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Boss SL-2 Slicer

€139.00 Prices incl. VAT

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Product description Boss SL-2 Slicer

The SL-2 offers the power of BOSS' original SL-20 pedal in a much more pedalboard-friendly format, allowing you to chop and slice the signal into complex rhythms and percussive grooves.

There are 11 different rhythms to choose from, and the tempo can be set either with the knob or by activating the tap tempo function. In addition, the Type knob offers five different slice variations - Single, Dual, Tremolo, Harmonic, and SFX - that set it apart from conventional tremolo sounds!

The SL-2 is packed with high-end features like MIDI input, expression/control input, stereo I/O and a dedicated BOSS app for even more patterns.

Features Boss SL-2

  • Chops and slices the signal in 11 percussive groove variations
  • Balance and Attack knobs for adjusting mix level and effect strength
  • Duty knob for adjusting the length of the slice pattern
  • Tempo can be adjusted either with the knob or via the built-in tap tempo function
  • Type knob switches between the slicer types Single, Dual, Tremolo, Harmonic and SFX
  • MIDI input offers even more control options
  • USB connection for even more slice patterns via the dedicated BOSS Tone Studio for SL-2 app
  • External footswitch jack for remote control of tap tempo and other temporary functions
  • Stereo I/O for dynamic ping-pong slicer sounds

Technical Specifications

  • Sample rate: 48 kHz
  • AD conversion: 24 bit + AF method
  • DA conversion: 32 bit
  • Power supply: 9V battery or AC adapter (not included)
  • Runtime with batteries: approx. 2.5 hours
  • Weight: 0.45 kg
  • Dimensions: 73 (W) x 129 (D) x 59 (H) mm

Scope of delivery

  • Boss SL-2 slicer
  • 9V battery
  • Instruction manual
  • Warranty & Safety Instructions
Responsible company
Roland Europe Group Limited Germany
Eisenstr. 2-4
65428 Rüsselsheim
Germany
RGM.Info@roland.com
+49 (0) 173 - 1908671

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Important questions about the article Boss SL-2 Slicer

Question: What does the BOSS SL-2 Slicer do?

Answer: It chops an audio signal into rhythmic, percussive patterns and processes them with additional internal effects depending on the type. This creates moving groove and stutter effects rather than a classic tremolo sound.

Question: How many patterns are available without additional software?

Answer: The pedal stores 88 patterns: eight types with eleven variations each. The types range from Single and Dual to Tremolo, Harmonic, and SFX.

Question: Do I need a computer or the BOSS Tone Studio app for operation?

Answer: No. Patterns and tempo can be set directly on the pedal; BOSS Tone Studio for macOS and Windows connects via USB for additional patterns and organising memory locations.

Question: Can I use the SL-2 in a mono or stereo setup?

Answer: Yes, its inputs and outputs support mono and stereo. In stereo operation, seven output modes are available, including Ping-Pong, EFX/Direct, and 3D variants.

Question: Can the SL-2 be synchronised with a drum machine or DAW?

Answer: Yes, it can receive MIDI Clock via its TRS MIDI input and follow an external tempo. Bypass, tempo, and expression functions can also be controlled via MIDI CC.

Question: Can I connect external footswitches or an expression pedal?

Answer: Yes. Up to two footswitches can be connected for functions such as tap tempo or momentary activation; alternatively, an expression pedal can control parameters or level.

Question: Is a power supply included?

Answer: No. A 9 V battery is included, while a suitable power supply must be used separately if required.

Question: What distinguishes the SL-2 from the older BOSS SL-20?

Answer: The SL-2 continues the SL-20 Slicer concept in a much more compact pedal format and expands it with more pattern and control options. It is therefore better suited to space-saving pedalboards.

