Omnitronic MS-3
Sturdy one-handed microphone stand with boom Features Omnitronic MS-3 Height: 70-200 cm Height comfortably adjustable via one-hand clamping 3/8 inch thread holder Including adapter screw 3/8" to 5/8" Adjustable gallows With plastic clip for cable routing Absolutely lightweight, ideally suited for mobile use Rugged construction High stability Material: steel, aluminium Technical data Maximum load capacity: 3 kg Height: maximum: 2,00 m Minimum height: 0.70 m Colour: Black lacquered Boom length: 780 mm Weight: 2,00 kg
€39.90*
Available immediately
Omnitronic Microphone-Popfilter
Microphone pop filter for studio applications Frontal shielding Fine mesh, d=155 mm Flexible gooseneck, 33 cm Stable metal design Tripod screw clamp for all common microphone stands up to max. 22 mm diameter Weight: 352 g
€19.90*
Available immediately
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Neumann PS 15
Pop screens provide excellent suppression of so-called pop noise, such as "p" or "t". They consist of a round, thin frame covered with black gauze on both sides. A gooseneck of about 30 cm (12") in length is mounted at the popshield. It will be attached to microphone stands by means of a clamp with a knurled screw.The frame is 15 cm in diameter.
€103.00* was €119.00* (13.45% saved)
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Focusrite ISA One
The Focusrite ISA One is a compact and powerful solution for demanding audio recordings. With its proven technology, based on the renowned Forte console, the ISA One brings the legendary sound and outstanding performance of these analog, top-tier studio devices into a portable format. The microphone preamp is perfect for anyone who wants to make high-quality recordings both on the go and in the studio. What stands out is the ability to adjust the impedance of the preamp to different microphones. The ISA One offers a variety of options to find the perfect sound tuning for any microphone. This opens up numerous creative possibilities, from classic, warm sounds to experimental audio results. By operating the microphone and instrument inputs in parallel, direct signals can be combined with microphone recordings, offering additional flexibility for recording music or speech. The design of the Focusrite ISA One is optimized for mobility, without compromising on sound quality. The robust metal housing ensures durability and protects the delicate internal components, which are equipped with high-quality components such as the Lundahl transformer and a Zobel network. Thus, the ISA One is an excellent choice for musicians, producers, and sound engineers who are often on the move and do not want to sacrifice top-notch recording quality. With its versatile input options for microphones, line, and instrument signals, the ISA One is suitable for a wide range of applications, whether in the studio or during live performances. The classic VU meter and LED display allow precise control and safe operation. The ISA One thus combines tradition with modern flexibility in a compact, portable device. Features of the Focusrite ISA One Compact microphone preamp in a classic design, inspired by the Forte console Versatile input options: microphone, line, and instrument inputs for various signal sources Impedance selection with four different settings to optimally adjust microphones or achieve creative sounds Parallel operation of microphone and instrument inputs for flexible mixing of direct signals Robust metal housing for mobility and durability VU meter and LED display for accurate level monitoring Stereo cue mix inputs for clear monitoring control Optional 24-bit/192kHz A/D converter module for high-resolution digital recordings Includes Brainworx bx_console software, offering an exact replica of the Focusrite ISA 110 and ISA 130 modules Certificate signed by Phil Dudderidge, the founder of Focusrite Technical Specifications Preamp type: Transistor (Solid State) Number of channels: 1 Phantom power: Yes Inputs: 1 x XLR (Microphone), 1 x XLR (Line), 1 x 1/4" (Line), 1 x 1/4" (DI), 1 x 1/4" (Instrument) Outputs: 1 x XLR (Main output), 1 x XLR (DI output), 2 x 1/4" (Cue microphone L/R), 1 x 1/4" (Headphone output) Frequency response: 10 Hz - 125 kHz Weight: 3.9 kg Dimensions (W x D x H): 220 x 290 x 104 mm
€529.00* was €598.00* (11.54% saved)
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Neumann SG 105
Stand clamp for KMS vocalist microphones. The clamp can be swivelled and has a 5/8"-27 thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.
