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RME Fireface UCX II Front
RME Fireface UCX II Side
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RME Fireface UCX II Front
RME Fireface UCX II Side
RME Fireface UCX II Back

RME Fireface UCX II

€1,202.82 Prices incl. VAT

% €1,399.00 (€196.18 saved | MSRP of the manufacturer)
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Product description RME Fireface UCX II

With the RME Fireface UCX II, you get a portable USB audio interface that combines, in a small space, many connection options, flexible signal routing, and standalone operation. The half-19-inch device is aimed at applications in the studio, in mobile recording, and in live settings, where you don’t want to give up on professional connection variety. Two Mic/Line inputs, two Line/Instrument inputs, additional analog Line I/Os, as well as ADAT, AES/EBU, SPDIF, Word Clock and MIDI ensure that the interface fits into very different setups. This is complemented by TotalMix FX, DURec for direct recording to USB storage, and SteadyClock FS for clean clocking.

RME Fireface UCX II - Compact Size

Compact, but open to large setups

RME combines a very compact format here with equipment that goes far beyond classic desktop solutions. The device provides you with 40 channels for recording and playback and connects analog and digital sources without detours. On the front, you work directly with two Mic/Line preamps in the XLR combo format and two Line/Instrument inputs; on the back, you have additional balanced Line inputs and outputs for outboard gear, synths, monitors, or permanently wired studio connections.

Especially then, when your setup grows, this RME solution remains an interesting option. ADAT, AES/EBU, SPDIF coaxial, Word Clock and MIDI open up many possibilities for expansion, integration of external converters, or synchronisation of multiple devices. This creates an interface that not only fits your needs today, but also keeps its place in more complex production environments.

RME Fireface UCX II - Standalone Function

Direct access without detours

The Fireface model is not dependent on being permanently connected to a computer. Using front buttons, encoders, and a colour display, you control important functions directly on the device. The standalone function is particularly practical: multiple device states can be saved in the internal memory, so you can quickly recall different working environments.

This is especially useful when you switch between recording, live use, and fixed routing. Instead of having to configure everything again each time, you call up prepared setups and carry on immediately. This direct usability makes the interface not only more flexible, but also more practical in everyday situations where things need to happen quickly.

RME Fireface UCX II - Recording Features

Recording without a computer

With DURec, the interface becomes more than just a switching hub. The integrated recording function writes all inputs and outputs directly to a USB storage medium via the connection on the rear. That way, you use the device as a standalone recorder for rehearsals, concerts, sessions, or virtual sound checks—without a Mac or PC having to run.

Playback of already recorded tracks in a live context is also very interesting. Channels can be selected specifically for recording and playback, giving you significantly more freedom in practical use. For mobile applications or smaller production environments, it saves you paths, devices, and additional sources of error.

RME Fireface UCX II - Routing Options

Routing, monitoring, and control

TotalMix FX is one of the points that has made RME interfaces so versatile for years. You get an extensive mixing and monitoring environment with latency-free monitor mixes, routing options, and integrated effects such as EQ, dynamics, reverb, and delay. This allows you to set up headphone mixes, monitor paths, and various output scenarios very precisely.

On top of that, there’s DigiCheck for precise analysis and measurement tasks. This is particularly valuable when you want to cleanly monitor levels, digital signals, or complex routings. For many setups, this combination of hardware and software replaces an additional external mixer or meaningfully extends existing workflows.

RME Fireface UCX II - Sync Options

Clean clock, well thought-out outputs

With SteadyClock FS, RME relies on a very precise clock architecture with strong jitter suppression. For you, that means stable synchronisation in the digital chain and a reliable basis for ADAT-, AES-, SPDIF-, or Word Clock setups. Especially when multiple digital devices work together, this is a point that makes a clear difference in everyday use.

In addition, the interface offers DC-coupled outputs. This is particularly interesting if you work with CV/Gate and want to integrate modular systems. With this, the device doesn’t just appeal to classic recording and mixing environments, but also to users who want to bring audio and control signals together flexibly in a central hub.

RME Fireface UCX II - Front Back Detail

Does the RME Fireface UCX II fit your workflow?

This interface is a great choice when you want more than just inputs and outputs at the computer. It’s suitable for ambitious home studios, professional production stations, mobile multi-track recording, and live setups with clear requirements for routing, stability, and standalone operation. Thanks to the straightforward operation, it’s also accessible for experienced beginners—however, its depth really comes into its own when you build more complex signal chains or want to integrate external hardware cleanly.

