€219.00 Prices incl. VAT
% Regular price: €316.00 (€97.00 saved | MSRP of the manufacturer)More protection for your device. Simply add it: More Info
Pay securely and flexibly
Yamahas active nearfield monitor in white is aimed at everyone who doesn’t want a prettified playback when listening to and assessing music. The model combines a linear sound image with a well thought-out cabinet design and flexible adjustments for different rooms. This way, you can hear details, level relationships and nuances in the mix clearly and in a way that’s easy to understand. At the same time, the distinctive white membrane provides a look that fits in just as well in the studio as it does in a tidy home setup.
This studio speaker has been developed to reproduce signals with as little alteration as possible. That’s exactly what matters when you’re mixing, arranging or want to judge sound sources accurately. The 2-way design with a 6.5-inch woofer and a 1-inch dome tweeter delivers a balanced relationship between clarity, directness and controlled bass.
It’s especially evident during longer sessions how important a clean match is. Instead of artificially adding something, the playback remains easy to follow and honest. This helps you make safer decisions in the mix and spot problems in the material earlier.
Not every room sounds the same. That’s why the white HS7 version offers practical controls that let you adapt the speaker to your environment. With Room Control, you can reduce disruptive bass portions when placing the speakers close to the wall, while High Trim finely adjusts the high-frequency range.
This is particularly useful in smaller studios, project studios or setups that can’t be fully optimised acoustically. It gives you a practical way to set up cleaner, more reliable playback.
The MDF cabinet in a bass reflex design is designed for stable reproduction and helps keep unwanted resonances low. In combination with the Bi-Amp system with separate amplification for high and low frequencies, the monitor works in a controlled and direct way. This means the sound stays precise even when you’re working intensively on an arrangement or a mix.
With XLR and 6.3 mm jack inputs, the system can be easily integrated into many production environments. An audio interface, controller or mixing console can be connected without detours.
Yamaha HS7 W is just right for you if, when producing, mixing or critical listening, you rely on honest reproduction and want a monitor that fits flexibly into your setup. The model suits ambitious beginners, advanced producers and anyone who wants to work reliably in a home studio or control room.
Active 2-way nearfield monitor for precise and linear audio reproduction in the studio
6.5-inch cone woofer and 1-inch dome tweeter for balanced detailed reproduction
Bi-Amp amplification with separate power stages for the high- and low-frequency ranges
Room Control switch for adjusting deeper frequencies to the room acoustics
High Trim switch for targeted fine adjustment of the high-frequency range
Bass reflex cabinet made of MDF for controlled reproduction and reduced resonances
XLR and 6.3 mm jack input for flexible integration into different audio setups
White version with a characteristic diaphragm for a distinctive and timeless look
Type
Active studio monitor
System
2-way
Woofer
6.5 inch cone
Tweeter
1 inch dome
Power
95 W | LF: 60 W | HF: 35 W
Power consumption
approx. 55 W
Controls
Volume | High Trim switch +/- 2 dB | Room Control switch 0 dB | -2 dB | -4 dB below 500 Hz
Frequency response
43 - 30,000 Hz
Crossover frequency
2 kHz
Connections
XLR IN balanced | 6.3 mm jack IN balanced
Cabinet
Bass reflex | MDF
Weight
8.2 kg
Dimensions (W x D x H)
210 x 284 x 332 mm
Yamaha HS7 W monitor speaker
Power cable
User manual
| Active/Passive: | Active |
|---|---|
| Diameter Woofer: | 6.5 inch |
| Max. Sound pressure: | 105 - 109 db |
| Power RMS: | 51 - 99 W |
|
Yamaha HS7 - User Manual |
1 - 10 of 28 reviews
Perfekt
Alles gug / schnelle lieferung
Suuupppaaa
Mega! Hier kann man nichts falsch machen. Vielleicht doch die h8? Hihi..
Höre ausschließlich Musik mit den HS. Wollte
Höre ausschließlich Musik mit den HS. Wollte einen neutralen Sound (ist mein Ding). Fertigungsqualität/ Material, sind dem Preis angemessen. Das ist so ohne Mängel. Die HS hängen über ein Universal Audio Volt1 am Multimedia PC (Debian basiertes OS). Weiter, gibt es keine Störgeräusche, kein rauschen. Es sind unauffällige ruhige Monitore.
top
fijne speakers, klinken voor het geld geweldig
Sehr empfehlenswert.
Schnelle Lieferung, Produktqualität wie erwartet.
Die Lieferung innerhalb Deutschlands dauerte nur einen
Die Lieferung innerhalb Deutschlands dauerte nur einen Tag! Ich bin begeistert! Vielen Dank hierfür. Das Produkt ist gut verpackt und funktioniert super.
Top
Top Monitor - für einen super Preis im Doppel! Vielen Dank!
Top Monitore, Top Shop
Die Referenz Monitore für den professionellen Mix. Top Qualität zum fairen Preis. Sehr schneller Versand. Alles lief einwandfrei ab. 100% Weiterempfehlen.
top service
Baba boxen und einfach next day delivery ? top laden ??
Sehr gute Monitore auch für Film & Sounddesign
Ich hatte bisher Fostex Aktivboxen im Schneideraum (LCR), die inzwischen ein wenig in die Jahre gekommen waren. Da ich viel Gutes von den Yamaha HS7 Boxen gehört hatte, wollte ich die mal ausprobieren und war sofort begeistert, ein deutlich klarerer und präziserer Klang als bei meinen vorigen Lautsprechern. Ein wenig bedauere ich, diesen Wechsel nicht längst gemacht zu haben.
Für Dialogschnitt, Sounddesign und Musik absolut großartig.
Die Lieferung über Recordcase ging rasend schnell von Freitag auf Montag, ich würde hier definitiv wieder bestellen.
Answer: The Yamaha HS7 W is supplied as one active monitor. You therefore need two speakers for a stereo setup.
Answer: No. The HS7 W is active and has integrated bi-amp amplification with 95 W total output.
Answer: The monitor has balanced XLR and 6.3 mm jack inputs. An audio interface, mixer or other source should have a matching line output; an audio cable is not included.
Answer: No, the HS7 W has no USB audio connection. Computer use requires an audio interface or another source with a suitable analogue line output.
Answer: Room Control can reduce frequencies below 500 Hz by 2 or 4 dB. High Trim adjusts the treble range by 2 dB, allowing you to adapt playback to the room and speaker placement.
Answer: The frequency response extends down to 43 Hz. This gives the HS7 W a broad range for mixing and producing, but very deep sub-bass can be assessed more completely with a suitable subwoofer.
Answer: The white version differs mainly in appearance. Driver configuration, amplifier output, connections and adjustment options match the HS7 in black.