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BOSS IR-200

The BOSS IR-200 is a pedal-style amp simulator with premium guitar and bass amp models covering the full range of genres. This flexible stompbox also includes an impulse response loader with a large buffer of built-in, high-resolution IRs and space for 128 Users IRs. It is possible to run up to two IRs simultaneously in mono or stereo, while a range of onboard EQs allow detailed sound shaping. In addition, the unit features studio-quality room, studio, and reverb ambience effects that can warp any sound from subtle to abspaced. The IR-200 features a state-of-the-art DSP with 32-bit AD/DA, 32-bit floating point processing, and a 96kHz sampling rate with crystal clear sound characteristics. A built-in USB audio interface and extensive footswitch control support round out the IR-200's features. For live performance, studio recording and practice purposes, the BOSS IR-200 takes the concept of direct sound to a new level. Features BOSS IR-200 Full-featured amp simulator and impulse response loader in an extremely compact package 32-bit floating-point AD/DA conversion with 96kHz sampling rate Roland Adaptive Focus method, which significantly improves the signal-to-noise ratio of the AD/DA Two custom DSPs provide first-class IR reproduction 8 realistic guitar amp simulations and 8 bass amp simulations Easy-to-use gain, level, bass, middle and treble controls on top of the unit for adjusting amp models Factory equipped with 144 BOSS IRs and 10 Celestion Digital IRs 128 user IR memory locations for mono/stereo WAV files up to 32-bit/96 kHz and 200-500 ms in length Allows simultaneous operation of up to two IRs, either mono or stereo 2 EQs in each memory location, plus 2 global EQs, all with selectable parametric or graphic function Studio-quality room, studio, and reverb ambience effects Effects loop with mono send and mono/stereo return and selectable pre-cab or post-EQ positioning USB audio interface for recording and playback with Mac, PC or iOS Support for external control via footswitch, an expression pedal, or TRS MIDI Technical specifications Sampling frequency: 96 kHz AD conversion: 32 bit + AF method DA conversion: 32 bit Processing: 32-bit floating point Memory: 128 locations IR data format: mono/stereo, maximum 500 ms, 44.1/48/96 kHz, 16 bit linear/24 bit linear/32 bit floating point Preset IR: 154 User IR: 128 Display: LCD (132 x 32 dots, backlit LCD) Power supply: AC adapter Weight: 0.66 kg Dimensions (W x D x H): 101 x 138 x 63 mm Scope of delivery BOSS IR-200 AC adapter 4x rubber feet Instruction manual Leaflets and hints

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Boss DM-101

The BOSS DM-101 Delay Machine is your remedy for intense cravings for analog delay. This digitally controlled, BBD-powered guitar effects pedal offers you 12 inspiring modes, ranging from gritty, vintage-like slaps to crystal-clear, modern-sounding repeats. The DM-101's modulation section includes controls for rate and depth, as well as a variation knob for added versatility. Additionally, you get stereo operation with flexible routing options, selectable carryover to prevent cut-off delay trails, and tap tempo with note subdivisions. The DM-101 Delay Machine is the ultimate solution when it comes to combining vintage sound and modern flexibility. While the pedal utilizes modern CPU control, its sound remains 100% analog - every audio signal passing through the DM-101 remains untouched by digital processing. Inside this stompbox, you'll find eight 2,048-stage bucket brigade devices that deliver a warm, saturated, and highly musical tone. However, thanks to the digital control, you retain a level of control not achievable with typical BBD analog delays. The Delay Machine features 12 modes that cover the full range of analog delay effects, from gritty vintage echoes to modern analog delays with extended high-frequency clarity. These modes are not the result of digital modeling; they are thoroughly analog. The DM-101 achieves this versatility through various circuit elements, such as the number of active BBD chips, the order of the BBD chips, low-pass filter settings, and clock frequencies. For enthusiasts of the warm, saturated sound of analog delay seeking precise digital control, the DM-101 Delay Machine offers the perfect blend. With its flexibility, it can easily hold its own against any modern digital offering. Whether you prefer traditional warm analog tones or find inspiration in crystal-clear sounds with pronounced high-end, the DM-101 has exactly what you need. Get ready for a warm, analog delay sound character and discover the versatility of the Boss DM-101 Delay Machine. Features of the Boss DM-101: BBD-based analog delay with modern CPU control 8 bucket brigade devices provide a warm, saturated, and musical tone Digital control allows for a level of control not achievable with typical BBD analog delays 12 inspiring modes ranging from gritty vintage-style slaps to crystal-clear, modern-sounding repeats Modulation section with controls for rate and depth, as well as a variation knob for added versatility Stereo operation with flexible pan and routing options Selectable carryover to prevent cut-off delay trails Tap tempo with note subdivisions 4 built-in memory slots; 127 memory slots accessible via MIDI Expandable control via external footswitches, expression pedals, and MIDI Configurable audio outputs for mixed operation, wet/dry rigs, and wet-only parallel setups The BOSS DM-101 Delay Machine features 12 modes: Classic: Traditional warm analog sound with up to 1,200 ms of delay time Vintage: Retro analog sound inspired by the legendary BOSS DM -2 Delay Pedal from 1981 Modern: Crystal-clear analog sound with distinctive high-end and up to 840 ms of delay time Multi-Head: Emulates a multi-head tape delay but with an analog BBD character Nonlinear: Generates consecutive short delays ranging from 35-190 ms that increase in volume Ambience: Simulates a small room with the variation knob adjusting the room size and early reflections Reflect: Creates a stereo reverb effect with the variation knob adjusting the amount of predelay Doubling + Delay: A stereo effect that combines a doubled sound with a longer delay Wide: A stereo delay with offset delay times for left/right, providing an expansive sound Dual Mod: A stereo delay with different modulation phase settings for the left and right outputs Pan: A sampled stereo delay with different delay times spread across the sound field Pattern: A stereo delay with various rhythmic patterns Technical Specifications: Memory: 127 + Manual Bypass: Buffered bypass Controls: ON/OFF switch, MEMORY switch, TAP switch MOD RATE knob, MOD DEPTH knob, VARIATION knob, MODE knob, DELAY TIME knob, INTENSITY knob, DELAY VOLUME knob MEMORY button, TAP DIVISION button Connectors: INPUT jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type MIDI (IN, OUT) jacks: Stereo miniature phone type DC IN jack USB port: USB Micro-B type (for updates only) Power Supply: AC adapter Current Draw: 260 mA Weight: 830 g Dimensions: 192 (W) x 133 (D) x 52 (H) mm 192 (W) x 133 (D) x 53 (H) mm (including rubber feet) Included in the Box: Boss DM-101 AC adapter 4x rubber feet User manual Warranty & safety instructions