  • Suitable for recording, mixing, and mobile multi-track setups
  • Useful for hybrid studios with analog and digital peripherals
  • Interesting for live applications with direct recording to USB storage media
  • Strong choice if you work with TotalMix FX, external converters, or CV/Gate

Features RME Fireface UCX II

  • Portable 40-channel USB audio interface in a compact half-19-inch format for studio, live, and mobile applications
  • Two Mic/Line inputs in XLR combo format on the front
  • Two Line/Instrument inputs on the front with digitally controllable gain
  • Eight analog I/Os plus a separate headphone output for flexible monitoring and signal routing
  • Digital connections with ADAT, AES/EBU, SPDIF coaxial, Word Clock, and MIDI
  • Standalone operation with saved device states and direct control via display, buttons, and encoders
  • DURec for direct recording and playback via USB storage media without a computer
  • TotalMix FX and DigiCheck for routing, monitoring, effects, and precise analysis functions
  • SteadyClock FS for jitter suppression and stable digital synchronisation
  • DC-coupled outputs for applications with CV/Gate and modular systems

Technical data

  • Channels 40
  • Audio interface type USB 2.0 Audio Interface
  • Analog inputs 8
  • Analog outputs 8
  • Microphone inputs 2 x Mic/Line Input
  • Instrument inputs 2 x Line/Inst Input
  • Headphone output 1 x Phones Output
  • Digital connections 1 x AES I/O | 1 x ADAT I/O | 1 x SPDIF I/O Coax | 1 x Word Clock I/O | 1 x MIDI I/O
  • Supported sample rates 28 kHz to 200 kHz
  • AD converter resolution 24 Bit
  • DA converter resolution 24 Bit
  • Microphone inputs 1-2 XLR, electronically balanced | Input impedance: 5.4 kOhm | Gain range: 75 dB | ON: -128 dBu A-weighted at 60 dB gain
  • Line/Instrument inputs 3-4 TRS balanced or TS unbalanced | Instrument impedance: 1 MOhm | Additional digital gain: 0 to +24 dB
  • Line inputs 5-8 6.3 mm stereo jack, electronically balanced | Input impedance: 8 kOhm unbalanced | 12 kOhm balanced | Gain: 0 to +12 dB
  • Line outputs 1-6 6.3 mm stereo jack, servo-balanced | Maximum output level: +19 dBu | Output level switchable: +19 dBu | +13 dBu | +4 dBu
  • Phones output 7-8 6.3 mm stereo jack, unbalanced | Output impedance: 1 Ohm | Max output power per channel at 32 Ohm: 210 mW
  • MIDI 1 x MIDI I/O via 5-pin DIN sockets
  • Power supply external power supply unit
  • Power consumption typical 13 Watts
  • Weight 0.91 kg
  • Dimensions (W x D x H) 215 x 130 x 44 mm
Responsible company
Audio AG
Am Pfanderling 60
85778 Haimhausen
Germany
info@audioag.com
+49 (0) 8133 - 91810

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1 review

Thomas K. — 11 July 2025

Immer wieder RME

Bin mit dem UFX III super zufrieden. Daher gleich das UCX II als ADAT Erweiterung und als mobiles Interface hinterher. RME ist klasse.

Important questions about the article RME Fireface UCX II

Question: Can the RME Fireface UCX II operate without a computer?

Answer: Yes. In standalone mode, settings can be operated directly on the unit and six device states can be stored permanently; TotalMix FX can also be controlled via MIDI.

Question: Can I make multitrack recordings without a computer?

Answer: Yes. DURec records selected inputs and outputs directly to USB storage devices up to 2 TB and plays recordings back. The recorder works via the internal DSP independently of Windows or Mac.

Question: Which analogue sources can I connect directly?

Answer: The front panel provides two mic/line inputs with XLR combo sockets as well as two line/instrument inputs. This means no external preamp is mandatory for microphones, synthesizers and instruments.

Question: Can the interface be integrated into a digital studio setup?

Answer: Yes. It offers ADAT, AES/EBU, coaxial SPDIF, Word Clock and MIDI in addition to the analogue connections. This lets it connect to digital converters, preamps and other studio equipment.

Question: Does the Fireface UCX II work with Windows, Mac and Linux?

Answer: In Class Compliant mode, it is recognised by Windows, macOS and Linux without a proprietary driver. However, fewer functions are available than in RME driver mode.

Question: Is mixer and monitoring software included?

Answer: Yes. TotalMix FX provides routing, multiple latency-free monitor mixes as well as EQ, dynamics, reverb and delay; DigiCheck is used to measure and analyse digital audio signals.

Question: Is the interface suitable for modular synthesizers?

Answer: Yes. The line outputs are DC-coupled and can therefore output CV and gate signals to compatible modular synthesizers and studio hardware.

