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Product description Korg Drumlogue

A beat often only gains character when the kick, snare and percussion do not all come from the same sound world. This is exactly where the Korg Drumlogue comes in: The hybrid drum machine combines four analogue drum parts with six digital sample parts and a freely usable multi-engine.

Korg Drumlogue - Analogue base, digital addition

Analogue base, digital addition

Bass drum, snare drum as well as low and high tom are created via independent analogue circuits. The most important parameters are available as knobs directly on the surface, allowing you to adjust pitch, sound shaping and level without tedious menu navigation. Six PCM and user sample parts complement the analogue base with additional percussion, samples and accents.

The concept remains clear: The analogue voices provide the foundation, while digital parts can thicken a groove or consciously break it up. Each part has its own volume control. This makes it easier to rebalance a beat while working instead of searching for individual tracks in a mixing menu at the end.

Korg Drumlogue - A multi-engine for further sound ideas

A multi-engine for further sound ideas

The eleventh part works with the Korg multi-engine. In addition to noise and VPM, a slot for user synthesizers is available. As a result, the drum machine can take on additional synthesizer sounds alongside its fixed drum and sample parts, which can be treated like another voice in the pattern.

Custom synthesizers can be developed for this purpose via the logue SDK. These can contain features such as filters, LFOs or MIDI-controlled polyphony. The multi-engine therefore expands the sound library not just with an additional preset collection, but with an open layer for individually programmed sounds.

Korg Drumlogue - Do not just think of sequences in a straight line

Do not just think of sequences in a straight line

The sequencer manages 11 parts over up to 64 steps. For more vivid rhythms, probabilities, alternative triggers and micro-offsets are available per step; furthermore, groove patterns can be used per track. Motion and accent recordings capture movements and emphases directly in the pattern.

With chain mode, patterns can be linked into longer sequences. In loop mode, you can switch between variations, while randomize can create new starting points for an existing pattern. The OLED display and four assigned encoders help to process these interventions visibly and immediately.

Korg Drumlogue - Effects and connections in the setup

Effects and connections in the setup

Reverb, delay and a master effect can work simultaneously. This allows individual sounds to be placed spatially or an entire beat to be shaped further without having to immediately supplement the device with external effects. Programmes and drum kits each offer 128 memory slots, of which 64 are occupied from the factory.

On the rear panel, main outputs in L/mono and R, four additional audio outputs, a headphone output, audio in, MIDI in/out and sync in/out are provided. USB-A and USB-B cover MIDI controllers as well as the connection to the computer and make the Drumlogue a well-connectable building block for a hardware or hybrid setup.

Korg Drumlogue - The Korg Drumlogue for your pattern-oriented setup

The Korg Drumlogue for your pattern-oriented setup

The Korg Drumlogue is suitable for producers who are looking for a directly playable rhythm machine with an analogue core and would like to develop their beats further with samples as well as digital synthesizer sounds at the same time. It fits particularly well into setups in which patterns are built, varied and subsequently connected to other devices via multiple outputs or MIDI.

The combination of volume controls, chain and loop modes is also practical for live performers, because grooves can be changed during playback. The open multi-engine provides space for your own sound ideas without losing the clear access to the classic drum parts.

Features Korg Drumlogue

  • Hybrid drum machine with 4 analogue drum parts, 6 PCM/user sample parts and multi-engine
  • Analogue sound generation for bass drum, snare drum, low tom and high tom
  • Multi-engine with noise, VPM and slot for user synthesizers
  • 11-part sequencer with up to 64 steps
  • Step probability, alternative triggers, micro-offsets and groove patterns per track
  • Motion and accent recording as well as randomize function
  • Chain mode and loop mode for arranging and varying patterns
  • Individual volume controls for all parts, OLED display and four encoders
  • Reverb, delay and master effect can be used simultaneously
  • 128 programmes and 128 drum kits, each with 64 factory slots
  • Main out, four additional audio outputs, audio in, MIDI, sync as well as USB-A and USB-B
  • USB-A for class-compliant MIDI controllers and USB-B for connection to the host

Technical specifications

  • Polyphony11 voices
  • Sound generationAnalogue: 4 parts | PCM / user samples: 6 parts | Multi-engine: 1 part
  • Multi-engineNoise | VPM | User synthesizer
  • Programmes including rhythm patterns128 | of which 64 are factory programmes
  • Drum kits128 | of which 64 are factory kits
  • EffectsReverb | Delay | Master effect
  • ConnectionsHeadphones | Main out L/mono and R | Audio out 1–4 | Audio in | MIDI in/out | Sync in/out | USB-A | USB-B
  • Power supplyAC adapter DC 9 V
  • Weight1.4 kg
  • Dimensions (W x D x H)317 x 189 x 73 mm

Included in delivery

  • Korg Drumlogue hybrid drum machine
  • AC adapter
  • Quick Start Guide
  • Safety instructions
Integrated sequencer?: Yes
MIDI inputs: 1x Midi in
MIDI outputs: 1x Midi out
Multitimbral: Yes
Polyphony: 11-20
Sound synthesis: Analog
Digital

Virtual Analog

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Responsible company
MUSIK MEYER GmbH
Industriestr. 20
35041 Marburg
Germany

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Important questions about the article Korg Drumlogue

Question: Can the Korg Drumlogue be used without a computer for beats and patterns?

Answer: Yes. Sounds, kits and patterns are created directly on the unit, and the internal 64-step sequencer works standalone. A computer connected via USB is required to import your own samples.

Question: How is the sound generation structured?

Answer: The Drumlogue combines four analogue drum parts with six sample-based digital parts and an additional Multi Engine. This makes it possible to combine punchy electronic drums with PCM and your own samples.

Question: Can I use my own samples?

Answer: Yes. Your own samples can be transferred to the memory via USB and assigned to the six sample-based parts.

Question: What is the Multi Engine for?

Answer: The Multi Engine adds a synth voice to the drum parts and supports VPM and Noise engines as well as User Custom Synthesizers. It is especially useful when a kit is to be expanded with melodic, digital or experimental sounds.

Question: How flexible is the sequencer?

Answer: The sequencer offers up to 64 steps per pattern and features such as probability, alternate triggers, micro offsets and groove per track. This also makes it suitable for polyrhythmic or more lively varied beats.

Question: Can I record individual sounds separately or process them externally?

Answer: Yes. Four individually assignable audio outputs are available in addition to the stereo main output and headphone output. Parts can therefore be routed to external effects, a mixer or separate inputs on an audio interface.

Question: How is the Drumlogue synchronized with other equipment?

Answer: It offers MIDI In/Out, Sync In/Out and USB for connection to a computer or DAW. This allows it to be integrated into both hardware setups and computer-based studios.

Question: What else is needed for operation?

Answer: The power supply and quick start guide are included. No further accessories are needed for standalone use; a computer with a USB connection is needed for your own samples.

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korg microkorg 3

Average rating of 4.75 out of 5 stars

Korg Microkorg

With the Korg microKORG you get a compact synthesizer with a vocoder that takes up little space while going far beyond simple preset sounds. Its 37 velocity-sensitive mini keys, four voices and 128 programs make it a direct instrument for bass lines, leads, pads and distinctive vocal sounds. Synthesis without long detours The sound generation uses Analog Modeling: two oscillators and a noise generator form the basis for classic synthesizer sounds as well as grittier, digital textures. Four filter types help you to purposefully darken, thin out or sharpen the sound. Two envelopes and two LFOs add movement to pitch, filter and other sound parameters. You can freely define four modulation connections via the virtual patch section. This is helpful if you do not want an original sound to remain static, without needing an external modular system. Control access and saved sounds The four rotary controls operate with three function levels and give you access to important synthesis parameters. You have to get to know the structure of the instrument a little, but you can then quickly change sounds and save your own settings. 128 programs provide material for getting started and for quick sketches. The arpeggiator supplements sustained chords or individual notes with rhythmic sequences; six playing types and a swing function allow for more than just the usual upward or downward patterns. Vocoder and audio inputs A central part of the instrument is the eight-band vocoder. With the included gooseneck microphone, speech and vocals can be combined with the played sound, for instance for robotic voices, choirs or concise hooklines. Via the audio inputs, the microKORG can also process external signals. Formant shift as well as volume and pan of the vocoder bands give you room to further shape the voice timbre. Three modulation effects, three delay types and a 2-band EQ are available directly in the device for this purpose. Integrating into small setups With MIDI In, Out and Thru, the compact Korg synthesizer can be connected to sequencers, DAWs and other MIDI instruments. In addition to the L/Mono and R outputs, there is a headphone jack available. For mobile workspaces, it can also be operated with six AA batteries. The mini keyboard saves width but requires some getting used to for extended piano parts. However, for sound design, recorded synth lines and productions in confined spaces, this format is easy to follow. Who is the Korg microKORG suitable for? The Korg microKORG suits you if you are looking for an independent hardware synthesizer for electronic music, pop, indie or experimental productions and want to integrate vocoder sounds directly. Beginners will quickly find their way around using the programs and the arpeggiator, while more experienced users will make use of the modulation matrix and audio inputs for more targeted sound design. It is less suitable for you if you expect a large keyboard, high polyphony or a completely menu-free workflow. Its strength lies in the compact combination of synthesis, vocoder and practical connections. Features Korg microKORG Compact four-voice modeling synthesizer with integrated vocoder 37 velocity-sensitive mini keys for space-saving setups Two oscillators and noise generator for versatile sound foundations Four filter types as well as two envelopes and two LFOs Virtual Patch with four freely selectable modulation routings Eight-band vocoder with formant shift as well as adjustable band volume and pan 128 programs, arpeggiator with six types and swing function Three modulation effects, three delay types and 2-band EQ Audio inputs, headphone output and MIDI In | Out | Thru Operation via power adapter or six AA batteries possible Specifications Sound generationAnalog Modeling Synthesis System Multitimbrality2-part internal Polyphony4 voices Oscillators2 oscillators | Noise generator Filter24 dB/oct LPF | 12 dB/oct LPF | BPF | HPF Modulation2 EGs | 2 LFOs | Virtual Patch with 4 slots Vocoder8 bands | Formant shift | Volume and pan per band Programs128 Effects3 modulation effects | 3 delay types | 2-band EQ Arpeggiator6 types | Swing function Keyboard37 velocity-sensitive mini keys Inputs2 x Audio Line In | 1 x Mic OutputsL/Mono | R | Headphone MIDIIn | Out | Thru Power supplyPower adapter | 6 x AA batteries Power consumption6.4 W Weight2.2 kg Dimensions (W x D x H)524 x 232 x 70 mm Included in delivery Korg microKORG synthesizer/vocoder KA 189 power adapter Gooseneck microphone