For reliable and interruption-free signal transmission in a professional audio environment, high-quality cabling is indispensable. This 3-meter long XLR cable from Omnitronic impresses with its robust construction and clear, lossless transmission – ideal for studio, stage, or DJ applications. With its 3-pin XLR connectors, it ensures a secure connection between microphones, mixers, or speakers. The two high-quality shielded conductors with 0.22 mm² cross-section each ensure optimal sound quality without unwanted noise. This makes the cable suitable for both speech and music signals, whether in live operations or during recordings. The thoughtful design minimizes interference and guarantees reliable use even over long distances. Another highlight is the build quality: The XLR connector housing is made of sturdy metal, ensuring not only a long service life but also allowing professional use under challenging conditions. Even with frequent use, the connectors remain firm and reliable. The black sheath further protects the cable from external influences and provides a discreet, unobtrusive appearance – perfect for stage use. With a diameter of just 6 millimeters, the cable remains flexible and can be easily laid without kinking or tangling. Despite the slim design, the cable has the necessary robustness to withstand more intense stress during live use. Thanks to its compact dimensions, it is also ideal for mobile use in a transport case. Whether you use it in the studio or on stage – this connection cable always delivers consistently high quality. Omnitronic has been a reliable name in audio solutions for years, and this cable seamlessly fits into the range that professionals worldwide rely on. Features OMNITRONIC XLR Cable 3-pin 3m 3-pin XLR connector (male) to 3-pin XLR socket (female) for balanced audio signals High-quality microphone cable with 2 x 0.22 mm² internal conductors Sturdy metal connectors for reliable signal transmission Flexible cable sheath with a diameter of 6 mm for easy installation Perfect for stage, studio, or DJ setups High shielding against interference from external factors Classic black design for a professional look Ideal for microphones, mixers, speakers, and other audio equipment Technical Data Cable construction: 2 x 0.22 mm² microphone cable Cable length: 3 m Connection A: 1 x 3-pin XLR (M) Connection B: 1 x 3-pin XLR (F) Material: Metal Color: Black Weight: 0.16 kg Dimensions (W x D x H): 6 x 6 x 3000 mm
This limited Recordcase DJ USB Stick has especially been optimized for mp3 format and DJ applications. An indespensible tool for every modern DJ. The case of the limited Metallic Special Edition is completely made of metal and is therefore even less sensitive to scratches, shocks or other negative influences. Features Recordcase DJ USB Stick Storage capacity: 16 GB USB 2.0 Measurements: 46mm (L) x 12mm (W) x 5mm (H)
With this all-in-one DJ system, you work as flexibly as your setup requires. You play standalone straight from USB, use rekordbox, or integrate Serato DJ Pro without having to switch your workflow. The large 10.1-inch touch display, the familiar club logic from CDJ-3000 and DJM-900NXS2, and the expanded effects section make the device a well-thought-out solution for mixing, preparation, and performance. This gives you a system that’s quick to operate and works just as reliably in everyday use as it does for live shows. Club DNA, right in front of you The operating concept is clearly based on Pioneer’s professional top models. As a result, you feel at home immediately when mixing, especially when you switch between a home setup, a rehearsal room, and an event. The interface is set up logically, the most important functions are right within reach, and they ensure a smooth flow without unnecessary detours.In everyday DJ life, that’s a real advantage: you don’t have to spend long getting to grips with it—rather, you can search for tracks, set transitions, and use effects in a targeted way. This saves time during preparation and gives you more calm within your set. A display that thinks along with you The 10.1-inch WXGA touchscreen provides a lot more clarity on the surface. Waveforms, browser views, information, and effect control are clearly visible, so you can recognise your music faster and react more precisely. The system is particularly strong for quick browsing, because important content doesn’t disappear into submenus.With Touch Preview, you can listen to tracks in advance via the waveform without first having to load them onto a deck. There’s also the Playlist Bank, through which you keep several playlists within easy reach. This is handy when you play across genres or want to respond spontaneously to the mood and the audience. Effects with direct access With 14 Beat FX and 6 Sound Color FX, you have plenty of room to shape transitions cleanly or design mixes more creatively. Touchscreen control expands this area in a sensible way, as Beat FX and X-Pad Control can be operated especially directly. This creates a setup that not only offers many effects, but also makes them controllable.There’s also Release FX, known from the RMX series. With this, you smoothly step out of complex effect chains and bring the mix back in a controlled manner. This is particularly effective when you work intensively with build-ups, breaks, and tension-filled transitions. Precision on the decks The 135 mm jogwheels provide a reliable working surface and respond better. The coloured On-Jog displays keep playback position and track information in view without you constantly needing to switch to the main display. Together with the 2 x 8 multi-colour performance pads, this creates direct access to Hot Cues, samples, and slices.This makes the unit interesting not only for classic mixing, but also for more performance-oriented sets with quick interventions. If you want to cue cleanly, start precisely, and rearrange flexibly, you get an interface built exactly for that. Who is the Pioneer DJ XDJ-RX3 for? This system is right for you if you’re looking for a compact, professionally built setup that works without a computer, but integrates software cleanly whenever you need it. It’s suitable for ambitious beginners with clear requirements, as well as for experienced DJs looking for a reliable working unit for home, studio, bar, event, or smaller venues. It’s especially useful for anyone who wants to combine USB performance and software flexibility in a single system. Suitable for DJs who want to perform standalone while still using rekordbox or Serato Helpful for people switching to a club-like layout with familiar Pioneer operating logic Ideal for mobile use, studio sessions, and fixed installations in smaller locations Strong for users who actively use Hot Cues, touch functions, and creative effects Features Pioneer DJ XDJ-RX3 Professional 2-channel all-in-one DJ performance system with a club-oriented operating concept Usable standalone or in combination with rekordbox dj and Serato DJ Pro Large 10.1-inch WXGA touch display for clear overview and quick navigation Operating layout and central ideas taken from CDJ-3000 and DJM-900NXS2 14 Beat FX and 6 Sound Color FX for creative and controlled interventions in the mix Beat FX and X-Pad Control controllable directly via the touchscreen Touch Preview for previewing tracks by touching the waveform in the browser Release FX for quickly exiting complex effect combinations Large 135 mm jogwheels with improved responsiveness Coloured On-Jog displays showing important track information 2 x 8 multi-colour performance pads for Hot Cues, samples, and slices Playlist Bank for quick access to selected playlists Technical specifications Sound Color FX Space | Dub Echo | Sweep | Noise | Crush | Filter Beat FX Delay | Echo | Ping Pong | Spiral | Reverb | Trans | Filter | Flanger | Phaser | Pitch | Slip Roll | Roll | Vinyl Brake | Helix Supported audio formats MP3 | AAC | WAV | AIFF | FLAC File systems FAT16 | FAT32 | HFS+ Jogwheels 135 mm Hot Cues 8 per deck Frequency range 20 - 20.000 Hz Signal-to-noise ratio 110 dB (USB) THD (harmonic distortion) < 0,003 % (USB) Weight 9.3 kg Dimensions (W x D x H) 728 x 469 x 118 mm What's in the box Pioneer DJ XDJ-RX3 all-in-one DJ system Power cable USB cable Operating instructions Quick start guide Warranty for certain regions Software licence note
