5 mm stereo jack | gold-plated | screw-on Adapter 6.3 mm stereo jack adapter | gold-plated | screw-on Weight 0.33 kg What’s included Pioneer HRM-7 studio headset 1x coiled cable 1.2 m 1x straight cable 3 m 1x gold-plated 6.3 mm stereo jack adapter 1 pair of replacement velour ear pads
Clear, uncolored sound is essential when it comes to precise mixing. These professional monitor headphones from Yamaha were designed exactly for that – to reproduce every nuance and detail of your recordings realistically. The 40 mm CCAW neodymium drivers cover the entire audible frequency range from 15 Hz to 25 kHz and deliver detailed reproduction without unnecessary sound coloration. This way, you can detect even the finest differences in the mix and work precisely on problematic frequencies. The closed, over-ear design provides effective isolation from external noise – ideal for use on stage or in loud environments. By completely enclosing the ear, a precise, powerful bass range is created, which is essential for reliable low-frequency assessment. The smooth synthetic leather ear pads and the adjustable headband made of robust ABS offer high comfort and a secure fit even during long sessions. The HPH-MT7 can be adjusted flexibly: Thanks to the three-dimensionally rotatable earcups and adjustable headband length, you can tailor them exactly to your head shape. For monitoring situations where you want to keep one ear free, the earcups can be easily swiveled away. The solid aluminum die-cast construction ensures long durability, even under intensive use in live operation or everyday studio work. A 3-meter straight cable gives you enough freedom of movement without tangling annoyingly. Included are a 6.3 mm adapter and a padded carrying pouch so you can store and transport the headphones safely. This way, you always have a reliable tool at hand – whether in the studio, during rehearsals, or on tour. Features Yamaha HPH-MT7 Professional closed studio monitor headphones for precise mixing and monitoring 40 mm CCAW neodymium drivers with wide frequency range for detailed reproduction Closed, over-ear design for strong isolation and precise bass Comfortable synthetic leather ear pads for long wearing comfort Robust ABS housing and aluminum die-cast headband for high durability Three-dimensionally rotatable earcups and adjustable headband for optimal fit Folding mechanism for one-ear monitoring 3-meter straight cable for flexible use Includes 6.3 mm adapter and padded carrying pouch Technical Data Design: Closed | Over Ear Frequency response: 15 – 25,000 Hz Sensitivity: 99 dB/mW Maximum input power: 1600 mW (at 1 kHz) Impedance: 49 Ω (at 1 kHz) Drivers: 40 mm Dynamic | CCAW voice coil Cable: 3.0 m | Straight Connector: 3.5 mm stereo | 6.3 mm adapter (gold-plated) Weight: 0.36 kg Dimensions (W x D x H): 170 x 98 x 195 mm Scope of Delivery Yamaha HPH-MT7 studio monitor headphones 6.3 mm adapter (gold-plated) Padded carrying pouch
The studio monitoring headphones from Gemini are aimed at everyone who wants to approach long sessions in a relaxed way without having to give up reliable sound. With their closed construction and generous equipment, they create a stable working environment in which you can fully concentrate on your mixing. Comfortable fit for long sessions The padded velour earcups softly and evenly surround your ears, allowing you to listen in a focused way for several hours without feeling pressure. This is supported by the low weight and flexible fit, which adapts discreetly and provides a natural wearing feel. Clear orientation through precise sound The dynamic 53 mm drivers produce a balanced sound image that allows you to reliably assess your signals. Low frequencies are present without being overemphasized, while highs are reproduced in a structured and clean way. The closed design also helps you focus better on your material, as ambient noise is effectively blocked out. Reliable equipment for studio use With the extra-long 4-meter cable, you stay flexible even in larger studios. The headphones offer both a 3.5 mm and a 6.3 mm connector, allowing them to adapt easily to various setups. This makes them a versatile tool that reliably supports you in daily use—from recording to fine-tuning. Natural listening despite closed construction The monitoring feels pleasantly speaker-like thanks to its acoustic tuning, giving you an authentic picture of your mix. This makes it easier to make decisions without constantly switching between speakers and headphones. Features Gemini DJX-1000 Closed studio reference headphones with comfortable velour padding and long connection cable Dynamic 53 mm drivers with wide frequency response for present bass and clear highs High sound isolation due to closed construction Natural, speaker-like monitoring for precise work Lightweight construction for comfortable wearing over many hours Technical Data Construction: Closed Cable connection: 3.5 mm jack | 6.3 mm jack Cable length: 4 m Dimensions: 154 x 111 x 194 mm
For precise monitoring in loud production environments, the Sennheiser HD 300 PROtect combines detailed, linear sound reproduction with integrated protection against sudden level peaks. This closed-back over-ear headphone is designed for professional users in broadcasting, live production, and other work areas with high sound pressure levels. Its passive shielding, switchable ActiveGard limiter, and robust, modular construction are built for reliable operation over long periods. ActiveGard protects against critical level peaks A special feature of these headphones is the integrated ActiveGard limiter with a limitation at 110 dB SPL. Sudden signal peaks are controlled before they put unnecessary strain on your hearing. The audio signal remains transparent and easy to evaluate for monitoring purposes. When ActiveGard is deactivated, the headphones reach a maximum sound pressure level of 123 dB SPL at 1 kHz. Unexpected level changes can occur, especially in live productions or broadcasting. The protective circuit provides additional security here without reducing the headphones to a purely protective function. You can continue to assess in detail what is actually happening in the signal. Clear assessment instead of embellished sound The dynamic transducer is designed for linear and high-resolution reproduction. This makes the model suitable for tasks where individual details, level ratios, and changes in the audio signal must be reliably captured. With an impedance of 64 ohms and a sensitivity of 108 ±3 dB SPL at 1 V rms and 1 kHz, the headphones are tailored for professional monitoring applications. Up to 32 dB attenuation of external noise The closed-back over-ear construction achieves passive noise attenuation of up to 32 dB. Ambient noise is significantly reduced, allowing you to focus better on the incoming signal even in acoustically restless situations. At the same time, the shielding works purely passively and requires neither a battery nor additional electronics for noise cancellation. Designed for long productions Sennheiser combines balanced contact pressure with an ergonomic design to ensure the headphones are comfortable even during long sessions. Particularly practical is the modular construction with replaceable components. Cables, ear pads, and headband pads can be replaced as needed. This facilitates maintenance and repair and is especially sensible for production equipment that is used regularly. The detachable 1.5-meter cable uses the proven Sennheiser system connector and terminates in a 3.5 mm jack plug. For devices with larger headphone sockets, a 6.3 mm stereo jack adapter is included. Who is the Sennheiser HD 300 PROtect suitable for? This model is right for you if you are looking for a professional