€49.00*
Available immediately
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Neumann EA 4
Elastic suspension for the Neumann TLM 102. The swivel mount has a 5/8"-27 gear, with adapter for 1/2"and 3/8"tripods.
€150.00* was €189.00* (20.63% saved)
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Omnitronic IH-2 Pad Holder for Microphone Stands
Features Omnitronic IH-2 Usable for tablets from 7" to 12.9" (max. 10 mm depth) Clamp range 150 - 380 mm Rotatable for vertical and horizontal formats Easy fixation for secure hold 1.5 cm (5/8") thread Incl. screw clamp for tubes up to Ø 30 mm High-quality workmanship Technical Data Attachment system: 5/8 inch thread Type (general stands): Accessories for microphone stand Clamp area: 150 bis 380 mm Material: Plastic Color: Black Weight: 0.64 kg
€19.00* was €19.90* (4.52% saved)
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Omnitronic AS-04
Microphone absorber system for studio and live applications Features Omnitronic AS-04 Transportable absorber/diffuser for studio and live applications Reduces disturbing room influences such as reflections, echoes and ambient noise to a minimum during vocal and instrument recordings Extendable table stand 3 foldable segments Solid steel frame with high-density acoustic foam Technical specifications Pickup system: 5/8 inch thread Width: 21 cm Depth: 20 cm Height: 38 cm Weight: 800 g
€59.00*
Available immediately
Omnitronic AS-03
Microphone absorber system for studio and live applications Features Omnitronic AS-03 Transportable absorber/diffuser for studio and live applications Reduces disturbing room influences such as reflections, echoes and ambient noise to a minimum during vocal and instrument recordings 3 foldable segments Solid steel frame with high-density acoustic foam Adjustable distance to microphone Quick and easy attachment to any standard tripod Technical data Mounting system: 5/8 inch thread Width: 39,5 cm Depth: 15 cm Height: 36 cm Weight: 1,50 kg
€66.00*
Available immediately
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Neumann PS 20a
Pop screens provide excellent suppression of so-called pop noise, such as "p" or "t". They consist of a round, thin frame covered with black gauze on both sides. A gooseneck of about 30 cm (12") in length is mounted at the popshield. It will be attached to microphone stands by means of a clamp with a knurled screw. The frame is 20 cm in diameter. **Microphone not included in scope of delivery
€111.00* was €129.00* (13.95% saved)
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Neumann SG 21
Swivel mount with a plastic clamp for miniature microphones. It has a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. Suitable for the Neuman KM184 and other KM-Series microphones.
€69.00* was €89.00* (22.47% saved)
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Omnitronic TMI-1
The Omnitronic TMI-1 microphone stand combines functionality with design for professional use. It is a high-quality, powder-coated steel stand that convinces with its robustness and stability. With its adjustable boom arm, it offers flexible possibilities for use both on the table and in the studio. The height adjustability ensures that it can adapt to different requirements to ensure optimal positioning of the microphone.