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moog matriarch 1
Moog Matriarch

With its paraphonic playability and impressive 90 modular patch points, the semi-modular analog synthesizer Moog Matriarch is a powerhouse of sound design. The Moog Matriarch is equipped with a wonderfully responsive 49-key Fatar keyboard (with switchable velocity and aftertouch) and is the perfect way to create - or expand - your own modular synthesizer setup. With four fat analog oscillators and the monophonic, duophonic or paraphonic playability, the synth already offers enough possibilities for creative sound design. The main analog LFO has six selectable waveforms, while an additional LFO is provided for even more modulation potential. The Matriarch is equipped with two analog filters that offer parallel (HP/LP), stereo (LP/LP) and serial (HP/LP) modes for great sonic flexibility. With two analog ADSR envelopes and analog VCAs as well as an external audio input for processing other synthesizers and drum machines, this sound monster has plenty of creative potential. If that's not enough for you, you can let off steam at the 90 patch points, which offer numerous creative possibilities to intervene in the sound signal. By the way: The classic fat Moog sound is of course also included. Features Moog Matriarch Semi-modular analog synthesizer with Fatar keybed with 49 keys and monophonic, duophonic and paraphonic playability 256-step sequencer supports up to 4 notes per step Store up to 12 sequencer patterns for instant recall Sequencer can be decoupled from Matriarch to control external synths Arpeggiator offers forward/backward, order and reverse playback modes 90 modular patch points offer an amazing creative potential 4 analog oscillators, with multiple waveforms and hard-sync capability Analog LFO with 6 waveforms, plus an additional "simple" LFO Dual analog filters with 3 modes - parallel (HP/LP), stereo (LP/LP) and serial (HP/LP) 2 analog ADSR envelopes and 2 analog VCA's 3 bipolar attenuators with ring modulation capability 6.3mm Aux input for signal processing of instruments, synthesizers and drum machines 6.3mm and 3.5mm Eurorack level audio outputs Technical data Keyboard: Faitar, 49 keys with switchable velocity and aftertouch Polyphony: monophone, 2-note paraphone and 4-note paraphone 2 line outputs: 6.3 mm jack Stereo headphone output: 6.3 mm jack 2 outputs: 3.5 mm mini jack Delay 2 outputs plus Sync and CV input: 3.5 mm mini jack Arpeggiator/sequencer clock input/on-off input/reset and clock output: 3.5 mm mini jack Instrument input: 6.3 mm jack MIDI In/Out/Thru Expression Pedal to CV Sustain Pedal Input Weight: 10,9 kg Dimensions (W x H x D): 813 x 140 x 362 mm Scope of delivery Moog Matriarch Four patch cables (20/40/55 and 70 cm) 12V power supply unit User Manual Exploration Patchbook with sample presets

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boss gcs 8 top view
Boss GCS-8

Experience the future of music production with the Boss Gigacaster 8, your all-in-one USB interface solution. Whether you're just starting out creating professional music content or you're an experienced producer looking to capture your performance, the Gigacaster 8 takes your music to the next level. With premium sound quality achieved through 32-bit floating-point processing and a 48 kHz sampling rate, this eight-channel audio mixer is your trusted companion in creating impressive musical pieces. Countless sound-shaping tools give you the freedom to express yourself creatively and add your unique touch. The high-impedance input allows you to directly connect a guitar or bass, while four XLR/TRS combo jacks are available for both microphones and electronic instruments. The microphone inputs are equipped with phantom power and high-quality preamps, ensuring low noise and a wide gain range (+70 dB). With the Boss Gigacaster 8, you gain access to flagship-quality BOSS amplifiers and effects derived from the GT-1000. Additionally, dedicated vocal effects, harmony, and voice transformer functions sourced from the VE vocal processors provide additional possibilities to refine your sound. With ready-to-use preset libraries, you can take advantage of optimized sound processing for guitar, bass, vocals, and speech. Dedicated stereo channels allow you to involve remote guests or realize audio streaming from mobile devices via Bluetooth® or a wired connection. For intuitive control, the Boss Gigacaster 8 features a 4.3-inch color touch display. Eight independent faders and mute buttons for the eight audio input channels and master output provide full control over your audio experience. Additionally, eight customizable pads for audio playback and real-time effect control offer added flexibility. Additional features such as talkback for discreet communication between moderators, ducking that automatically lowers the background music volume while speaking, an integrated stereo microphone, and four headphone outputs with their own EQs complete the package. The front-panel headphone output also supports a headset or inline microphone. As a 20x14 USB audio interface, the Gigacaster 8 also functions for multitrack recording in music production software and allows recording of live stereo or multitrack audio (32-bit/48 kHz) to an optional microSD card. Features Boss GCS-8 All-in-one USB interface solution designed for music-focused content creators Premium sound quality with 32-bit floating-point processing and 48 kHz sampling rate Eight-channel audio mixer and numerous sound-shaping tools High-impedance input for direct connection of a guitar or bass Four XLR/TRS combo jacks for mics and electronic instruments Mic inputs feature phantom power and high-grade preamps with low noise and wide gain range (+70 dB) Flagship-quality BOSS amps and effects derived from the GT-1000 Dedicated vocal effects, harmony, and voice transformer functions derived from VE vocal processors Ready-to-go preset libraries provide optimized sound processing for guitar, bass, singing, and speaking Dedicated stereo channels for remote guests and mobile device audio streamed via Bluetooth® or a wired connection 4.3-inch color touch display for intuitive control Independent faders and mute buttons for the eight audio input channels and master output Eight customizable pads for audio playback and real-time effects control (two modes with eight selectable banks in each) Talkback function for discrete communication between presenters Ducking function automatically lowers the background music volume while speaking Onboard stereo microphone and four headphone outputs with dedicated EQs Front-panel headphones output supports a headset mic or inline mic Also works as a 20x14 USB audio interface for multitrack recording in music production software Record live stereo or multitrack audio (32-bit/48 kHz) to an optional microSD card Runs on USB bus power* or included AC adaptor Supports hands-free operation via optional BOSS footswitches, expression pedals, and a GA-FC/GA-FC EX foot controller Dedicated Gigcaster 8 App for parameter editing, backup, and audio file conversion Technical Data Sample Rate: 48 kHz AD Conversion: 24 bits DA Conversion: 32 bits Processing: 32-bit floating point USB Audio: Input: 16 channels | Output: 12 channels Bluetooth: A2DP, HFP Effect Patches: GUITAR: 200 (User) + 100 (Preset) | SING: 200 (User) + 30 (Preset) | TALK: 200 (User) + 30 (Preset) Recording: Data Format: BWF (48 kHz, 32-bit float) | Storage: microSD card (sold separately) Sound Pad: Data Format: WAV (48 kHz, 16-bit linear) | Storage: internal storage(16GB) Display: Color Graphic LCD (480 x 272 dots) Touch screen Power Supply: AC adaptor (PSD series) | USB BUS Power Weight: 1.36 kg Dimensions: 217 (W) x 267 (D) x 80 (H) mm In the Box Boss GCS-8 AC-Adapter Instruction manual Warranty & Safety Instructions

