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A short snippet of sound, a field recording, or a drum loop can be the beginning of an entire track. The Roland SP-404 MKII captures such ideas as a sampler and effects unit, shapes them directly on the device, and brings them back out as patterns, loops, or live performances.
The graphic OLED display shows waveforms directly on the device. You can set cut points using real-time or auto-chop, precisely correct them afterwards, and process the material with envelopes, pitch shifting, and time-stretching. This allows both long recordings and short drum sounds to be transformed into playable building blocks.
The project offers 160 sample slots, spread across ten banks with 16 pads each. With 16 GB of internal memory, 32-voice polyphony, and support for importing WAV, AIFF, and MP3 files, there is plenty of space for your own sounds and extensive performances.
The SP series thrives on direct sound processing. The SP-404 MKII features 41 multi-effects types, including Vinyl Simulator, DJFX Looper, Lo-Fi, Cassette Simulator, and Resonator. Multiple bus effects can be layered and their parameter movements recorded via motion recording.
Using the mic/guitar input, you can access 17 input effects types, such as vocoder, auto pitch, harmony, or guitar amp simulation. Resampling records the result as a new sample. This allows an individual layer to grow step-by-step from a simple initial sound without having to leave the creative workflow.
Beats are created via real-time loop recording or the TR-REC step sequencer. Patterns can be between one and 64 measures long, can be chained together, and work with either quantized or intentionally shifted notes. Pad Link triggers up to four samples simultaneously and is useful for combined drums, chords, or triggering effects.
Skip Back Sampling saves up to 40 seconds of the last LINE OUT signal, even if the actual recording had not yet started. Loop Capture records performances with effects in real time. The DJ Mode mixes two audio files or patterns and provides eight cue points per sample for direct access.
To integrate into a setup, the sampler features balanced line outputs, line inputs, a mic/guitar input, two headphone connections, and MIDI via 3.5 mm TRS. USB-C transmits audio and MIDI with a computer or mobile device. The SP-404MKII app for macOS and Windows makes sample management, pad assignment, and detailed waveform editing easier.
The compact housing weighs 1.1 kg without the power adapter. It runs on the included power supply, USB-C bus power, or six AA batteries. This allows the sampler to be used at a fixed station in the studio or taken along for sessions, rehearsals, and live sets without needing a power outlet.
The Roland SP-404 MKII is suitable for beatmakers, producers, and live acts who prefer to edit samples using pads, knobs, and effects rather than a mouse and multiple windows. It is also a great addition to synthesizers, turntables, grooveboxes, or a computer: record audio, edit it, organize it as a pattern, and route it back into your existing setup.
Creative sampler and effects unit for beatmaking, sound design, and live performances16 velocity-sensitive pads plus sub-pad and graphic OLED display16 GB internal memory and 160 sample slots per projectWaveform editing with real-time and auto-chop, envelope, and pitch shift41 multi-effects types and 17 input effects types for Mic/Guitar InResampling, motion recording, and freely routable bus effectsPattern sequencer with real-time loop recording and TR-REC step sequencingSkip Back Sampling with up to 40 seconds of LINE OUT signal recordingDJ Mode for mixing two audio files or patterns with eight cue points per sampleUSB-C for audio and MIDI with a computer or mobile device3.5 mm TRS MIDI In/Out as well as line, mic/guitar, and two headphone connectionsPower supply via power adapter, USB-C bus power, or six AA batteries
Polyphony32 voices
Internal memory16 GBSample memory2,560 samples | 16 samples x 10 banks x 16 projectsPattern memory2,560 patterns | 16 patterns x 10 banks x 16 projects
Maximum sampling time16 minutes | approx. 185 MB per sampleSkip Back SamplingUp to 40 secondsInternal data format16-bit linearSampling frequency48 kHz
Import formatsWAV | AIFF | MP3
Effects41 multi-effects types | 17 input effects types
Pattern sequencer480 ticks per quarter note | 1 to 64 measuresExternal memorySDHC/SDXC card for backup, restore, import, and export
Connections2 x headphones | line in | balanced line out | mic/guitar in | MIDI in/out | USB-C
Power supplyPower adapter | USB-C bus power | 6 x AA batteries
Weight1.1 kg
Dimensions (W x D x H)178 x 276 x 71 mm
Roland SP-404 MKII creative sampler and effects unitPower adapterQuick Start"Read Me First" leafletRoland user registration cardWarranty card
Designed specifically for music products and accessories, the Roland CB-RU10 provides a protective as well as thoughtful home for your gear on short and long trips. The high-quality backpack-style bag is perfect for transporting one or more Roland electronic instruments - including the TR-8S Rhythm Performer, MC-707 Groovebox, SP-404MKII and more - including microphones, cables, headphones and other basics. There's also a slim pocket for stowing a laptop or tablet, plus more than ten other compartments and areas to keep additional gear and accessories neat and secure. In addition, the internal zippers are covered with fabric to prevent scratches on surfaces. On the road, the padded straps, carry handle and mesh cover on the back provide maximum comfort even on longer trips. The two long rubber feet on the bottom provide additional protection from bumps and a secure stand. With its light weight and rugged design, the CB-RU10 presents itself as the ultimate all-purpose gig bag for electronic musicians and performers. Features Roland CB-BU10 Travel backpack optimized for Roland grooveboxes and Roland studio instruments Maximum protection with reduced weight (1.6 kg) Durable construction made of high-quality polyester outer material Wide, padded backpack straps and large carry handle Thick padding including shock absorbing elements on sides and bottom Main compartment with soft lining and adjustable Velcro strap to secure gear Lined secondary compartment for laptop, tablet or other flat accessories More than ten internal as well as external compartments and areas to store additional accessories Long rubber feet on bottom provide stability and protection from impact Padded sponge mesh back panel for increased carrying comfort Adjustable chest strap for balanced load distribution Roland zippered closure Technical Specifications Material: 1680D Polyester (100% Polyester) Weight: 1.6 kg Dimensions (W x D x H): 333 x 234 x 538 mm
The Decksaver dust cover fits perfectly on the Roland SP404 MK2 and can easily be placed on the device. The Decksaver dust cover has been developed for optimum protection against dust, dirt and liquids. Unlike conventional acrylic covers, the transparent Decksaver dust cover is completely resistant to scratches and cracks. This is due to the robust material, as the cover is made of polycarbonate, which is also used for bulletproof glass. Original Decksaver covers are high quality products and are recommended by many international clubs and bars. Features Decksaver Roland SP404 MK2 Dust cover fits exactly for Roland SP404 MK2 Protects against dust, liquids and scratches Tailor-made, fits like a second skin on your equipment without you having to unplug the cables. Precisely fitting production Milky transparent surface High quality product Simple handling Original Decksaver from UK Technical data Dimensions (W x D x H): 178 x 281 x 37 mm Weight: 0.48 kg ** The additionally illustrated or mentioned devices are not included in the delivery.
1 - 10 of 19 reviews
saugeil!
servus beinand✌️
die kiste (sp) is der absolute wahnsinn. i hob a mpc live2, maschine/plus, softwaresampler und xAndere diverse ghabt und irgendwann die lust verloren, man kann alles machen, nur nix fordert dich... ich mag die einfachheit. das system, den sound, die einsatzmöglichkeit (ich quetsch des drum zwischen die 1210er und hab a echtzeiteffektgerät mim rane 52) voi geil! oder nehms mim waldorfProtein her, obwohl midi ned die stärkste seite is.. dennoch! routing, bearbeitung, resample, loops, mikrosamples, konnektivität mit usb für soundkarte, line in/out, trsMidi in/out/thru, lineIn instr&mic. bearbeitung nach gehör und nicht via pc/display. live Spiel und weniger Programmierung...oida!, nacham Monat in Gebrauch, lang i nix mehr anders an! außer a eiskoide hoibe😉
bleibts guad, habe d'ehere🖖✌️
Top I love it
Top I love it
Lieferung schnell, Gerät macht schnell Musik.