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korg minilogue xd module 4836endahryfjo
Korg Minilogue xd Module

Compact desktop design meets versatile hybrid sound generation: The Korg Minilogue xd Module combines four-voice analog synthesis with a freely expandable digital multi-engine, integrated stereo effects, and a powerful step sequencer. You have the controls of the keyboard version at your disposal in a space-saving format. This allows you to integrate the synthesizer directly into an existing MIDI, DAW, or hardware setup without the need for additional keyboard surface area. Analog foundation with digital expansion The sound engine combines two analog VCOs with a digital multi-engine as a third oscillator. The architecture is completed by filters, envelopes, a VCA, and an LFO. This allows you to create classic synthesizer sounds as well as significantly more complex textures. Wave shaping, cross modulation, sync, ring modulation, and drive further expand your direct access to overtones and tonal character. The digital multi-engine offers three areas: Noise, VPM, and user oscillators. Particularly interesting is the open structure for custom or separately available oscillators. A total of 16 user oscillator slots are available for this purpose. Analog and digital sound sources can be combined within a single program. Effects directly in the sound program For further processing, digital modulation, reverb, and delay effects are available. The effect section operates with 32-bit floating-point DSP processing and allows for the simultaneous use of the three effect areas. Chorus, ensemble, delay, and various reverb types can thus be integrated directly into your sound design. The effect section is also expandable. In addition to the integrated algorithms, the module offers 16 memory slots for user effects. Compatible expansions can be transferred to the instrument using the appropriate librarian software. Sequences with motion The integrated polyphonic 16-step sequencer is suitable for more than just programming note sequences. Using motion sequencing for up to four parameters, you can record knob movements and automate them within a sequence. This enables rhythmic filter sweeps, changing timbres, or targeted alterations to individual steps. The 16 step buttons also serve as a way to directly edit individual steps. In keyboard mode, they can also be used to play notes. This allows you to audition sounds directly on the device without a connected MIDI keyboard. Four voices – expandable to eight By default, the desktop module operates with four voices. If you require more polyphony, you can connect two compatible devices from the Minilogue xd series using the poly-chain function. The master and slave devices then share the voices, together enabling up to eight-voice polyphony. For integration into various production environments, the unit features MIDI In and Out, USB-B, two CV inputs, Sync In and Out, as well as stereo outputs. This makes the device suitable for both classic MIDI systems and setups involving modular or semi-modular components. Who is the Korg Minilogue xd Module for? The module is interesting for you if you are looking for a directly controllable polyphonic synthesizer without an integrated keyboard and already work with a MIDI keyboard, sequencer, or DAW. Thanks to its clear layout, it is also suitable for getting started with hybrid synthesis, while simultaneously offering enough depth for sophisticated sound design through user oscillators, custom effects, motion sequencing, and poly chain. For desktop and DAW-based production stations For hardware setups with MIDI, Sync, or CV For sound designers with an interest in analog and digital synthesis For existing Minilogue xd setups that need to be expanded to eight voices Features Korg Minilogue xd Module Four-voice desktop synthesizer module with analog sound generation and digital multi-engine Two analog VCOs and digital multi-engine with Noise, VPM, and user oscillators Expandable open-source structure with 16 slots for user oscillators and 16 slots for user effects Digital modulation, reverb, and delay effects with 32-bit floating-point DSP Polyphonic 16-step sequencer with real-time recording, step recording, and motion sequencing for up to four parameters Poly-chain function for expansion to up to eight voices with a second compatible Minilogue xd device Wave shaping, cross modulation, sync, ring modulation, and drive for extensive sound shaping MIDI, USB, CV, and sync connections for integration into hardware, modular, and DAW setups Keyboard mode for direct playing via the 16 step buttons without a connected keyboard 500 program memory slots with more than 200 factory programs and 300 memory slots for your own sounds Technical specifications Sound generationAnalog sound generator + digital multi-sound generator Multi-engineNoise | VPM | User Voice architecture2 VCOs + multi-engine | VCF | 2 EGs | VCA | LFO Maximum polyphony4 voices Poly chainUp to 8 voices with two compatible Minilogue xd devices Programs500 | More than 200 factory programs | 300 user memory slots User slots16 user oscillators | 16 user effects Sequencer16 steps | Polyphonic | Real-time recording | Step recording | Motion sequencing for up to 4 parameters EffectsModulation | Reverb | Delay Effect processing32-bit floating-point DSP ControllerJoystick | Portamento knob | Keyboard switch Headphone connectionStereo jack Audio outputsOUTPUT L/Mono | OUTPUT R | Unbalanced mono jack CV inputsCV IN 1 | CV IN 2 | 3.5 mm CV range-5 V to +5 V mod | -3 V to +5 V CV/gate Sync connectionsSYNC IN | SYNC OUT Sync levelsSYNC IN maximum 20 V | SYNC OUT 5 V MIDIMIDI IN | MIDI OUT USBUSB-B Power supplyAC adapter DC 9 V Power consumption8 W Weight2.6 kg Dimensions (W x D x H)500 x 179 x 85 mm Included in delivery Korg Minilogue xd Module synthesizer AC adapter DC 9 V

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Average rating of 4.57 out of 5 stars

Korg Volca Drum

Korg Volca Drum is a compact digital percussion synthesiser for standalone drum sound design and flexible rhythm programming. Instead of playing back finished PCM drums, the six-part polyphonic DSP engine creates its sounds through digital synthesis with two layers per part. Wave folder, overdrive, bit reduction, and a physical modeling resonator give you significantly more creative freedom than a classic drum machine with fixed kick, snare, and hi-hat slots. Six parts without fixed roles The six parts each have two layers and are technically identical in construction. You decide for yourself which part becomes the kick, snare, hi-hat, or a completely different percussion sound. Various oscillator waveforms are available for each layer, along with matched pitch modulators and amp envelopes. This allows you to individually shape twelve sound layers within one kit or combine two layers in a targeted manner to build a denser sound. After the basic sound generation, the signal can be further processed. Bit reduction creates deliberately coarser textures, the wave folder adds additional harmonics, and overdrive provides controlled distortion. Parameters such as timing, panning, gain, and effect depth can also be adjusted for the individual parts. In total, 16 kits can be saved, ten of which are already pre-programmed at the factory. Resonances instead of ordinary drum effects The waveguide resonator with physical modeling plays a central role. It simulates the resonance characteristics of physical objects and offers the modes Tube and Strings for this purpose. Tube is sonically reminiscent of the resonance of a cylindrical body, while Strings creates more metallic, string-like structures. Using decay, body, and tune, you can determine how strongly this effect alters the basic sound. Especially with synthetic percussion, metallic strikes, or unusual electronic timbres, the resonator significantly expands the possibilities. Low tune settings can also create delay-like structures. The three centrally arranged knobs are therefore suitable not only for preparing your own kits but also for direct intervention during a running sequence. 16 steps with lots of movement The integrated sequencer works with 16 steps and supports step and real-time recording. Using motion sequence, you can automate knob movements and parameter changes. Up to 69 parameters can be included in sequences in this way. With pattern chain, up to 16 patterns can be linked together, resulting in sequences with a maximum of 256 steps. Active step and step jump allow direct intervention in running rhythms. In addition, there is step slice for rolls, accent with 16 intensity levels, and a choke function for parts that should cut each other off. Two randomize functions can vary either sound parameters or elements of a sequence such as steps, slices, and accents. This allows you to quickly change existing patterns without having to reprogram them completely. Compact and easy to integrate With MIDI In as well as Sync In and Sync Out, the drum synth can be integrated into existing setups. You can control it via MIDI from a DAW or an external sequencer, for example, and synchronise it with other devices in the Volca series or compatible grooveboxes via the sync jacks. Battery operation and an integrated speaker also make it independent of a fixed workstation. About ten hours of operation are possible with six AA batteries; alternatively, the separately available Korg KA-350 power adapter can be used. Who is the Korg Volca Drum suitable for? The Korg Volca Drum is for you if you not only want to program percussion but also synthesise it yourself. Beginners can start with the available kits and adjust individual parameters step by step. For experienced producers and live musicians, the deeper layer structure, motion sequence, and the waveguide resonator offer sufficient possibilities for detailed sound design. The device is particularly interesting if you are looking for synthetic drums, unusual percussion, and dynamic electronic rhythms and prefer a compact instrument with its own sequencer. Features Korg Volca Drum Compact digital percussion synthesiser with six parts and two independently editable layers per part DSP-based sound generation with various oscillator waveforms, pitch modulation, and amp envelopes Waveguide resonator based on physical modeling with the resonance types Tube and Strings Sound processing with bit reduction, wave folder, and overdrive for complex harmonics and distorted sound structures 16-step sequencer with step recording, real-time recording, motion sequence, and pattern chain Active step, step jump, step slice, accent, and choke for detailed rhythmic processing Two randomize functions for random modification of sound parameters and sequence components 16 storable kits and 16 programmes for sequences, motion data, and kit assignments MIDI In as well as Sync In and Sync Out for integration into DAWs and synchronised hardware setups Integrated speaker and battery operation for mobile use Technical data Product typeDigital percussion synthesiser SynthesisDigital synthesis Polyphony6 voices Structure6 parts | 2 oscillators per part | Pitch modulator | Amp EG | Waveguide resonator User interfaceMultitouch trigger pads | Step buttons | LCD Kits16 | of which 10 are factory presets Programmes16 | of which 10 are factory presets Sequencer16 steps | 6 parts | Pattern chain Recording patterns16 Maximum pattern chain length256 steps Motion sequenceUp to 69 storable parameters Waveguide resonatorTube | Strings Sequencer functionsMotion sequence | Active step | Step jump | Step slice | Accent | Choke | Randomize Audio output3.5 mm stereo mini jack Sync connectionsSync In 3.5 mm mono | Sync Out 3.5 mm mono Maximum sync input level20 V Maximum sync output level5 V MIDIMIDI In SpeakerIntegrated Power supply6 x AA alkaline batteries | 6 x AA NiMH batteries | Korg KA-350 power adapter sold separately Battery lifeApprox. 10 hours with alkaline batteries Weight0.37 kg Dimensions (W x D x H)193 x 115 x 39 mm Included in delivery Korg Volca Drum digital percussion synthesiser Sync cable