€636.00 €819.00 (22.34% saved)
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arturia keylab essential 49 mk3 front view
Arturia Keylab Essential 49 MK3

The Arturia KeyLab Essential 49 MK3 is a remarkable solution for music producers and keyboardists who are looking for a powerful tool to bring their musical visions to life. It bridges the virtuosity that Arturia puts into emulating classic instruments with the needs of musicians who require an intuitively designed interface for their work. In this latest version, Arturia has completely overhauled the KeyLab Essential and introduced a wealth of features that enhance both the workflow and enable new creative expressions. Its deep integration with various Digital Audio Workstations (DAWs) allows the user to seamlessly dive into the composition and recording process. The MIDI keyboard not only serves as an input device but also inspires with its performance-oriented features, enhancing expressiveness during composition and performance. Notable features include advanced control of dynamics and expression through color-coded and velocity-sensitive beat pads, as well as responsive faders and rotary encoders. These components, along with a full-color 2.5-inch LCD screen, provide real-time visual feedback for all assigned parameters. With such extensive control options, the user can focus on the essentials: the music. The operation of the KeyLab Essential 49 MK3 is remarkably straightforward. Where other controllers often frustrate with their complex menus, the KeyLab Essential enables direct and intuitive handling. Additional features such as scale and chord modes, as well as an arpeggiator, enrich the repertoire and open up new avenues for composition. These tools expand the musical horizon while allowing the freedom to act spontaneously and implement ideas fluidly. Along with the keyboard, an extensive software package is included, featuring Analog Lab V, which offers an endless library of over 2,000 high-quality presets, ranging from modern to vintage synthesizer sounds. Whether in the studio or on stage, the KeyLab Essential ensures that the required sounds and functions are just a button press away. In terms of connectivity, Arturia adopts modern standards with a USB-C connection, providing seamless communication and bus power. With additional MIDI outputs and inputs for expression controllers, the device is well-equipped for any conceivable setup, offering ample flexibility for live performances or demanding studio work. Features Arturia Keylab Essential 49 MK3 User-friendly interface: Easy navigation with precisely placed buttons, rotary encoders, and sliders. Dynamic beat pads: 8 RGB backlit pads with velocity and pressure sensitivity enhance composition and performance potential. Real-time visual feedback: Settings and adjustments are displayed in full color on the 2.5-inch LCD screen. Full personalization: 9 rotary encoders and 9 sliders offer comprehensive customization options for optimized arrangement workflows. Context-sensitive control: All controls are contextually adjustable, allowing for expanded production versatility without complicated menu navigation. Ergonomic design: Pitch and modulation wheels above the lowest keys for a sleek, ergonomically advantageous form. High-quality bundled software: Includes Analog Lab V and an extensive selection of studio presets. Powerful composition features: New features like chord and scale modes, as well as an arpeggiator, offer advanced musical creativity. Flexible scripting: Customized scripts for seamless use with almost any DAW. Perfect integration: Works seamlessly with Arturia's collection of soft synthesizers, whether in the studio or on stage. Modern connectivity options: USB-C for comprehensive MIDI communication and bus power. Advanced interface options: 5-pin MIDI output and inputs for expression controllers ensure deep integration into live or studio setups. Technical Specifications Type: Keyboard Controller Number of Keys: 49 Key Type: Synth-Action Keyboard Velocity Sensitivity: Yes Pads: 8 x RGB, velocity-sensitive pads with aftertouch Other Controls: 1 x Pitchbend, 1 x Modulation Rotary Encoders/Knobs: 9 Sliders: 9 Dedicated Transport Control: Yes Presets: 2000 Pedal Inputs: 1 x 6.35 mm (Control) MIDI I/O: Output, USB USB: 1 x Type C Computer Connection: USB Software: Analog Lab V, UVI Model D, NI The Gentleman, Loopcloud, Melodics Formats: AAX, AU, VST, NKS, Standalone Mac Hardware Requirements: Minimum 4 GB RAM, 3.4 GHz or higher processor, Quad-Core CPU, 3 GB hard drive space PC Hardware Requirements: Minimum 4 GB RAM, 3.4 GHz or higher processor, Quad-Core CPU, 3 GB hard drive space Mac Operating System Requirements: MacOS 10.13 or higher PC Operating System Requirements: Windows 10 or higher Power Supply: USB bus-powered Weight: Approximately 2.76 kg Dimensions (W x D x H): 790 x 240 x 70 mm Package Contents Arturia Keylab Essential 49 MK3 USB-A to USB-C Cable License Card Included Software Analog Lab V Software with over 2000 Presets Ableton Live Lite Native Instruments’ The Gentleman UVI Model D 2-month Loopcloud Subscription Melodics Subscription (Unlimited trial subscription + bonus lessons)