Ich hab ihn ausgepackt und direkt losgelegt. Die ersten Sachen waren sofort brauchbar. Ein paar Funktionen brauchten etwas Einarbeitung, aber das ist okay, wenn man das Gerät als Performance-Sampler versteht. Versand war auch sauber verpackt.
Super Box, viele Möglichkeiten, gut für Studiozwecke
Super Box, viele Möglichkeiten, gut für Studiozwecke
Genialer Sound fürs Produktionschaos
Ich nutze ihn, um Ideen sofort hörbar zu machen. Was ich reinlege, wird schnell zu etwas Eigenem. Der SP404 bringt bei mir mehr Bewegung in die Sessions.
Reite das Biest!
Der Roland SP-404 MKII ist ein Biest. Ihn beherrschen zu wollen, ist wie der Versuch auf einem Drachen zu reiten.
Aber die Mühe lohnt sich. Sowohl für Beats verschiedener Genres, wie auch für Ambient-Flächen.
Sobald man sich ein bisschen eingearbeitet hat, belohnt er einen mit seinem ganz eigenen Workflow!
Klare Empfehlung!
Achso: Recordcase hat einen tollen Job gemacht. Super einfach, super günstig, super schnell.
Alles hat Super geklappt!
Top! Produkt, Top! Verarbeitung, Top! Service!
Klein, Compacter Sampler der bei Recordcase am günstigsten war.
War auf der suche nach dem Roland SP-404 kleinen kompakten Sampler mit Batterie Betrieb, den man überall hin mitnehmen kann. Hab ihn am günstigsten hier bei Recordcase.de gefunden.
Efficace, rapide et de bonne configuration mais moins rapide qu'une I.A musicale malgré tout !
Produit concernant l'électronique évidemment est un petit bijou de réalisation non fantaisiste .
Top sampler
I love this store, best prices ever and top equipment. I love the SP and have done for years, such a fun piece of gear and really well thought out. Easy to use and just excellent value!
Answer: Yes. Editing samples, creating patterns, resampling and performing live all work directly on the unit; a computer is not required for this.
Answer: The SP-404 MKII supports WAV, AIFF and MP3 files. This allows your own sounds and prepared sample packs to be added directly to projects.
Answer: Up to 160 samples are available per project. Internal storage is 16 GB; SD cards can additionally be used for backup, import and export.
Answer: Yes. It can be powered via USB-C, a USB power bank, six AA batteries or the supplied AC adaptor; batteries are not included.
Answer: It provides line in and line out, a microphone/guitar input, 6.3 mm and 3.5 mm headphone outputs, plus TRS MIDI in/out. A suitable adaptor or connection cable is required for conventional 5-pin MIDI.
Answer: Yes. Via USB-C, the SP-404 MKII can record or stream audio with mobile devices and computers and be integrated as an audio/MIDI device at the same time.
Answer: It supports Serato DJ Lite, Serato Studio and Serato DJ Pro with mapped controls. A paid upgrade is required for Serato DJ Pro.
Answer: In DJ mode, two audio files or patterns can be mixed simultaneously. Eight cue points are available per sample, making it useful for compact performance and transition setups.
Replacement stylus suitable for the Ortofon Concorde MkII DJ pickup system
Since 1988, a headphone from the house of Sennheiser has established itself as a fixed staple in the pro audio world. The HD 25 Plus continues this tradition seamlessly and delivers you a closed, dynamic on-ear headphone that was designed for the tough demands of everyday work. With just 140 grams, it sits comfortably on your head for hours, reliably shields ambient noise, and precisely reproduces audio signals across the entire frequency range from 16 Hz to 22 kHz. The Plus model additionally includes accessories compared to the standard version – including a second cable, velour ear pads, and a transport bag. Acoustic shielding that makes the difference The closed design ensures that ambient noise stays where it belongs: outside. Even at high listening levels in your surroundings, you can fully focus on the audio signal. At the same time, the Sennheiser headphone withstands sound pressure levels up to 120 dB without distorting – the total harmonic distortion is below 0.3%. Monitoring at the PA, outdoor broadcast transmission, or studio operation: the shielding remains consistently reliably. Built for long sessions The split headband distributes the clamping pressure evenly and keeps the headphone securely in place even when you move. Lightweight aluminium voice coils help keep overall weight low without compromising on sensitivity. The pads sit on the ears (supra-aural) and can be quickly swapped for the included velour pads if needed – depending on whether you prefer more isolation or more wearing comfort. Flexible in use The left ear cup can swivel so you can comfortably monitor with just one ear. Both cables – the 1 to 3 metre coiled cable and the 1.5 metre straight stranded cable – are detachable and replaceable. If a cable gets damaged, you simply replace it instead of having to replace the entire headphone. All other components, such as ear pads or headband padding, can also be purchased separately and changed yourself. Built to last For the HD 25 Plus, Sennheiser opted for extremely robust construction. The mechanical joints between the ear cups and the headband have been improved compared to earlier models and now offer a more stable adjustment mechanism. This pays off in day-to-day professional use – whether it’s daily transport in a backpack, working at the FOH desk, or travelling. The included transport bag also protects the headphone while on the move. Why the HD 25 Plus is a perfect match for you This Sennheiser headphone is aimed at everyone who needs reliable, precise sound under real working conditions. The 70-ohm impedance makes it compatible with almost any mixing console, DJ controller, or mobile audio device. If you’re looking for a headphone that still works flawlessly after years of intensive use, you’re in the right place. DJs who value shielding, low weight and one-sided monitoring Sound engineers and broadcast professionals in the studio or during outdoor broadcasts Cameramen who need a lightweight monitoring headphone for mobile use Music lovers looking for a robust, professional headphone with replaceable components Features Sennheiser HD 25 Plus Closed, dynamic on-ear monitoring headphone for professional use Closed design for high damping of ambient noise Wide frequency range of 16 Hz to 22 kHz for precise monitoring Maximum sound pressure level of 120 dB for use in loud environments Split headband with padding for secure and comfortable fit Swivelling ear cup for one-sided listening Lightweight aluminium voice coils for high sensitivity at low weight Two replaceable cables included: coiled cable (1–3 m) and straight stranded cable (1.5 m) Additional velour ear pads for enhanced wearing comfort 70-ohm rated impedance for wide compatibility with mixing consoles and audio devices All components can be replaced individually for maximum longevity Includes transport bag for safe transportation Technical data Transducer principle Dynamic, closed Design Supra-aural (on-ear) Rated impedance 70 ohms Frequency response 16 – 22,000 Hz Maximum sound pressure level 120 dB (1 kHz, 1 Vrms) Total harmonic distortion at 1 kHz below 0.3% Rated power handling 200 mW Clamping force approx. 2.5 N Cable Coiled cable 1–3 m | Straight stranded cable 1.5 m Connection 3.5 mm stereo jack (incl. adapter to 6.35 mm) Weight without cable 0.14 kg Dimensions (W x D x H) 187 x 245 x 84 mm In the box Sennheiser HD 25 Plus monitoring headphone Coiled cable (1–3 m) Straight stranded cable (1.5 m) Jack adapter 3.5 mm to 6.35 mm (screw-on) A pair of soft velour ear pads Transport bag
This audio connection cable allows you a reliable and uncomplicated connection in your home setup. It is the ideal solution for securely connecting a mixing console to an amplifier, ensuring clean signal transmission without any loss of quality. Equipped with robust RCA connectors on one end and two 6.3 mm mono jack plugs on the other, the product is perfectly prepared for daily use. Thanks to the practical colour coding, you always keep track of things, even in more complex wiring setups, and can assign the channels quickly and without errors. With a generous cable length, the item offers sufficient flexibility for positioning your devices without creating annoying tension on the connections. Features Practical audio connection cable for recording, DJs and events Enables the fast connection of a mixing console to an amplifier Equipped with two RCA connectors to two 6.3 mm mono jack plugs Integrated colour coding for error-free channel assignment Generous cable length of 3 metres for flexible positioning Robust connectors for long-lasting use Technical Data Connection A2 x RCA connector Connection B2 x 6.3 mm jack plug | mono Cable length3.0 m