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korg synthesizer analog monotron duo 2 stimmmig 2
Korg Monotron Duo

With the Korg Monotron Duo, you can shape analog sounds directly with your hands: two oscillators, a resonant filter, and a ribbon controller are packed into a handy synthesizer for when you are on the move. The battery-powered sound generator works without menus and is suitable for spontaneous melodies, noises, drones, and quick sound ideas. Two VCOs and X-MOD for rougher sounds The two analog VCOs can be individually adjusted in pitch. This creates simple intervals, beats, and significantly detuned timbres. With the X-MOD knob, cross-modulation engages the signal path and quickly turns smooth waveforms into metallic or restless sounds. The switch determines whether VCO 1 alone or both oscillators are audible. This keeps the layout clear while still leaving enough room to switch between clear single tones and denser sounds. Ribbon controller with selectable scale Playing is done via a touch-sensitive ribbon keyboard. Pitches can be approached continuously, which makes glides and small pitch movements particularly direct. For an easier start, chromatic, major, and minor scales are available to choose from. In this way, the instrument functions differently than a classic keyboard: exact note sequences require a bit of feel, while free movements and experimental play are transferred very directly from the hand into the sound. MS-10/MS-20 filter and external audio input The analog VCF is based on the filter circuits of the Korg MS-10 and MS-20. Cutoff and Peak control the cutoff frequency and resonance, allowing the sound to be shaped from soft to significantly sharp. The filter is designed with 12 dB per octave. You can connect an external sound source to the AUX input and run it through the filter. This way, the small synthesizer can also serve as a compact tool for sound processing outside of its own oscillators when needed. Play independently, continue working via headphones The built-in speaker is sufficient for quick sound checks without any additional accessories. You can listen more discreetly via the 3.5 mm headphone output; the internal speaker is switched off when headphones are connected. Two AAA batteries power the device for about eight hours of operation. Measuring 120 x 72 x 28 mm, the synthesizer fits into small bags and takes up hardly any space on your desk. Therefore, it is less of a replacement for a full-sized synthesizer than a direct source of inspiration for on the go or alongside an existing setup. Who is the Korg Monotron Duo suitable for The Korg Monotron Duo is suitable for beginners looking for an uncomplicated entry into analog sound generation, as well as experienced users who need a small device for unusual textures or the AUX filter. The operation remains deliberately reduced, while the combination of two VCOs and cross-modulation goes beyond simple basic sounds. This model is not designed for precise keyboard playing, stored sounds, or direct computer connection. However, anyone who wants to turn knobs without setup time, glide with pitches, and filter external signals will find a self-contained, mobile instrument here. Features Korg Monotron Duo Fully analog ribbon synthesizer with two separately tunable VCOs X-MOD cross-modulation based on the Korg Mono/Poly Ribbon controller for continuous pitch movements Scale selection with chromatic, major, and minor scales Analog VCF based on Korg MS-10/MS-20 circuit AUX input for filter processing of external audio signals Integrated speaker for direct sound monitoring 3.5 mm headphone output for undisturbed playing Technical specifications Sound generation2 VCOs with cross-modulation | 1 VCF with 12 dB/octave Operation modesStandby | VCO 1 | VCO 1+2 ScalesChromatic | Major | Minor | Off ControlsVCO 1 Pitch | X-MOD Intensity | VCO 2 Pitch | VCF Cutoff | VCF Peak ControllerRibbon controller keyboard AUX input3.5 mm stereo jack socket Headphone output3.5 mm stereo jack socket SpeakerIntegrated mini speaker | deactivated when using headphones Power supply2 x AAA alkaline batteries Battery lifeAbout 8 hours Weight0.095 kg Dimensions (W x D x H)120 x 72 x 28 mm

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yamaha reface cp5a3ccfce68788

Average rating of 5 out of 5 stars

Yamaha Reface CP

Vintage E-Piano sounds, direct operation and a format that you can take along without detours: the Yamaha Reface CP combines the character of classic keyboard instruments with a modern, clearly structured workflow. Six distinctive keyboard sounds, an effect section that’s instantly accessible, and the high-quality 37-key mini keyboard make this compact model a flexible tool for production, rehearsal, and spontaneous playing. Klassiker auf Abruf Six distinctive sounds are built into the housing, based on well-known vintage instruments. From warm Tine pianos to punchy reed sounds and on to Clavi and Toy piano character, you get exactly the timbres that cut through in the mix quickly and feel instantly familiar when you play.What’s particularly practical is the clear selection without an overloaded menu structure. You can switch quickly between different sound types, giving you an instrument that doesn’t just provide a typical E-Piano sound, but cleanly covers multiple musical directions. Effekte mit direktem Zugriff The integrated stompbox-style section is designed to work deliberately and immediately. Drive, Tremolo, Chorus, Delay and Reverb can be set directly without you having to work through submenus. This keeps the focus on playing rather than editing.Especially with a compact keyboard, that’s a major advantage: you can add more depth, movement, or grit right away to a dry basic sound. In just a few hand movements, you can create broad pads, rhythmic modulation, or compact, punchy sounds for recording and live setups. Klein gebaut, gut spielbar The 37-key HQ mini keyboard is designed for mobility without feeling cheap. The keyboard action responds pleasantly and directly and, despite its compact design, delivers a controlled playing feel that works well for melodies, chords, and rhythmic parts.There’s also the high polyphony with 128 voices. This ensures clean, smooth playing, even when you use sustain or play dense harmonies. With a compatible pedal, you can also use sustain including half-damping functionality, making the playing even more nuanced. Bereit für unterwegs This Yamaha E-Piano isn’t tied to a fixed location. Its low weight, built-in speakers, and battery operation make it a solution you can set up quickly and use anywhere. Up to 5 hours of battery operation give you extra playing time when there isn’t a power outlet nearby. built-in stereo speaker system mains operation or operation with six AA batteries compact format for desk, rehearsal, or travel luggage ready to use quickly without additional accessories Connections with practical relevance Even the connections reflect a well-thought-out design. Through the Aux input, you can connect external sources such as a smartphone or tablet. There are also line outputs for a mixing desk, audio interface, or DI box, a USB-to-Host port for connecting to computers and mobile devices, and MIDI via mini-DIN.That means the instrument fits both into a simple home setup and into an expanded production environment. You can rehearse right away, record, integrate MIDI, or pass the signal to a PA without any hassle. Für wen passt das Yamaha Reface CP? This model is just right for you if you’re looking for classic E-Piano sounds, but don’t want to transport a large, heavy vintage solution. It’s suitable for beginners who appreciate a clearly accessible setup, as well as for experienced keyboard players, producers, and songwriters who want to integrate a compact sound module with its own character into their setup. ideal for mobile setups and small studios useful for live performers with limited space interesting for producers focused on retro keyboard sounds practical for anyone who wants to work directly without a long learning curve If you value quick operation, selected sounds, and flexible connection options, this compact vintage keyboard is a solid choice. It’s aimed at musicians who would rather play and shape the sound than work through complex menus. Features Yamaha Reface CP Compact mobile E-Piano with six characterful vintage keyboard sounds and a direct control interface Six carefully modelled sound types with influences from Tine, Reed, Clavi, Toy, and CP E-Pianos Stompbox-style effects section with Drive, Tremolo or Wah, Chorus or Phaser, Delay and Reverb 37 HQ mini keys with a natural playing feel and high-quality workmanship 128-voice polyphony for smooth playing even with dense chords and sustain Sustain pedal support with half-damping function when using a compatible optional pedal Built-in stereo speaker system for direct use without external monitoring Power via power adapter or six AA batteries for mobile use up to 5 hours Aux In for external audio devices and USB-to-Host for connecting to computers and mobile devices Line outputs and MIDI connectivity for studio, stage, and integration into existing setups Technical specifications Keyboard 37 keys in HQ mini format Polyphony 128 voices Sound generation SCM + AWM2 Amplifier output 2 x 2 W Speakers 2 x 30 mm Effects Drive | Tremolo/Wah | Chorus/Phaser | Digital Delay/Analog Delay | Reverb Power supply Power adapter PA-130 or comparable | 6 x AA batteries | Ni-MH rechargeable batteries Connections DC In | Headphones 6.3 mm stereo | MIDI mini-DIN in/out | Aux In 3.5 mm stereo | L/MONO and R line outputs 6.3 mm | USB-to-Host Pedal options Sustain pedal compatible with FC3(A) | FC4(A) | FC5 | Half-damping function with FC3(A) Weight 1.9 kg Dimensions (W x D x H) 530 x 175 x 60 mm Included in delivery Yamaha Reface CP E-Piano Power adapter MIDI breakout cable Owner’s manual