Analog club mixer with a clear focus on sound, control and seamless integration into modern setups: The Allen & Heath Xone 96 combines the familiar workflow of a true Xone classic with a powerful digital infrastructure. You get a professional tool for complex DJ performances, hybrid live sets and demanding club environments. The well thought-out 6+2-channel layout, the dual USB sound card, two characterful VCF filters and the flexible connection section make this model the central hub for your entire setup. Sound with a signature At the centre is the typical Xone sound that has been appreciated in clubs and setups for years. The four main channels work with a precise 4-band EQ, allowing finely tuned adjustments and giving you plenty of control during transitions, layering and corrections. This keeps your mix clear, punchy and musical.The stereo return channels are not just an add-on, either—they’re meaningfully integrated into the sound concept. With their parametric 3-band EQ, you can shape effects and additional sources in a targeted way without losing the overall mix’s structure. Filters with character The two VCF filters are among the most important tools of this mixer. High-pass, band-pass and low-pass can be used deliberately to shape breaks, build-ups and transitions in an organic way. Especially striking is the crunch distortion, which adds extra harmonic colouring to the signal before the filter. This creates a sound that doesn’t feel sterile, but stays lively and grippy. You can assign all six main channels flexibly to one of the two filters, letting you reach much deeper into your mix than with a classic standard layout. Digitally integrated, designed for analogue For modern DJ setups, the Xone mixer comes with a dual USB sound card that lets you connect two computers at the same time. The 32-bit/96 kHz signal processing ensures high-quality audio transmission and gives you plenty of room for DJ switches, back-to-back sets or parallel software setups. On top of that, the Traktor Scratch certification allows DVS applications to be implemented directly and without hassle. Particularly in professional environments, this is a real advantage because digital and analogue workflows can be combined without detours. Connections for more than just decks This desk is designed not only for classic DJ sources. You can comfortably integrate laptops, turntables, effects units, synths, drum machines and other outboard. The extensive connection section with stereo sends, returns, master insert, MIDI and X-Link opens up many options for individual routing. Two independent FX sends for external effects Four stereo main channels plus additional returns MIDI control via USB and 5-pin DIN X-Link for compatible Xone controllers Especially for hybrid performances, the club mixer shows its strength. You don’t have to adapt your setup to the mixer—the mixer adapts to your way of working. Built for long nights Even when it comes to feel and reliability, Allen & Heath stays true to its approach. The 60 mm VCA channel faders work in a controlled and even way, while the installed InnoFader crossfader enables fast and clean adjustments. This ensures a precise playing feel that convinces both in everyday use and in demanding performance situations. The layout remains familiar, logical and directly accessible. That way, you can get your bearings quickly even if your setup becomes more complex or multiple sources are integrated at the same time. Does the Allen & Heath Xone 96 fit your style? This model is the right choice for you if, when you DJ, you don’t just want to mix cleanly, but actively shape your setup. The mixer is particularly well suited to experienced DJs, live acts and demanding users who want to integrate multiple playback sources, DVS, external effects or additional hardware into their system. Thanks to its familiar structure, it’s also interesting for ambitious newcomers who want to invest in a consistently professional setup. Ideal for club DJs focused on sound and control Suitable for DVS setups with Traktor Scratch Strong for hybrid performances with synths and drum machines Useful for back-to-back sets and DJ switches with two laptops Features Allen & Heath Xone 96 Professional analogue DJ mixer with 6+2-channel layout for club, DVS and hybrid setups Dual 24-channel USB audio interfaces with 32-bit/96 kHz resolution for high-quality audio transmission Four main channels with classic 4-band EQ for precise and musical adjustments Two stereo input channels with newly developed parametric 3-band EQs Two Xone-series VCF filters with high-pass, band-pass, low-pass and crunch distortion Traktor Scratch certification and support for DVS with Native Instruments Traktor Scratch Pro Two independent cue systems for smooth DJ transitions and parallel pre-listening High-quality channel faders and InnoFader crossfader for precise performance and long durability Two dedicated FX sends, four stereo returns and master insert for flexible outboard routing MIDI control via USB and DIN-MIDI output, as well as X-Link integration via RJ-45 Technical specifications Audio interface 32-bit/96 kHz | Dual 24 channel (12 in / 12 out) Channel fader 60 mm VCA, replaceable Channel fader curves 3 types Crossfader InnoFADER | 45 mm VCA, replaceable Crossfader curves 3 types Channel meter LED with 9 segments Power supply 100 to 240 V | DC 50/60 Hz | Cold appliance plug Max. power consumption 45 watts Weight 7.0 kg Dimensions (W x D x H) 336 x 410 x 109 mm What’s in the box Allen & Heath Xone 96 club mixer Power cable Replacement knobs and buttons Safety instructions
The Tonar Banana is professional, yellow and powerful in the bass range - and made by Ortofon. A pickup that meets the high demands of DJs. The special heavy-duty suspension of the headshell and the spherical diamond guarantee reliable tracking. An integrated weight ring creates heaviness and thus enables a high load-bearing capacity. The SME design offers easy installation on all drives with SME-Disco Connection: plug in, tighten the union nut on the tonearm, adjust the bearing pressure and there are no limits to the professional record player. Technical data Frequency range: 20 - 20.000 Hz Needle cut: spherical Output voltage: 5 mV Support force: 3 - 5 g Weight: 16 g
The Technics SL-1200 MK7 is the long-awaited silver version of the Technics SL-1210 MK7. With the SL-1200 MK7 Direct Drive Turntable, Technics now offers a version in silver. The new model features the same specifications and user comfort as the SL-1210 MK7, which was introduced in January 2019 and quickly became a huge success with the long-standing DJ community worldwide. Based on the historic SL-1200 series of the past decades, Technics, through extensive feedback from DJs and HiFi fans around the world, recognized a strong demand for a silver version of this DJ turntable, which is the first choice for so many users globally. In terms of technology and functionality, the SL-1200 MK7 is on par with its black counterpart, the Technics SL-1210 MK7: Features of the Technics SL-1200 MK7 Coreless direct drive motor achieving stable, moment-free rotation and powerful torque Highly sensitive yet durable tonearm that precisely reads the signal stored in the record groove Turntable platter with dual-layer structure and enhanced vibration damping Highly rigid housing and high-damping isolator for thorough suppression of vibrations, even under harsh operating conditions Adjustable start-up torque/braking speed Pitch control function for precise and stable pitch adjustment Reverse play function expands the flexibility of DJ play styles Stylus illumination with very bright and long-lasting LED Technical Specifications Rotation speeds: 33 1/3, 45, 78 RPM Pitch range: ±8%, ±16% Start-up torque: 1.8 kg/cm Start-up time: 0.7 s from standstill to 33 1/3 RPM Tonearm length: 230 mm Tracking force range: 0 - 4g (direct tracking) Headshell weight: approx. 7.6g Power supply: AC230 V, 50 Hz Power consumption: 8 W (approx. 0.2 W standby) Weight: 9.6 kg Dimensions (W x D x H): 453 x 353 x 169 mm Scope of delivery Technics SL-1200 MK7 turntableDust cover Single adapter Counterweight Headshell Overhang template Screw set for cartridge attachment Phono connection cable Ground cable Power cable Operating manual Cartridge is not included in the scope of delivery You can find a comparison of all models in the Technics 1210 guide in the DJ blog You can find a long-term test of the Technics SL-1210 MK7 in the blog About the Technics 1200 Series The SL-1200 was introduced in 1972 as a popular direct-drive turntable and became the best-selling model with a cumulative sales total of 3.5 million units for the series. It was known for its strong torque, ease of use, and long lifespan. It was highly admired by both audio enthusiasts and DJs and played a key role in unleashing DJ culture in areas such as electronic dance music. The series is still highly regarded by DJs worldwide today.