Zomo KA-2 connects two common jack formats in a compact and uncomplicated way. With this adapter, you can use devices with a 3.5 mm jack plug on 6.35 mm format connections. The model ensures clean signal transmission, provides a reliable fit, and supports you wherever different audio connections come together. In everyday use, a precise connection is what counts. This is exactly where the product excels: the transition from 3.5 mm to 6.35 mm is accurate and without unnecessary play. This is particularly practical when you want to use headphones, portable players, or other audio devices with mixing consoles, audio interfaces, or amplifiers. A firm connection helps to avoid loose contacts and keep the signal stable. For regular use, the nickel-plated design is a useful advantage. It supports consistent conductivity and protects the contact surfaces from typical signs of wear. If you plug and unplug the adapter frequently, the connection remains reliable and suitable for everyday use. Especially with audio accessories, a resilient surface is crucial to ensure that usage remains uncomplicated in the long term. Thanks to its compact design, the product also fits into your setup without any problems. It fits into bags, cases, or accessory compartments and is quickly at hand when you spontaneously need a different connection format. In this way, Zomo's adapter plug complements your equipment with a simple solution without taking up additional space or making your handling unnecessarily complicated. Features Zomo KA-2 Adapter plug for connecting a 3.5 mm jack plug to a 6.35 mm jack socket Secure and precise connection without unnecessary play Nickel-plated contacts for stable signal transmission Stereo transmission for compatible devices Robust design for regular plugging and unplugging Compact format for mobile use and storage in accessory compartments Technical data Adapter type3.5 mm jack to 6.35 mm jack Contact materialNickel-plated Signal typeStereo
Arturia MicroFreak is a compact hybrid synthesizer that combines digital sound generation with an analogue filter. The instrument is aimed at everyone who wants more from sound design than classic standards. 21 oscillator modes, a resonant multimode filter, an unusual touch interface and strong performance features provide direct access to experimental, musical and anytime transformable sounds. Despite its compact build, the synthesizer feels remarkably open, flexible and full of connectivity potential. Sound without a fixed drawer At its core there is a digital oscillator with 21 modes. These include wavetable, granular, karplus-strong, superwave, vocoder and other engines from the Mutable Instruments ecosystem, as well as Noise Engineering. This covers a wide range: from fine, moving pads to harsh, angular textures and percussive impulses.The sound generation is rounded off by an analogue multimode filter with low-pass, high-pass and band-pass. The resonant 12 dB/octave circuit brings structure, punch and control to the signal without losing the open character of the digital engines. Exactly this combination of digital variety and analogue shaping is what makes the small Arturia synth so distinctive. Direct access instead of detours The touch-sensitive 25-key surface responds to pressure and offers polyphonic aftertouch. It plays differently from a classic keyboard, but that’s precisely what makes it appealing. Playing gestures, pressure changes and spontaneous interventions are immediately audible, which is especially convincing for lively sounds and improvised ideas.In addition, there’s a capacitive touch strip and a clearly readable OLED display. This lets you make quick adjustments, change parameters and shape the synthesizer—not just play it. Even as a controller in combination with software or external devices, this interface is an exciting approach. Sequences with your own handwriting The integrated 64-step sequencer provides two patterns and four automation tracks per preset. This allows you to capture ideas quickly and develop them in detail. Notes, movement and modulation interlock directly without slowing down the creative flow.In addition, arpeggiator, chord mode, scale quantizer and the spice-&-dice function expand your playful access. Random variations, controlled deviations and rhythmic changes are created without complicated menus. The result is an instrument that doesn’t just reproduce, but actively contributes when developing new ideas. Modulation, voice, connection With the modulation matrix, you link 5 sources with 7 destinations, three of which are freely assignable. This makes it possible to organise filter sweeps, oscillator contours or LFO movements very flexibly. This structure is strong enough for complex sounds, but it remains quick and practical in everyday use.The vocoder mode extends the concept to speech and vocal processing, and the appropriate gooseneck microphone is included. There are also USB, MIDI, clock and CV/gate/pressure outputs. This allows the MicroFreak to integrate smoothly into DAW setups, hardware rigs and modular environments. Does the Arturia MicroFreak fit you? This model is just right for you if you’re looking for unusual sounds, enjoy working directly on the instrument and appreciate compact devices with real depth. It suits beginners who want a versatile first hardware synthesizer just as much as experienced users who need fresh oscillator concepts, modulation and sequencing in a small format. well suited for sound design, electronic production and experimental ideas interesting for DAW setups, modular systems and hybrid workflows ideal if you want to play expressively while also sequencing quickly suitable for anyone who uses presets and wants to systematically expand their own sounds Features Arturia MicroFreak Compact hybrid synthesizer with digital sound generation and an analogue multimode filter 21 oscillator modes with wavetable, granular, superwave, karplus-strong, vocoder as well as other engines from Mutable Instruments and Noise Engineering Analogue resonant state-variable filter with low-pass, high-pass and band-pass at 12 dB/octave 25 touch-sensitive keys with polyphonic aftertouch and a capacitive touch strip for expressive playing 64-step sequencer with 2 patterns and 4 automation tracks per preset Modulation matrix with 5 sources and 7 destinations, 3 of which can be assigned freely Arpeggiator with up-, order-, random- and pattern modes as well as spice-&-dice variations Monophonic, unison or paraphonic play with up to 4 voices Chord mode and scale quantizer for controlled and fast musical work Vocoder mode included, with gooseneck microphone for speech and vocal processing 320 factory presets and a total of 512 preset slots for your own and saved sounds USB, MIDI, clock as well as CV/gate/pressure connections for integration into DAW and modular setups Technical specifications Display OLED Presets 320 Factory | 512 Preset Slots Oscillator modes 21 Play modes Monophonic | Paraphonic up to 4 voices | Unison Sequencer 64 Steps | 2 Pattern per preset | 4 automation tracks per preset Filter Analogue state-variable filter | Low-pass | High-pass | Band-pass | resonant | 12 dB/octave Modulation matrix 5 sources | 7 destinations | 3 destinations freely assignable Line output 6.3 mm jack, balanced Headphone output 3.5 mm jack CV / Gate / Pressure outputs 3.5 mm jack Clock In / Out 3.5 mm jack MIDI In / Out 3.5 mm TRS jack USB port available Weight 1.02 kg Dimensions (W x D x H) 311 x 233 x 55 mm What’s included Arturia MicroFreak synthesizer 12V DC power supply unit 2x MIDI port adapter Gooseneck microphone Registration card