monitoring headphone with integrated peak protection and work regularly in environments with fluctuating or high sound levels. It is particularly useful for sound engineers, broadcasting teams, camera operators, and production crews who need to monitor audio signals reliably while also valuing additional protection against unexpected volume peaks. For broadcasting and radio productions For live sound engineering and FoH monitoring For production environments with high sound pressure levels For users who need closed headphones with high passive isolation Features Sennheiser HD 300 PROtect Closed professional over-ear monitoring headphones with integrated ActiveGard peak protection Switchable ActiveGard limiter limits level peaks to a maximum of 110 dB SPL Linear and high-resolution sound reproduction for precise assessment of audio signals Passive noise attenuation of up to 32 dB for focused monitoring in loud environments Dynamic transducer system with 64 ohm impedance for professional monitoring applications Ergonomic over-ear construction with balanced contact pressure for longer work sessions Modular design with replaceable ear pads, headband pads, and cable Detachable 1.5 m cable with Sennheiser system connector and 3.5 mm jack plug Maximum sound pressure level of 123 dB SPL with deactivated ActiveGard Designed for broadcasting, live production, and work areas with high sound pressure levels Technical specifications DesignClosed-back TypeOver-ear Transducer typeDynamic ConnectivityWired Impedance64 ohms Sensitivity108 ±3 dB SPL / 1 V rms / 1 kHz ActiveGard110 dB SPL at 1 kHz Maximum sound pressure level123 dB SPL at 1 kHz with ActiveGard deactivated Passive noise attenuationMaximum 32 dB Load rating500 mW Cable length1.5 m Cable connection3.5 mm jack Weight0.55 kg Dimensions (W x D x H)187 x 245 x 84 mm Included in delivery Sennheiser HD 300 PROtect monitoring headphones 1.5 m cable with 3.5 mm jack plug 6.3 mm stereo jack adapter Quick guide
Precise monitoring is one of the most important prerequisites for making sound decisions during recording, editing, and mixing. The Sennheiser HD 400 PRO is designed as an open, over-ear studio headphone for this purpose. Its neutral tuning, wide frequency range, and angled dynamic transducers ensure a spatial and detailed reproduction. At the same time, the 240-gram design remains comfortably lightweight, making it suitable even for longer working sessions. Open design for a natural sound image The open acoustic construction creates a wide and natural-sounding stereo image. Instruments, vocals, and effects can be spatially well-positioned without the playback appearing unnecessarily compressed. This facilitates the assessment of panning, depth, and individual details within a mix. The dynamic transducers are arranged at an angle, aligning more closely with the perception of a classic loudspeaker setup. Together with the frequency response from 6 Hz to 38 kHz, you get a balanced and transparent playback that is deliberately designed for analytical listening. For reliable decisions in the mix With an impedance of 120 ohms, the studio headphones are designed for use with appropriate studio hardware. The maximum sound pressure level is 110 dB at 1 kHz and 1 V RMS. A total harmonic distortion of less than 0.05 percent supports a clean assessment of the audio material. This makes the model suitable for mixing, tracking, editing, and critical listening. Lightweight design for long sessions During long periods of work, it is not just the sound that matters. Soft velour ear pads and a flexible headband distribute pressure comfortably around the ears. Weighing only 0.24 kg, the headphones remain comparatively light. The over-ear design completely encloses the ears, while the open construction counteracts excessive heat build-up. You are also flexible when it comes to cabling. The scope of delivery includes a 3-metre coiled cable and a 1.8-metre straight cable. Both versions cover different workspaces and ranges of movement. Via the 3.5 mm jack connection and the included 6.3 mm adapter, the headphones can be used with numerous audio interfaces, headphone amplifiers, and other studio equipment. When is the Sennheiser HD 400 PRO right for you? This model is aimed at you if you want to evaluate your recordings and mixes as neutrally as possible and are specifically looking for open studio headphones. They are particularly interesting for project studios and demanding audio work, but also for content creation, podcast production, and detailed music listening. Beginners get a direct entry into analytical monitoring, while experienced users can take advantage of the spatial reproduction and neutral tuning for targeted decisions in the mix. For recording, editing, mixing, and critical listening For project studios and content production For users who prefer an open and spatial reproduction For longer sessions with low weight and velour ear pads Features Sennheiser HD 400 PRO Open over-ear studio headphones for precise monitoring, mixing, tracking, and critical listening Open acoustic design creates a natural stereo image with good spatial representation Angled dynamic transducers orient the sound reproduction towards an optimal loudspeaker position Neutral and balanced sound signature supports a reliable assessment of recordings and mixes Wide frequency range from 6 Hz to 38 kHz for detailed audio reproduction Lightweight over-ear construction with soft velour ear pads and a flexible headband Replaceable ear pads and components support long-term use 1.8 m straight cable and 3 m coiled cable allow flexible adaptation to different workspaces 3.5 mm jack connection with included 6.3 mm adapter for connection to studio equipment Designed in Germany and assembled in Europe Technical data DesignOver-ear Acoustic principleOpen Transducer typeDynamic Frequency response6 Hz - 38 kHz (-10 dB) Impedance120 ohms Maximum sound pressure level110 dB (1 kHz / 1 V RMS) Total harmonic distortion< 0.05 % (1 kHz / 90 dB SPL) ConnectionWired Connector plug3.5 mm jack | 6.3 mm via included adapter Cable lengths3 m coiled cable | 1.8 m straight cable Ear padsVelour Relative operating humidity≤ 90 % Weight0.24 kg Dimensions (W x D x H)198 x 270 x 111 mm Scope of delivery Sennheiser HD 400 PRO studio headphones 3 m coiled cable with 3.5 mm jack plug 1.8 m straight cable Adapter from 3.5 mm to 6.3 mm jack
With the KRK KNS 8402, you get a headphone that combines professional sound quality with outstanding comfort and durability. This closed-back studio headphone was designed to meet even the most demanding requirements, whether for mixing, editing, or casual music listening. Thanks to its precise reproduction across the entire audible frequency spectrum, you can perceive every detail of your recordings clearly and accurately. The acoustically optimized construction not only ensures exceptional sound but also impressive noise isolation. External distractions are minimized, and microphone recordings benefit from the low crosstalk. Even during longer sessions, the headphones remain comfortable to wear, as the memory foam ear cushions with high-quality faux leather covering provide a perfect fit. The ergonomic design ensures that the headphones always sit comfortably without pressing. The robust yet lightweight housing made of impact-resistant plastic makes the studio headphones a durable companion – ideal for daily use. With replaceable components such as cables and ear pads, they remain a reliable investment over the long term. The flexible construction allows you to adjust the headphones exactly to your needs. This model combines technological precision with user-oriented design. Whether you're working on complex mixes in the studio