For precise mixing and authentic scratching, the right slipmats are an essential connection between vinyl and turntable. Technics Gear Slipmats are made from robust, durable felt that minimises friction between the record and the platter, noticeably reducing wear on your device's drive. Thanks to their material properties, they also ensure effective reduction of static charge, which provides a smooth, interference-free run of the stylus during playback. In addition to functional support for beatmatching or complex scratch manoeuvres, the mats also add a visual touch. The striking design with the white Technics logo on a black-and-white serrated background creates an eye-catching flow effect during rotation, which visually enhances your DJ setup. Manufactured in the EU, these mats offer high build quality that retains its shape and grip even under intensive use. These slipmats are a practical addition to any setup where vinyl is used as the primary medium. Since they are supplied as a double pack, they are ready for immediate use on two turntables and are suitable for both professional club use and extended recording sessions in your home studio. Features Technics Gear Slipmats High-quality felt slipmats in a set for two turntables Minimise static charge and protect records from wear Enable smooth cueing, scratching and backspinning Exclusive design with white Technics logo on a black-and-white background Create a dynamic visual effect during rotation Robust material for a long service life under heavy use Precision manufactured in the EU Suitable for all standard turntables in the DJ sector Technical specifications MaterialFelt Quantity2 pieces OriginMade in EU Scope of delivery 2x Technics Gear Slipmats
RME Babyface Pro FS is a compact USB audio interface for demanding recording, mixing and production tasks. The unit combines a robust aluminium housing with thoughtfully designed connectivity options, very low latency and a signal quality that also impresses in professional setups. Four analogue inputs and outputs, ADAT, MIDI, two separate headphone outputs and the flexible TotalMix FX mixer make this interface a versatile switching hub for studio, desktop and mobile work. Clean signals, clear focus The two digitally controlled microphone preamps give you a wide gain range of up to 76 dB and work with phantom power that can be switched on individually. There’s also a PAD implemented via relay, which provides more headroom at higher levels. Especially for speech, vocals or acoustic instruments, you benefit from very precise recording with high signal-to-noise ratio and clean handling even with quiet sources.The XLR inputs are complemented by two line and/or instrument inputs on 6.3 mm jacks. This allows you to connect synthesizers, drum machines, guitars or basses directly, without having to plan an additional DI solution. This makes the interface particularly practical when you switch between recording, sound design and production. Rock-solid timing down to the detail With SteadyClock FS, RME relies on a highly precise clock technology with strong jitter suppression. This is particularly relevant when you work with digital playback devices, ADAT expansions or changing clock sources. The result is a stable, reliable setup that delivers a consistent sound image for both recording and playback.There’s also support for sample rates up to 192 kHz as well as very direct conversion with low delay. Especially for monitoring situations, software instruments or overdub recordings, this is a real advantage because the system feels fast and controlled. Outputs that think along with you The two headphone outputs that can be used in parallel are not only practical, but also designed for different applications. Separate amplifier stages are available for headphones with high and low impedance. The 3.5 mm output in particular has been reworked and delivers more power with very low output impedance. This ensures that monitoring remains reliable on the go or when directly comparing different headphones.For connecting active monitors, a switchable +19 / +4 dBu mode is also provided. This allows you to better match the output level to sensitive loudspeakers. This reduces overloads, improves working with the fader and provides a more controlled level in everyday use. Flexible in the studio and ready for mobile use The interface works bus-powered via USB and, in many setups, does not require an external power supply. This means the RME solution is well suited for mobile recordings, small production workstations or a tidy desktop setup. Despite its compact design, optical ADAT and SPDIF, MIDI via breakout cables and extensive routing options are available. TotalMix FX rounds everything off with latency-free mixing, routing, EQ as well as reverb and echo effects directly in your workflow. Ideal for recording, editing, mixing and mobile producing ADAT expands the setup with additional channels MIDI I/O connects external controllers and sound generators Class Compliant Mode makes flexible usage scenarios easier Does the RME Babyface Pro FS fit your setup? This model is the right choice for you if you’re looking for a compact, very robust interface with a professional connectivity structure. It suits singer-songwriters, producers, content creators, mobile recording setups and also users who want to expand their desktop studio with ADAT, MIDI and flexible headphone paths. Thanks to the combination of high-quality preamps, a direct instrument input and extensive routing, it’s a sensible solution for both advanced home studios and professional working environments. Well suited for vocals, speech, instruments and electronic setups Suitable for mobile recordings with laptop and USB power Ideal for users working with multiple monitor and headphone routes A strong choice if driver stability and low latency matter to you Features RME Babyface Pro FS Compact 24-channel USB audio interface with up to 192 kHz for recording, mixing and mobile work Two digitally controlled XLR mic/line preamps with up to 76 dB gain, PAD and individually switchable phantom power Two additional line/instrument inputs for synthesizers, drum machines, guitar or bass Two separately tuned headphone outputs on 6.3 mm and 3.5 mm with independent amplifier stages SteadyClock FS for high jitter immunity and stable digital synchronisation TotalMix FX with flexible routing, submixes, EQ as well as reverb and echo effects Optical ADAT I/O with SMUX and SPDIF support up to 192 kHz MIDI input and output via breakout cables with 2 x 5-pin DIN sockets Bus-power operation via USB or optional external power supply for flexible power Milled aluminium housing with compact format and K-slot for theft protection Technical specifications Type USB Audio Interface Channels 24 Maximum sample frequency 192 kHz Analogue inputs 2 x XLR Mic/Line | 2 x 6.3 mm jack Line/Instrument Analogue outputs 2 x XLR Line Out | 1 x 6.3 mm stereo headphone | 1 x 3.5 mm stereo headphone Digital inputs and outputs 1 x ADAT optical I/O | 1 x SPDIF optical I/O MIDI 1 x MIDI I/O via breakout cable with 2 x 5-pin DIN sockets Gain range Mic preamps -11 dB to +65 dB Microphone input impedance balanced 2 kOhm | 5.2 kOhm with PAD Instrument input impedance 1 MOhm Signal-to-noise ratio Mic/Line 1-2 113.7 dB RMS unweighted | 117 dBA Signal-to-noise ratio Line/Instrument 3-4 116 dB RMS unweighted | 120 dBA Signal-to-noise ratio Line Out 1-2 115 dB unweighted | 118 dBA Signal-to-noise ratio Phones 6.3 mm 114.8 dB RMS unweighted | 118 dBA Signal-to-noise ratio Phones 3.5 mm 114 dB RMS unweighted | 117 dBA Maximum output power headphone 6.3 mm 60 mW Maximum output power headphone 3.5 mm 90 mW Headphone output impedance 6.3 mm 10 Ohm Headphone output impedance 3.5 mm 0.1 Ohm Clock modes Internal | ADAT In | SPDIF In Supported sample frequencies digital 28 kHz to 200 kHz Power supply USB bus power or external power supply Typical power consumption 3.7 Watt Maximum power consumption 5.4 Watt Weight 0.68 kg Dimensions (W x D x H) 108 x 181 x 35 mm