Features Omnitronic TMI-1 Table Microphone Stand
High-quality construction made of powder-coated steel for durability and stability
Flexible use due to height-adjustable boom arm
Easy adaptation to different microphone types thanks to 3/8 inch to 5/8 inch adapter
Optimal for professional use on the table or in the studio
Technical Specifications
Material: Steel, powder-coated
Color: Black
Height adjustability: from 33 cm to 42 cm
Maximum load capacity: 1.5 kg
Weight: 2.43 kg
Mounting system: 3/8 inch to 5/8 inch adapter
€44.00*
Expected to be available: 12 May 2025
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JB-Systems AUDIO-AIRLINK TR
With this versatile audio system, you can easily convert almost any existing wired microphone into a mobile, wireless microphone or send audio signals from your mixer wirelessly directly to active speakers. The operation of the set is incredibly simple: Using the innovative ID MATCH technology, the transmitter automatically connects to the receiver. You don't need to configure anything, just plug it in and get started. This saves you valuable time during setup and you're immediately ready for a professional performance. Thanks to the practical XLR to 6.3mm jack adapters, the system can be easily combined with almost any common audio equipment. Another advantage is the ability to operate one transmitter with multiple receivers simultaneously. This allows you to distribute the signal from just one source to up to four receivers – ideal for larger rooms or events. The internal battery of the JB Systems wireless system ensures a running time of up to eight hours and can be conveniently recharged via USB-C. With a range of about 35 meters, you have enough freedom of movement on stage or during setup. The manufacturer ensures a robust construction and high-quality workmanship, making this wireless transmission system reliable even under challenging conditions. With the JB-Systems AUDIO-AIRLINK TR, you are investing in flexibility, ease of use, and professional audio transmission. Features JB-Systems AUDIO-AIRLINK TR Converts wired microphones into wireless microphones Wireless audio transmission set with transmitter and receiver Wireless signal transmission from mixer to active speakers Quick and easy setup thanks to plug & play Automatic connection with ID MATCH technology Up to four receivers can be operated simultaneously with one transmitter Built-in battery with up to 8 hours of runtime Battery charge via USB-C Includes XLR to 6.3mm jack adapters Robust housing and reliable build quality Compact design for flexible use Suitable for indoor use Technical Data Frequency range: 500 to 980 MHz Channel spacing: 0.5 to 2.5 MHz Modulation: DQPSK Range: approx. 35 meters (depending on environment) Audio frequency range: 40 Hz to 20 kHz Battery type: Lithium-Ion (3.7 V / 1000 mAh) Battery runtime: 6 to 8 hours on full charge Input and output connectors: 3-pin XLR connector Charging connector: USB-C (5 Volts) Operating temperature: max. 40 °C Housing color: Black Weight: 240 g Package Contents JB-Systems AUDIO-AIRLINK TR (1x transmitter and 1x receiver) 2x XLR-jack adapters USB-A to 2x USB-C cable Operating manual
€89.00* was €94.90* (6.22% saved)
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Omnitronic LH-050
Omnitronic LH-050, a phantom power adaptor for the microphone. Features Phantom-power for the microphone Condenser mics need phantom-power Ideal accessory for all mixers without phantom-power For connecting a microphone via XLR-socket Signal output via XLR-plug Power supply via power unit Technical Data Power supply: 230 V AC, 50 Hz ~~ Power consumption: 2 W Input impedance: 600 Ohms Output impedance: 600 Ohms Output voltage: 48 V DC, ±2 V DC Frequency range: 10 Hz - 25 kHz S/N-ratio: >95 dB Dimensions: 74 x 45 x 130 mm
€69.00*
Available immediately
Omnitronic AS-01
The portable absorber AS-01 is ideal for your studio and live applications. The chrome-plated steel frame with high-density acoustic foam reduces disturbing room influences such as reflections, echoes and background noise during vocal and instrumental recordings to a minimum. The diffuser can be mounted quickly and easily on any standard tripod. Features Omnitronic AS-01 Transportable absorber/diffuser for studio and live applications Reduces disturbing room influences such as reflections, echoes and background noise in vocal and instrumental recordings to a minimum Chromed steel frame with high density acoustic foam For mounting behind the microphone with adjustable distance Quick and easy attachment to any standard tripod Dimensions (L x W x H): 310 x 450 x 320 mm Weight: 1,2 kg Note: The microphone and stand shown are not included in the scope of delivery
€105.00*
Available immediately
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Sennheiser EW-D ASA (Q-R-S)
The Sennheiser EW-D ASA is a powerful and versatile active antenna splitter designed specifically for use with Evolution Wireless Digital Systems. This device enables the efficient distribution and amplification of wireless signals, providing a reliable solution for anyone relying on high-quality audio transmissions. With its ability to operate up to four wireless receivers through a single pair of antennas, the EW-D ASA is ideal for demanding live and studio environments.
The EW-D ASA supports the frequency ranges Q, R, and S (470 to 694 MHz) and ensures excellent signal distribution through its four active outputs. Signals are sent to the receivers via BNC cables and can be received either through the receivers' 1/4-wave antennas or separately available 1/2-wave dipole antennas. The compatibility with ADP UHF passive and directional antennas ensures comprehensive coverage and reliable RF signals in professional quality.