or simply enjoying music in the highest quality, the KRK KNS 8402 stands for consistency and versatility. Features KRK KNS 8402 Closed-back design for optimal noise isolation and minimal crosstalk Precise sound reproduction across the entire audible frequency spectrum for professional applications Durable and lightweight housing made of impact-resistant plastic for maximum longevity Replaceable components like cables and ear pads for a long service life Acoustic memory foam ear pads with high-quality faux leather for comfortable wear, even over long hours Flexible and self-adjusting headband system for an ideal fit High maximum sound pressure level of 124 dB for clear and loud reproduction without distortion Versatile use for tracking, editing, mixing, and everyday music enjoyment Perfect isolation for uninterrupted work in any environment High-quality craftsmanship and consistent KRK sound that professionals worldwide trust Technical Specifications Construction: Closed-back, over-ear System type: Dynamic headphones Cable: 2.5 m detachable, 99.99% oxygen-free copper Ear cushions: Memory foam with faux leather covering Headband pressure: 4 N (based on average head size) Noise isolation: Up to 30 dBA Drivers: 40 mm neodymium Nominal impedance: 36 Ohm Frequency range: 5 Hz – 23 kHz Sensitivity: 97 dB SPL at 1 mW Maximum sound pressure level (SPL): 124 dB Connector: Gold-plated stereo jack 3.5 mm Volume control: Detachable inline control Material: Impact-resistant plastic in black Weight: 247 g Dimensions (W x D x H): 268 x 94 x 245 mm Package Contents KRK KNS 8402 headphones Connection cable with screw adapter | 2.5 m length | Volume control in the cable Protective case Antimicrobial cleaning cloth Manual
Sennheiser is constantly evolving its products, and the IE 100 Pro monitors are no exception. Many IEM systems feature a multi-driver system to reduce loading across the speakers - eight drivers on some models. This new technology from Sennheiser allows for ultra-precise reproduction without the harmonic distortion that some multi-driver designs create. The IE 100 Pro's 10mm drivers far exceed their weight and deliver a wide frequency response for an outstanding listening experience on the road or on stages. Sennheiser's formula for success doesn't just focus on sound quality. The IE 100 Pro monitors are extremely comfortable to wear and feature a clever around-the-ear design and low-profile earpieces. You'll never have to worry about the earbuds falling out on stage or while commuting. The rugged construction is designed to be stage safe from the connector to the cable routing. Musicians and DJs choose the IE 100 PRO wireless set because it combines exceptional sound and high comfort. Not only for live sessions, but also when producing on the road or as an everyday companion on the cell phone. With the built-in microphone, telephone calls or webcasts are also possible. Features Sennheiser IE 100 PRO Wireless State-of-the-art dynamic full-range transducers provide ultra-precise, dissonance-free sound Wide frequency response with state-of-the-art 10mm driver design Optimal shielding thanks to the clever earpiece design Stage-proof cable connection Ergonomic design for superior fit and comfort Detachable cable with patent-pending internal cable channel is tailor-made for the concert stage 2-in-1 bundle: Bluetooth® module for wireless connection to cell phone, PC or tablet, mic for calls or standard cable with 3.5 mm jack plug Technical data Impedance: 20 Ω (Ohm) Transducer principle: dynamic Audio transmission range: 20 Hz - 18 kHz Sound pressure level at 1 kHz: 115 dB (1 kHZ/ 1 Vrms) Connector plug: 3.5 mm Connecting cable detachable Cable length: 1.3 m Attenuation: < 26 dB Distortion factor at 1 kHz: < 0.1 % ( 1 kHz, 94 dB) Microphone: Yes Bluetooth version: 5.0 Charging time: 1.5 h Codecs: SBC, AAC, aptX™, aptX™ Low Latency. USB Standard: USB-C Supported profiles: A2DP, AVRCP, HSP, HFP Battery life: 10 h, SBC Charge reminder: Yes Scope of delivery 1x Sennheiser IE 100 PRO in-ear headphones 1x IE PRO BT Connector (male) 1x IE PRO Straight Cable Black (1.3 m) 1x USB-C cable 3x IE PRO Silicone Adapter (S, M, L) 1x IE PRO Foam Adapter (M) 1x Soft case 1x Cleaning Tool
When recording, your headphones shouldn't turn into a guessing game about bass, panorama, and details. The Roland RH-200S creates a closed-off workspace right at your ears: it keeps ambient noise out more effectively and reproduces material clearly when you are judging a mix or recording a track. Closed-back design for recording and monitoring The closed-back construction supports focused work in the control room and during tracking. The ear pads fit comfortably around the ears, while the lightweight, adjustable design remains comfortable even during longer sessions. The external shielding is particularly helpful when instruments, computers, or conversations can still be heard in the room. 40 mm drivers with CCAW voice coils Inside, 40 mm drivers with neodymium magnets and CCAW (copper-clad aluminium wire) voice coils are at work. This combination is designed for clear, neutral reproduction. As a result, you can more accurately assess the placement in the stereo image and the low-frequency range during monitoring. Single-ear monitoring and long cable For monitoring during a recording, the ear cups can be rotated by 180 degrees. This allows you to leave one ear free without having to take the headphones off. The 3.4 m long straight cable provides room for movement between your instrument, console, and workstation; its strain relief protects the connection during daily use.The gold-plated 3.5 mm stereo mini-jack plug fits many mobile and compact audio devices. A 6.3 mm stereo jack adapter is included in the scope of delivery, allowing the headphones to be connected directly to standard headphone outputs on mixing consoles, interfaces, or digital pianos. Who is the Roland RH-200S suitable for? The Roland RH-200S is a great fit for producers, musicians, and sound engineers who want to use closed-back headphones with direct, balanced reproduction for recording and critical listening. Its swivelling ear cups are practical for singers and instrumentalists during tracking. It is also a coherent addition to any music setup for practising, playing back tracks, and focused listening via an audio interface. Features Roland RH-200S Closed-back dynamic stereo headphones for studio monitoring and recording 40 mm drivers with neodymium magnets and CCAW voice coils Clear, neutral reproduction for assessing mixes and stereo images Lightweight, adjustable design with circumaural ear pads 180-degree swivelling ear cups for single-ear monitoring 3.4 m straight cable with integrated strain relief Gold-plated 3.5 mm stereo mini-jack 6.3 mm stereo jack adapter included Technical specifications DesignClosed-back | dynamic Driver40 mm | neodymium magnet | CCAW voice coil Frequency range20–20,000 Hz Impedance65 Ω Sensitivity100 dB/mW Maximum input power1,600 mW at 1 kHz Connector3.5 mm stereo mini-jack | gold-plated | adapter to 6.3 mm stereo jack Cable length3.4 m | straight Weight0.2 kg without cable Scope of delivery Roland RH-200S headphones Adapter from 3.5 mm stereo mini-jack to 6.3 mm stereo jack