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Boss RE-202

The Roland RE-201 Space Echo is considered one of the most innovative and inspiring delay effect units in music history. Nearly 50 years later, the distinctive echoes and unique character of the RE-201 are brought back to life in the BOSS RE-202 Space Echo Digital Delay Pedal in the form of a compact, portable package. But the RE-202 is no mere clone: all 11 original echo combinations are available, with a fourth tape head providing an additional twelfth combination. The classic Bass, Treble and Repeat Rate controls are familiar to experienced users, but are also easily accessible to novices for that special Space Echo charm. The additional Saturation and Wow and Flutter controls add even more timbre and modulation. Four built-in presets for instant recall of favorite sounds. Up to 127 presets can be recalled via midi. Modern guitarists, keyboardists and studio owners looking for added flexibility and functionality to their digital delays will love the RE-202. Features Boss RE-202 The timeless sound and feel of Roland's RE-201 in a modern pedal Offers the popular multi-head echoes with extended delay time Includes all 11 original echo combinations with an additional 12th through a fourth tape head Separate stereo reverb section with original spring reverb plus reverb, plate, room and ambience Saturation controls for adjusting compression and preamp coloration Wow and Flutter control adds different levels of tape modulation Tape button switches between "new" and "vintage" tape sounds for even more sonic variety Input button switches between Guitar and Level modes to suit any setup Wet/Dry mode 4 integrated presets, expandable to 127 via MIDI Tap tempo and carryover function Physical stereo inputs and outputs Expandable control via external footswitches, expression pedal or MIDI Technical specifications Sample rate: 48 kHz AD conversion: 24 bit + AF method DA conversion: 32 bit Signal processing: 32 bit Memory: 127 presets Power supply: AC adapter (included) Weight: 860 grams Dimensions (W x D x H): 192 x 133 x 52 mm Scope of delivery Boss RE-202 AC adapter Rubber feet Manual Warranty & Safety Instructions