Features of Sennheiser EW-D ASA
Active 4-way antenna splitter
Wireless diversity signal distribution for up to 4x EW-D EM wireless receivers
Frequency ranges Q, R, and S (470 to 694 MHz)
Reception of up to 4 wireless microphone signals via a single antenna pair
Signal distribution via BNC cables to receivers
Use of 1/4-wave antennas or 1/2-wave dipole antennas
Compatible with ADP UHF passive/directional antennas
Technical Specifications
Frequency range: 694 – 1075 MHz
Antenna splitter: 2x 1:4 or 1x 1:8, active
Gain: in A - Out A: 0 +/- 1 dB; in A - Out A1...A4: 0 +/- 1 dB; in B - Out B1...B4: 0 +/- 1 dB
IIP3: > 25 dBm
Impedance: 50 Ohms
Return loss: 10 dB (all RF outputs)
Operating voltage: DC +12 V (power supply NT 12-35 CS)
Current consumption: 210 mA
Total current consumption: 3 A (with 4 EW-D EM and connected EW-D AB)
Power supply for antenna amplifiers: DC 12 V, 320 mA
Weight: 1100 g
Dimensions (W x D x H): 212 x 168 x 43 mm
Included in Delivery
1x Sennheiser EW-D ASA (Dual 1:4)
1x NT 12-35 CS power supply
8x BNC antenna connection cables
€548.00* was €679.00* (19.29% saved)
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König & Meyer 210/8 Microphone Stand
The König & Meyer 210/8 microphone stand is known for its superior quality and durability. This stand is a perfect combination of stability and flexibility, setting new standards in practicality and adaptability. One of the key components of this microphone stand is the tube combination, which, together with the extendable boom arm, provides maximum flexibility and precision in adjustment. With this combination, you can position the microphone exactly where you want it, without compromising stability or comfort. Another notable feature is the compact zinc die-cast base. This base provides a wide footrest, giving the 210/8 microphone stand the same stability and reliability you are accustomed to with the classic 210/2 model. With this base, the stand is well-balanced and offers a stable foundation, no matter what surface you are on. For additional safety and precision, the square swivel joint is equipped with a convenient wing nut. With this nut, you can finely adjust the position of the microphone and ensure it stays exactly as you set it. The foldable feet of the stand are another plus, as they greatly facilitate storage and transport. When folded, the stand is compact and space-saving, fitting easily into any bag and always ready for use when you need it. Not to mention the robust steel construction that makes this microphone stand a durable and reliable choice you can rely on in any situation. Features König & Meyer 210/8 Microphone Stand Extendable boom arm: Provides flexibility and precision in microphone positioning Compact zinc die-cast base: Ensures stability and balance on different surfaces Wide footrest: Provides additional stability and reliability Square swivel joint with convenient wing nut: Allows fine adjustment of the microphone and securely holds it in the desired position Foldable feet: Enable easy storage and hassle-free transport Robust steel construction: Ensures durability and reliability Technical Specifications Material: Steel Height adjustment: Clamping sleeve Tube combination: Single extendable Boom arm: Extendable Boom arm clamp: Wing nut Foot construction: Base with foldable feet Thread connection: 3/8" Special feature: Zinc die-cast base Weight: 3 kg Boom arm length: From 425 to 725 mm Height: From 925 to 1,630 mm Folded dimensions: 96 x 85 x 985 mm
€67.90*
Available immediately
Sennheiser BA 70
The Sennheiser BA 70 is a high-performance, rechargeable lithium-ion battery specifically designed for use with the Sennheiser digital wireless system. It provides a reliable power source for bodypack transmitters EW-D SK, handheld transmitters EW-D SKM-S, plug-on transmitters EW-D-SKP, and the portable receiver EW-DP EK. With an impressive runtime of up to 12 hours, the BA 70 ensures continuous use over long periods.