Compact, versatile, and high-quality sound – this interface accompanies you with every recording idea. Two high-quality combo inputs allow you to record microphones, instruments, or line signals simultaneously. With the switchable 48 V phantom power, you can also use condenser microphones without any problems. You always have an eye on the levels thanks to the integrated VU meter and separate controls for monitor and headphone volume. A direct monitoring switch with a mix control ensures latency-free operation, so you can always find the optimal balance between input signal and playback. The universal USB-C connection makes the interface an uncomplicated companion in the studio or on the go. Particularly practical is the additional USB-A hub, where you can connect MIDI controllers or other devices with up to 250 mA. You can connect synthesizers or drum machines directly via the classic 5-pin MIDI ports. The interface also offers exciting possibilities for content creators: with the LoopBack channel, you can record or stream audio signals from your computer – ideal for podcasts, tutorials, or live streams. Despite its compact dimensions, the interface impresses with its robust construction. The low weight and stable housing make it easy to transport and simultaneously resistant. This allows you to realize your productions not only on your home computer but also on the move. You benefit from a dynamic range of 110 dB and a very low input noise of -129 dB – values that ensure clear and professional sound quality. An extensive software collection is included for a quick start. This includes, among others, Ableton Live Lite, the sound package Analog Lab Intro, as well as several high-quality effects like Pre 1973, Plate-Reverb, and Tape-Delay. The offer is complemented by Auto-Tune Unlimited (3 months free), Guitar Rig 6 LE, as well as 3 months of access to the Splice Creator Plan. This gives you everything you need from the start to record, produce, and refine your ideas. Features Arturia MiniFuse 2 Compact 2-in/2-out USB-C audio and MIDI interface for mobile and stationary recordings Two XLR/TRS combo inputs for microphones, instruments, or line signals with switchable phantom power VU meter for signal monitoring as well as separate controls for monitor and headphone levels Direct monitoring with mix control for latency-free operation Stereo headphone output with 6.3 mm jack and independent volume control Two line outputs (6.3 mm balanced) for studio monitors or external devices USB-A hub for connecting controllers or MIDI devices up to 250 mA MIDI In/Out in classic 5-pin DIN format for synths or drum machines Virtual LoopBack channel for recording audio signals directly from the computer Bus-powered via USB, no separate power supply required Compatible with PC and Mac, management via MiniFuse Control Center app Extensive software package with DAW, instruments, and effects included Technical Data Converter resolution24 Bit | 192 kHz Inputs2x XLR/TRS combo Phantom power+48 V switchable Outputs2x 6.3 mm jack balanced | 1x stereo headphone output 6.3 mm jack Direct monitoringSwitchable with mix control MIDIIn | Out (5-pin DIN) Additional ports1x USB-A hub (max. 250 mA) Power supplyUSB bus-powered Weight0.50 kg Dimensions (W x D x H)200 x 100 x 43 mm Scope of delivery Arturia MiniFuse 2 audio interface USB cable (USB-C) Included software bundle Ableton Live Lite Analog Lab Intro Pre 1973 Rev PLATE-140 Delay TAPE-201 Chorus JUN-6 Auto-Tune Unlimited 3 months Guitar Rig 6 LE Splice 3 months
AKAI MPC Sample brings sampling, sequencing and beatmaking into a compact standalone device that is ready to use without a computer. The groovebox is visually inspired by the MPC60 and combines 16 RGB-backlit MPC pads with polyphonic aftertouch, an integrated sequencer and extensive sampling functions. More than 100 drum kits, 60 effects, real-time timestretching and RePitch provide material for your own productions right out of the box. Thanks to the battery, microphone and built-in speaker, you can record sounds, edit them and create beats without having to take any additional equipment with you. Sampling directly and without detours The workflow focuses on fast recording and editing of samples. Audio enters the device via the integrated microphone, the two line inputs, USB-C or internal resampling. The Instant Sample Chop Mode divides recordings into individual sections and supports manual chopping as well as automatic detection via threshold. Real-time timestretching and RePitch subsequently help with the rhythmic and tonal adjustment of the material. Eight banks with 16 samples each are available per project. This allows you to organise up to 128 samples. Individual samples can be up to 20 minutes long. Additionally, the Recall function keeps the last 30 seconds of an audio recording or pad performance in memory, in case you didn't manage to record a spontaneous idea in time. 16 MPC pads for beats and performance The more compact 16 velocity-sensitive RGB pads with polyphonic aftertouch form the heart of the operation. In addition to classic finger drumming, dynamics, pressure and various pad parameters can be incorporated directly into the performance. Via the 16-Level function, a sound can be distributed across all pads with different values for, for example, velocity or other parameters. The integrated MPC sequencer works with a resolution of 960 PPQ and offers well-known functions such as Note Repeat, quantisation and MPC Swing. Eight banks with 16 sequences each allow for up to 128 sequences within a project. In Song Mode, these can then be assembled into complete arrangements. 60 effects directly in the device Four internal effect processors provide a total of 60 different effect types. These include Pad FX, Knob FX, Flex Beat and a Color Compressor, as well as effects such as vinyl and tape emulations, filters, delay, reverb, ring modulation and other sound tools. Effects can be applied to individual pads, the input signal or the main output. Three knobs allow for direct intervention during playing and sampling. The classic 30 mm MPC fader is also present and can be assigned to various pad parameters. This means that key sound changes remain immediately accessible via the hardware. Designed for on the go An integrated lithium-ion battery allows for up to five hours of mobile operation. With an internal microphone and 3-watt speaker, you can record samples and listen to ideas without having to set up a complete rig first. The internal memory includes 8 GB, of which about 2 GB are used for factory data. Your own samples and projects can be added via a microSD card. USB-C handles power supply, audio, MIDI and access to the SD card. Additionally, stereo line inputs and outputs, a headphone jack, MIDI In/Out and a configurable sync output are available. Audio from compatible computers, iOS and Android devices can also be used as a sampling source. Who is the AKAI MPC Sample suitable for? The portable groovebox is interesting if you want to work directly with samples and pads and don't need an extensive standalone studio to do so. It is suitable for newcomers to the MPC workflow as well as experienced beatmakers looking for a small device for on the go, spontaneous samples or supplementary live performances. For mobile sampling and beatmaking For compact DAWless setups For finger drumming and sample-based productions For quick ideas on the go and in the studio Features AKAI MPC Sample Portable standalone groovebox for sampling, sequencing, beatmaking and performance without a computer 16 velocity-sensitive RGB MPC pads with polyphonic aftertouch Integrated MPC sequencer with 960 PPQ, MPC Swing, Note Repeat and Song Mode Instant Sample Chop with manual and threshold-controlled editing as well as real-time timestretching and RePitch Four internal effect processors with a total of 60 effect types for pads, inputs and main output More than 100 integrated drum kits to get you started on your own productions right away Three real-time knobs and classic 30 mm MPC fader for direct sound editing 2.4-inch colour display with high-resolution waveform display for sample editing Integrated microphone and 3-watt speaker for mobile sampling and monitoring Rechargeable lithium-ion battery with up to five hours of runtime 8 GB internal memory and microSD card slot for your own samples and projects USB-C for power supply, audio, MIDI and SD card access as well as stereo I/O, MIDI and Sync Out Technical specifications Device typePortable standalone sampler | sequencer | effect processor Internal memory8 GB | Of which approx. 2 GB factory data RAM2 GB Pads16 RGB-backlit velocity-sensitive MPC pads with polyphonic aftertouch Polyphony32 stereo voices Disk streamingUp to 32 voices Samples per project16 samples x 8 banks | 128 samples Sequences per project16 sequences x 8 banks | 128 sequences Maximum sample length20 minutes per sample Recall recording30 seconds of audio or pad performance Sequencer resolution960 PPQ Display2.4 inches | 6.1 cm | Full-colour LCD Effects60 effect types | Pad FX | Knob FX | Flex Beat | Color Compressor Knobs3x 270° real-time knobs | 1x 360° push encoder | Record gain knob Fader30 mm fader | Assignable Audio inputs2x 6.35 mm TRS | Mic/Line level Audio outputs2x 6.35 mm TRS | Line level Sync output1x 3.5 mm TRS CV/Gate | Configurable sync rates Headphone output1x 3.5 mm TRS MIDI1x 3.5 mm TRS Type A MIDI In | 1x 3.5 mm TRS Type A MIDI Out USB1x USB-C | Power supply | Audio In/Out | MIDI In/Out | SD card access External storage mediummicroSD card Integrated microphoneYes Integrated speaker3 W Import formatsWAV | MP3 | AIF/AIFF | SND | S1S | S3S | FLAC | OGG Internal signal processing44.1 kHz | 32-bit float Recording24-bit | 44.1 kHz Supported sampling rates for file import44.1 kHz | 48 kHz | 96 kHz BatteryRechargeable lithium-ion battery | Up to approx. 5 hours of playback Power supplyUSB-C | 5 V / 2 A with external power supply or power bank Weight0.92 kg Dimensions (W x D x H)194 x 236 x 50 mm Included in delivery AKAI MPC Sample USB-C cable