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Universal Audio VOLT 476 Top View
Universal Audio VOLT 476

Compact USB audio interface for anyone who wants to bring recordings cleanly, quickly, and without detours into your computer: With the Universal Audio VOLT 476, you set up a reliable 4-channel setup for vocals and instruments – on Mac, PC, iPad, or iPhone. Four inputs and four outputs give you enough flexibility for small band setups, stereo sources, or multiple signals at the same time. Thanks to 24-bit/192 kHz, you get conversion that makes details audible without having to fight your way through complicated menus.With this interface, Universal Audio combines modern converter technology with two sound options that you can activate directly on the device. For every recording, you decide whether you want a deliberately neutral, transparent sound or prefer to capture character and dynamic control while tracking. The device also works great as a monitor controller: inputs and outputs can be monitored effectively while you work with direct monitoring without noticeable latency. Character at the push of a button instead of a plugin marathon With the integrated Vintage Mode, you get a 610 Tube Mic Preamp emulation directly in your signal path. Especially for vocals, electric guitar, or bass, this delivers more fullness and a pleasantly tangible tone without you having to search for the right plugin during recording. You can deactivate the mode at any time and get the clear, uncolored basic sound of the interface.What’s practical is that you don’t have to “commit” to the sound: depending on the project, you can switch between neutral and colored and focus on performance and arrangement while recording. This is especially helpful when you want to capture ideas quickly or try out different tones before moving on to mixing. Keep dynamics under control before they become a problem You can also activate a 76 Analog Compressor, inspired by a classic 1176 limiter. This lets you tame level peaks directly at the source and give vocals or instruments more presence. Instead of countless parameters, you use suitable presets that address typical applications such as vocals, guitars, synths, or drum machines.Especially for streaming, podcasts, or quick vocal takes, this is a real advantage: the signal stays controlled without you having to build a long effect chain in your DAW first. And if you prefer to record completely “clean,” simply leave the compression off – the choice is yours. Monitoring that keeps up with you When recording, a stable and direct feel is essential. Direct monitoring ensures latency-free recording, while you can monitor loudly and cleanly via the headphone output. The headphone amplifier is designed for clear monitoring so you can accurately judge what’s really happening, even with dynamic signals.48 V phantom power is available for condenser microphones. This makes your setup flexible: from speech microphones to vocals and acoustic instruments. And because the housing is built robustly, the interface remains reliable even when it often ends up in your backpack. More than hardware: creative start with software bundle So you don’t have to start from scratch, an extensive package of DAW, UAD plug-ins, and third-party tools is included. The combination of LUNA and effects such as EQs, channel strips, reverb, tape emulations, and instruments gives you a ready-to-work setup for recording and mixing right away. You also get well-known names like Ableton Live Lite and Melodyne Essential, plus amp and bass tools for guitar and bass tracks.Mobile use is also supported: with iPad/iPhone (iOS/iPadOS 14 or higher), you can record on the go – you’ll need an external power supply and an Apple Lightning to USB Camera Adapter (except iPad Pros with USB-C). This keeps your workflow consistent, whether on desktop or on the move. MIDI integrated directly Via the 1x1 MIDI I/O, you connect controllers, synthesizers, or drum machines without additional adapters. This way, you control virtual instruments in your DAW or synchronize external equipment cleanly with your setup. Simply connect and get started The interface comes with a USB-C to USB-A cable and can be quickly integrated into existing setups. For iPad and iPhone, mobile operation is possible if you use an external power supply and – depending on the device – the appropriate camera adapter. Features VOLT 476 Compact USB 2.0 audio interface with 4 in/4 out for versatile recording and playback Compatible with Mac, PC, iPad and iPhone; mobile use possible with external power supply and adapter 24-bit/192 kHz audio conversion for detailed recordings Vintage Mic Preamp mode as an emulation of the 610 tube preamp for optional character during recording Switchable analog 76 