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yamaha reface cs5a3ccec88ce73

Average rating of 4.56 out of 5 stars

Yamaha Reface CS

With its compact design and clear focus on creative sound design, this mobile mini keyboard offers a modern interpretation of classic synthesizer tradition. The sound generation is based on an Analog Physical Modeling Engine that combines various synthesis types such as pulse, multi-saw, oscillator sync, ring modulation, and FM. This allows you to create versatile sound colors – from warm pads to distinctive basslines and striking leads. Each synthesis type has its own texture and mod controls that deeply influence the sound shaping. This way, you can turn simple oscillator waves into complex sonic landscapes or deliberately experiment to create unusual sound textures. This creative process is supported by the integrated effects, including chorus, flanger, phaser, delay, and distortion, which can be used flexibly to give your sound additional character. With 8-voice polyphony, the instrument is suitable for harmonic chord progressions as well as lush pads. In mono mode, you can create powerful basslines or expressive solos. The integrated phrase looper allows you to record and overdub up to 10 minutes of audio – perfect for capturing ideas or live performances. Thanks to the built-in stereo speaker system with bass reflex port, the sound is present and balanced even without external amplification. For mobile use, the device can be powered either via an AC adapter or up to 5 hours with batteries. The USB-to-Host port allows for a direct MIDI connection to computers or iOS devices. Additional connections such as AUX-in, stereo outputs, headphone jack, and a pedal input expand its use both in the studio and on the go. Features Yamaha Reface CS Compact mobile synthesizer with 37 HQ mini keys and high-quality playing feel Analog Physical Modeling Engine with five oscillator types: Pulse | Multi-Saw | Oscillator Sync | Ring Modulation | FM Individual texture and mod controls for each synthesis type for direct sound shaping Integrated effects processor with Chorus | Flanger | Phaser | Delay | Distortion 8-voice polyphony for chords and pads | Mono mode for bass or lead Phrase looper with up to 10 minutes recording time for overdubs and song ideas Stereo speaker system with bass reflex port for rich sound without external speakers USB-to-Host port for MIDI connection with computer or iOS devices AUX input for playing along with external audio sources Dual line outputs for connection to mixers or audio interfaces Pedal input for volume control with FC7 controller Battery operation with 6 x AA cells for up to 5 hours of playtime Technical Data Keyboard: 37 mini keys Keyboard type: mini synth keys Velocity sensitivity: Yes Polyphony: 8 voices Oscillator types: Pulse | Multi-Saw | Oscillator Sync | Ring Modulation | FM Effects: Chorus | Flanger | Phaser | Delay | Distortion Sampler: Phrase looper up to 10 minutes Audio inputs: 1 x 3.5 mm TRS (AUX-In) Audio outputs: 2 x 6.3 mm TS (Left | Right) Headphone output: 1 x 6.3 mm USB: USB Type B MIDI I/O: 1 x MIDI socket with breakout cable Pedal input: 1 x 6.3 mm (FC7 volume controller) Power supply: 12V DC adapter | 6 x AA batteries (approx. 5 hours runtime) Weight: 1.9 kg Dimensions (W x D x H) 530 x 175 x 60 mm Included Items Yamaha Reface CS synthesizer Power adapter MIDI breakout cable User manual

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novation mininova5b56e09aebeee

Average rating of 4.85 out of 5 stars

Novation MiniNova

A synthesiser does not need to take up much space to take on a clear role in an arrangement. Switching quickly between bass, pads, leads and processed vocals is easy when sounds are directly playable and parameters remain accessible while performing. This is exactly why the Novation MiniNova combines a compact 37-key keyboard with digital sound generation and distinct performance features. Sound generation with wavetables and filters The sound engine works with classic analogue synthesis waveforms and 36 wavetables. This creates both clear, familiar basic sounds and digitally shaped textures for leads, pads or animated basses. Up to 18 voices are available for chords and wide sounds. There are 14 filter types for sound shaping. The effects section adds compression, panning, EQ, reverb, delay, distortion, chorus and gator. This allows a patch to be significantly refined within the instrument itself before being routed to an external effects unit or a DAW. Direct adjustments during performance Four assignable tweak knobs work across six function rows and provide access to up to 24 key sound parameters. You can modify filters, envelopes, modulations or effect levels directly without having to navigate through menus. The display assists with patch selection and editing. The eight Animate buttons are designed for adjustments that you want to be audible while playing. Among other things, they control the arpeggiator and add extra movement to rhythmic sounds. Pitch and modulation wheels complement the keyboard for melodic parts and performed transitions. Vocoder, VocalTune and external signals A voice can become part of the synthesiser sound: the 12-band vocoder processes the included dynamic gooseneck microphone via the XLR input. VocalTune adds pitch correction to speech and vocal processing, while the vocoder blends the voice with the sound being played. Other line signals can also be routed through the sound processing via the 6.3 mm audio input. Two line outputs, a headphone output, as well as MIDI In and MIDI Out make the synthesiser compatible with keyboard rigs, audio interfaces and other MIDI equipment. USB connects it to your computer and transmits MIDI data. Saving patches and using them in your setup There are 256 presets in memory; up to 512 patches can be saved for your own edits and sound ideas. Selections can be narrowed down by type and genre and sorted by name or patch number. This is helpful when you need to find a suitable starting sound quickly in the rehearsal room or before a recording session. At 560 mm wide, the instrument fits on many small keyboard stands and can be used as an additional sound source in the studio. The sustain pedal connection supports a more classic style of playing, for example with pads or held chords. The power supply unit is included in the scope of delivery. When does the Novation MiniNova fit into your setup? The Novation MiniNova is suitable for you if you want to use a versatile synthesiser for electronic productions, band sounds or live parts in a limited space. The velocity-sensitive mini-keys, direct parameter control and savable patches provide a practical foundation for building and reusing your own sounds. The instrument is particularly harmonious in setups where synthesiser sounds and vocals come together. The vocoder, VocalTune, arpeggiator and effects section provide tools that can be operated directly on the device. The compact synthesiser also fits well into a computer-based studio or an extended hardware rig as a USB and MIDI keyboard. Features Novation MiniNova Compact digital synthesiser with 37 velocity-sensitive mini-keys Up to 18 voices of polyphony Classic analogue synthesis waveforms and 36 wavetables 14 filter types for different sound characters Four assignable tweak knobs in six function rows Eight Animate buttons for performance functions and arpeggiator control 12-band vocoder and VocalTune for speech and vocal processing Effects section with compression, panning, EQ, reverb, delay, distortion, chorus and gator 256 presets and memory for up to 512 patches USB plus MIDI In and MIDI Out for computers and hardware setups Technical specifications Sound generationDigital synthesiser with classic analogue synthesis waveforms and 36 wavetables PolyphonyUp to 18 voices Keyboard37 velocity-sensitive mini-keys Filter types14 Vocoder12-band Presets256 Patch memoryUp to 512 patches Audio inputsXLR microphone input | 6.3 mm jack input Audio outputs2 x 6.3 mm line output | 6.3 mm headphone output MIDIMIDI In | MIDI Out USBUSB type B Pedal connectionSustain Power supplyPower supply unit Weight2.52 kg Dimensions (W x D x H)560 x 250 x 75 mm Scope of delivery Novation MiniNova synthesiser Power supply unit Dynamic gooseneck microphone Xcite+ software bundle

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novation bass station ii top view