When recording vocals or checking a mix, details must remain clear while headphone signal bleed is kept to a minimum. The Roland RH-300 combines a closed-back design with tuning optimised for monitoring and, thanks to its lightweight construction, remains comfortable to wear even during longer work sessions. Closed-back design for recording and monitoring The closed ear cups shield against ambient noise and simultaneously limit headphone signal bleed into a microphone. This is helpful for singing, vocal recordings, and anywhere playback is running close to a microphone. The closed-back, dynamic design supports focused work in the studio and on the move. 45 mm drivers for detailed reproduction Inside, specially developed 45 mm drivers with neodymium magnets and CCAW voice coils are at work. They cover a frequency range from 10 Hz to 25 kHz and are tuned for natural, flat reproduction. This allows instruments, electronic drums, and complete mixes to be assessed with a clear view of the highs, mids, and bass. Comfort for longer sessions Soft ear pads and the lightweight construction relieve pressure during longer recording and editing sessions. The aluminium cover on the housing protects the headphones during daily use and gives them a solid exterior. 250 g without cable keep the weight on your head low, without sacrificing a full-featured over-ear design. 3.4 m cable with two jack formats The fixed OFC stranded cable is 3.4 m long and provides distance from the interface, mixing console, or headphone amplifier. At the end is a gold-plated stereo mini-jack plug; the included adapter supplements the connection for 6.3 mm headphone outputs. This allows the studio headphones to be connected directly to many audio interfaces, mixers, and instruments. Who is the Roland RH-300 suitable for? The Roland RH-300 suits musicians, producers, and sound engineers who want to use closed-back headphones with a neutral orientation when playing, recording, and mixing. Its design helps with vocal recordings and focused monitoring, while the long cable allows sufficient freedom of movement in the studio. It also offers a reliable working foundation for monitoring synthesisers, e-drums, or entire mixes. Features Roland RH-300 Closed-back dynamic studio headphones for monitoring and recording 45 mm drivers with neodymium magnets and CCAW voice coils Natural, flat, and detailed sound tuning Frequency range from 10 Hz to 25 kHz Closed ear cups to reduce ambient noise and bleed Soft ear pads and lightweight construction for longer sessions Aluminium housing cover 3.4 m OFC stranded cable with gold-plated stereo mini-jack and 6.3 mm adapter Technical data DesignClosed-back | dynamic Driver45 mm | Neodymium magnet | CCAW voice coils Sensitivity101 dB/mW Maximum input power1600 mW Frequency range10 Hz to 25 kHz Cable3.4 m | OFC stranded wire PlugGold-plated stereo mini-jack | Adapter to 6.3 mm jack Weight0.25 kg without cable Included items Roland RH-300 studio headphones Carrying pouch Adapter from stereo mini-jack to 6.3 mm jack
If you spend all day listening to music, the V-MODA M-200 ANC headphones are designed with discerning listeners like you in mind. These closed, wireless headphones not only offer V-MODA's famous M-Series sound, but also customisable EQ and Hybrid Active Noise Cancellation. Bluetooth connectivity and audiophile-grade codecs provide the best quality wireless sound and up to 20 hours of use between charges. An intuitive user interface lets you control audio, answer calls and access voice assistants. A convenient Voice In feature lowers the volume and pauses the noise cancellation for moments that require your attention. Multi-device pairing makes the M-200 ANC even more useful. The V-MODA M-200 ANC features comfortable memory foam pads, a convenient folding design and optional interchangeable custom shields. Features Roland V-Moda M-200 ANC Closed-back wireless headphones with the famous sound of the V-MODA M-series Neodymium magnets, CCAW voice coils and fine-tuning by Roland engineers provide unparalleled clarity In-app EQ tool creates the ideal sound signature for any type of music 10 levels of hybrid active noise cancellation Bluetooth 5.0 with Qualcomm aptX HD and AAC compatibility for best quality wireless sound Up to 20 hours of wireless music enjoyment 10-minute FastCharge for 1.5 hours of use Audio control, call answering and access to voice assistants via an intuitive user interface Voice-in function temporarily lowers volume and interrupts noise cancellation Multi-device pairing makes it easy to switch between devices without interruption High-quality PU leather-covered memory foam cushions The headphones fold up with a CliqFold hinge and are easy to transport thanks to the included carrying case Includes audio-only cable for latency-free listening, USB-C charging cable and flight adapter Technical specifications Type: Bluetooth over-ear headphones Driver size: 40mm Frequency response: 5 - 40,000 Hz Speaker sensitivity: 101±3dB @ 1kHz 1mW Maximum input power: 1,000mW @1kHz Impedance: 30Ω Weight (without cable): 320g Cable length: 120cm Scope of delivery 1x V-Moda M-200 ANC 1x carrying bag 1x carabiner 1x audio cable 1x USB-C charging cable 1x flight adapter
When recording, headphones have to fulfil two tasks at once: they should make details in the signal audible and provide sufficient shielding from the surroundings while performing. The Roland RH-200 is designed as a closed-back studio monitor headphone for this purpose, combining neutral reproduction with a design suitable for longer work sessions. Closed-back design for monitoring and tracking The closed construction dampens room noise and keeps the playback better contained within the headphones during recording. This helps you focus on levels, timing, and individual elements of a mix. The RH-200 is therefore just as suitable for the control room as it is for musicians who need a clear reference signal while recording. 40 mm drivers with clear tuning Inside, 40 mm drivers with neodymium magnets and CCAW voice coils are at work. The frequency response from 20 Hz to 20,000 Hz covers the standard audible range. For daily work, this means direct control of the stereo image, bass, and details, without the headphones being tuned for an enhanced sound effect. Rotating ear cups and long coiled cable Both ear cups can be rotated 180 degrees. This allows you to listen with one ear when needed while still being aware of the room or other people. The 3.4 m long coiled cable gives you extra room to move at your workspace; the integrated strain relief protects the cable connection during operation. Comfort in everyday studio life The adjustable, lightweight design is tailored for longer sessions. At 0.2 kg, the weight remains low when recordings, editing, or mixing sessions stretch over several hours. The closed ear pads sit around the ear as an over-ear construction and support sound isolation. Connectivity for studio and audio equipment The headphones terminate in a gold-plated 3.5 mm stereo jack. A screw-on adapter for 6.3 mm jacks is included. This allows the RH-200 to be used directly with many audio interfaces, mixing consoles, headphone amplifiers, and instruments with a suitable headphone output. When is the Roland RH-200 the right fit for your studio? The Roland RH-200 is suitable for producers, sound engineers, and musicians who want to use closed-back headphones with accurate reproduction during recording or when editing a mix. Its rotating ear cups are practical for one-sided monitoring, while the long coiled cable provides freedom of movement at the studio console or instrument. Features Roland RH-200 Closed-back, dynamic stereo monitor headphones for studio monitoring and tracking 40 mm drivers with neodymium magnets and CCAW voice coils Frequency response from 20 Hz to 20,000 Hz for assessing mix and recording 180-degree rotating ear cups for one-sided monitoring Adjustable, lightweight over-ear design for longer sessions 3.4 m coiled cable with integrated strain relief Gold-plated 3.5 mm stereo jack Screw-on adapter to 6.3 mm stereo jack included Technical specifications TypeClosed-back, dynamic headphones Driver40 mm | Neodymium magnet | CCAW voice coils Sensitivity100 dB/mW Maximum input power1,600 mW at 1 kHz Frequency response20 Hz to 20,000 Hz Impedance65 ohms Cable3.4 m coiled cable with strain relief Connector3.5 mm stereo jack | screw-on 6.3 mm adapter Weight0.2 kg Included in delivery Roland RH-200 studio monitor headphones Screw-on adapter from 3.5 mm to 6.3 mm stereo jack
