Products from: RME
RME Fireface UFX III is a USB 3 audio interface for demanding recording, mixing and mastering setups with a high channel count. You get a central studio tool that brings together analog, digital and network-adjacent signal paths in a 19-inch unit. Four Mic/Inst/Line inputs on the front, numerous digital connections, direct multi-track recording to USB storage, and a powerful DSP make the system particularly interesting when you want to manage many sources cleanly and work without detours. Many paths, clearly organised The key strength lies in the exceptional range of connections. In addition to 12 analog I/Os, you have AES/EBU, ADAT, optical and coaxial MADI, Word Clock, as well as two MIDI I/Os at your disposal. This means the interface can be integrated not only into classic studio setups, but also used as a hub for extensive digital expansion.Especially in larger production environments, the device shows its structure. You can integrate external converters, preamps and additional MADI devices, distribute signals flexibly and let your setup grow cleanly—without being stuck at a single interface. Record directly, without detours With DURec, the interface stores selected input and output signal(s) directly onto an attached USB storage medium. This is useful when you want to secure sessions independently of the computer, create live recordings, or plan an additional recording track for critical productions.There’s also Class-Compliant mode over USB 3.0. This allows you to integrate the device into suitable environments even without traditional driver operation and use the full I/O structure. For mobile or changing workstations, this is a noticeable advantage. Control, not detours With TotalMix FX, you get far more than just an internal mixer. Routing, latency-free monitoring, separate monitor mixes, EQ, Dynamics, Reverb and Delay are all ready in the system itself. This saves on external hardware, speeds up your workflow and keeps even complex sessions clear.It’s complemented by DIGICheck for precise analysis of digital signals. If you want to check levels, signal flow and technical quality—not just hear them—you get a toolset here that’s genuinely useful in everyday work. More than just audio The DC-coupled outputs expand the range of applications significantly. With these, you can not only output audio signals, but also send CV or gate information to modular synthesizers and other compatible hardware. That’s what makes the rack unit interesting for hybrid setups between the DAW, outboard and modular sound generation. Four XLR/TRS combo inputs for Mic, instrument and line Two headphone outputs with high output power MADI optical and coaxial for high channel counts Standalone operation and front panel control Does the RME Fireface UFX III fit your setup? This model is right for you if you’re looking for more than a compact desktop interface. It’s particularly well suited to professional studios, demanding project studios, broadcast environments and setups with many external converters, preamps or digital sources. Even if you work with extensive monitor paths, need multiple headphone mixes or want to integrate MADI into your production chain, this RME interface is a suitable solution. For advanced users and professionals with a growing studio For recording, mixing and mastering with many simultaneous signals For hybrid workflows with outboard, digital routing and modular systems For anyone who relies on stable drivers, direct recording and precise monitoring Features RME Fireface UFX III High-end USB 3 audio interface for extensive multi-track productions with up to 188 channels and up to 94 I/O channels 12 analog I/Os including 4 front XLR/TRS Mic/Inst/Line inputs 2 powerful stereo headphone outputs with up to +19 dBu output level MADI optical and coaxial for large digital channel counts and flexible expansion 2 x ADAT I/O, AES/EBU I/O, 2 x optical SPDIF and Word Clock I/O in one device DURec for direct multi-track recording of selected input and output signals to USB storage TotalMix FX with extensive routing, latency-free monitoring as well as EQ, Dynamics, Reverb and Delay Class-Compliant mode over USB 3.0 for driverless operation with a full 94-channel I/O structure SteadyClock FS for precise clocking and highly effective jitter reduction DC-coupled line outputs for CV and gate signals to modular synthesizers and studio hardware Technical data Device type 188-channel 24-bit/192 kHz USB 3 audio interface Analog I/Os 12 x Analog I/O Analog inputs front 4 x XLR/TRS Mic/Inst/Line Headphone outputs 2 x Phones Output Digital interfaces 1 x AES/EBU I/O | 2 x ADAT I/O | 2 x SPDIF I/O | 1 x Word Clock I/O MADI 1 x MADI optical I/O | 1 x MADI I/O coaxial MIDI 2 x MIDI I/O via 5-pin DIN USB USB 3.0 Supported sample rates 28 kHz to 200 kHz MADI optical up to 64 channels 24 Bit 48 kHz | 32 channels 24 Bit 96 kHz | 16 channels 24 Bit 192 kHz ADAT 2 x 8 channels 24 Bit up to 48 kHz | 2 x 4 channels 24 Bit 96 kHz | 2 x 2 channels 24 Bit 192 kHz Power supply Internal switch-mode power supply 100 - 240 V AC | 36 Watt Idle power consumption 19 Watt Typical power consumption 22 - 25 Watt Weight 2.8 kg Dimensions (W x D x H) 483 x 210 x 44 mm