compressor with presets for quick dynamic control of recording sources Direct monitoring for latency-free playing and recording High-quality headphone amplifier for loud, clean monitoring 48 V phantom power for condenser microphones 2 combo inputs for mic/instrument/line plus additional line inputs for flexible signal sources Monitor controller function for separate monitoring of input and output signals MIDI I/O (1x1) for synths, controllers and external equipment Rugged housing for reliable use in the studio and on the go Includes extensive software package from Universal Audio and third-party providers for recording, mixing and sound design USB-C to USB-A cable included for immediate start on your computer Technical Data Type USB 2.0 audio interface Inputs/Outputs 4 In | 4 Out Inputs 2 mic/instrument/line combo (XLR/6.3 mm jack) | 2 line (6.3 mm jack) Outputs 4 line (6.3 mm jack) Headphones Stereo headphone output (6.3 mm jack) MIDI 1 MIDI In | 1 MIDI Out USB USB-C port Power Supply 5V DC input for power adapter Conversion 24-bit/192 kHz Phantom Power 48 V Compatibility Windows 10 (64-bit) | macOS 10.14 Mojave or higher | iOS/iPadOS 14 or higher Weight 0.92 kg Dimensions (W x D x H) 212 x 132 x 66 mm Scope of Delivery Universal Audio VOLT 476 USB audio interface USB-C to USB-A cable External power adapter Large Software Package Included Ableton Live Lite Softube Marshall Plexi Classic Amp Softube Time & Tone Bundle Celemony Melodyne Essential Relab LX480 Essentials Plugin Alliance Ampeg SVT-VR Classic Brainworx bx_tuner and Brainworx bx_masterdesk Classic UJAM Virtual Drummer DEEP and Virtual Bassist DANDY Spitfire LABS

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roland rubix 44 usb5a86f560713a8
Roland Rubix 44

The Roland Rubix 44 is an extremely versatile 4-channel USB audio interface, perfect for both studio and mobile use. With its robust metal housing, it is ideal for portable applications and can easily be stored in a bag. Thanks to USB class compatibility, you can even connect the interface directly to an iPad and skip the laptop. It offers impressive sound quality, even in challenging recording environments. The four microphone preamps of the Rubix 44 provide exceptional clarity and ensure that your recordings sound precise and clean, even in less-than-optimal conditions. With thoughtful features like a ground lift switch and an integrated dynamic processor, high-quality sound can be achieved directly at the recording location. Roland has equipped the Rubix 44 with specially shielded components that minimize interference with the signal. If power line noise still occurs, the ground lift switch ensures that annoying hum is reliably removed – a feature rarely found in this price range. Another practical highlight is the integrated dynamic processing. With three modes of compressor/limiter circuits, you can adjust your recording levels beforehand, reducing the need for post-production and saving time. This feature is especially valuable when working with live sounds, where unexpected level spikes often compromise recording quality. Thanks to additional features like MIDI I/O and loopback recording, the Rubix 44 offers even more flexibility for various applications, from music production to podcasting. The interface is compatible with Mac, Windows, and iOS and comes with a 6-month Roland Cloud Pro membership, offering even more creative possibilities. Features Roland Rubix 44 Versatile 4-channel USB audio interface for studio and live applications High-resolution audio recording up to 24-bit/192 kHz Extremely shielded, low-noise design Four high-quality, noise-free inputs for microphones, line, and instrument signals Robust metal housing for mobility and durability Ground lift switch to minimize power noise and hum Built-in compressor/limiter with three modes for sound optimization Selectable headphone output channels for independent monitor mix Loopback recording function for podcasts and live streaming MIDI I/O for connecting MIDI-capable devices like keyboards and controllers Universal USB class compatibility for Mac, Windows, and iOS 6-month Roland Cloud Pro membership Technical Specifications Computer connection: USB Type-B Form factor: Desktop Simultaneous input and output: 4 x 4 A/D resolution: Up to 24-bit/192 kHz Analog inputs: 2 x XLR-1/4" combo (microphone/line/hi-Z), 2 x XLR-1/4" combo (microphone/line) Analog outputs: 4 x 1/4" Headphone output: 1 x 1/4" MIDI I/O: In/Out USB connection: 1 x Type B Compatible operating systems: Mac: OS X 10.10 or higher, iOS 9 or higher PC: Windows 7 or higher Power supply: 9V DC power adapter (included) Weight: 1.8 kg Dimensions (W x D x H): 310 x 165 cm x 46 mm Included Items Roland Rubix 44 Power cable USB cable Quick start guide Warranty and safety instructions