The battery features a fast charging time of only 3 hours, made possible by the L 70 USB in combination with the NT 5-20 UCW (sold separately). This short charging time ensures that you are always quickly ready to use and do not waste valuable time. The BA 70 offers a nominal capacity of 1720 mAh and 6.53 Wh, with a nominal voltage of 3.8 V.
Features Sennheiser BA 70
Lithium-ion battery for Sennheiser EW-D systems
Up to 12 hours runtime
Fast charging in 3 hours with L 70 USB and NT 5-20 UCW (not included)
Robust and reliable design for professional use
Technical Specifications
Nominal capacity: 1720 mAh, 6.53 Wh
Nominal voltage: 3.8 V
Charging time: approx. 3 hours
Maximum runtime: 12 hours
Compatible Systems
EW-D SK bodypack transmitters
EW-D SKM-S handheld transmitters
EW-D-SKP plug-on transmitters
EW-DP EK portable receivers
Scope of Delivery
1x Sennheiser BA 70
€49.00*
Available immediately
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Sennheiser ADP UHF (470 -1075 MHZ)
The Sennheiser ADP UHF is a high-performance receive and transmit antenna, designed for use with high-quality wireless digital systems. It provides reliable range extension and improved signal stability in radio links. With its passive, directional design and BNC connector, it ensures precise and effective radio transmission. Its construction allows for flexible installation, which can be adapted to the specific requirements of the stage or mobile radio system.
Thanks to its wide opening angle of 100 degrees, the ADP UHF is particularly versatile, allowing for easy positioning and generous movement freedom for performers. The antenna has a compact design, measuring approximately 319 x 310 mm, and is in an unobtrusive black color. Its weight of about 1.1 kg makes it suitable for both permanently installed systems and mobile applications without appearing as an optical disturbance.
For users of the Evolution Wireless series from Sennheiser, the ADP UHF offers an excellent expansion option. It is compatible with frequency ranges Q1-6, R1-6, R4-9, S1-7, S7-10, and U1/5. The antenna can also be used in conjunction with the antenna booster ew-D AB or the active antenna splitter ew-D ASA to further optimize the performance of the radio system.
Features Sennheiser ADP UHF
Passive, directional
BNC connector
Wide opening angle of 100 degrees
Optimized for the Evolution Wireless series
Compact black design
Technical Specifications
Frequency range: 470 – 1075 MHz
Impedance: 50 Ω
Dimensions: 319 x 310 mm
Weight: approx. 1.1 kg
Gain: typ. 5 dBi
€321.00* was €379.00* (15.3% saved)
Available immediately
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Sennheiser MMD 935-1 BK
The Sennheiser MMD 935 is a highly advanced microphone capsule specifically designed for use with the evolution wireless handheld transmitters of the G3, G4, and 2000 series. This dynamic capsule provides the sound characteristics of the renowned wired microphone e935 and delivers outstanding performance on stage.
With a cardioid pickup pattern, the MMD 935 ensures that vocals remain clear and present even under loud stage conditions. The uniform pickup pattern minimizes unwanted noise and improves speech intelligibility. This microphone is ideal for live performances and professional applications where high audio quality is required.
Features Sennheiser MMD 935
Optimized for vocals and speech transmission in demanding live environments
Uniform pickup pattern (cardioid) to reduce background noise
Robust construction for stage use
High feedback rejection due to precise pickup pattern
Enhanced sound fidelity compared to conventional microphone capsules
Easy replacement thanks to thread mount
Optimized for high sound pressure levels without distortion
Reduced handling noise for uninterrupted audio capture
Compatible with handheld transmitters of the G3 and G4 series (SKM 100, 300, 500 G3 / G4, SKM 2000, 6000, 9000, SKM D1 / AVX / SL / DW)
Technical Specifications
Transducer principle: dynamic
Pickup pattern: cardioid
Connection: thread mount for attachment to handheld transmitter
Sensitivity: 2 mV / Pa
Sound pressure level at 1 kHz: 154 dB
Weight: 161 g
Dimensions (W x D x H): 82 x 82 x 64 mm
€169.00* was €199.00* (15.08% saved)
Available immediately
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Sennheiser MMD 945-1 BK
The Sennheiser MMD 945 is a powerful microphone capsule with a dynamic transducer principle and supercardioid characteristic, specially developed for demanding live applications. It provides excellent feedback rejection and a consistent polar pattern that keeps vocals clear and present even under loud stage conditions.