The RC-202 Loop Station packs the powerful loops and multi-effects of the successful RC-505 from BOSS into a 2-track unit. The RC-202 also shares the unmistakable aesthetics of the RC-505 and its simple, practical operation. The Looper is designed for live performance- four input and four track effects are available simultaneously, and loops can be saved in real time for fluid creative performance. If you're a musician, the RC-202's foot control and MIDI capability is second to none. So you'll have your hands free to play guitar, keyboard or any other instrument. The RC-202 is a powerful loop station for club performers, singers, keyboarders or beatboxers. Features Boss RC-202 Compact phrase looper with a simple, uncomplicated operation 2 stereo phrase tracks with independent controls and status indicators for creative looping 4 Input FX and 4 Track FX available simultaneously 64 phrase memories (8 presets x 8 banks) for storing preset settings and track data 17 built-in rhythms (including odd beats) serve as backing tracks for loop recording External MIDI control and optional foot switches for remote control USB audio/MIDI interface for phrase import/export and DAW integration XLR microphone input with phantom power, mono/stereo instrument inputs and stereo aux inputs Technical data Tracks: 2 Data format: WAV (44.1 kHz, 16-bit linear, stereo) Memory: 8x8 banks Dimensions (W x D x H): 239 x 175 x 55 mm Weight: 0,95 kg Included in delivery Boss RC-202 Power supply unit Operating instructions Safety Instructions
For precise monitoring in confined spaces, the JBL Control 1 Pro gives you a compact full-range monitor that can be used flexibly in studios, video post-production, OB vans or broadcast environments. Thanks to its ultra-compact design, the loudspeaker also fits where only limited space is available, without having to do without a professional monitoring solution. The product is suitable not only for technical workstations, but also as a compact loudspeaker in sound reinforcement and paging systems. In restaurants, hotels or audiovisual installations, the model can be integrated discreetly and operated reliably. The magnetic shielding of the high- and low-frequency drivers also allows use in direct proximity to video monitors without causing disruptive image interference. The enclosure is made from high-density polypropylene foam and is designed for low-resonance reproduction. This construction supports clean tuning of the compact loudspeaker and makes it a sensible solution for controlled audio applications. With a continuous power handling of 150 watts, the JBL compact monitor is also prepared for more demanding uses. A wall bracket is already integrated for mounting, so you can attach the loudspeaker without additional accessories. The built-in ball joint sits in the wall plate and allows precise alignment to the desired listening or sound reinforcement area. This keeps installation straightforward while maintaining flexible alignment in the room. Features JBL Control 1 Pro Ultra-compact full-range monitor for professional monitoring and sound reinforcement applications Suitable for recording studios, video post-production, OB vans and broadcast studios Also usable for sound reinforcement and paging systems in restaurants, hotels and AV environments High efficiency and high continuous power handling Magnetically shielded high- and low-frequency drivers for use near video monitors Enclosure made from high-density polypropylene foam with low-resonance design Integrated wall bracket with ball joint for easy installation Overload protection for safe operation Technical Data Woofer5 1/4 inch Tweeter3/4 inch Frequency range80 - 20.000 Hz Continuous power handling150 watts Sensitivity87 dB SPL (1W/1m) Impedance4 ohms ConnectionsSpring terminal Weight1.80 kg Dimensions (W x D x H)159 x 143 x 235 mm Scope of Delivery 1x JBL Control 1 Pro compact monitor 1x wall bracket
The Maschine MK3 combines precise hardware with a versatile production environment and is designed for everyone who wants to shape beats, edit samples and arrange complete songs. The integrated 24-bit/96 kHz audio interface makes the unit ready to record immediately, while two high-resolution color displays provide orientation and noticeably simplify workflows. Larger pads, touch-sensitive knobs and a well-thought-out control layout ensure that you can capture ideas without detours. Precise control thanks to modern user interface The two full-color displays give you a clear view of samples, parameters and arrangements. Here you edit material directly on the hardware – from exact sample slicing to adjusting individual notes. Additionally, the 4-directional push encoder offers fast navigation through sounds, kits and projects. This creates a direct workflow that works without constant mouse handling. Expanded performance possibilities The color-coded, velocity-sensitive pads respond sensitively to your playing and dynamics. For detailed adjustments, nine touch-sensitive rotary knobs are available, instantly taking over parameters and precisely reproducing sonic changes. A Smart Strip opens up additional forms of expression – for example pitch bends or effect control – adding a playful component to your performance. Seamless integration into software environments The combination of hardware and software makes the system a versatile production tool. Thanks to plugin hosting for VST and AU, you can integrate external instruments and effects directly. The tag-based browser provides fast access to extensive libraries, including Komplete Select. MIDI in/out expands your setup with external devices, while drag-and-drop export transfers MIDI and audio data effortlessly into your DAW. Flexible sampling and extensive workflow With wide sample compatibility – including formats from many MPC models – you can instantly use your existing libraries. The threshold detection simplifies recording processes and ensures cleanly captured material. Step sequencing, automation functions and real-time recording support you in building complex arrangements in a clearly structured way. Features Native Instruments Maschine MK3 Versatile production system with integrated 24-bit/96 kHz audio interface Two high-resolution color displays for editing, navigation, mixing and slicing Large pads and touch-sensitive knobs for dynamic finger drumming 4-way push encoder for fast browsing and level setting USB or power supply operation for flexible use Hybrid of sequencer, sampler and effects with direct hands-on control 16 pads, 47 buttons and 9 encoders for recording and automation Smart Strip for note control, pitch bends and creative effects Step sequencing, real-time recording, note repeat, slicing and auto-mapping VST and AU plugin hosting from other manufacturers Tag-based browser for fast access to sounds and effects Automation recording and step automation for precise sound design Compatible with many MPC programs Threshold-based sampling for external and internal sources Plug-in operation in AAX, VST, AU and RTAS MIDI in/out for external sequencing Drag-and-drop export of audio and MIDI Group macro controls for flexible parameter assignments MIDI-mapping software for use in other programs Technical Data Audio interface: 96 kHz / 24 bit Line outputs: 2 x 6.35 mm jack Line inputs: 2 x 6.35 mm jack Microphone input: 6.35 mm jack (dynamic) Headphone output: stereo 6.35 mm jack MIDI: 1 in | 1 out Footswitch: 1 connection USB: USB 2.0 Power supply: USB 2.0 or power adapter DAW compatibility: VST | AU plugin Multi-core support: full Supported formats: stand-alone | VST | AU | RTAS | ASIO | Core Audio | DirectSound | WASAPI Weight: 2.2 kg Dimensions: 320 x 301 x 41 mm Scope of Delivery Native Instruments Maschine MK3 USB cable Maschine software (download via Native Access) Komplete Select (download via Native Access)