With the RME Fireface UCX II, you get a portable USB audio interface that combines, in a small space, many connection options, flexible signal routing, and standalone operation. The half-19-inch device is aimed at applications in the studio, in mobile recording, and in live settings, where you don’t want to give up on professional connection variety. Two Mic/Line inputs, two Line/Instrument inputs, additional analog Line I/Os, as well as ADAT, AES/EBU, SPDIF, Word Clock and MIDI ensure that the interface fits into very different setups. This is complemented by TotalMix FX, DURec for direct recording to USB storage, and SteadyClock FS for clean clocking. Compact, but open to large setups RME combines a very compact format here with equipment that goes far beyond classic desktop solutions. The device provides you with 40 channels for recording and playback and connects analog and digital sources without detours. On the front, you work directly with two Mic/Line preamps in the XLR combo format and two Line/Instrument inputs; on the back, you have additional balanced Line inputs and outputs for outboard gear, synths, monitors, or permanently wired studio connections.Especially then, when your setup grows, this RME solution remains an interesting option. ADAT, AES/EBU, SPDIF coaxial, Word Clock and MIDI open up many possibilities for expansion, integration of external converters, or synchronisation of multiple devices. This creates an interface that not only fits your needs today, but also keeps its place in more complex production environments. Direct access without detours The Fireface model is not dependent on being permanently connected to a computer. Using front buttons, encoders, and a colour display, you control important functions directly on the device. The standalone function is particularly practical: multiple device states can be saved in the internal memory, so you can quickly recall different working environments.This is especially useful when you switch between recording, live use, and fixed routing. Instead of having to configure everything again each time, you call up prepared setups and carry on immediately. This direct usability makes the interface not only more flexible, but also more practical in everyday situations where things need to happen quickly. Recording without a computer With DURec, the interface becomes more than just a switching hub. The integrated recording function writes all inputs and outputs directly to a USB storage medium via the connection on the rear. That way, you use the device as a standalone recorder for rehearsals, concerts, sessions, or virtual sound checks—without a Mac or PC having to run.Playback of already recorded tracks in a live context is also very interesting. Channels can be selected specifically for recording and playback, giving you significantly more freedom in practical use. For mobile applications or smaller production environments, it saves you paths, devices, and additional sources of error. Routing, monitoring, and control TotalMix FX is one of the points that has made RME interfaces so versatile for years. You get an extensive mixing and monitoring environment with latency-free monitor mixes, routing options, and integrated effects such as EQ, dynamics, reverb, and delay. This allows you to set up headphone mixes, monitor paths, and various output scenarios very precisely.On top of that, there’s DigiCheck for precise analysis and measurement tasks. This is particularly valuable when you want to cleanly monitor levels, digital signals, or complex routings. For many setups, this combination of hardware and software replaces an additional external mixer or meaningfully extends existing workflows. Clean clock, well thought-out outputs With SteadyClock FS, RME relies on a very precise clock architecture with strong jitter suppression. For you, that means stable synchronisation in the digital chain and a reliable basis for ADAT-, AES-, SPDIF-, or Word Clock setups. Especially when multiple digital devices work together, this is a point that makes a clear difference in everyday use.In addition, the interface offers DC-coupled outputs. This is particularly interesting if you work with CV/Gate and want to integrate modular