The sound remains full and present, which is especially important for vocal performances. The MMD 945 is compatible with a variety of handheld transmitters, including the ew G3, ew G4, D1, AVX, SpeechSeries Digital Wireless, and 2000 series, thus meeting high demands for flexibility and quality.
Features Sennheiser MMD 945-1 BK
Outstanding feedback rejection for interference-free stage use
Uniform supercardioid polar pattern for clear speech transmission
Ideal for loud stage conditions
Compatible with numerous handheld transmitter models, including SKM 100, SKM-S, SKM 300 G4, SKM 500 G4, SKM 2000, SKM 6000, EW-DX SKM, and SKM-S
Technical Data
Polar pattern: Supercardioid
Transducer principle: Dynamic
Sound pressure level at 1 kHz: 154 dB
Sensitivity: 1.8 mV/Pa
Weight: 167 g
Dimensions (W x D x H): 82 x 82 x 64 mm
€169.00* was €199.00* (15.08% saved)
Available immediately
Neumann EA 1
The Neumann EA 1 is a high-quality, elastic suspension specifically designed for the microphone models M 147, TLM 102, TLM 103, and TLM 193. This microphone spider offers effective decoupling of the microphone from the stand, significantly reducing unwanted structure-borne noise and vibrations. The construction ensures stable positioning of the microphone, making it ideal for studio recordings where clarity and purity of sound are the top priority. The EA 1 is also compatible with many Neumann microphones, making it a versatile solution for various recording situations. Its robust design and precise manufacturing meet the high quality standards of Neumann, a renowned manufacturer in the field of studio technology. Features of the Neumann EA 1 Effective decoupling from the stand to minimize structure-borne noise and vibrations Stable positioning of the microphone for optimal recording quality Ideal for studio recordings where clarity and purity of sound are crucial Robust design and precise manufacturing according to the high quality standards of Neumann Specifically designed for Neumann microphones: M 147, TLM 103, TLM 193, and TLM 127
From €262.00*
Available at short notice
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Focusrite ISA Two
The Focusrite ISA Two is a highly advanced microphone preamp that combines the legendary sound quality of the Forte and Studio Consoles in a compact 19-inch rackmount unit. With two channels, it offers versatile inputs for microphones, line-levels, and direct instrument sources. A variable impedance control allows you to precisely adjust the warmth of the sound without losing transparency. The focus of this preamp is on a unique combination of warmth and clarity, which is the trademark of Focusrite. The transformer technology, first developed in the 1980s, not only provides a transparent, open sound but also subtle warmth that arises from the saturation of the transformer core. This duality of clear highs and simultaneously full mids is what defines the sound of the ISA Two, making it a preferred tool in professional studios worldwide. Additionally, the Focusrite ISA Two offers an outstanding bandwidth ranging from 10 Hz to 135 kHz, overcoming the typical limitations of conventional preamps. The preamp allows distortion-free performance up to 80 dB of gain and can be tailored through the variable input impedance – from absolute transparency to classic vintage warmth. Another highlight is the use of the Lundahl LL1538 as the input transformer, which is used across the entire ISA series and focuses on a balanced frequency response. Focusrite's sophisticated technology ensures a consistently clean yet characterful sound, suitable for both modern and vintage recordings. Whether in the studio or on stage, the Focusrite ISA Two impresses with its versatility and excellent sound quality. Features Focusrite ISA Two Two independent channels for flexible application possibilities Inputs for microphones, instruments, and line-level sources Variable impedance control for customizable warmth and clarity in sound Lundahl LL1538 input transformer for excellent signal transmission Up to 80 dB of gain for precise amplification without distortion Custom meter display for accurate level monitoring Integrated high-pass filter with variable cutoff frequency to match the recording signal Symmetrical inputs and outputs for clean signal processing Rear inserts for flexible routing of effects and signal processing Includes free Brainworx bx_console software for emulation of the Focusrite ISA 110 and 130 modules Technical Specifications Preamp type: Transistor (Solid State) Number of channels: 2 Phantom power: Yes (for condenser microphones) Analog inputs: 2 x XLR (Microphone) 2 x TS (Instrument) 2 x TRS (Line) 2 x TRS (Return) Analog outputs: 2 x XLR (Balanced) 2 x TRS (Send) Frequency response: 10 Hz – 135 kHz Rackmount: 1U (Rack Unit) Weight: 3.7 kg Dimensions (W x D x H): 482 x 280 x 44 mm