When playing an electronic drum kit, your headphones play a key role in ensuring that ghost notes, cymbal decays, and the punch of the kick drum come through clearly. The Roland VMH-D1 was developed in collaboration with V-MODA specifically for this kind of monitoring, combining finely tuned sound with details that are practical when playing at the kit. Tuning for electronic drums The closed-back, over-ear design features 50 mm dual-diaphragm drivers and covers a frequency range of 5 to 40,000 Hz. This ensures that the kick, snare, toms, and cymbals in an electronic drum sound remain clearly distinguishable, even when a kit generates many layers, room effects, or subtle overtones. The tuning was created with the Roland V-Drums team and V-MODA. It is suitable for V-Drums kits as well as other e-drum systems, helping you to perceive transients and dynamics precisely while practising, playing along to backing tracks, or recording. Closed-back earcups for focused playing Large ear cushions made of memory foam provide a soft fit and attenuate external noise as well as the mechanical sounds of pads. This is particularly helpful when playing an e-drum set because your own playing stands out more clearly, and you do not need to turn the volume up unnecessarily. A padded headband complements the cushions for longer sessions. The synthetic leather surface wicks away moisture and supports a secure fit when your playing becomes more physically demanding. Cable routing at the drum kit The 3 m cable provides distance between the module and your playing position. A cable holder on the back guides the lead behind your head and downwards, so it does not get in the way of your arms or legs when switching between the hi-hat, snare, and toms. For music on your computer, practising without a drum kit, or while on the go, a 1.5 m cable is also included. Both cables are detachable, and the supplied 6.3 mm adapter makes it easy to connect to compatible headphone outputs. Storage directly on the rack After your session, you do not have to leave your headphones on the floor or on the module. The included headphone hanger can be attached to the tubes of drum and cymbal stands; a urethane lining ensures it stays firmly in place. The red marking on the right earcup helps you quickly identify the correct side when putting them on. In the carrying pouch, the headphones can be taken with you safely or stored between rehearsals. When is the Roland VMH-D1 suitable for your e-drum setup? The Roland VMH-D1 is suitable for players who want to use their electronic drum kit with closed-back headphones that are tuned for drums. The combination of soft cushions, long cable routing, and a rack hanger supports regular practice sessions as well as focused playing with backing tracks. The clear reproduction of dynamics, cymbal components, and room space is also useful when recording into a DAW. With the shorter cable and the carrying pouch, the headphones also remain well-suited for relaxing music listening or mobile sessions. Features Roland VMH-D1 Closed-back over-ear headphones for electronic drum kits Developed in collaboration with Roland V-Drums and V-MODA 50 mm dual-diaphragm drivers for reproducing dynamics and details Tuned for the kick, snare, toms, cymbals, and room effects of electronic drums Memory foam cushions and padded headband Synthetic leather surface with moisture-wicking properties 3 m cable with rear cable holder for the drum kit Additional 1.5 m cable for music listening and mobile applications Headphone hanger for attachment to drum or cymbal stands Carrying pouch and 6.3 mm adapter included Technical specifications DesignOver-ear, closed-back Driver50 mm dual-diaphragm Sensitivity100 dB +/- 3 dB at 1 kHz Frequency response5 - 40,000 Hz Impedance32 Ω Cable length3 m | 1.5 m Weight0.285 kg +/- 5 g Dimensions (W x D x H)150 x 85 x 200 mm Included in delivery Roland VMH-D1 headphones Cable holder Headphone hanger Carrying pouch 6.3 mm adapter 3 m cable 1.5 m cable
The HD 490 PRO Plus by Sennheiser is the result of decades of experience and innovation, a masterpiece of German engineering, created for the complex demands of modern music production. This masterpiece is characterized by exceptional sound quality achieved through an open design. This construction not only delivers ultra-precise sound reproduction but also provides a realistic, spatial perception that allows capturing every detail in a mix accurately. There are no hidden nuances anymore; every tone is rendered clearly and unaltered. The ergonomic design of the headphones is another highlight. It has been developed with great care to protect sensitive areas of the head while ensuring comfortable, long-lasting comfort. This comfort is complemented by two pairs of ear cushions, specially designed for mixing and producing. These cushions are not only optimized for extended use but also washable and replaceable, emphasizing the product's sustainability. Another outstanding feature of these headphones is the innovative dearVR MIX-SE Plugin by Dear Reality. This plugin transforms any Digital Audio Workstation into the ultimate virtual mixing environment, allowing you to work in the optimal sweet spot consistently. The result is a mix that sounds consistently great on different playback systems. The construction of the HD 490 PRO Plus reflects a deep commitment to quality and durability. The careful craftsmanship with high-quality components ensures that this headphone will be an indispensable tool for music producers not only today but also in the future. Features Sennheiser HD 490 PRO Plus Optimized Sound Reproduction: Ultra-precise, distortion-free frequency response for dynamic and honest audio reproduction Open Design: Enables a highly realistic, spatial soundstage with precise localization Ergonomic Design: Protects sensitive head areas and offers extremely comfortable fit, ideal for long studio sessions Customizable Ear Cushions: Two pairs of ear cushions specially designed for mixing and producing, washable and replaceable for sustainability dearVR MIX-SE Plugin: Transforms the DAW into the ultimate virtual stereo mix environment for consistent mix quality on various systems German Engineering: High-quality craftsmanship with durable components for consistent performance Innovative Bass Tube: Ensures precise, deep, and clearly defined low frequencies Flexible Cable Routing: Patented headphone cable, can be connected on the left or right to reduce interference Lightweight and Comfortable: Low weight for a nearly forgotten wearing experience, even during long sessions Accessibility and Comfort: Braille labeling and special groove for eyeglass frames Optimized Shell Geometry: Ensures ideal driver positioning in front of the ear Manufacturing: Developed in Germany, handcrafted in Europe Technical Specifications Design: Open, over-ear, dynamic Frequency Range: 5 - 36,100 Hz Impedance: 130 Ohms Sensitivity: 128 dB SPL Driver Size: 38 mm Nominal Power Handling: 300 mW THD:
The Sennheiser HD 490 PRO is a masterpiece of acoustic engineering, designed to meet the high demands of modern music production. This headphone, designed in Germany and handcrafted in Europe, embodies a perfect symbiosis of durable materials and craftsmanship. Its ergonomic design allows it to bypass sensitive areas of the head and offers superior comfort. You will feel so comfortable that you might almost forget you're even wearing headphones. This model from Sennheiser stands out with its open-back design, which not only ensures optimal air circulation but also provides an extremely realistic and spatial sound experience. The ability to hear even the finest nuances in the music makes this headphone an indispensable tool for anyone who wants to mix or produce their musical works with the utmost precision. Especially noteworthy is the included DearVR MIX-SE software from Dear Reality, which transforms your workspace into an optimal virtual mixing environment. This plugin ensures that your mix always sounds consistent across various systems and helps you maintain control over your creative vision at all times. With two pairs of ear pads, specially designed for mixing and producing needs, the headphones ensure that fatigue is minimized, allowing you to fully focus on hearing individual frequencies. The ear pads are washable and replaceable, promoting not only hygiene but also sustainability. Sennheiser has paid special attention to details in the development of the HD 490 PRO, enriching the overall experience. The headphone cables are designed to transmit no unwanted noise and can be attached either on the left or right, as needed. A Braille label on the ear cups and a groove in the ear pads for glasses stems enhance accessibility. Features Sennheiser HD 490 PRO Designed for professional music production: Specially designed for complex music productions, it offers excellent clarity and precision. Open-back design: Ensures a realistic, spatial soundstage and pleasant air circulation around the ear. Comfortable fit: Lightweight, ergonomic design that remains comfortable even during long sessions. Handcrafted in Europe: Made with high-quality materials, it stands for durability and reliability. Two pairs of ear pads: Specifically designed for mixing and producing, washable and replaceable to avoid fatigue. Innovative DearVR MIX-SE plugin: Transforms the DAW into an optimal virtual mixing environment for consistent results across different systems. Detail-oriented design: Patented headphone cables and special features for accessibility, such as Braille labeling and a groove for glasses stems. Optimized acoustics: The special geometry of the ear cups and the use of powerful neodymium magnets ensure authentic and dynamic sound reproduction. Technical Specifications Design: Open, over-ear, dynamic Frequency range: 5 - 36,100 Hz. Impedance: 130 Ohms Sound pressure level: 128 dB SPL Driver size: 38 mm Nominal power handling: 300 mW THD: <0.2 % Ear pad material: Velour, washable at 30° Cable: Detachable, smooth, 1.8 m long, one-sided entry Connector: 3.5 mm stereo mini-jack, includes 6.3 mm adapter Weight: 260 g (without cable) Package Contents Sennheiser HD 490 PROCable with 1.8 m length 3.5 mm to 6.3 mm stereo jack adapter 1 pair of producing ear pads 1 pair of mixing ear pads
The Sennheiser HD 26 is a headphone specifically designed for the demands of professional applications in the broadcast and radio sector. With its closed design and excellent noise isolation, this headphone is particularly suited for environments where precise sound reproduction and the reduction of external noise are crucial. Whether in the studio or during outdoor broadcasts, the HD 26 provides accurate and unaltered audio playback, which reliably convinces even in demanding scenarios. This headphone places a strong emphasis on sound quality and comfort. The soft ear pads and the adjustable headband ensure that the headphone remains comfortable even during long sessions. Its lightweight and compact design guarantee comfort without restricting freedom of movement – an important aspect for sound engineers and other professionals who rely on maximum comfort over extended periods. In addition to the exceptional comfort, the HD 26 features innovative ActiveGard technology, which protects against harmful volume peaks. This feature is particularly important in loud environments, such as live broadcasts or outdoor use, and helps protect hearing. Durability and longevity are other strengths of the Sennheiser HD 26. The high-quality construction, the single-sided cable, and the ability to replace the cable and ear pads when needed make it a reliable companion for professionals who depend on long-lasting performance and flexibility. With its excellent combination of sound fidelity, comfort, and protective features, the HD 26 is the ideal choice for demanding monitoring applications and an excellent investment for media professionals who value precision and reliability. Features of the Sennheiser HD 26 Closed design for optimal noise isolation and clear sound reproduction ActiveGard technology protects against sudden volume peaks above 105 dB High comfort due to lightweight and ergonomic, padded ear cups Flexible, single-sided cable for greater freedom of movement Swiveling ear system for comfortable one-sided listening Robust, durable construction that can withstand intensive use Increased flexibility with easily replaceable cables and ear pads Ideal for professional use in broadcast and radio environments Compact design for a secure fit during long sessions Technical Specifications Design: Closed Wearing style: Over-ear Frequency range: 20 Hz – 18,000 Hz Maximum sound pressure level: 128 dB at 1 kHz, 200 mW (without ActiveGard™) Harmonic distortion: < 0.5% at 1 kHz Impedance: 100 Ohms Cable type: Coiled cable, 1.5 m length Cable routing: Single-sided Ear cup: Foldable for space-saving storage Weight: 180 g Package Contents Sennheiser HD 26 Cable clip Head cushion 6.3 mm jack adapter User manual
Sennheiser HD 480 PRO is a closed, circumaural studio headphone for precise recording, tracking, monitoring and mixing. It combines neutral reproduction with strong passive shielding, so you can clearly judge details without being distracted by your surroundings. The design is made for long sessions, stays comfortably light at 272 g, and thanks to the dynamic 38 mm drivers delivers a clean, controlled sound image from deep bass to the fine highs. Closed, but open for details The closed design reduces noise from outside and helps you stay focused on your signal. This is especially important for recording, because less sound leaks out and your monitoring remains stable. The headphone works with a distortion-free frequency response so you don’t hear the mix as better than it really is.With a frequency range of 3 Hz to 28,700 Hz, the headphone also reproduces deep and high components cleanly. This is helpful when you’re controlling bass foundations, placing vocals, or need to find small interfering sounds within the arrangement. More calm in the bass range A key strength lies in the innovative vibration damping. It reduces unwanted reflections and distortion inside the housing, so deep frequencies remain clear and easier to judge. Especially with kick, bassline or deep synth sounds, this controlled low-frequency reproduction gives you more confidence when working.The special geometry of the ear cups keeps the driver constantly in the correct position in front of your ear. That way, the sound stays reliable even if you put the headphone on and take it off frequently in everyday use. Comfort without pressure points The circumaural fit is designed for long working sessions. The shape sits neatly, provides reliable sound isolation and avoids annoying pressure. Wearers of glasses also benefit from optimised ear pads that make the fit easier and support the seal. This keeps the focus on the mix rather than on the headphone itself.It’s also practical that the ear cups have Braille markings. They make left-right recognition barrier-free and quick to understand in everyday studio use. Flexible in day-to-day studio work The