Precise listening conditions are the basis for any successful production. With the Yamaha HS7, you get an active nearfield studio monitor that was developed exactly for this purpose. The speaker delivers a neutral, detailed reproduction so you can assess your recordings, mixes and sounds realistically. Thanks to the proven bi-amping system, high-quality drivers and a resonance-reduced enclosure, you get a clearly structured sound with controlled bass and transparent highs – exactly what you need in the studio. Neutral sound for precise work When mixing, honesty matters. The speaker operates as an active 2-way bass reflex monitor with a 6.5-inch woofer and a 1-inch tweeter. This creates a balanced sound across the entire frequency spectrum. Particularly in the midrange, the monitor impresses with high resolution, so vocals, instruments and details in the mix remain clearly recognisable. The goal is the most uncoloured sound reproduction possible, so you can make confident decisions in your mix. Bi-amping for clear dynamics Inside, a powerful bi-amping system does the work. Each driver has its own amplifier stage, enabling low-frequency and high-frequency ranges to be amplified independently. This ensures controlled dynamics, fast transients and stable reproduction even at higher levels. Overall, you have 95 watts total power available – enough headroom for precise monitoring in the studio or in a demanding home setup. Robust enclosure with clean bass The enclosure is made from robust MDF and designed to reduce unwanted resonances. The special construction with precise mitre joints provides high stability and improves sound definition. At the same time, the flow-optimised bass reflex port reduces disruptive air turbulence and supports clean bass reproduction. The result is a resonance-reduced enclosure design that keeps the sound precise and controlled. Adaptation to your room Not every room is acoustically perfectly prepared. That is exactly why this monitor offers practical adjustment options on the rear. With ROOM CONTROL, you can reduce overemphasised bass when placing the monitor close to a wall, while HIGH TRIM allows fine-tuning of the highs. This lets you flexibly match the speaker to your surroundings and obtain a precisely balanced sound image – even in smaller studios or untreated rooms. Ready to connect for your setup The studio monitor can be easily integrated into a wide range of setups. Thanks to balanced inputs, it is suitable for both professional studio environments and home studios. Audio interfaces, mixing consoles, synthesizers or other devices can be connected directly. The key connections at a glance: XLR input for balanced signal routing 6.3 mm jack input for balanced or unbalanced signals Direct integration into studio or recording setups Does the Yamaha HS7 fit your setup? The Yamaha HS7 is aimed at everyone who needs realistic sound reproduction when producing or mixing. This monitor is particularly suitable for musicians, producers and content creators who want to evaluate their projects precisely. In an ambitious home studio, it also provides a reliable reference. Ideal for producing, mixing and editing Suitable for home studios and smaller project studios Useful for anyone looking for a neutral reference to listen to Compatible with audio interfaces, mixers and recording setups Features Yamaha HS7 Active 2-way bass reflex nearfield studio monitor for precise monitoring in music production, mixing and recording Bi-amp system with total power of 95 watts for separate amplification of the high and low-frequency drivers 6.5-inch cone woofer for controlled and precise bass reproduction 1-inch dome tweeter for clear highs and detailed midrange reproduction Resonance-reduced MDF enclosure with stable construction to reduce unwanted vibrations ROOM CONTROL and HIGH TRIM for adjusting the sound to different room acoustics Balanced XLR input for professional studio connections 6.3 mm jack input for balanced or unbalanced audio signals Technical data Type Active studio monitor System 2-way bass reflex Woofer 6.5-inch cone Tweeter 1-inch dome Power 95 W total power | 60 W LF | 35 W HF Frequency response 43 – 30,000 Hz Crossover frequency 2 kHz Controls Volume | High Trim ±2 dB | Room Control 0 dB | -2 dB | -4 dB below 500 Hz Inputs XLR balanced | 6.3 mm jack balanced Enclosure Bass reflex MDF Power consumption approx. 55 W Weight 8.20 kg Dimensions (W x D x H) 210 x 284 x 332 mm In the box Yamaha HS7 studio monitor Power cable User manual
Yamahas HS5 W is an active nearfield monitor for your studio, designed for clear, direct reproduction. The white finish provides a bright, tidy accent in your working area and combines practical design with precise tuning for recording, editing and mixing. The 5-inch woofer, the 1-inch tweeter and the Bi-Amp system work together so that you can assess signals in a differentiated way without being misled by a polished sound image. Clarity that makes decisions easier This studio monitor is designed to give you an as honest as possible picture of your material. That’s exactly where its strength lies: You hear details that matter during processing, such as midrange, transients, vocals or subtle differences in the stereo image. This helps you classify tracks more confidently and align mixes cleanly.Particularly in smaller production environments, controlled and traceable playback is more important than an artificially inflated sound. Yamaha’s model supports you with a linear character that doesn’t disguise problems in the material, but makes them audible. Bi-Amp system with a clean split The combination of separate amplification for high and low frequencies ensures a consistent way of working with the two drivers. With 70 watts total power, there’s enough headroom for precise nearfield monitoring without the loudspeaker losing its control too early. That means the reproduction remains just as comprehensible when you focus on dynamics, balance and ambience.The crossover frequency of 2 kHz clearly separates the working ranges. This creates a cohesive sound image that especially pays off for vocal recordings, acoustic instruments, electronic music and densely arranged productions. Tuned to your room Not every workstation sounds the same. That’s exactly why Room Control and High Trim are so useful. With these controls, you adjust playback to the position of the speakers and to the characteristics of your room. This is particularly helpful if the boxes are placed close to walls or if the treble range needs to be set a little more restrained or more present.Together with the resonance-reduced MDF enclosure, you get a monitor designed for controlled work. Unwanted influences are reduced so you can focus more on what’s really happening in your recording. Simple in look, practical in everyday use The white version looks modern, unobtrusive and fits well visually in studios, edit suites or content setups with light-coloured furnishings. At the same time, setup remains functional: using XLR and 6.35 mm jack, you integrate the loudspeaker easily into existing setups with audio interface, controller or mixing console. Balanced and unbalanced signals can be connected flexibly. Does the Yamaha HS5 W fit your setup? This model is a good choice if you want to hear more reliably when producing, recording or editing, and if you’re looking for a compact nearfield monitor . It’s particularly suitable for home studios, editing workstations, smaller control rooms and for anyone who wants to make decisions based on substance rather than effect. suitable for beginners who want clean monitoring just as useful for advanced producers and content creators ideal if desk or stand space is limited strong for recording, editing, mixing and speech productions If you’re looking for a compact active monitor that works in a straightforward way, can be sensibly adapted to the room and also sets clear accents visually in white, this version is a convincing solution. Features Yamaha HS5 W Active 2-way bass reflex nearfield monitor for precise, controlled work in the studio 5-inch cone woofer and 1-inch dome tweeter for well-balanced nearfield reproduction Linearly tuned frequency response for reliable monitoring results Bi-Amp system with 45 watts for the woofer and 25 watts for the tweeter Well-matched power amplifiers for clean drive of both paths Acoustically optimised enclosure to reduce unwanted resonances ROOM CONTROL and HIGH TRIM for adjusting to the room and placement XLR and 6.35 mm jack inputs for balanced and unbalanced signals Technical data Type Active studio monitor Design 2-way bass reflex nearfield monitor Frequency response 54 Hz - 30,000 Hz Woofer 5 inch cone woofer | 45 W Tweeter 1 inch dome tweeter | 25 W Total power 70 watts Crossover frequency 2 kHz Controls Level | Room Control | High Trim Power consumption approx. 45 W Enclosure MDF Connections XLR | 6.35 mm jack Weight 5.30 kg Dimensions (W x D x H) 170 x 222 x 285 mm What’s included Yamaha HS5 W active studio monitor Power cable Operating instructions