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Audient EVO SP8 Front View
Audient EVO SP8

Eight additional microphone preamps, state-of-the-art signal conversion, and thoughtful control – with the EVO SP8, Audient expands your audio setup with exactly the functions that matter in everyday studio use. Via ADAT, you seamlessly integrate the preamp expander into your existing interface and immediately get eight high-quality input channels with clear operation and well-designed features. Inside, eight analog, digitally controlled EVO preamps deliver up to 58 dB gain. This allows even low-level signals to be amplified noise-free and precisely. The concept shows its strengths especially when using stereo microphones: The digital control enables exact gain matching between channel pairs, ideal for demanding recordings. Channels can also be linked to stereo pairs at the push of a button. Two additional inputs are designed as JFET instrument inputs. They simulate the behavior of a classic guitar amplifier and are therefore perfect for direct connection of electric guitar or bass. The internal signal conversion works with 24 bit / 96 kHz at up to 121 dB dynamic range – the result is detailed, transparent recordings with clear spatial representation. A central feature of the system is Smartgain: With a press of a button, EVO SP8 automatically analyzes all active channels and sets the optimal gain value – simultaneously and without your intervention. This allows complex setups like drum recordings to be done quickly and safely. It saves time and protects against clipping or too low signals. Everything is controlled via the Motion UI system with a high-resolution TFT-LCD and a single control knob. The interface shows you all relevant parameters – like gain level, channel names, or level meters – clearly at a glance. The brightness can be adjusted to your studio. Activating phantom power, instrument mode, or mute also happens intuitively and without menu confusion. Features Audient EVO SP8 Expansion unit with eight high-quality microphone preamps for audio interfaces via ADAT Eight digitally controlled EVO preamps with 58 dB gain and exact stereo matching Two switchable JFET instrument inputs for direct connection of guitar or bass Digital conversion with 24 bit / 96 kHz and up to 121 dB dynamic range Smartgain technology automatically sets the optimal level for all channels Motion UI with central rotary control, TFT-LCD display, and clear user guidance Stereo link function for cross-channel gain matching Compatible with external word clock signal for synchronization Technical Data Mic Gain: 58 dB Line Gain: 58 dB with -10 dB pad Instrument Gain: 58 dB Phantom Power: 48 V +/- 4 V at 10 mA per channel Mic Input Impedance: >3 kΩ balanced Line Input Impedance: >10 kΩ balanced Instrument Impedance: 500 kΩ Max Input Level Mic: +16 dBu Max Input Level Instrument: +10 dBu Frequency Response: ±0.5 dB from 10 Hz to 40 kHz THD+N: <0.0015% (Mic) | <0.1% (Instrument) EIN Mic: <-127.5 dBu SNR: 100 dB AD Dynamic Range: 112.5 dB (A-weighted) DA Dynamic Range: >117 dB (A-weighted) Output Impedance: <50 Ω Max Output Level: 12 dBu AD/DA Reference Level: 0 dBFS = +10.5 dBu (ADC) | +12 dBu (DAC) Weight: 1.90 kg Dimensions (W x D x H): 355 x 255 x 53 mm Scope of Delivery Audient EVO SP8 preamp expander Power cable Serial number and PIN for software download via Audient ARC platform

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universal audio volt 2 front
Universal Audio VOLT 2