detachable cable can be routed to the left or right on the headphone. This lets you adapt the headphone to different workstations, instrument setups or recording situations. The patented swivel element on the cable reduces the transfer of interfering noises into the headphone and supports clean monitoring. Cable can be used on the left or right Detachable coiled cable with 3 m length 3.5 mm jack and 6.3 mm adapter Storage pouch for transport Who is the Sennheiser HD 480 PRO for? This headphone is for you if you want reliable listening in the studio, home studio or on the go to hear what’s really in the signal. It’s suitable for producers, sound engineers, musicians and content creators who are looking for a closed headphone for recording, editing and mixing. Thanks to the 130-ohm impedance, it’s particularly interesting for studio interfaces, headphone amplifiers, mixing desks and professional workspaces with a solid headphone section. For precise recording and monitoring For longer sessions with high wearing comfort For clean judgement of bass, dynamics and details For users who value replaceable pads and a durable design Features Sennheiser HD 480 PRO Professional closed-back studio headphone for recording, tracking, monitoring and mixing Circumaural design with strong passive sound insulation for focused work Distortion-free frequency response for authentic assessment of the entire audio spectrum Innovative vibration damping to reduce reflections and distortion Dynamic 38 mm drivers with neodymium magnets for high efficiency and clear reproduction Ultra-light voice coil for a dynamic, detail-rich response Special ear-cup geometry for a constant driver position and consistent sound Detachable coiled cable can be used on the left or right depending on the setup Patented swivel element reduces the transmission of cable noise into the headphone Comfortable fit with optimised ear pads for glasses wearers Braille markings on the ear cups for intuitive left-right recognition Developed in Germany and hand-built in the Sennheiser plant in Europe Technical data Acoustic principle Closed Transducer type Dynamic Transducer diameter 38 mm Wearing style Over-Ear Audio frequency response 3 Hz - 28,700 Hz (-10 dB) Impedance 130 Ω (1 kHz) Sensitivity 107 dB SPL Maximum sound pressure level 130 dB SPL THD <0.5 % Power consumption 300 mW Connection plug 3.5 mm stereo mini jack | 6.3 mm adapter Cable Detachable coiled cable | One-sided routing | 3 m extended Colour Black Weight 0.272 kg Dimensions (W x D x H) 185 x 190 x 95 mm What’s in the box Sennheiser HD 480 PRO studio headphone Coiled cable 3 m Storage pouch Quick guide Safety instructions
Between an initial idea, a recording, and the final polish, your headphones should not feel like a different tool every time. The Roland VMH-S100 supports this continuous studio workflow as a closed-back over-ear headphone, combining high resolution with a design that remains comfortable even during long sessions. Wide frequency range for studio work The newly developed 50 mm drivers cover a frequency response from 5 Hz to 40 kHz. This allows you to hear deep bass components with the same level of detail as the subtle decay of reverb, cymbals, or acoustic instruments. At the same time, the closed-back tuning creates a focused monitoring environment for composition, recording, and mixing. Closed-back earcups with clear orientation The over-ear design completely encloses the ears and helps keep ambient noise away from your work process more effectively. Roland has optimised the tuning for precise positioning within the stereo image. This helps you to place individual tracks and spatial details more accurately when editing. Comfort and construction for long sessions 3D-stitched ear pads offer a soft fit and can be replaced via a magnetic attachment if required. The frame and outer shells are made of metal. With a weight of 295 g, the studio headphones remain easy to handle even when a session stretches over several hours. Cable routing to suit your workspace The detachable cable can be connected to either the left or right earcup. This allows you to adjust the lead to the position of your interface, mixing console, or controller. A 1.5 m and a 3 m cable are included for different working distances, while a 6.3 mm stereo adapter extends the connection options for studio hardware. Includes Roland Cloud Ultimate After registering your headphones, you will have access to a three-month trial of Roland Cloud Ultimate. Within this, you will find virtual instruments, sounds, and applications for music production. This access is a great addition to the headphones if you want to work directly with new sound sources or an existing DAW setup. Is the Roland VMH-S100 the right fit for your studio? The Roland VMH-S100 is suitable for musicians, producers, and recording users who want to use the same headphones for arranging, recording, and mixing. Its closed-back design, flexible cable routing, and replaceable pads are well-suited for both fixed project studios and mobile workstations. If you want to focus on editing details in your mix while enjoying comfortable monitoring over long periods, these headphones will integrate reliably into your workflow. Features Roland VMH-S100 Closed-back over-ear studio headphones for composition, recording, and mixing Newly developed 50 mm drivers with a frequency response of 5 Hz to 40 kHz Tuned for clear detail reproduction and precise positioning in the stereo image 3D-stitched, magnetically replaceable ear pads Metal frame and shells for everyday studio use Detachable cable with connection on either the left or right earcup Two cables with 1.5 m and 3 m length, plus 6.3 mm stereo adapter Three-month trial access to Roland Cloud Ultimate upon registration Technical specifications DesignOver-ear | closed-back Driver unit50 mm Frequency response5 Hz to 40 kHz Sensitivity101.5 ±3 dB at 1 kHz | 1 mW Impedance30 ±3 Ohm Weight0.295 kg Dimensions (W x D x H)210 x 140 x 85 mm Included in delivery Roland VMH-S100 headphones 1.5 m cable 3 m cable 6.3 mm stereo adapter Carry bag
Studio Headphones
If you work with audio seriously, you need an honest tool: a studio headphone that shows you the sound as it really is—without flattery, without a bass boost, and without any tonal beautification. Whether you’re mixing tracks, recording vocals, or producing podcasts—the right headphone makes the difference between a mix that sounds good everywhere and one that only works on your speakers.
Table of contents
- What are studio headphones—and why do they sound different?
- Open, closed, or semi-open: Which design suits you?
- What do you need a studio headphone for?
- Buying advice: The 4 most important criteria
- Brands at a glance
- Frequently asked questions
- Buying tips: Avoid typical mistakes
- What you really need
What are studio headphones—and why do they sound different?
Studio headphones are designed for one thing: the most linear, uncoloured frequency response possible. That sounds technical, but it’s actually simple—you hear what is truly on the recording. No bloated bass like you get with consumer headphones, no sparkle in the highs, and no cosmetic sound correction.
The difference from normal headphones or DJ models is fundamental. DJ headphones are deliberately tuned to be bass-forward, so that on the dance floor, even at loud monitoring levels, you can feel compelling energy. A studio headphone, on the other hand, is meant to show you whether your mix really works—on car speakers, on laptop speakers, in clubs. If you only listen to your mix on headphones that have been sonically beautified, you’ll end up making wrong decisions. You’ll spot that at the latest when you play it back on other devices.