Precise monitoring starts with a loudspeaker that reproduces signals honestly. Yamaha HS8 is an active 2-way bass reflex nearfield monitor designed for clear, balanced playback and reveals details in the mix you can rely on. The 8-inch woofer works together with a 1-inch dome tweeter in a cleanly tuned Bi-Amp system. This creates a sound image that reaches deep down, stays differentiated in the mids and sounds controlled even in the high frequencies. The distinctive design with the white cone is also part of the series—it's been closely associated with it for years. Clarity without colouring This studio monitor is made to reproduce material as it actually is. Newly developed transducers ensure balanced signal reproduction across a wide frequency range. This helps you when mixing, producing and judging recordings, because vocals, transients and low-end content are not artificially emphasised, but presented in a way you can understand.Especially during long sessions, this direct tuning is an advantage. You hear faster where an arrangement works, where frequencies overlap and at what point an adjustment in the mix is really needed. Bi-Amp with clean separation Inside, a 75W LF- plus 45W HF Bi-Amp system is at work, with the high and low drivers each powered by their own power amplifier. This design improves control over the individual frequency ranges and contributes to a linear, high-resolution sound image. For you, that means better overview of level relationships, dynamics and the stereo image.The crossover frequency of 2 kHz is tuned so that both drivers work together cleanly. The result is a closed sound image that does not try to be spectacular, but instead remains reliable. Enclosure with a focus on quiet Here, Yamaha relies on an MDF enclosure with good damping properties to keep unwanted resonances as low as possible. That's exactly crucial in the studio, because colourations caused by the enclosure make any assessment harder. The bass reflex port has also been specifically optimised to reduce air turbulence at the openings and minimise disturbing side noise in the bass range. Adaptable to your room Not every workstation sounds the same. That's why this model with ROOM CONTROL and HIGH TRIM offers two practical options for adjusting the sound. Overemphasised bass when placed close to a wall can be controlled, while the high-frequency reproduction can be adapted to the room and your setup. This is especially helpful when working in small control rooms, home studios or environments that are not acoustically perfectly treated. Who is the Yamaha HS8 for? This model is a strong choice for anyone who needs more control and more depth when monitoring than you get from smaller nearfield monitors. Exactly right for ambitious producers, recording setups, project studios and advanced users who want to evaluate mixes in a well-founded way. The loudspeaker also plays to its strengths when editing, sound design and working with detailed arrangements. Suitable for mixing, production and critical listening Useful if you're looking for an 8-inch monitor with a powerful low-end foundation Well suited for fixed studio setups with an audio interface, mixing desk or controller A solid solution for entry-level users with ambition and for experienced users focused on precision Features Yamaha HS8 Active 2-way bass reflex nearfield monitor for precise and reliable work in the studio 8-inch cone woofer and 1-inch dome tweeter for clear lows, defined midrange and clean highs Wide frequency range for accurate monitoring and detailed reproduction Bi-Amp system with separate power amplifiers for the high and low drivers 75 W LF plus 45 W HF power amplification for a total output power of 120 W Specifically designed MDF enclosure for reducing unwanted resonances Optimised bass reflex port with reduced air turbulence and less extraneous noise ROOM CONTROL and HIGH TRIM for adapting to different room acoustics XLR and 6.3 mm jack inputs for balanced and unbalanced signals Classic series design with distinctive white cone Technical specifications Type Active 2-way bass reflex studio monitor Frequency range 38 - 30,000 Hz (-10 dB) Drive units 8-inch cone woofer | 1-inch dome tweeter Crossover frequency 2 kHz Power 120 W | LF: 75 W | HF: 45 W Connections XLR3-31 balanced | 6.3 mm jack balanced Power consumption 60 W Enclosure Bass reflex Material MDF Weight 10.2 kg Dimensions (W x D x H) 250 x 334 x 390 mm What's in the box Yamaha HS8 active nearfield monitor Power cable Operating instructions
Precise monitoring starts with a speaker that doesn’t dress things up. The Yamaha HS8 W is an active 2-way nearfield monitor designed for clear, direct and reliable playback. That’s exactly what matters in the studio, when you want to assess mixes properly, spot mistakes and balance arrangements with confidence. The white finish with the distinctive cone also provides a clear visual accent without drawing attention away from the actual sound. This model combines acoustic control with a restrained, studio-friendly design. Clarity without detours Yamaha’s studio monitor consistently focuses on honest playback. Instead of artificially boosting the sound, it uses a neutral tuning that makes vocals, transients and the low-end range easy to follow. This is especially helpful when you’re working on mixes where every decision has to land.With the 8-inch woofer and the 1-inch tweeter, you get a balanced sound image with plenty of overview in the bass and a clean presentation in the highs. Especially in productions where kick, bass, synths or dense vocals need to stay clearly separated from each other, this concept really shows its strength. Built for control The enclosure is designed to keep interfering influences as low as possible. The solid MDF construction supports a low-resonance reproduction, so you can concentrate on what’s really in the signal. That makes the speaker a reliable tool for recording, mixing and editing.Also included is the bass reflex principle, which extends the lower frequency range in a controlled way without losing sight of precision. This way, the sound remains not only powerful, but above all easy to follow—an important point when you want to make decisions not by feel, but by ear. Fine-tuning for your room Not every workstation sounds the same. That’s exactly why the white HS series with Room Control and High Trim offers practical adjustments to better match the listening behaviour to your surroundings. This is useful when speakers are placed close to walls, the room reacts vividly in the treble range, or you want to rein in the bass range.Particularly in smaller production rooms, home studios or multi-purpose workstations, these adjustments make a real difference in everyday use. You don’t get an overcomplicated control concept—just the tools you regularly need in the studio. Performance with a system Inside, there’s a Bi-Amp setup with separate power amplifiers for the low- and high-frequency ranges. This separate amplification ensures that both paths are driven specifically and carry out their tasks cleanly. The result is a controlled, transparent impression with good detail across the entire spectrum. 