A sound from the room, a short snippet of speech, or a find from your smartphone can become the starting point for a track. The Roland P-6 Creative Sampler records such ideas directly, chops them into playable parts if required, and brings them into a handy AIRA-Compact format. Sampling straight from the moment The built-in mono microphone, analog mix input, and USB-C open up three ways for new material. You can then play samples chromatically and polyphonically via the keys. With the chop function, you can divide longer recordings into sections; step sampling combines several individual sounds on one pad. The sampler can also re-record internal audio. Resampling captures processed sounds, effect chains, or self-created loops as new source material. This is suitable for small sound libraries as well as for sketches that are intended to grow while on the go. Granular processing and effects For sound shaping, the P-6 works with extensive granular parameters. Detune, Head Position, Head Speed, Spread, and Grains intervene in the playback, turning short samples into stretched pads, rhythmic textures, or intentionally disassembled sound fragments. In addition, there are 20 multi-effects available, including Vinyl Simulator, DJFX Looper, Stopper, Lo-fi, Scatter, Phaser, and Resonator. Delay and reverb can be used as send effects. Via BUS FX routing, you can assign effects to specific individual samples rather than always processing the entire mix. Sequences with movement and interventions The 64-step sequencer records parameter movements and supports probability, micro-timing, off-grid sequencing, and sub-steps. This allows patterns to run with deliberate precision or retain minor variations without you having to program every change individually. During playback, Step Loop intervenes directly in the sequence. Repeated steps create stutter effects and short rhythmic interruptions that are suitable for transitions, breaks, and spontaneous ideas during a jam. SampleTool and connections in an AIRA-Compact setup With the P-6 SampleTool for macOS and Windows, you can prepare samples on your computer and transfer them to the hardware via drag-and-drop. Snap to Zero removes clicks at cutting points, Truncate shortens material, Normalize balances levels, and Downsample reduces the sample resolution. USB-C works as a class-compliant audio/MIDI interface and streams audio to computers, smartphones, or tablets without the need for driver installation. Audio, MIDI, and Sync connections also facilitate connection to other AIRA-Compact instruments and compatible MIDI devices. When does the Roland P-6 Creative Sampler make a useful addition to your setup? The sampler is suitable for musicians, beatmakers, and live performers who want to quickly record, cut, and make sounds playable. Its compact dimensions and the lithium-ion battery with approximately three hours of runtime make it particularly practical for mobile ideas, sessions, and small jam setups. Those who work with short samples and want to form sequences, effects, or granular textures from them will find an instrument that is directly operable here. In combination with other AIRA-Compact devices, you can create a small, portable system for beats, bass, harmonic pads, and your own sample material. Features Roland P-6 Creative Sampler Compact creative sampler from the Roland AIRA-Compact series Integrated mono microphone as well as sampling via mix input and USB-C Up to 48 samples with chromatic and polyphonic playback Chop function, step sampling, and resampling for quick sample editing Granular sampling with parameters for detune, position, speed, spread, and grains 64-step sequencer with motion recording, probability, micro-timing, and sub-steps Step loop for rhythmic repetitions during the performance 20 multi-effects as well as delay and reverb as send effects P-6 SampleTool for macOS and Windows for editing and transferring samples Class-compliant USB-C audio/MIDI as well as audio, MIDI, and sync connections Technical specifications Maximum number of samples48 Maximum sampling time per sample, mono5.9 seconds at 44.1 kHz | 11.8 seconds at 22.05 kHz | 17.8 seconds at 14.7 kHz | 23.7 seconds at 11.025 kHz Import formatWAV (Linear PCM) Maximum polyphonySample 16 | Granular 4 Sequencer64 steps Multi-effects20 types Send effectsDelay | Reverb Display4-digit 7-segment LED ConnectionsSync In | Sync Out | Mix In | Mix Out/Headset | MIDI In | MIDI Out | USB-C Power supplyLithium-ion battery | USB bus power Battery lifeapprox. 3 hours Charging timeapprox. 3 hours Weight0.305 kg Dimensions (W x D x H)188 x 106 x 37 mm Included items Roland P-6 Creative Sampler USB-C to USB-A cable "Read Me First" leaflet
A drum pattern rarely stays exciting for over four minutes if it reacts in exactly the same way every time it loops. Subtle shifts, fills and changes in sound give the groove character. The Roland TR-8S combines the familiar TR "running light" programming with a versatile sound engine for electronic productions and live sets. TR and CR sounds, FM drums and custom samples Each kit features ACB emulations of classic Roland drum machines, FM sounds and preset samples. These include sounds from the TR-808, TR-909, TR-606, TR-707, TR-727 and CR-78. This allows you to build a pattern with well-known drum characters and then expand it with targeted, different sound colours. You can import your own WAV and AIFF files via SD card and assign them to the instrument parts. Around 600 seconds of sample time at 44.1 kHz mono provide space for self-recorded percussion, vocal snippets or unusual textures. The pitch, decay, start point, speed and direction of the samples can all be edited. 16 steps with variations and motion The sequencer manages 11 instrument parts as well as a separate part for Trigger Out. The 16 TR-REC buttons set steps directly in the running light, while the velocity-sensitive pad is suitable for live-played rhythms. Accents, flams and sub-steps help to turn rigid grids into more lively sequences. Each of the 128 patterns contains eight variations and two fill-in patterns. Probability values per step as well as motion recording introduce changes into recurring sequences. Parameters can thus be saved with pinpoint accuracy within the pattern, for example for filter movements, pitch jumps or effect changes. Effects and connections for a larger setup Instrument effects, reverb, delay and master effects shape individual sounds and the overall drum picture directly on the device. A CTRL knob can be assigned to suitable sound parameters for each channel. The external stereo input takes on further signal sources; the sidechain function processes it in interaction with the rhythm. Via six assignable outputs, you can send instruments or groups separately to a mixer, effect units or an audio interface. In addition, there is a Mix Out, a headphone output, MIDI In/Out and a separate Trigger Out. USB transmits audio and MIDI to a computer and allows multi-channel recording in your DAW. Does the Roland TR-8S fit your workflow? The Roland TR-8S is suitable for producers and live acts who want to develop beats directly on the device and not limit their sound to a fixed drum collection. The combination of step sequencer, sample import and sound editing is suitable for techno, house, electro, hip-hop and more experimental rhythmic arrangements. The groovebox also fits well into a hardware setup: MIDI and Trigger Out integrate external instruments, while the assignable outputs create separate paths to the mixing console or external effects. If you want to vary patterns, layer sounds and capture rhythmic ideas without a mouse, you get an extensive interface for doing so. Features Roland TR-8S Rhythm performer with ACB drums, FM sounds, preset samples and sample import 128 user drum kits and 128 user patterns 16-step sequencer with 11 instrument parts and separate trigger out part Eight variations and two fill-in patterns per pattern WAV and AIFF sample import via SD card Probability, motion recording, accent, flam and sub-steps for pattern creation Instrument effects, reverb, delay and master effects Six assignable outputs for separate routing of sounds or groups Stereo ext-in with sidechain function USB audio/MIDI as well as MIDI In/Out and separate trigger out Technical specifications TypeDrum machine with step sequencer and sample import User drum kits128 User patterns128 Sequencer16 steps | 11 instrument parts | 1 trigger out part Pattern variations8 per pattern Fill-in patterns2 per pattern SoundsACB drums | 72 FM tones | at least 300 preset samples | user samples Sample formatsWAV | AIFF Sample memoryaround 600 seconds at 44.1 kHz mono External storageSD card | SDHC support Audio outputsMIX OUT L/MONO and R | 6 x ASSIGNABLE OUT/TRIGGER OUT Audio inputsEXT IN L/MONO and R Additional connectionsHeadphones | MIDI In/Out | Trigger Out | USB-B | DC IN USBAudio | MIDI Power supplyPower adaptor Weight2.1 kg Dimensions (W x D x H)409 x 263 x 58 mm Included in the box Roland TR-8S Rhythm Performer Power adaptor Owner's manual "USING THE UNIT SAFELY" leaflet