Average rating of 5 out of 5 stars

Novation Bass Station II

A bass synthesiser does not have to be limited to low notes. The crucial factor is how quickly you can shape a basic sound, change it via modulation and integrate it into a sequence. This is precisely why the Novation Bass Station II combines two analogue oscillators with direct access to filters, envelopes and performance features. Two oscillators, sub-oscillator and analogue sound shaping The sound generation works with two digitally controlled analogue oscillators and a separate sub-oscillator. Their waveforms, tuning and synchronisation can be adjusted directly on the device. The sub-oscillator gives bass lines more foundation, while the two main oscillators can be combined for leads, percussive sounds and denser sound textures. The signal path remains analogue for filters, envelopes and modulation. Two LFOs and two ADSR envelopes are available for movement in pitch, filter and volume. The ring modulator, filter overdrive and the distortion after the filter expand the spectrum with rawer, compressed timbres. Classic and Acid filters with their own character Two different circuits are available for the filter section. The classic filter covers low-pass, band-pass and high-pass; its slope can be switched. Alongside it, there is a separate acid low-pass filter, which is suitable for punchy resonance sweeps and strongly shaped bass or sequence sounds. The large cutoff knob is easily accessible for live interventions. Together with the filter modulation and the overdrive, you can create changes that can be controlled immediately while playing. This keeps the synthesiser clear even when a patch uses multiple modulation sources. 25 keys with aftertouch and paraphonic playing The keyboard has 25 full-sized, velocity-sensitive keys as well as assignable aftertouch. You can use this to influence pitch, filter frequency or LFO speed while playing without taking a hand off the keyboard. Pitch and modulation wheels complement the performance control. In paraphonic mode, two notes can be played with separate pitches for the two oscillators. Both voices continue to use the shared analogue signal path. This is suitable for two-part figures, sustained bass notes under a melody or compact chord approaches. Sequencer, arpeggiator and AFX mode The step sequencer saves four sequences with up to 32 notes each. Notes, ties, rests and rhythms can be recorded in real-time. The arpeggiator also works with 32 steps and offers its own patterns as well as a swing function for rhythmically less rigid sequences. The AFX mode extends patch management by allowing different sounds to be assigned to individual keys. This allows the keyboard to be split for drum sounds, changing timbres or unusual sequences. Patches can be backed up and transferred via Novation Components. Connections for computer, MIDI and external sound sources USB-B transfers MIDI and can provide power. For hardware, MIDI In and Out are available in 5-pin DIN format. Via the external audio input, a line, instrument or microphone signal can be integrated into the mixer and processed together with the synthesiser sound. The mono output, the separate headphone output and the sustain pedal connection cover the usual paths into the studio, onto the stage or to another MIDI setup. At 457 x 273 x 76 mm, the instrument remains compact enough for a fixed place on your desk or for transport to sessions. Which setups is the Novation Bass Station II suitable for? The Novation Bass Station II suits you if you are looking for an easy-to-use analogue synthesiser for bass lines, leads, rhythmic sequences and more experimental sound shaping. The combination of two filters, modulation sources and performance knobs allows you to continue developing sounds while playing without menu diving. It is also right at home in a setup with a DAW, drum machine or other MIDI equipment: USB and MIDI DIN offer both connectivity paths, while the sequencer and arpeggiator provide independent ideas. Those who want to save sounds, exchange them and work with the latest firmware features can manage patches via Components. Features Novation Bass Station II Paraphonic analogue synthesiser with two DCOs and separate sub-oscillator 25 full-sized velocity-sensitive keys with assignable aftertouch Two analogue filters: Classic filter with LP/BP/HP and separate Acid low-pass filter Two LFOs and two ADSR envelopes for sound modulation Ring modulator, filter overdrive and distortion after the filter Paraphonic mode for two simultaneously playable notes Step sequencer with four memory slots for sequences with up to 32 notes 32-step arpeggiator with patterns and swing function AFX mode for different patches per key 64 factory patches and 64 memory slots for your own patches USB-B, MIDI In/Out, mono out, headphone, audio input and sustain pedal connection Novation Components for backing up and transferring patches Technical data Sound generation2 digitally controlled analogue oscillators | 1 sub-oscillator Polyphonymonophonic | paraphonic mode with 2 notes Keyboard25 full-sized velocity-sensitive keys | assignable aftertouch FilterClassic filter with low-pass | band-pass | high-pass | Acid low-pass filter Modulation2 LFOs | 2 ADSR envelopes EffectsFilter overdrive | distortion Sequencer4 sequences with up to 32 notes Memory64 factory patches | 64 user patches ConnectionsUSB-B | MIDI In/Out | mono out | headphones | external audio input | sustain pedal | DC-In Power supplyUSB | 9 V DC | maximum power consumption 300 mA Weight2.48 kg Dimensions (W x D x H)457 x 273 x 76 mm Included in delivery Novation Bass Station II synthesiser USB-A to USB-B cable 9 V DC power supply

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sennheiser hd 400 pro 4

Average rating of 4.67 out of 5 stars

Sennheiser HD 400 Pro

Precise monitoring is one of the most important prerequisites for making sound decisions during recording, editing, and mixing. The Sennheiser HD 400 PRO is designed as an open, over-ear studio headphone for this purpose. Its neutral tuning, wide frequency range, and angled dynamic transducers ensure a spatial and detailed reproduction. At the same time, the 240-gram design remains comfortably lightweight, making it suitable even for longer working sessions. Open design for a natural sound image The open acoustic construction creates a wide and natural-sounding stereo image. Instruments, vocals, and effects can be spatially well-positioned without the playback appearing unnecessarily compressed. This facilitates the assessment of panning, depth, and individual details within a mix. The dynamic transducers are arranged at an angle, aligning more closely with the perception of a classic loudspeaker setup. Together with the frequency response from 6 Hz to 38 kHz, you get a balanced and transparent playback that is deliberately designed for analytical listening. For reliable decisions in the mix With an impedance of 120 ohms, the studio headphones are designed for use with appropriate studio hardware. The maximum sound pressure level is 110 dB at 1 kHz and 1 V RMS. A total harmonic distortion of less than 0.05 percent supports a clean assessment of the audio material. This makes the model suitable for mixing, tracking, editing, and critical listening. Lightweight design for long sessions During long periods of work, it is not just the sound that matters. Soft velour ear pads and a flexible headband distribute pressure comfortably around the ears. Weighing only 0.24 kg, the headphones remain comparatively light. The over-ear design completely encloses the ears, while the open construction counteracts excessive heat build-up. You are also flexible when it comes to cabling. The scope of delivery includes a 3-metre coiled cable and a 1.8-metre straight cable. Both versions cover different workspaces and ranges of movement. Via the 3.5 mm jack connection and the included 6.3 mm adapter, the headphones can be used with numerous audio interfaces, headphone amplifiers, and other studio equipment. When is the Sennheiser HD 400 PRO right for you? This model is aimed at you if you want to evaluate your recordings and mixes as neutrally as possible and are specifically looking for open studio headphones. They are particularly interesting for project studios and demanding audio work, but also for content creation, podcast production, and detailed music listening. Beginners get a direct entry into analytical monitoring, while experienced users can take advantage of the spatial reproduction and neutral tuning for targeted decisions in the mix. For recording, editing, mixing, and critical listening For project studios and content production For users who prefer an open and spatial reproduction For longer sessions with low weight and velour ear pads Features Sennheiser HD 400 PRO Open over-ear studio headphones for precise monitoring, mixing, tracking, and critical listening Open acoustic design creates a natural stereo image with good spatial representation Angled dynamic transducers orient the sound reproduction towards an optimal loudspeaker position Neutral and balanced sound signature supports a reliable assessment of recordings and mixes Wide frequency range from 6 Hz to 38 kHz for detailed audio reproduction Lightweight over-ear construction with soft velour ear pads and a flexible headband Replaceable ear pads and components support long-term use 1.8 m straight cable and 3 m coiled cable allow flexible adaptation to different workspaces 3.5 mm jack connection with included 6.3 mm adapter for connection to studio equipment Designed in Germany and assembled in Europe Technical data DesignOver-ear Acoustic principleOpen Transducer typeDynamic Frequency response6 Hz - 38 kHz (-10 dB) Impedance120 ohms Maximum sound pressure level110 dB (1 kHz / 1 V RMS) Total harmonic distortion< 0.05 % (1 kHz / 90 dB SPL) ConnectionWired Connector plug3.5 mm jack | 6.3 mm via included adapter Cable lengths3 m coiled cable | 1.8 m straight cable Ear padsVelour Relative operating humidity≤ 90 % Weight0.24 kg Dimensions (W x D x H)198 x 270 x 111 mm Scope of delivery Sennheiser HD 400 PRO studio headphones 3 m coiled cable with 3.5 mm jack plug 1.8 m straight cable Adapter from 3.5 mm to 6.3 mm jack