120 watts total power 75 watts for the low-frequency range 45 watts for the high-frequency range XLR and 6.35 mm jack input for flexible integration This makes it easy to integrate the monitor into different studio setups, from an audio interface on your desk to a permanently installed production environment. The connections accept both balanced and unbalanced signals and keep integration pleasantly straightforward. Does the Yamaha HS8 W fit your setup? This model is right for you if, when producing, mixing or editing, you rely on reliable detail reproduction and are looking for a speaker system that doesn’t flatter you. It’s suitable for ambitious beginners who want to work with honest monitoring from the start, as well as for experienced producers, engineers and content creators with clear quality standards. well suited for home studio, editing desk and project studio ideal for mixing, editing, beat production and sound design a good match if you work with audio interfaces via XLR or TRS interesting for anyone looking for a larger nearfield monitor with a clean bass foundation Features Yamaha HS8 W Active 2-way bass reflex nearfield monitor for precise and uncoloured audio monitoring in the studio 8-inch cone woofer and 1-inch dome tweeter for balanced playback across a wide frequency range Bi-Amp system with separate power amplifiers for the low- and high-frequency ranges for targeted control of both paths 120 watts total power with 75 watts in the LF and 45 watts in the HF range Frequency range from 38 to 30,000 Hz at -10 dB for controlled monitoring of low to high frequencies Room Control and High Trim controls for adjusting to different room acoustics Low-resonance enclosure design for clean and easy-to-follow reproduction MDF enclosure with solid workmanship for long-term use in the studio XLR and 6.35 mm jack inputs for flexible connection to balanced or unbalanced signals White finish with distinctive cone for a clear, modern studio look Technical data Type Active 2-way bass reflex studio monitor Frequency range 38 - 30,000 Hz (-10 dB) Drive units 8-inch cone woofer | 1-inch dome tweeter Crossover frequency 2 kHz Power 120 W | LF: 75 W | HF: 45 W Connections XLR3-31 (balanced) | PHONE (balanced) Power consumption 60 W Enclosure Bass reflex Material MDF Weight 10.2 kg Dimensions (W x D x H) 250 x 334 x 390 mm In the box Yamaha HS8 W studio monitor Power cable User manual
Precise monitoring starts with a monitor that doesn’t sugarcoat things for you. The Yamaha HS5 is an active 2-way nearfield monitor developed exactly for that purpose: to reproduce signals cleanly, directly, and in a way you can trace. Its 5-inch woofer, 1-inch dome tweeter, and the bi-amp system work together so you can make mixing decisions with confidence. Instead of colouring the sound, this model shows you what’s actually in your recording. That’s exactly why it’s a strong choice for recording, editing, mixing, and content production in smaller studios. Clarity instead of sound make-up This studio monitor is aimed at everyone who relies on linear playback when working. Vocals, mids, transients, and fine highs can be assessed more accurately because the loudspeaker doesn’t artificially boost or colour the sound. This helps you especially when you want to create mixes that also translate well on other systems.Especially in the nearfield, the Yamaha model really shows its strengths. You hear details early on, identify problematic frequencies faster, and can judge levels, panning, and dynamics more precisely. This saves corrections and makes your workflow more predictable. Construction with control With the HS series, Yamaha focuses on a well-thought-out design with a bi-amped system and a low-resonance MDF cabinet. The woofer is driven with 45 watts and the tweeter with 25 watts. That way, each driver works in its appropriate range, contributing to a clean, stable reproduction.In addition, the design reduces unwanted vibrations and cabinet resonances. You notice this especially during longer sessions: the sound stays controlled, well-defined, and easy to assess, without individual areas sounding unpleasantly pronounced. Adjustable to your room Not every workstation is acoustically ideal. That’s exactly why the speaker offers practical tools with Room Control and High Trim to adapt playback to your surroundings. This allows you to better compensate for problematic bass boosts in wall-adjacent positions or fine-tune the high-frequency range. Room Control for correcting low frequencies when placed near a wall High Trim for targeted adjustment of the high-frequency range Level controls for clean integration into your existing setup XLR and 6.35 mm jack input for flexible signal routing Especially in small production rooms, at the desktop, or in a mobile setup, this flexibility is a real advantage. You stay closer to a reliable monitoring situation, even if the room isn’t perfectly treated. Does the Yamaha HS5 fit your setup? This model is exactly right for you if, when producing, editing, or mixing, you’re looking for an honest studio monitor and consciously want to do without a glossed-over presentation. It’s particularly suitable for smaller workspaces, project studios, editing stations, and setups where short listening distance and precise mids are important. Well suited for beginners who want clean monitoring with expectations Just as sensible for advanced users who want to mix reliably Practical for audio interfaces, controllers, and studio equipment with XLR or jack Strong for speech recordings, music production, post-production, and content creation If you work analytically, want to make decisions that are easy to understand, and are looking for a compact speaker for precise nearfield listening, the HS5 is a clear choice. Features Yamaha HS5 Active 2-way bass-reflex nearfield monitor for precise monitoring in the studio and at a desktop workstation 5-inch cone woofer and 1-inch dome tweeter for balanced, detailed playback Linearly tuned sound for dependable monitoring results when mixing and editing Bi-amp system with 45 watts for the woofer and 25 watts for the tweeter Optimised mounting system and low-resonance cabinet for controlled playback with minimal sound colouring Room Control and High Trim control for adapting to different room acoustics XLR and 6.35 mm jack inputs for balanced and unbalanced signals MDF cabinet with compact design for use in smaller studios and production environments Technical data Type Active studio monitor Design 2-way bi-amp bass-reflex nearfield monitor Frequency response (-10 dB) 54 Hz - 30 kHz Frequency response (-3 dB) 74 Hz - 24 kHz Woofer 5-inch cone woofer | 45 W Tweeter 1-inch dome tweeter | 25 W Total power 70 W Crossover frequency 2 kHz Controls Level | Room Control | High Trim Connections XLR3-31 balanced | 6.35 mm jack balanced Power consumption 45 W Cabinet material MDF Weight 5.3 kg Dimensions (W x D x H) 170 x 222 x 285 mm What’s in the box Yamaha HS5 studio monitor Power cable Operating instructions
Building on the amazing success of the Yamaha HS Series used in studios around the world, Yamaha is introducing a new special edition that brings unprecedented accuracy to your mixes - the HS Matched Pair Monitors. To deliver the best possible performance, the HS MP Speakers in the Special Edition use specially selected components to match the performance of the speakers in each pair as closely as possible, just like an expensive matched microphone pair! In addition, the serial numbers of the speakers in each pair are sequential. With the creation of these specially matched pairs, Yamaha has once again succeeded in improving the performance of some of the world's most popular studio monitors. The HS7 nearfield reference monitors are the industry standard for any studio. Known for their excellent signal reproduction and superb sound quality, these Yamaha monitors will delight you. The Yamaha HS7 is a powerful 2-way active bass reflex near-field monitor with 6.5" cone woofer and 1" dome tweeter. With its excellent sound and classic white cone look, the active near-field monitor is a great package for all music lovers. With multiple trimmers on the rear panel, the Yamaha HS7 can also be customised to suit your listening environment, ensuring a pristine listening experience. Features Yamaha HS7 MP MP Matched Pair Special Edition - to celebrate 15 years of HS monitors Perfectly matched for best sound quality Special production process using only selected parts Active 2-way bass-reflex near-field monitors Incl. 6.5" cone woofer and 1" dome tweeter 60W-LF- plus 35W-HF-Bi-Amp-System for 95W power amplification ROOM-CONTROL and HIGH-TRIM tone control XLR and jack inputs for balanced and unbalanced signals Technical data Type: Active studio monitor System: 2-way Power: 95 W (HF: 60 W - LF: 35 W) Power consumption: 55 W Controls: Volume, High Trim switch +/- 2dB, Room Control switch (frequencies below 500 Hz can be lowered by 0, -2 and -4dB) Frequency response: 43 - 30,000 Hz Transition frequency: 2 kHz Connections: XLR IN (balanced), 6.3mm jack IN (balanced) Cabinet: bass reflex, MDF Dimensions per monitor (W x H x D): 210 x 332 x 284 mm Weight per monitor: 8.2 kg Delivery quantity: 1 pair = 2 pieces