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Boss GT-1000

With its unmatched sound quality and musical expressiveness, the GT-1000 heralds a new era in amplifier/effects processor performance. This world-class sound machine introduces groundbreaking new AIRD (Augmented Impulse Response Dynamics) technology, based on decades of BOSS research and fueled by an ultra-fast DSP engine, 32-bit AD/DA, 32-bit floating-point processing and a 96 kHz sampling rate throughout. Based on BOSS' proven Tube Logic approach, the GT-1000's comprehensive AIRD system brings unparalleled musical response and flexibility to a digital guitar processor. AIRD amplifiers live and breathe like real tube amps, delivering an inspiring feel and authentic sonic dynamics previously unattainable. With AIRD's sophisticated Output Select functionality, you can achieve this amazing sound with any setup, from standard guitar amps to direct recording and full-range stage monitoring applications. Convenient Bluetooth® functionality also lets you wirelessly customize your sounds, make control assignments, and manage patches via the BOSS Tone Studio app. With its virtually unlimited power and sleek design, the GT-1000 is an absolute gamechanger, offering guitarists and bassists new creative expression options. Features Boss GT-1000 Flagship guitar amp/effects processor with uncompromising sound quality and unmatched expressiveness Industry-leading 32-bit AD/DA, 32-bit floating-point processing and 96 kHz sampling rate throughout Next-generation BOSS DSP engine designed specifically for music applications AIRD (Augmented Impulse Response Dynamics) technology provides a natural playing feel and optimal integration with all types of external devices Expressive amplifiers carefully engineered with AIRD Extensive selection of onboard effects, including BOSS MDP effects and algorithms taken directly from the DD-500, MD-500 and RV-500 pedals Amps and effects can be routed in numerous series and parallel combinations Ultra-fast patch switching and delay/reverb transfers Innovative stompbox function greatly simplifies the use of common effect settings in many different patches Easy operation with large display and six freely assignable switch buttons Technical specifications Sampling frequency: 96 kHz AD conversion: 32 bit Effects: 145 types Patches: 250 (User) + 250 (Preset) Phrase loop: 38 sec (mono) | 19 sec (stereo) Display: LCD, backlit, 512 x 160 px Power supply: AC adapter | 1.2 A Dimensions (W x D x H): 462 x 248 x 70 mm Weight: 3.6 kg Scope of delivery Boss GT-1000 AC adapter (PSB-1U + power cord set) User manual Safety instructions

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Boss AD-10

At the heart of the AD-10 is BOSS' groundbreaking Acoustic Resonance Processing. With this technology, the AD-10 enables the representation of the complex body and string resonances that are lost in many other pickup systems. The result is an expressive, organic vibe that is at the heart of acoustic playing. BOSS' proprietary Acoustic Resonance Processing analyzes the signal from the saddle-based piezo pickup and restores the missing body and string resonances, resulting in a full and expressive reproduction of the instrument's overall sound. One of the biggest problems with acoustic amplifiers has always been feedback. The AD-10 offers a feedback reduction function that gently suppresses the offending feedback frequency while preserving the overall sound. Two separate notch filters can be manually adjusted or set to auto-sampling to instantly suppress background feedback. The AD-10 has two input channels that allow you to set sounds for two different stage guitars, mix two pickup sources from one instrument, or even use two instruments simultaneously. Boost, delay, tuner/mute, and loop switches are prominently located on the front of the AD-10, giving you quick access to some of the most important features of this processor. On the back of the AD-10 are XLR stereo jacks that provide a DI connection to the stage, and 6.35mm stereo jacks that you can connect your stage amp or headphones to for monitoring. There's also an effects loop for external effects and a jack for connecting up to two footswitches or an expression pedal to control looper functions, volume, tap tempo, anti-feedback scan and more. Plus, the AD-10 acts as a 2-in, 2-out USB audio interface, so you can record tracks into a DAW and play computer music through the AD-10's audio outputs. An EQ section with four bands and a wide variable low-cut filter is available for each channel. Unlike standard EQs found in some other preamps, adjusting the AD-10's EQ bands activates multiple interlocking parameters under the hood, allowing for precise sound shaping with subtle tweaks. It is also possible to disable EQ if desired and adjust the phase of each channel independently. Features Boss AD-10 Professional preamp/DI for performing and recording with electric acoustic guitars Acoustic Resonance technology restores the warm, rich resonances lost with most pickup systems 4-band EQ with variable high-pass filter, tuned for optimal sound shaping of acoustic guitars Multiband compressor with MDP technology for transparent dynamic control Newly developed anti-feedback functions to suppress feedback without losing tonal balance Two channels with independent EQ for connecting two instruments or mixing multiple pickup sources Integrated ambience, delay and chorus effects with different sound characters and adjustable parameters Boost function with adjustable tone control Memory function for saving up to ten sound setups Integrated looper with 80 seconds recording time XLR and 6.3 mm phone jacks for connection to PA systems, stage monitors, amplifiers and external effects devices USB audio interface for recording and playback via a computer Fast and accurate built-in tuner Compact and portable design; powered by AC adapter or six AA batteries Technical Specifications Modes: Manual or Memory Memory locations: 10 Phrase loop: 80 seconds Effects: Acoustic Resonance (3 types) Compressor (2 types) 4 Band EQ, Low Cut Boost Chorus (3 types) Delay (3 types) Reverb (3 types) Anti-feedback (Recuction, 2x Notch) Loudspeaker: 4 inch | 7 W Display: LED | 7x2 lines Power supply: AC adapter (included) or 6x AA batteries Max. Operating time with battery power: approx. 6 hours Weight: 1.3 kg Dimensions (W x D x H): 217 x 161 x 65 mm Scope of delivery Boss AD-10 AC adapter Instruction manual Warranty and safety instructions