A song idea doesn't have to start on a computer. A beat, a vocal snippet, or a bassline is often enough to capture a direction. The Roland MV-1 Verselab brings sequencing, sounds, sampling, and vocal recording into one device that streamlines the path from pattern to finished arrangement. Instrument tracks, vocals, and song structure Seven instrument tracks and a dedicated vocal track give beats, harmonies, and voice a firm place in the project. The TR-REC step sequencer works with up to 128 steps and is suitable for precisely programmed drums as well as for continuous patterns and song sections. You can use the 16 RGB pads to play in notes, drums, and samples directly, or use them for workflow control. The ZEN-Core sound engine provides over 3,000 sounds and more than 80 drum kits. This allows a sketch to be developed into a complete track without the need for additional sound generators. Vocal recording directly in the production For vocals and speech, the groovebox features an integrated microphone as well as an XLR input with +48 V phantom power. This allows you to connect a condenser microphone and record vocals directly into the ongoing project. Auto-pitch, harmonizer, and doubler shape the vocal track directly within the device. Up to 16 takes help you to collect different recordings and assemble them into a suitable track. This is practical when hooks, ad-libs, or spoken passages are to become part of the song structure. Samples, connections, and further work Your own sounds can be sampled as WAV files at 32 to 96 kHz at 16 or 24 bits in mono or stereo. The available recording time is up to 12 minutes in stereo; up to six minutes are available for mono. Time-stretch and pitch-shift support the adaptation of loops to tempo and key. Stereo line inputs and outputs, MIDI In/Out, and USB integrate the production space into an existing setup. Projects can be saved to an SD card. Zenbeats integration also enables further work on a computer, tablet, or smartphone if an arrangement is to be supplemented later outside the hardware. Power supply for fixed and mobile setups The device can be operated via the included power adapter, USB, or batteries. At 354 x 208 x 60 mm, it remains easy to accommodate on a small workstation and can also be taken along to sessions. The backlit two-line LCD supports orientation when accessing functions and projects. When is the Roland MV-1 Verselab suitable for your songwriting? The Roland MV-1 Verselab is suitable for producers, beatmakers, and songwriters who want to develop beats and vocals in a compact hardware workflow. It is particularly useful for ideas that need to grow without constant switching between multiple devices: programming patterns, playing in sounds, recording vocals, and directly continuing the arrangement. For beat productions with drum kits, melodic sounds, and your own samples For songwriters who want to capture vocal ideas directly with an instrumental For mobile sessions with battery or USB power supply Features Roland MV-1 Verselab Groovebox and vocal workstation for producing complete songs ZEN-Core sound engine with over 3,000 sounds and more than 80 drum kits Seven instrument tracks and one vocal track 16 RGB pads and TR-REC step sequencer with up to 128 steps Integrated microphone and XLR microphone input with +48 V phantom power Vocal effects with auto-pitch, harmonizer, and doubler Up to 16 takes for vocal recording Sampling of WAV files in mono or stereo Time-stretch and pitch-shift for loops Stereo line inputs and outputs as well as MIDI In/Out USB port, SD card storage, and Zenbeats integration Power supply via power adapter, USB, or batteries Technical specifications Sound generationZEN-Core sound engine Polyphony128 voices Tracks7 instrument tracks | 1 vocal track Preset soundsOver 3,000 Preset drum kitsOver 80 Step sequencerUp to 128 steps Sampling formatWAV | 32 to 96 kHz | 16 or 24 bit | mono or stereo Sample timeUp to 12 minutes stereo | up to 6 minutes mono DisplayTwo-line, backlit LCD StorageSD card MIDIMIDI In | MIDI Out Weight1.16 kg Dimensions (W x D x H)354 x 208 x 60 mm Included in delivery Roland MV-1 Verselab Power adapter SD card, pre-installed in the product SD card protective case
The Maschine Mikro MK3 accompanies you as a compact groove tool that, despite its smaller form factor, offers the full range of functions of the larger models and enables direct, clear operation. You get hardware that integrates directly into your creative process without detours and immediately shows you how intuitive beatmaking can be. The combination of controller and software forms a closed production system that quickly takes you from an idea to a finished pattern. Reworked Workflow The new dedicated buttons for the different pad modes give you direct access to essential functions without having to search through menus. Whether Trigger, Keyboard, Chord, or Step mode – you switch effortlessly between playing styles and can adjust your musical approach at any time. In combination with the Maschine software, a smooth workflow emerges that especially shines when you want to capture spontaneous ideas. Pads and Control Elements The 16 velocity-sensitive pads respond precisely to every nuance of your playing and support both rhythmically expressive patterns and melodic lines. The setup is complemented by a push encoder that enables fast navigation and parameter adjustments. The mini display provides clear information so you always have the most important values in view, even without a large screen. Expressive Playing Techniques The dual-touch Smart Strip opens up additional performance possibilities for you. With it, you control effects, modulate sounds, or create playful accents that give your beats character. Thanks to this touch-sensitive control, the Mikro MK3 feels surprisingly versatile despite its compact size and expands your creative space. Software Integration The Maschine software runs either in standalone mode or as a plugin in your preferred DAW. The extensive software package provides you with a solid sound foundation featuring high-quality instruments, effects, loops, and samples. This allows you to get started without additional purchases – ideal when you want to dive right in. Features Native Instruments Maschine Mikro MK3 Compact groove controller for beat-oriented music production Reworked design with clearly structured user interface Direct switching of pad modes: Trigger | Keyboard | Chord | Step Standalone or plugin operation of the Maschine software 16 velocity-sensitive, illuminated pads for precise playing Push encoder for fast navigation and parameter selection Easy-to-read mini display for showing key information Dual-touch Smart Strip for creative effect control Large software package with instruments, effects, loops, and samples included Technical Data Compatibility: macOS | Windows (64-bit) Weight: 1.12 kg Dimensions: 320 x 117 x 45 mm Scope of Delivery Native Instruments Maschine Mikro MK3 controller Maschine Essentials software package NI Massive full version (after registration) NI Monark full version (after registration) NI Reaktor Prism full version (after registration)