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korg electribe 2 blau

Average rating of 4.64 out of 5 stars

Korg Electribe 2

Build beats in seconds – exactly what the Korg Electribe 2 was developed for. The Music Production Station in striking metallic blue combines a powerful analog modeling synth with a PCM sound engine and a 16-step sequencer into a compact instrument for music production and live performance. 409 oscillator waveforms, 16 velocity-sensitive trigger pads, and an integrated XY touchpad give you everything you need to quickly turn your musical ideas into sound. Sounds without detours The sound engine of the Korg Groovebox brings together 55 analog modeling oscillators with an extensive PCM library. From simple waveforms such as Saw, Pulse, or Sine to complex variations like Ring Mod, Cross Mod, or VPM, you have a broad range at your disposal. All sound parameters can be adjusted directly via the controls on the surface – without having to dive into menus. The filters come from the KingKORG and simulate classic synthesizer filter types, allowing you to shape drums, basses, and synth sounds precisely. Sequencing with tempo 16 parts with 64 steps each (16 x 4) form the backbone of the sequencer. Patterns can be programmed via realtime recording using the pads or via step recording note by note. With the Pattern-Chain function from System Version 2, you can link up to 250 patterns in a row – ideal for complete song structures. There are also 25 groove templates, 35 scale types, and 50 gate arpeggiator variations that add rhythmic depth to your sequences. Effects with character Each of the 16 parts has its own insert effect with 38 types – from compression to overdrive to modulation effects. The master effect can be controlled via the touchpad, just like with the Kaoss Pad. Effects such as „Vinyl Break", „Odd Stepper", or „Seq Reverse" directly affect the sequencer playback and create creative breaks during performance. Up to 24 motion sequences per pattern record movements of the controls, making your sound changes reproducible. Work in sync Using the sync connection, you link the production station with other Korg Groove machines such as the Volca series, the SQ-1, or the Electribe sampler. MIDI in and out (via the included adapter cables) allow you to integrate it into your existing setup. Using the audio input, you can feed in external signals and process them with the internal filters and effects. You export patterns either as a WAV file or directly as an Ableton Live project file – each part ends up as its own clip in Live. Mobile and robust The zinc die-cast housing makes the blue Electribe tough and at the same time pleasantly compact. With just 1.6 kg and the option to run the device using six AA batteries, you can be productive even without a mains socket. Battery life is around five hours – enough for extended sessions on the go. Why the Korg Electribe 2 fits you Are you producing electronic music and looking for a hands-on instrument that works without a laptop? Do you need a compact groovebox for live performances that seamlessly fits into your existing equipment? Then you’ve come to the right place. The Korg Production Station is particularly suitable if you: Produce house, techno, EDM, or trap Prefer a hardware-based workflow Want to sketch patterns quickly and then continue working on them in Ableton Live Need a portable setup for performances or mobile production Already use other Korg devices like Volca or SQ-1 For beginners in hardware production, the groovebox offers a quick start thanks to 200 preset patterns and more than 200 downloadable bonus patterns. Advanced producers benefit from the deep sound design and extensive performance features. Features Korg Electribe 2 Synth-based Music Production Station with Analog Modeling and PCM sound engine 409 oscillator waveforms for drums, bass, synths and instruments 16 velocity-sensitive trigger pads with multiple modes (Trigger, Keyboard, Chord, Step Jump, Pattern Set) Integrated XY touchpad for controlling master effects, gate arpeggiator and touch scale 16 filter types (LPF, HPF, BPF) from the KingKORG for versatile sound shaping 38 insert effect types per part and 32 master effect types including Kaoss Pad effects 16-step sequencer (x4) with 16 parts, pattern chain and up to 250 linkable patterns Export as an Ableton Live project file or WAV (48 kHz, 16 bit) Sync connection for linking with Volca, SQ-1 and other Korg devices Battery operation possible (6x AA, approx. 5 hours runtime) Robust zinc die-cast housing in metallic blue Ableton Live Lite included as a free download Technical specifications Sound generation Analog Modeling + PCM sound engine Maximum polyphony 24 voices Oscillator types 409 (Kick, Snare, Clap, HiHat, Cymbal, Tom, Percussion, Voice, Synth FX, Synth Hit, Inst Hit, Synth, Instrument, Audio In) Filters 16 types (LPF | HPF | BPF) Modulation types 72 Scale types 35 Gate arpeggiator types 50 Groove types 25 Insert effects 38 types (per part) Master effects 32 types Sequencer 16 steps x 4, 16 parts Patterns 250 (200 presets | 50 initial) Motion sequences up to 24 per pattern Pattern Set up to 64 patterns Pattern Chain up to 250 patterns Trigger pads 16 (velocity-sensitive) Sampling frequency 48 kHz AD/DA conversion 24 bit Connections L/Mono | R output (6.3 mm jack) | headphones (3.5 mm stereo mini-jack) | audio input (3.5 mm stereo mini-jack) | MIDI In | MIDI Out | USB Micro-B | Sync In | Sync Out External storage SD card (512 MB – 2 GB) | SDHC card (up to 32 GB) Power supply Power adapter (DC 9V) or 6x AA batteries Battery life approx. 5 hours (with NiMH rechargeable batteries, Power Saving activated) Housing Zinc die-cast Weight 1.6 kg Dimensions (W x D x H) 339 x 189 x 45 mm Included in delivery Korg Electribe 2 Music Production Station (Metallic Blue) Power adapter (DC 9V) MIDI adapter cable (2 pieces) Ableton Live Lite (licence key)

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roland mc 707 front

Average rating of 4.63 out of 5 stars

Roland MC-707

A beat often starts with a few tracks, but as you arrange, you add variations, transitions, and your own sound ideas. The Roland MC-707 bundles this process into a groovebox with eight tracks, a clip sequencer, sampling, and an extensive synthesis engine. This allows you to create productions and live arrangements directly on the device. Eight tracks for clips and scenes Each track can work with sounds, drum kits, or audio loops. 128 clips are available in total, meaning up to 16 per track. You can prepare patterns and musical parts, switch them during play, and save their combination as a scene for a song section. The TR-REC step sequencer originates from Roland's classic drum machines. The 16 velocity-sensitive pads can be used to input drums, basslines, and chords. Note Repeat, Chord Designer, scale settings, and Step LFO help you develop ideas without an external computer. ZEN-Core sounds and sound processing The sound generation uses Roland's ZEN-Core system with virtual analog modeling, modeling, and PCM. More than 3,000 preset sounds and over 80 drum kits form the starting material for electronic productions, complemented by sounds from well-known Roland instruments and drum machines. Multi-effects and EQ are available for every track. Additionally, there are chorus or delay, reverb, as well as a master section with effects, a compressor, and EQ. Knobs and faders provide direct access to the mix and sound; movements of the controls can be recorded as automation and played back within the clip. Sampling and looper in the project Your own WAV files can be integrated as user samples into tones or drum kits via the SD card. The sample library provides twelve minutes in mono or six minutes in stereo at 44.1 kHz. This allows you to integrate your own drum sounds, vocals, or individual instrument sounds into the set. Looper tracks record material via the external input or from existing tracks and synchronize it with the project. Audio loops can also be loaded from an SD card. Time stretch and pitch shift allow you to adjust loops to tempo and pitch without having to re-program the flow of a pattern. Integration into studio and live setup The stereo mix output supplies monitors, a mixing desk, or PA. Via the assignable outputs, a track can be output separately, while send/return integrates external effects devices. The EXT IN jacks accept stereo sources, instruments, or a dynamic microphone. MIDI In and two MIDI outputs connect the groovebox with hardware synthesizers and other sound generators. USB transmits audio and MIDI to the computer. For further work in a DAW, the MC-707 can output all eight parts individually to separate tracks. Operation, projects, and storage The backlit graphics display, eight channel faders, and the two rows of pads make the current state of a project quickly accessible. The controls are suitable for recording, mixing, and spontaneous changes in the arrangement without you having to switch to software. A project combines tracks, clips, tones, and used samples. The MC-707 saves this data to SD or SDHC cards. An SD card is already inserted, allowing you to create and save a new project right away. Is the Roland MC-707 suitable for your workflow? This groovebox is aimed at producers and live performers who want to bring beats, melodic parts, and audio loops together in a compact instrument. It gives you a dedicated workspace for electronic tracks and simultaneously enough connections to integrate external synthesizers, effects devices, or a computer setup. The MC-707 is particularly cohesive if you arrange clips into scenes, use your own samples, and want to record sound changes immediately. The combination of eight tracks, ZEN-Core sounds, sampler, and individual output via USB creates a solid foundation for ideas in the studio and a ready-to-perform live set. Features Roland MC-707 Eight-track groovebox for production and live performance Clip-based sequencer with 128 clips and up to 16 clips per track ZEN-Core sound generation with more than 3,000 preset sounds and over 80 drum kits 16 velocity-sensitive performance pads for drums, melodies, chords, and clip launch TR-REC step sequencer with up to 128 steps User sample import in WAV format via SD card Looper tracks with recording via EXT IN or from existing tracks Time stretch and pitch shift for looper tracks Track effects, EQ, chorus/delay, reverb, as well as master effects, compressor, and EQ Stereo mix output, assignable outputs, and stereo send/return MIDI In, two MIDI outputs, as well as USB audio and USB MIDI Individual output of all eight parts into a DAW via USB Technical data Sound generationZEN-Core for Tone and Drum Kit Tracks8 Track typesTone | Drum Kit | Looper (Audio Loop) Clips128 | up to 16 per track Maximum polyphonyZEN-Core 128 voices | dependent on the sound engine load Preset soundsmore than 3,000 Preset drum kitsmore than 80 Sample formatWAV | 32 to 96 kHz | 16 or 24 bit | mono or stereo Sample capacity12 minutes mono | 6 minutes stereo at 44.1 kHz Looper sample capacityapprox. 60 seconds at 44.1 kHz StorageSD card | SDHC supported ConnectionsPHONES | MIX OUT L/MONO and R | ASSIGNABLE OUT L and R | SEND/RETURN L/MONO and R | EXT IN L/MONO/MIC and R | MIDI In | MIDI Out 1 and 2 | USB-B | DC IN Weight2.1 kg Dimensions (W x D x H)426 x 263 x 60 mm Included items Roland MC-707 groovebox AC adaptor SD card, pre-installed SD card protector, pre-installed Owner's manual Leaflet "USING THE UNIT SAFELY"

Sale price: From €915.00 Regular price: €1,174.00 (22.06% saved)
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Native Instruments Maschine MK3 front view