€962.00* was €1,099.00* (12.47% saved)
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Sennheiser Profile Boom Arm
Discover the Sennheiser Profile Boom Arm, the ideal accessory for your Sennheiser Profile microphone. This self-locking 3-point boom arm is characterized by its robust construction and its weight of 820 g, which ensures high stability. Thanks to the integrated cable management, you no longer have to deal with tangled cables and your workspace remains tidy and clear. The horizontal reach of 780 mm gives you the flexibility to place the microphone exactly where you need it, while the adjustable desk clamp allows for secure and firm mounting on any surface. With the Sennheiser Profile Boom Arm, you get a professional and practical solution for your podcast, voice recording or live streaming needs. Experience the difference and enjoy a whole new level of sound quality and comfort. Features of the Sennheiser Profile Boom Arm Suitable for the Sennheiser Profile Microphone Weight: 820 g Dimensions: 780 mm (horizontal reach)
€99.00*
Available at short notice
Microphone Stands
A microphone stand serves to hold and stabilize the microphone in the desired position. There are various reasons why you might use a microphone stand:
- To position the microphone at a certain height: For example, if you are recording a podcast, you can use the stand to place the microphone at head level.
- To stabilize the microphone: When holding the microphone by hand, it can be difficult to keep it steady. A stand helps to keep the microphone stable and minimize agitation or vibrations.
- To orient the microphone in the desired direction: A stand allows you to aim the microphone in the desired direction to capture sound from specific sources.
- To protect the microphone: When holding the microphone by hand, it can easily be damaged. A stand provides additional protection for the microphone.
In general, a microphone stand helps to improve recording quality and keep the microphone secure and stable.
How is a microphone attached to the stand?
The method for attaching a microphone to the stand typically depends on the type of microphone and stand.
However, there are some general steps that can be followed:
First, ensure that the stand is securely positioned and cannot tip over.
Usually, the microphone is attached to the stand via a threaded connection. So, you need to insert the microphone into the holder and secure it with a screw or bolt.
It's important that the microphone is securely attached and does not wobble or move. If you want to adjust the stand, make sure the microphone is securely seated in the holder before moving the stand.
If you want to adjust the stand to aim the microphone at the desired height or direction, you'll need to use the stand's adjustment mechanisms. Typically, there are levers or screws that you can use to adjust the stand.
After attaching the microphone to the stand and placing it in the desired position, double-check its stability and security.
It's important that the microphone is securely attached to the stand so that it does not shift or move during recording. Secure attachment also helps protect the microphone from damage.
What is a microphone windscreen?
A microphone windscreen, also known as a pop filter or plosive shield, is a small "ring" that is attached to the microphone or stand and serves to reduce what are called plosive sounds. Plosive sounds are loud consonants such as "p", "t", or "b", which occur during speech or singing and can negatively impact the sound quality of a recording, creating a "pop" or "plosive" in the sound, particularly disruptive during singing or voice recordings.
A pop filter works by creating a barrier between the speaker or singer and the microphone. The barrier slows down the airflow that occurs during speech or singing and thus reduces the volume of plosive sounds. Pop filters come in various sizes and shapes, but they all serve the same purpose: improving the sound quality of a recording.
There are also other ways to reduce plosive sounds, such as adjusting the microphone angle or speaking into a corner of the room. However, using a pop filter is a simple and effective option for reducing plosive sounds and improving the sound quality of a recording.