With the 2-channel controller DDJ-FLX4, you get a compact controller for getting started in the DJ world, presented in a surprisingly open way. The model works with rekordbox and Serato DJ, supports PC and Mac as well as rekordbox for iOS and Android, and fits a wide range of setups. It also includes smart features for easy transitions, a familiar club layout, and a design intended for use on the go. This gives you a device that you understand quickly, works cleanly, and meets you during learning just as much as it does at your first real gigs. Easy mixing, clean start It’s particularly strong exactly where many beginners otherwise lose time: with transitions. With Smart Fader, levels, bass, and BPM are automatically adjusted when you move the channel or crossfader. This doesn’t take control away from you, but helps transitions between tracks sound noticeably more coherent. You reach clearly well-rounded results faster, without having to dive into every fine detail of mixing technique right away.Smart CFX is also handled in a practical way. Instead of building several effects individually, you use a single knob to control combined effect contours. It’s not only convenient, but it also helps you use effects more controlled and more musical. Especially while learning, this creates a more direct sense of when an effect is useful and when less is more. Open to software and devices The Pioneer DJ controller makes your setup choice pleasantly easy. rekordbox and Serato are supported, meaning you’re not locked in early to a single software platform. For many users, this is a major advantage, because working style, music management, and control feel can differ depending on the software. You decide for yourself what you feel more comfortable with.That’s complemented by the broad device support. In addition to PC and Mac, you can also work with mobile devices, making the FLX4 especially flexible. If you want to prepare on the go, practise at home, or DJ spontaneously with a smartphone or tablet, you’ll find a solution here that fits well into everyday life and isn’t tied to a fixed workstation. Streaming directly in your workflow Another plus point is the connection to major streaming services. When used with compatible software, you can access platforms such as Beatport, TIDAL, Beatsource or SoundCloud Go+. This expands your music selection enormously and makes it easier to try out new ideas right away in your mix. This is a real advantage especially when practising, preparing sets, or during spontaneous sessions.What’s practical here isn’t just the amount of available music, but also the speed in your workflow. Instead of organising tracks locally first, you can test, compare, and react to your mood faster. For many DJs, this is a modern, straightforward way to stay flexible and keep developing their own style. Familiar layout, compactly implemented The control surface follows the well-known Pioneer DJ club layout and stays pleasantly tidy. 8 RGB pads per deck give you direct access to functions such as Hot Cues, samples, and other performance features. This helps you learn structures and working processes that are also relevant on larger equipment. This makes getting started not only easier, but also more future-proof.At the same time, the unit remains easy to transport. Its low weight, compact build, and USB power supply make the DDJ-FLX4 a controller you can quickly pack up and connect without complications. It’s a clear advantage for sessions at home, with friends, in the stream, or for smaller gigs. Mic signal without detours For announcements, moderation, or live streams, the integrated microphone input is especially practical. The microphone signal is mixed directly into the audio output, so in many cases you don’t need an additional mixer and often not even a separate audio interface. This saves space, reduces cabling effort, and keeps your setup pleasantly clear.This is particularly useful for content, streaming, or hybrid use. You can bring your set and your voice together in a streamlined setup and work with fewer external devices. This makes the controller interesting not only for classic DJing, but also for creators, hosts, and anyone who wants to combine audio and performance in a single device. Is the Pioneer DJ DDJ-FLX4 right for you? This model is just right for you if you’re looking for a professionally sounding start without locking yourself into anything unnecessarily. It suits beginners who want to quickly reach musically clean transitions, as well as more advanced users who need a compact second controller for on the go. If you want to choose between rekordbox and Serato, work on the move, or integrate streaming services into your set, you’ll find a very coherent overall package here. For beginners looking for a clear, learning-friendly layout For mobile setups with a laptop, smartphone, or tablet For DJs who want to work with rekordbox or Serato For streams, announcements, and compact setups with a microphone Features Pioneer DJ DDJ-FLX4 Compact 2-channel DJ controller with an open software concept for rekordbox and Serato DJ Beginner-friendly control layout with a clear club layout from the Pioneer DJ environment Smart Fader supports you with clean transitions through automatic adjustment of levels, bass, and BPM Smart CFX combines multiple effects on one knob for quick and creative control Compatible with PC and Mac as well as rekordbox for iOS and Android for especially flexible setups Streaming support for Beatport, TIDAL, Beatsource, and SoundCloud Go+ 8 RGB pads per deck for Hot Cues, samples, and other performance functions Integrated microphone input with direct mixing into the audio output, ideal for live streams and announcements USB power supply for effortless operation without a separate power adapter in the standard setup Class-compliant build without the need to install drivers Technical data Frequency range 20 Hz - 20 kHz S/N Ratio 103 dB Sample rate 44.1 kHz | 48 kHz AD/DA conversion 16 Bit | 24 Bit Power supply USB Supported software rekordbox for PC and Mac | rekordbox for iOS and Android | Serato DJ Lite | Serato DJ Pro Weight 2.1 kg Dimensions (W x D x H) 482 x 273 x 59 mm What’s in the box Pioneer DJ DDJ-FLX4 DJ controller USB-C cable Quick start guide Serato flyer Warranty and safety information
The RC-500 Loop Station builds on the extremely popular BOSS RC-30 2-track looper and offers additional MIDI capability, an animated color LCD, crisper drum sounds on board and more stereo record time than you'll ever want. From beatboxers and guitarists to keyboarders and singer/songwriters, if you're looking for a creative launchpad to write songs at home and build loops in a live environment, the BOSS RC-500 is the perfect addition to your setup. Record and dub on the RC-500's two independent tracks, then switch, mix and toggle to your heart's content. With built-in Loop FX (beat, repeat, shift, scatter and vinyl), you can add effects to the loops for more variation in texture. The BOSS RC-500 Loop Station gives you 13 hours of recording time in 32-bit stereo, divided into 99 recallable phrase memories. The Phrase Memories store not only the basic loops and overdubs you create, but also Loop FX and each of the 114 onboard drum grooves and 16 drum kits you select to accompany them. Thanks to the RC-500's USB port, you can easily save and reload loops in sets. The animated LCD display with RGB backlighting keeps you up to date on beat, beat and loop status at every step. Looking for more control? The RC-500 also gives you stereo inputs and outputs, an assignable external footswitch/expression pedal connector, and even TRS MIDI inputs and outputs for syncing with drum machines and remote control via your pedalboard MIDI switcher. Features Boss RC-500 Two independent loop tracks with channel faders and Loop FX Stereo instrument inputs and outputs for guitarists and keyboarders Microphone input for singers and beatboxers 13 hours stereo record time Excellent 32-bit/44.1kHz quality 99 phrase memories, plus USB import/export Animated color LCD shows bar and beat information and recording/playback status 114 built-in drum patterns (57 + A/B variations) with 16 drum kits and assignable reverb MIDI and expression ports for remote control, external beat synchronization, record start/stop and more Operation with 4x AA batteries or optional power supply (not included) Support of foot switches and expression pedals Technical data Sampling frequency: 44.1 kHz AD/DA conversion: 32 Bit Data format: WAV (44.1 kHz, 32-bit) Rhythm types: 57 patterns x 2 variations Rhythm kits: 16 types Maximum recording time: approx. 1.5 hours (1 track), approx. 13 hours (all memories in total) Battery operation: approx. 3.5 hours (2 hours with phantom power) Weight: 950 g Dimensions (W x D x H): 170 x 138 x 62 mm Scope of delivery Boss RC-500 Loop Station User manual 4x alkaline batteries (AA, LR6) 4x rubber feet Warning signs