systems. With this, the device doesn’t just appeal to classic recording and mixing environments, but also to users who want to bring audio and control signals together flexibly in a central hub. Does the RME Fireface UCX II fit your workflow? This interface is a great choice when you want more than just inputs and outputs at the computer. It’s suitable for ambitious home studios, professional production stations, mobile multi-track recording, and live setups with clear requirements for routing, stability, and standalone operation. Thanks to the straightforward operation, it’s also accessible for experienced beginners—however, its depth really comes into its own when you build more complex signal chains or want to integrate external hardware cleanly. Suitable for recording, mixing, and mobile multi-track setups Useful for hybrid studios with analog and digital peripherals Interesting for live applications with direct recording to USB storage media Strong choice if you work with TotalMix FX, external converters, or CV/Gate Features RME Fireface UCX II Portable 40-channel USB audio interface in a compact half-19-inch format for studio, live, and mobile applications Two Mic/Line inputs in XLR combo format on the front Two Line/Instrument inputs on the front with digitally controllable gain Eight analog I/Os plus a separate headphone output for flexible monitoring and signal routing Digital connections with ADAT, AES/EBU, SPDIF coaxial, Word Clock, and MIDI Standalone operation with saved device states and direct control via display, buttons, and encoders DURec for direct recording and playback via USB storage media without a computer TotalMix FX and DigiCheck for routing, monitoring, effects, and precise analysis functions SteadyClock FS for jitter suppression and stable digital synchronisation DC-coupled outputs for applications with CV/Gate and modular systems Technical data Channels 40 Audio interface type USB 2.0 Audio Interface Analog inputs 8 Analog outputs 8 Microphone inputs 2 x Mic/Line Input Instrument inputs 2 x Line/Inst Input Headphone output 1 x Phones Output Digital connections 1 x AES I/O | 1 x ADAT I/O | 1 x SPDIF I/O Coax | 1 x Word Clock I/O | 1 x MIDI I/O Supported sample rates 28 kHz to 200 kHz AD converter resolution 24 Bit DA converter resolution 24 Bit Microphone inputs 1-2 XLR, electronically balanced | Input impedance: 5.4 kOhm | Gain range: 75 dB | ON: -128 dBu A-weighted at 60 dB gain Line/Instrument inputs 3-4 TRS balanced or TS unbalanced | Instrument impedance: 1 MOhm | Additional digital gain: 0 to +24 dB Line inputs 5-8 6.3 mm stereo jack, electronically balanced | Input impedance: 8 kOhm unbalanced | 12 kOhm balanced | Gain: 0 to +12 dB Line outputs 1-6 6.3 mm stereo jack, servo-balanced | Maximum output level: +19 dBu | Output level switchable: +19 dBu | +13 dBu | +4 dBu Phones output 7-8 6.3 mm stereo jack, unbalanced | Output impedance: 1 Ohm | Max output power per channel at 32 Ohm: 210 mW MIDI 1 x MIDI I/O via 5-pin DIN sockets Power supply external power supply unit Power consumption typical 13 Watts Weight 0.91 kg Dimensions (W x D x H) 215 x 130 x 44 mm
RME Babyface Pro FS is a compact USB audio interface for demanding recording, mixing and production tasks. The unit combines a robust aluminium housing with thoughtfully designed connectivity options, very low latency and a signal quality that also impresses in professional setups. Four analogue inputs and outputs, ADAT, MIDI, two separate headphone outputs and the flexible TotalMix FX mixer make this interface a versatile switching hub for studio, desktop and mobile work. Clean signals, clear focus The two digitally controlled microphone preamps give you a wide gain range of up to 76 dB and work with phantom power that can be switched on individually. There’s also a PAD implemented via relay, which provides more headroom at higher levels. Especially for speech, vocals or acoustic instruments, you benefit from very precise recording with high signal-to-noise ratio and clean handling even with quiet sources.The XLR inputs are complemented by two line and/or instrument inputs on 6.3 mm jacks. This allows you to connect synthesizers, drum machines, guitars or basses directly, without having to plan an additional DI solution. This makes the interface particularly practical when you switch between recording, sound design and production. Rock-solid timing down to the detail With SteadyClock FS, RME relies on a highly precise clock technology with strong jitter suppression. This is particularly relevant when you work with digital playback devices, ADAT expansions or changing clock sources. The result is a stable, reliable setup that delivers a consistent sound image for both