Average rating of 4.95 out of 5 stars

Native Instruments Maschine MK3

The Maschine MK3 combines precise hardware with a versatile production environment and is designed for everyone who wants to shape beats, edit samples and arrange complete songs. The integrated 24-bit/96 kHz audio interface makes the unit ready to record immediately, while two high-resolution color displays provide orientation and noticeably simplify workflows. Larger pads, touch-sensitive knobs and a well-thought-out control layout ensure that you can capture ideas without detours. Precise control thanks to modern user interface The two full-color displays give you a clear view of samples, parameters and arrangements. Here you edit material directly on the hardware – from exact sample slicing to adjusting individual notes. Additionally, the 4-directional push encoder offers fast navigation through sounds, kits and projects. This creates a direct workflow that works without constant mouse handling. Expanded performance possibilities The color-coded, velocity-sensitive pads respond sensitively to your playing and dynamics. For detailed adjustments, nine touch-sensitive rotary knobs are available, instantly taking over parameters and precisely reproducing sonic changes. A Smart Strip opens up additional forms of expression – for example pitch bends or effect control – adding a playful component to your performance. Seamless integration into software environments The combination of hardware and software makes the system a versatile production tool. Thanks to plugin hosting for VST and AU, you can integrate external instruments and effects directly. The tag-based browser provides fast access to extensive libraries, including Komplete Select. MIDI in/out expands your setup with external devices, while drag-and-drop export transfers MIDI and audio data effortlessly into your DAW. Flexible sampling and extensive workflow With wide sample compatibility – including formats from many MPC models – you can instantly use your existing libraries. The threshold detection simplifies recording processes and ensures cleanly captured material. Step sequencing, automation functions and real-time recording support you in building complex arrangements in a clearly structured way. Features Native Instruments Maschine MK3 Versatile production system with integrated 24-bit/96 kHz audio interface Two high-resolution color displays for editing, navigation, mixing and slicing Large pads and touch-sensitive knobs for dynamic finger drumming 4-way push encoder for fast browsing and level setting USB or power supply operation for flexible use Hybrid of sequencer, sampler and effects with direct hands-on control 16 pads, 47 buttons and 9 encoders for recording and automation Smart Strip for note control, pitch bends and creative effects Step sequencing, real-time recording, note repeat, slicing and auto-mapping VST and AU plugin hosting from other manufacturers Tag-based browser for fast access to sounds and effects Automation recording and step automation for precise sound design Compatible with many MPC programs Threshold-based sampling for external and internal sources Plug-in operation in AAX, VST, AU and RTAS MIDI in/out for external sequencing Drag-and-drop export of audio and MIDI Group macro controls for flexible parameter assignments MIDI-mapping software for use in other programs Technical Data Audio interface: 96 kHz / 24 bit Line outputs: 2 x 6.35 mm jack Line inputs: 2 x 6.35 mm jack Microphone input: 6.35 mm jack (dynamic) Headphone output: stereo 6.35 mm jack MIDI: 1 in | 1 out Footswitch: 1 connection USB: USB 2.0 Power supply: USB 2.0 or power adapter DAW compatibility: VST | AU plugin Multi-core support: full Supported formats: stand-alone | VST | AU | RTAS | ASIO | Core Audio | DirectSound | WASAPI Weight: 2.2 kg Dimensions: 320 x 301 x 41 mm Scope of Delivery Native Instruments Maschine MK3 USB cable Maschine software (download via Native Access) Komplete Select (download via Native Access)

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roland tr 6s 3

Average rating of 4.8 out of 5 stars

Roland TR-6S

A drum groove often starts with a single kick, a syncopated hi-hat, or a bass line that suddenly fits the idea perfectly. The Roland TR-6S puts these workflow steps into a format that fits on your desk, in your live rig, and on the go. Its six-track sequencer combines classic Roland rhythm sounds with samples, FM tones, and direct hands-on control. Six tracks for your own drum kits Each of the six tracks can take on a different sonic character. In addition to circuit models of the TR-808, TR-909, TR-606, TR-707, and CR-78, there are preset samples, your own user samples, and an editable FM sound engine available. This allows you to combine familiar TR sounds with digital percussion sounds or your own recorded material in a single kit. A chromatically playable TR-808 bass part is also part of the sound engine. This is practical when you want to create basslines and drums without an additional instrument and program the groove in one compact device. TR-REC and animated patterns The 16 step buttons follow the familiar TR-REC principle: place steps, select an instrument, and hear the pattern immediately. Additionally, the Rhythm Performer records drums in real time. Sub steps, flam, and step loop provide denser patterns without making the basic rhythm unnecessarily complicated. Probability functions introduce controlled variations into repeated patterns. Motion recording records parameter movements, for example for filter sweeps or pitch changes. This allows a loop to remain as a starting point while changing audibly over multiple passes. Effects and sound shaping on the device EQ and compressor are available for processing individual sounds. Reverb, delay, and modulation create space and movement; filters and LFOs influence the character of the sounds more drastically. The effects section helps you to further develop a pattern without needing an additional computer. Using the free TR-EDITOR, you can manage and edit kits and patterns on your computer. Especially for extensive sound collections, the graphical interface makes it easier to access deeper FM parameters. USB audio, MIDI, and mobile power supply As a USB audio/MIDI interface, the TR-6S integrates into your DAW setup and transmits MIDI simultaneously. The MIDI In and MIDI Out jacks also enable synchronization with external synthesizers, sequencers, or other drum machines. Power is supplied via USB or four AA batteries. This makes the compact unit suitable for sessions away from your fixed workstation, but equally useful as a supplementary drum machine in a small studio or live setup. Does the Roland TR-6S fit your hardware setup? The Roland TR-6S is suitable for producers who want to program classic drum machine sounds and combine them with samples or FM sounds. The combination of step sequencer, real-time recording, and MIDI synchronization is also interesting for live acts because grooves can be adjusted quickly. For electronic productions with TR-inspired drums and your own sound sources For mobile beat sketching via USB or battery power For compact hardware setups with DAW, synthesizers, and external MIDI clock signal Features Roland TR-6S Compact six-track Rhythm Performer with step sequencer ACB circuit models of TR-808, TR-909, TR-606, TR-707, CR-78, and other Roland drum machines Preset samples and support for user samples Editable FM sound engine and chromatic TR-808 bass part TR-REC programming and real-time recording Sub steps, flam, step loop, motion recording, and probability functions Effects with EQ, compressor, reverb, delay, modulation, filter, and LFO USB audio/MIDI interface plus MIDI In and MIDI Out TR-EDITOR for editing and managing kits and patterns Power supply via USB or four AA batteries Technical data Sound engineACB circuit models | FM synthesis | Samples Instrument parts6 User kits128 User patterns128 Sample memoryapprox. 600 seconds Maximum sample length180 seconds MIDI1 x MIDI In | 1 x MIDI Out Power supplyUSB | 4 x AA battery Weight0.705 kg Dimensions (W x D x H)224 x 132 x 60 mm Scope of delivery Roland TR-6S Rhythm Performer 4 x AA batteries Safety instructions

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roland tr 8s top view

Average rating of 5 out of 5 stars

Roland TR-8S

A drum pattern rarely stays exciting for over four minutes if it reacts in exactly the same way every time it loops. Subtle shifts, fills and changes in sound give the groove character. The Roland TR-8S combines the familiar TR "running light" programming with a versatile sound engine for electronic productions and live sets. TR and CR sounds, FM drums and custom samples Each kit features ACB emulations of classic Roland drum machines, FM sounds and preset samples. These include sounds from the TR-808, TR-909, TR-606, TR-707, TR-727 and CR-78. This allows you to build a pattern with well-known drum characters and then expand it with targeted, different sound colours. You can import your own WAV and AIFF files via SD card and assign them to the instrument parts. Around 600 seconds of sample time at 44.1 kHz mono provide space for self-recorded percussion, vocal snippets or unusual textures. The pitch, decay, start point, speed and direction of the samples can all be edited. 16 steps with variations and motion The sequencer manages 11 instrument parts as well as a separate part for Trigger Out. The 16 TR-REC buttons set steps directly in the running light, while the velocity-sensitive pad is suitable for live-played rhythms. Accents, flams and sub-steps help to turn rigid grids into more lively sequences. Each of the 128 patterns contains eight variations and two fill-in patterns. Probability values per step as well as motion recording introduce changes into recurring sequences. Parameters can thus be saved with pinpoint accuracy within the pattern, for example for filter movements, pitch jumps or effect changes. Effects and connections for a larger setup Instrument effects, reverb, delay and master effects shape individual sounds and the overall drum picture directly on the device. A CTRL knob can be assigned to suitable sound parameters for each channel. The external stereo input takes on further signal sources; the sidechain function processes it in interaction with the rhythm. Via six assignable outputs, you can send instruments or groups separately to a mixer, effect units or an audio interface. In addition, there is a Mix Out, a headphone output, MIDI In/Out and a separate Trigger Out. USB transmits audio and MIDI to a computer and allows multi-channel recording in your DAW. Does the Roland TR-8S fit your workflow? The Roland TR-8S is suitable for producers and live acts who want to develop beats directly on the device and not limit their sound to a fixed drum collection. The combination of step sequencer, sample import and sound editing is suitable for techno, house, electro, hip-hop and more experimental rhythmic arrangements. The groovebox also fits well into a hardware setup: MIDI and Trigger Out integrate external instruments, while the assignable outputs create separate paths to the mixing console or external effects. If you want to vary patterns, layer sounds and capture rhythmic ideas without a mouse, you get an extensive interface for doing so. Features Roland TR-8S Rhythm performer with ACB drums, FM sounds, preset samples and sample import 128 user drum kits and 128 user patterns 16-step sequencer with 11 instrument parts and separate trigger out part Eight variations and two fill-in patterns per pattern WAV and AIFF sample import via SD card Probability, motion recording, accent, flam and sub-steps for pattern creation Instrument effects, reverb, delay and master effects Six assignable outputs for separate routing of sounds or groups Stereo ext-in with sidechain function USB audio/MIDI as well as MIDI In/Out and separate trigger out Technical specifications TypeDrum machine with step sequencer and sample import User drum kits128 User patterns128 Sequencer16 steps | 11 instrument parts | 1 trigger out part Pattern variations8 per pattern Fill-in patterns2 per pattern SoundsACB drums | 72 FM tones | at least 300 preset samples | user samples Sample formatsWAV | AIFF Sample memoryaround 600 seconds at 44.1 kHz mono External storageSD card | SDHC support Audio outputsMIX OUT L/MONO and R | 6 x ASSIGNABLE OUT/TRIGGER OUT Audio inputsEXT IN L/MONO and R Additional connectionsHeadphones | MIDI In/Out | Trigger Out | USB-B | DC IN USBAudio | MIDI Power supplyPower adaptor Weight2.1 kg Dimensions (W x D x H)409 x 263 x 58 mm Included in the box Roland TR-8S Rhythm Performer Power adaptor Owner's manual "USING THE UNIT SAFELY" leaflet