The Volt 2 is a USB-C audio interface that leverages Universal Audio's decades of experience, living up to UA's heritage. The interface features top-notch analog circuitry and class-leading 24-bit/192 kHz AD/DA conversion for creating professional-sounding music productions, livestreams, and podcasts. The bus-powered audio interface features two mic preamps with switchable vintage button and convenient input metering. This simulates a sound close to the Universal Audio 610 tube preamp. Analog stereo outputs and a headphone output make monitoring a breeze and allow direct monitoring for latency-free operation. In addition, the unit offers MIDI inputs for synthesizers or controllers. The Volt 2 features a rugged, retro-inspired design and comes with a great software package. Features Universal Audio VOLT 2 USB-C audio interface for Mac, PC, iPad and iPhone 2 inputs/2 outputs and 2 mic preamp inputs Premium analog circuitry and superb 24-bit/192 kHz AD/DA conversion Selectable vintage preamp mode with solid-state electronics for tube-like dynamic saturation and clipping Input level meter makes level adjustment a breeze Analog stereo outputs and a headphone output make monitoring a breeze Direct monitoring for latency-free operation MIDI I/O for synthesizers and controllers Rugged, retro-inspired design 48V phantom power for condenser microphones Huge software package included Technical specifications AD/DA conversion: 24 bit / 192 kHz Power supply: USB, power supply (not included) Weight: 1 kg Dimensions (W x D x H): 228 x 175 x 94 mm Scope of delivery Universal Audio VOLT 2 USB-C to USB-A cable Included Software Marshall Plexi Classic Amp Bundle Ableton Live 11 Lite Celemony Melodyne Essential Ampeg® SVT-VR Classic Bass Bundle LX480 Essentials by Relab Development Virtual Drummer DEEP by UJAM Virtual Bassist DANDY by UJAM LABS by Spitfire Audio

€165.31 €176.00 (6.07% saved)
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presonus inspire 1394 firewire 3
Presonus Inspire 1394 Firewire

The Presonus Inspire 1394 Firewire is a groundbreaking recording system that will inspire you as a musician or audio engineer. With its professional 24-bit/96kHz analog-to-digital conversion and four simultaneous inputs, it delivers unparalleled sound quality and flexibility for your computer-based music production. You will appreciate the integration of the Inspire 1394 with both Windows and Macintosh computers. It seamlessly works with a variety of recording software programs like Cubase, Nuendo, Sonar, Cakewalk, Logic, Logic Express, and Digital Performer, offering you a smooth and stress-free experience, allowing you to focus entirely on your creative work. The carefully designed microphone and instrument preamps in the Inspire 1394 consistently deliver transparent and detailed sound, whether you're using a powerful condenser microphone or a delicate acoustic guitar. The Software Control Panel allows you to adjust input gain, phantom power, limiter, preamp boost, sample rate, headphone volume, and main output volume. Notably, the Zero-Latency feature enables you to record with no perceptible delay by blending input signals directly with playback signals. Thanks to the two FireWire ports, you can even connect up to four Inspire 1394 devices, providing you with up to sixteen simultaneous inputs. This opens up exciting possibilities to unleash your creativity and handle larger music productions in top-notch quality. Whether you are a seasoned musician or an aspiring producer, the Presonus Inspire 1394 Firewire will impress you with its exceptional performance and reliability. Features Presonus Inspire 1394 Firewire: Professional 24-bit/96kHz analog-to-digital conversion for outstanding sound quality Four simultaneous inputs for versatile recording possibilities Premium microphone and instrument preamps with low noise and high gain Two custom-designed PreSonus microphone preamps with +48V phantom power Two Instrument Hi-Z inputs for a wide range of sound sources Selectable Line or Phono (with RIAA filter) inputs for keyboards, samplers, drum machines, and turntables Software Control Panel for easy adjustments of input gain, phantom power, limiter, and more Zero-Latency function for latency-free recording with direct input and playback mixing Daisy-Chaining feature allows connection of up to four Inspire 1394 devices for up to 16 simultaneous inputs Included high-quality Studio One® Artist software with effects, virtual instruments, and loops Compatible with popular recording software like Cubase, Nuendo, Sonar, Logic, and more Technical Specifications: Microphone Preamps: 2x XLR Female, +48V phantom power Instrument Inputs: 2x 1/4" TS, 1 Mega Ohm Line Inputs: 2x RCA, 10Hz - 50kHz frequency range Headphone Output: Mini TRS Active Stereo, 150 mW/CH @ 60 Ohm Load, 20Hz - 20kHz frequency range FireWire (IEEE 1394) Speed: 400 Mbps ADC Dynamic Range: 102 dB (weighted), 48 kHz Sample Rate DAC Dynamic Range: 108 dB (weighted), 48 kHz Sample Rate Bit Depth: 24-bit Internal Sample Frequency Selections: 44.1, 48, 88.2, 96 kHz Daisy-Chaining: Up to 4 devices for a total of 16 inputs/outputs at 96kHz Power: Six-Pin FireWire Port or external power supply (Line Transformer, internal switching) Weight: Approximately 2.3 kg Dimensions: Approximately 14 cm (Width) x 5 cm (Height) x 14 cm (Depth)

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