recording and playback.There’s also support for sample rates up to 192 kHz as well as very direct conversion with low delay. Especially for monitoring situations, software instruments or overdub recordings, this is a real advantage because the system feels fast and controlled. Outputs that think along with you The two headphone outputs that can be used in parallel are not only practical, but also designed for different applications. Separate amplifier stages are available for headphones with high and low impedance. The 3.5 mm output in particular has been reworked and delivers more power with very low output impedance. This ensures that monitoring remains reliable on the go or when directly comparing different headphones.For connecting active monitors, a switchable +19 / +4 dBu mode is also provided. This allows you to better match the output level to sensitive loudspeakers. This reduces overloads, improves working with the fader and provides a more controlled level in everyday use. Flexible in the studio and ready for mobile use The interface works bus-powered via USB and, in many setups, does not require an external power supply. This means the RME solution is well suited for mobile recordings, small production workstations or a tidy desktop setup. Despite its compact design, optical ADAT and SPDIF, MIDI via breakout cables and extensive routing options are available. TotalMix FX rounds everything off with latency-free mixing, routing, EQ as well as reverb and echo effects directly in your workflow. Ideal for recording, editing, mixing and mobile producing ADAT expands the setup with additional channels MIDI I/O connects external controllers and sound generators Class Compliant Mode makes flexible usage scenarios easier Does the RME Babyface Pro FS fit your setup? This model is the right choice for you if you’re looking for a compact, very robust interface with a professional connectivity structure. It suits singer-songwriters, producers, content creators, mobile recording setups and also users who want to expand their desktop studio with ADAT, MIDI and flexible headphone paths. Thanks to the combination of high-quality preamps, a direct instrument input and extensive routing, it’s a sensible solution for both advanced home studios and professional working environments. Well suited for vocals, speech, instruments and electronic setups Suitable for mobile recordings with laptop and USB power Ideal for users working with multiple monitor and headphone routes A strong choice if driver stability and low latency matter to you Features RME Babyface Pro FS Compact 24-channel USB audio interface with up to 192 kHz for recording, mixing and mobile work Two digitally controlled XLR mic/line preamps with up to 76 dB gain, PAD and individually switchable phantom power Two additional line/instrument inputs for synthesizers, drum machines, guitar or bass Two separately tuned headphone outputs on 6.3 mm and 3.5 mm with independent amplifier stages SteadyClock FS for high jitter immunity and stable digital synchronisation TotalMix FX with flexible routing, submixes, EQ as well as reverb and echo effects Optical ADAT I/O with SMUX and SPDIF support up to 192 kHz MIDI input and output via breakout cables with 2 x 5-pin DIN sockets Bus-power operation via USB or optional external power supply for flexible power Milled aluminium housing with compact format and K-slot for theft protection Technical specifications Type USB Audio Interface Channels 24 Maximum sample frequency 192 kHz Analogue inputs 2 x XLR Mic/Line | 2 x 6.3 mm jack Line/Instrument Analogue outputs 2 x XLR Line Out | 1 x 6.3 mm stereo headphone | 1 x 3.5 mm stereo headphone Digital inputs and outputs 1 x ADAT optical I/O | 1 x SPDIF optical I/O MIDI 1 x MIDI I/O via breakout cable with 2 x 5-pin DIN sockets Gain range Mic preamps -11 dB to +65 dB Microphone input impedance balanced 2 kOhm | 5.2 kOhm with PAD Instrument input impedance 1 MOhm Signal-to-noise ratio Mic/Line 1-2 113.7 dB RMS unweighted | 117 dBA Signal-to-noise ratio Line/Instrument 3-4 116 dB RMS unweighted | 120 dBA Signal-to-noise ratio Line Out 1-2 115 dB unweighted | 118 dBA Signal-to-noise ratio Phones 6.3 mm 114.8 dB RMS unweighted | 118 dBA Signal-to-noise ratio Phones 3.5 mm 114 dB RMS unweighted | 117 dBA Maximum output power headphone 6.3 mm 60 mW Maximum output power headphone 3.5 mm 90 mW Headphone output impedance 6.3 mm 10 Ohm Headphone output impedance 3.5 mm 0.1 Ohm Clock modes Internal | ADAT In | SPDIF In Supported sample frequencies digital 28 kHz to 200 kHz Power supply USB bus power or external power supply Typical power consumption 3.7 Watt Maximum power consumption 5.4 Watt Weight 0.68 kg Dimensions (W x D x H) 108 x 181 x 35 mm