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roland aira compact t 8 top

Average rating of 5 out of 5 stars

Roland Aira Compact T-8

A beat can be created on the go when the foundation is established quickly and the idea doesn't have to pass through a large setup. The Roland Aira Compact T-8 combines six drum tracks with a bass track in the format of a small groovebox, designed for patterns, direct interaction, and interplay with other hardware. TR drums and a bass track based on the TB-303 For the rhythm section, you have a bass drum, snare, clap, tom, as well as open and closed hi-hats at your disposal. Their sonic foundation draws from the TR-606, TR-808, and TR-909; the ACB technology replicates the sonic characteristics and behaviour of classic Roland instruments. The bass track works with sawtooth and square waves and follows the operating concept of the TB-303 Bass Line. Notes, accents, and slides can be programmed step-by-step or played in real-time using the lower buttons. Build patterns quickly and change them during play The TR-REC sequencer stores 64 user patterns with up to 32 steps per pattern. Real-time recording, velocity, sub step, and last step give you more control over the timing and dynamics of individual steps. For transitions and variations, you have step loop, mute, fill, reload, and pattern shift available. With probability, you can keep recurring grooves variable without having to create a separate pattern for every deviation. Effects and connections for a small hardware setup Delay and reverb add more space to rhythms and bass, while overdrive and sidechain shape the sound precisely. The controls are located directly on the surface, allowing for adjustments without having to navigate through menus. Using sync in/out, MIDI in/out, and mix in/out, you can integrate the groovebox into an existing setup. USB-C transfers audio and MIDI and works as a class-compliant interface without the need for additional drivers with computers and compatible music apps. Powered on the go with a rechargeable battery or via USB The unit measures 188 x 106 x 36.2 mm and weighs 310 g including the battery. The integrated lithium-ion battery allows for up to 4.5 hours of operation; the T-8 can also be powered via USB-C and charged in about three hours. The rubber pads and compact format are perfect for sessions on a desk, in a backpack, or alongside other AIRA Compact instruments. Additionally, an external keyboard can control the bass track via MIDI. When does the Roland Aira Compact T-8 make a useful addition to your setup? The Roland Aira Compact T-8 is suitable for beatmakers, producers, and live performers who want to incorporate TR-inspired drums and a sequenceable bass line into their ideas without extensive cabling. It is particularly well-suited for spontaneous pattern sketches, acid-oriented bass figures, and small hardware setups with sync, MIDI, or USB-C. If you want to develop sequences directly using buttons and knobs, you get a clear interface for rhythm, bass, and performance functions. In combination with other AIRA Compact devices, a computer, or external MIDI instruments, the small groovebox remains a flexible building block for electronic music. Features Roland Aira Compact T-8 Compact rhythm and bass machine for electronic music and hardware setups Six drum tracks with sound foundation from the TR-606, TR-808, and TR-909 Bass track with sawtooth and square waves based on the operating concept of the TB-303 Bass Line ACB technology for modelling classic Roland instruments 64 user patterns with up to 32 steps per pattern Real-time recording as well as probability, sub step, last step, and velocity Step loop, mute, fill, reload, and pattern shift for performances and variations Delay, reverb, overdrive, and sidechain for sound processing Sync, audio, and MIDI connections in mini-jack format Class-compliant USB-C audio/MIDI interface without drivers Technical data Rhythm tracks6 | Bass drum | Snare drum | Hand clap | Tom | Closed hi-hat | Open hi-hat Bass track1 | Sawtooth and square waves User patterns64 Step sequencerup to 32 steps EffectsDelay | Reverb | Overdrive | Sidechain DisplayLED | 7 segments | 4 characters Sync connectionsIn | Out | Mini-jack Audio connectionsMix In | Mix Out | Phones | Stereo mini-jack MIDI connectionsIn | Out | Stereo mini-jack USBUSB-C | Audio | MIDI Battery lifeup to 4.5 hours Charging timeapprox. 3 hours Power supplyintegrated lithium-ion battery | USB Weight0.31 kg Dimensions (W x D x H)188 x 106 x 36.2 mm Included in delivery Roland Aira Compact T-8 Beat Machine USB-C to USB-A cable "Read Me First" leaflet

Sale price: €182.00 Regular price: €250.00 (27.2% saved)
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Korg KAOSS Replay Top View
Korg KAOSS Replay

A good loop can carry a transition, a vocal snippet can suddenly open up a track, and an effect can turn two bars into a brand-new moment. The Korg KAOSS Replay bundles these interventions into a compact sampler and effects unit that allows you to play, record, and integrate directly into a set without needing a computer. Grab samples instead of searching The 16 velocity-sensitive pads are at the heart of the operation. There are 128 sample slots across eight banks available per project, ensuring that one-shots, loops, and longer audio files remain separately prepared. Up to 16 pads can be played simultaneously, while the illumination makes navigation easier during an ongoing set. Samples are created via the switchable line/phono input, the AUX input, the microphone input, or through resampling. With twelve hot cues per pad, you can jump precisely to specific points within your material. With version 2, cutting, normalizing, reversing, and pitch editing are also part of the device's workflow. KAOSS effects with direct access The touch-sensitive XY pad turns effects not into a menu item, but into a performance gesture. Filter sweeps, delays, rhythmic modulations, and vocoder programs are controlled by the position of your finger; the current version 2 software provides more than 200 KAOSS programs for this purpose. Twelve favorite slots shorten the path to frequently used settings. For vocals, there are separate tone, delay, and reverb effects available at the microphone input. This allows announcements, vocals, or voice recordings to be integrated directly into a performance. Transitions, loops and external sources Two group faders allow you to divide pads into groups and crossfade between them. BPM detection, sync, and quantization help to rhythmically align samples and loops with existing material. This is particularly practical when recordings are intended to run for several bars rather than just at specific points. Via USB, the device acts as a 2-in/2-out audio interface with 48 kHz and 16-bit. Additionally, MIDI In and Out are available. This allows the sampler to be integrated into a DJ setup, a hardware rig, or a computer recording environment without losing its direct tactile character. Storage and connections for the mobile setup Up to 100 projects can be saved per microSD card; microSD and microSDHC cards up to 32 GB are supported. Resampling is possible for up to 30 minutes, and live recording for up to 100 minutes. The aluminum housing measures only 284 x 185 x 56 mm and remains highly portable at 2.0 kg. In addition to the line/phono input, there is a 6.3 mm microphone input, a 3.5 mm AUX input, RCA line out, and a headphone output. A footswitch input can supplement the operation when both hands are occupied with instruments, a mixer, or a controller. The Korg KAOSS Replay in a performing setup The Korg KAOSS Replay suits DJs, live acts, producers, and streamers who want to trigger and shape samples and effects themselves. Its strengths shine when prepared pads meet spontaneous recordings and one compact device handles multiple tasks in the setup. For DJ sets with samples, hot cues, and effect sweeps For live performances with loops, resampling, and external sound sources For producers who want to capture and edit ideas without a computer Features Korg KAOSS Replay Standalone dynamic effect unit and sampler for live performance, DJ set, and production 16 velocity-sensitive, illuminated pads with up to 16 simultaneous playbacks 128 sample slots across eight banks per project Sampling via line/phono, AUX, microphone, and resampling More than 200 KAOSS programs with version 2 software XY touchpad for direct control of effects Twelve hot cues per pad as well as sample trim, normalize, reverse, and pitch shift Two group faders with group assignment for transitions between pads BPM detection, sync, and quantization for rhythmically matching loops USB audio interface with 2 inputs and 2 outputs MIDI In and Out as well as connection for a footswitch Storage of up to 100 projects on microSD card Technical specifications Display5-inch LCD touchscreen Sample pads16 velocity-sensitive pads Sample slots128 per project | 8 banks Simultaneous playbacks16 External storagemicroSD | microSDHC up to 32 GB Project capacityup to 100 projects per microSD card Recording functionsSampling | Resampling up to 30 minutes | Live recording up to 100 minutes Audio interface2 In | 2 Out | 48 kHz | 16-bit ConnectionsLine/Phono In (RCA, switchable) | Mic In (6.3 mm jack) | AUX In (3.5 mm jack) | Line Out (RCA) | Headphones (6.3 mm jack) | Footswitch (6.3 mm jack) | MIDI In/Out (5-pin DIN) | USB-MIDI Weight2.0 kg Dimensions (W x D x H)284 x 185 x 56 mm Included in delivery Korg KAOSS Replay sampler USB-C power adapter USB cable type A to micro-B, 1 m microSDHC card, 8 GB Quick Start Guide

Sale price: €712.00 Regular price: €1,099.00 (35.21% saved)
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