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BOSS SY-200

With the BOSS SY-200 guitar synthesizer pedal, you can simply leave your bulky synthesizers at home! This compact pedal is equipped with 171 sounds spread across 12 styles. With just the push of a button, you get instant access to leads, pads, strings, basses, special effects, and more. Once you've found the right sound for your next creation, you can fine-tune the tone to perfection using the three knobs below the LCD screen. BOSS has equipped the SY-200 with enough memory to store 128 different sounds for instant recall. The MEMORY/CTL 1 footswitch lets you flip through presets and sounds quickly and easily. The SY-200 offers a full range of inputs and outputs to integrate this pedal directly into guitar and bass rigs of all kinds, including send/return, a CTL 2.3/EXP jack, as well as two 3.5mm MIDI jacks and a micro USB jack that allows for full MIDI support and firmware updates when connected to a computer. Features BOSS SY-200 Polyphonic synthesizer pedal for electric guitar and bass 171 sounds in 12 different styles 3 changeable parameters per sound Option to store up to 128 different user presets Parallel send/return loop for integrating effects pedals or connecting directly to a separate amplifier No additional pickups or electronics required Mix guitar and synth sounds with independent volume controls 3.5mm jacks for full MIDI support Micro-USB port for firmware updates on a computer Zero-latency operation CTL 2.3/EXP jack for additional control via expression pedal or footswitch (not included) Technical specifications Sampling frequency: 44.1 kHz AD/DA conversion: 24 bit Processing: 32-bit floating point Modes: LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO Memory: 128 Display: LCD (132 x 32 px, backlit LCD) MIDI In and Out: 3,5 mm TRS Micro USB (for updates) Battery operation with 3x AA batteries Power supply via mains adapter possible (not included) Power consumption: 230 mA Weight: 630 g Dimensions (W x D x H): 101 x 138 x 63 mm Scope of delivery BOSS SY-200 3x AA alkaline batteries 4x rubber feet User manual Leaflets & Notes

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Boss VE-2

The BOSS VE-2 Vocal Harmonist effect processor proves that you don't have to spend a lot of money or lug around a pedalboard-sized device to get the vocal processing you really need. This compact device is so easy to use that no knowledge of musical instruments or music theory is needed to get the best results, as it can be operated with the push of a button. This battery-powered effects pedal has everything you need to deliver fantastic studio-quality sounds wherever you sing, whether on the big concert stage or at a street gig, practicing or just having fun at home. The VE-2 almost magically creates wonderful harmonic vocals based on your singing. The harmony function automatically matches the chords of the connected guitar, a preselected key, or a combination of both. It's so easy to create perfect harmonies in real time by selecting one of these three modes, even if you have little or no experience with effects units or music theory. Beyond harmonization, the VE-2 offers all the effects you need to enhance the sound of your voice, such as high-quality reverb/delay effects and an enhancer function to stabilize volume or correct pitch when singing. The integrated USB audio interface allows you to record the VE-2 vocal sound via PC for music recording, social media videos, and more. Features Boss VE-2 An easy way to create real-time vocal harmonies and high-quality vocal effects and processing anywhere Simple user interface that requires no knowledge of effects or music theory Create harmonies by manually setting the key of the song or plugging in your guitar using the Auto Harmony feature Hybrid mode creates harmonies based on the chords you play and the key you set manually Choose from 24 harmony types (12 x 1- and 2-part harmonies plus variations for fuller sounds) Easily adjust reverb, delay and combined reverb + delay effects with a single knob Enhance function automatically controls dynamics and allows subtle pitch correction while singing Three memory slots allow you to store and quickly recall your favorite settings XLR microphone input with phantom power, which is also available on battery power USB audio function allows edited vocal signals to be transferred to a computer Operates on 4 x AA batteries or optional PSA Series AC adapter Technical Specifications Effect types: Harmony | Echo | Enhance Harmony types: 12 x 2 (Variantion) Preset memory: 3 locations Power supply: 4x AA batteries or AC adapter (not included) Weight: 0.6 kg Dimensions (W x D x H): 156 x 116 x 64 mm Scope of delivery Boss VE-2 4x AA batteries Instruction manual Warranty and safety instructions

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