Open, closed, or semi-open: Which design suits you?
Choosing the design is one of the most important decisions—and it depends directly on what you do in the studio.
- Closed: The ear cups seal the sound from escaping to the outside. No bleed into the microphone, and no outside noise. Mandatory for recording. Downside: the sound image often feels a bit tighter and less airy than with open models.
- Open: Sound escapes to the outside, creating a significantly more natural, more spacious sound image—similar to listening to speakers. Ideal for mixing and mastering. Open-back headphones also tire you out less during long sessions because there’s no pressure build-up on the ear. Downside: as a recording headphone, they’re completely unsuitable.
- Semi-open: A compromise between the two. A solid all-rounder, but rarely the best tool for a specific purpose.
Quick rule: Recording → closed. Mixing and mastering → open. If you do both, you should think long-term about getting one model for each.
What do you need a studio headphone for?
The answer to this question determines everything else: design, impedance, budget. Here are the typical scenarios:
- Recording vocals and instruments: A closed headphone, absolutely. It prevents the playback from bleeding into the microphone and ruining the recording.
- Mixing: Open or semi-open headphones. You need a realistic stereo panorama and a natural sense of depth to make sound decisions that work across all systems. A good studio headphone will show you mix errors that you’d never hear on coloured headphones.
- Mastering: Open reference headphones. Every nuance matters here. If you cut corners, you cut corners in the wrong place.
- Monitoring during live recordings: Closed, robust, comfortable—even for hours of use.
- Home studio, podcasting, content: A solid closed headphone in the mid-price range is completely sufficient.
Buying advice: The 4 most important criteria
Tonal neutrality
The most important criterion—and at the same time the hardest to judge, because it can only be assessed by listening. A linear frequency response means that bass, midrange, and treble are reproduced evenly and without distortion. If a headphone sounds “nice”, you should be sceptical—“beauty” in the HiFi sense is a mistake in a studio.
Tip: Don’t read frequency response charts and don’t believe any marketing claims. Listen for yourself with audio material that you know well. A track you know by heart is the best test.
Impedance: The factor that’s often underestimated
Impedance (measured in ohms) determines how much power a headphone needs to sound right. This is not a side issue—it directly affects dynamics and detail depth.
| Impedance | Suitable for | Needs |
|---|---|---|
| 32–80 ohms | Laptop, smartphone, simple interface | No extra amplifier |
| 80–150 ohms | Good audio interface, mixer | A good headphone output on the interface |
| 250–600 ohms | Professional studio, headphone amplifier | A dedicated headphone amplifier |
A 250-ohm headphone straight into a laptop sounds thin and lacking in power—not because it’s bad, but because it simply isn’t getting enough current. Here, the setup and the headphones don’t match.
Wearing comfort
If you sit at the mix for four hours, after hour two you’ll notice whether you bought the wrong headphone. Pressure points, heat build-up, or a slipping headband make focused work impossible. Pay attention to:
- Soft, replaceable ear pads—velour is usually more comfortable than faux leather during long sessions
- Lightweight design—under 300 g is a sensible guideline
- Self-adjusting or well-adjustable headband
- Prefer open-back designs for long sessions, since no pressure builds up
Build quality & cable
A studio headphone is a work tool that you use every day. You should pay special attention to two things:
- Detachable cable: Cables are the most common source of failure. If you have a permanently wired cable, when it breaks you often end up throwing away the entire headphone. Replaceable cables can significantly extend the lifespan.
- Replaceable ear pads: Pads wear out. With good models, replacement pads are available for a few pounds—this saves a lot.
Brands at a glance
In the studio headphone segment, some manufacturers have clearly positioned themselves. Here’s what each brand brings:
- Sennheiser: One of the most reliable names in the studio area. A broad range from solid entry-level options to reference models for professional mastering. Known for balanced sound and robust build quality.
- Neumann: If Sennheiser is the standard, Neumann is at the top. As a manufacturer of reference microphones, Neumann brings the same philosophy to the headphone market: uncompromising sound precision, high-quality materials, designed for professional studio day-to-day use.
- Beyerdynamic: A safe bet in every price segment. The DT series (770, 880, 990 Pro) has been part of standard studio equipment worldwide for decades—and for good reason. Very good value for money, replaceable components, long service life.
- Yamaha: Clear, analytical sound with good treble reproduction. The HPH-MT series in particular is a solid choice for home recording and monitoring.
- Roland / V-Moda: Models designed for flexible use, with a focus on mobile performance and modern design. Good for producers who switch between the studio and on the go.
- Audio-Technica: Popular, affordable, and sonically honest—especially the ATH-M series, which has established itself as a reliable entry point into professional sound quality.
Frequently asked questions
Why not Bluetooth headphones for the studio?
Two reasons that you can’t compromise on: latency and compression. Bluetooth transmits audio with a time delay—when recording or monitoring in real time, that’s a problem. In addition, the audio data is compressed during transmission, which leads to loss of sound quality. For precise work, a wired headphone is simply the better choice.
Do I need a headphone amplifier?
It depends on the impedance. Models with 32–80 ohms run without problems with any audio interface or laptop. If you go for high-impedance headphones (250 ohms and up), you need a proper headphone output—either on the interface or as a dedicated amplifier. Without sufficient power, even an expensive headphone will sound flat and lifeless.
How much do I need to spend?
A budget of 60–120 euros is enough for solid home recording and first mixing experience. If you work regularly and more demandingly, you’ll be well served in the 150–300 euro range. Professional reference models for critical listening and mastering start at 300 euros and go well beyond that.
Can I use one headphone for both recording and mixing?
With a closed headphone, you can do both—recording is even required for this. For mixing, an open model is better in the long run. If you can only buy one model, choose a good closed headphone and you’ll be equipped for most tasks.
Buying tips: Avoid typical mistakes
Especially with your first studio headphone, the same mistakes keep happening:
- Choosing headphones based on frequency response data: 5 Hz to 40 kHz sounds impressive, but it says little about the actual sound. What matters is how linear the headphone plays in the audible range—and you can hear that; you can’t get it from reading.
- Ignoring impedance: A 250-ohm headphone on a smartphone sounds thin and disappointing. Always check what your existing equipment can actually deliver.
- Underestimating comfort: What feels comfortable after ten minutes in the shop can become torture after three hours. If you can, test headphones thoroughly before buying—or look for a returns policy.
- Buying closed when you mainly mix: For hours of mixing, an open model is the more comfortable choice. The soundstage is more natural, and your ears tire less.
What you really need
The best buying decision is the one you make when you know how you’ll mainly use your headphones. Recording or mixing—that determines the design. Your equipment—that determines the impedance. How long you work—that determines how much comfort you need.
If you answer these three questions, you’ll find the right model in our range—whether it’s for the first step into a home studio or for day-to-day professional studio use.