With the Pioneer DJ DDJ-FLX10, you get a 4-channel controller that combines modern performance features with the familiar club-style layout from Pioneer DJ. The model works with rekordbox and Serato DJ Pro, giving you full control over four decks, and is aimed at anyone who wants to do more than simply transition cleanly in their set. Particularly striking are the Track Separation function, the expanded on-jog displays, the revised MAGVEL fader, and the built-in DMX output for lighting control directly via rekordbox. Creative access to every track One of the most noticeable new features is Track Separation. This lets you separate vocals, drums and instruments within a loaded song and access individual components directly and specifically. This opens up new ways for live remixes, spontaneous mash-ups, and transitions that reach much deeper into the material than classic mixing techniques.What’s practical is that you don’t have to change your usual way of working. You load your tracks as you normally would from the library, then decide directly in the mix which elements you want to use, combine, or edit with effects. Especially for open formats, edits, and performance-heavy sets, it gives you more freedom while you’re playing. More focus on the set The large 170 mm jogwheels provide a direct, precise playing feel and give you enough surface area for fine adjustments, long pitch bends, and controlled scratch movements. On top of that, the expanded on-jog displays show you, depending on your needs, deck information, waveform, artwork, or your DJ logo. This keeps important content closer to your hand position.When combined with the Feeling-Adjust control, you can tailor the responsiveness of the jogwheels to your style. This makes the controller not only flexible, but also pleasant for everyday use when you switch between clean mixing, cue work, and performance-focused interventions. Tools for clean transitions With Mix Point Link, you plan transitions with significantly more control. You set defined mix points in your tracks and ensure that the next track starts automatically at the right moment and cleanly on the beat. This saves time during preparation, and is especially helpful when you want your set to be tightly structured musically.The revised MAGVEL fader also supports this kind of precise working. The 4-sensor system responds especially sensitively to movements and gives you exact control over volume contours and crossfader actions. Together with 14 Beat FX, 6 Sound Color FX, and the 2x8 performance pads, you get very direct access to key performance functions. Lighting, software and setup without detours The built-in DMX output is a strong argument if you want to integrate lighting directly into your setup. You can connect compatible lighting without an external DMX interface and use rekordbox for coordinated lighting effects. This is especially interesting when music and lighting are meant to work closely together.There are also two USB-C ports for simultaneous operation with two computers, switchable line/phono inputs, and an extensive connection section for fixed or changing setups. The controller unlocks rekordbox and Serato DJ Pro as soon as you connect it, so you can get started without an additional hardware dongle. An upgrade to DVS is possible if required. Who is the Pioneer DJ DDJ-FLX10 for? This model is just right for you if you don’t just want to mix, but to actively work on tracks. The 4-channel layout, the close integration with rekordbox and Serato DJ Pro, and the performance features make it particularly appealing to DJs who work with multiple decks, prepare their own transitions, and want to reshape things spontaneously during a set. suitable for advanced DJs focused on performance and remixes interesting for club DJs looking for a familiar layout useful for Serato and rekordbox users with changing workflows ideal for artists who want to integrate lighting control directly into their setup The controller is less intended for purely basic beginner setups with minimal feature needs. However, anyone who wants to work specifically with four decks, pads, effects, mix points and track components gets a well-thought-out control centre with plenty of direct access. Features Pioneer DJ DDJ-FLX10 Professional 4-channel DJ controller with club layout for rekordbox and Serato DJ Pro Track Separation for separating vocals, drums and instrumental for creative interventions during the live set Expanded on-jog displays with the Deck Info, waveform, artwork and DJ logo modes Large 170 mm jogwheels with a multi-colour illuminated ring and adjustable feel via the Feeling-Adjust control Mix Point Link for precisely prepared transitions with an automatically matching start point Revised MAGVEL fader with a 4-sensor system for finer and more direct fader movements DMX output for direct control of compatible lighting equipment via rekordbox Lighting 2x8 performance pads for Hot Cues, Pad FX, Beat Jump and samples Comprehensive mixer section with control over all channels and different sources Effect section with 14 Beat FX and 6 Sound Color FX for sound shaping in the mix Two USB-C ports for PC or Mac and parallel use with two DJs Hardware unlock for rekordbox and Serato DJ Pro, plus optional DVS expansion for an additional charge Technical data Compatible software rekordbox | Serato DJ Pro Jogwheels 170 mm Frequency range 20 - 20.000 Hz AD/DA conversion 24 Bit | 44.1 kHz S/N ratio 110 dB THD < 0,002 % (USB) Power supply Power cable | DC 12 V, 3 000 mA Weight 6.7 kg Dimensions (W x D x H) 716 x 400 x 43 mm In the box Pioneer DJ DDJ-FLX10 DJ controller Power cable Power adapter USB-C cable Voucher for Serato Pitch ’n Time DJ Quick start guide Usage notes Warranty and safety instructions
A clear, precise sound image is at the heart of this active nearfield monitor. With its 2-way bi-amp system, the speaker delivers detailed and uncolored reproduction across the entire frequency range – from deep bass to brilliant highs. The combination of a 6.5" woofer and 1" dome tweeter is supported by carefully tuned amplifiers optimized specifically for the respective drivers. The result is a transparent sound that gives you a reliable basis for mixing and monitoring. The construction relies on a low-resonance MDF cabinet in a bass reflex design to minimize unwanted cabinet resonances. A precise arrangement of screws and a specially developed mounting ring reduce vibrations, allowing the full sound character to unfold. By using particularly large magnets in combination with Advanced Magnetic Circuit technology, an even, controlled magnetic field distribution is achieved, ensuring a tight and clean low-frequency range. For flexible use, the model offers mounting points on four cabinet sides, making installation easy in a variety of environments. Whether fixed in the studio or mobile in production setups – the integrated room control and high trim switches allow you to adjust the frequency response to the room acoustics. This keeps the sound reliable even in acoustically challenging situations. Thanks to the balanced combination of a robust cabinet, precise drivers, and clever electronics, this monitor impresses not only with its sound accuracy but also with its versatility in professional audio applications. Its direct, neutral reproduction makes it a tool you can always rely on. Features Yamaha HS7i Active 2-way studio monitor with precise nearfield reproduction and installation capability Bi-amp system with 60 watts for the woofer and 35 watts for the tweeter 6.5" woofer and 1" dome tweeter for detailed and clear audio reproduction Advanced Magnetic Circuit design for clean and controlled bass Mounting points on four cabinet sides for flexible installation options Low-resonance MDF cabinet in bass reflex design Room control and high trim switches for adaptation to different room acoustics XLR and jack inputs, both balanced Precise screw and mounting ring design to reduce vibrations Technical Data Speaker type: 2-way bi-amp studio monitor Frequency response (-10 dB): 43 Hz - 30 kHz Frequency response (-3 dB): 55 Hz - 24 kHz Woofer: 6.5" cone Tweeter: 1" dome Crossover frequency: 2 kHz Output power: 95 W | LF: 60 W | HF: 35 W Input sensitivity: -10 dBu / 10 kOhm Inputs: XLR (balanced) | 6.3 mm jack (balanced) Indicator: Power LED (white) Cabinet type: Bass reflex Material: MDF Power consumption: 55 W EQ functions: HIGH TRIM (+/- 2 dB HF) | ROOM CONTROL (0/-2/-4 dB below 500 Hz) Mounting options: Four cabinet sides | 2x M8 (120 mm spacing) per side Weight: 8.70 kg Dimensions (W x D x H): 210 x 284 x 332 mm Scope of Delivery Yamaha HS7i studio monitor Power cable 2x screws for mounting brackets User manual
