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Product description Roland Aira VT-4

A voice can carry a song, define a moderation, or become an instrument in its own right during a live set. The Roland Aira VT-4 is designed for exactly this: the compact Voice Transformer processes vocals directly on the device and can be played using faders, buttons, and knobs while you speak or sing.

Roland Aira VT-4 - Shape vocal sounds directly

Shape vocal sounds directly

Pitch and Formant have their own dedicated faders. Use them to change the pitch and sound character of the voice independently, for example for subtle thickening, more distinct characters, or electronic vocal lines. Operation remains visible on the surface, without the need to navigate through menus.

The range of effects includes Robot, Megaphone, Vocoder, Harmony, and Reverb, each with four variations. Auto Pitch, Delay, and Reverb complement the sound processing. Multiple effects can be combined simultaneously, allowing you to pair a vocoder with chorus or echo, for instance, and create a custom sound for a song or program segment.

Roland Aira VT-4 - Eight scenes for recurring setups

Eight scenes for recurring setups

You can save your own settings in eight scene memories. This is practical if a set requires different voices, harmonies, or character effects that you want to recall quickly. When switching between saved scenes, the controls remain immediately focused on live performance.

The central Auto-Pitch knob determines the intensity of the pitch processing. Together with the buttons for the effect variations, this creates a workflow where you perform sound changes with your hands. The VT-4 also works without a computer, making it a great fit between a microphone, mixer, and PA, or in a compact production setup.

Roland Aira VT-4 - MIDI control for harmonies and vocoder

MIDI control for harmonies and vocoder

Use MIDI IN to connect a MIDI keyboard. Played notes control Auto Pitch, Harmony, and Vocoder in real time; chords can thereby dictate the voice leading of the harmonies. This facilitates tonal vocoder pads as well as multi-part backing vocals that match a played chord progression.

For microphones, a balanced combo input for XLR or 6.3 mm TRS is available on the back. It provides +48 V phantom power if needed. Additionally, there is a microphone input on the front in stereo mini-jack format with plug-in power, two 6.3 mm line outputs, a headphone output, and USB Type B for audio and bus power.

Roland Aira VT-4 - USB audio and mobile operation

USB audio and mobile operation

Via USB, the Voice Transformer can be integrated into a computer setup, for instance for recording, podcasting, or live streaming. The 24-bit signal processing and AD/DA conversion support sampling frequencies of 44.1, 48, 96, and 192 kHz. The right line output functions as a bypass output, so that an unprocessed signal can be output separately.

Alternatively, four AA batteries or AA Ni-MH rechargeable batteries power the unit. Without phantom power, the battery life is approximately six hours with alkaline batteries or seven hours with Ni-MH batteries. The handy chassis measures 174 x 133 x 58 mm, allowing it to be placed on a keyboard or next to a small mixer.

Roland Aira VT-4 - Is the Roland Aira VT-4 suitable for your vocal performance?

Is the Roland Aira VT-4 suitable for your vocal performance?

The Roland Aira VT-4 is suitable for singers, electronic live acts, DJs, and producers who want to use their voice as an active part of their performance. It also offers direct access to characterful vocal effects for podcasts, streams, or creative voice recordings. If you play harmonies or vocoder parts via a MIDI keyboard, MIDI control expands the range of applications with precise tonal control.

Features Roland Aira VT-4

  • Compact Voice Transformer for processing vocals and speech
  • Separate faders for pitch and formant
  • Robot, Megaphone, Vocoder, Harmony, and Reverb effects with four variations each
  • Auto Pitch, Delay, and Reverb for combinable vocal sounds
  • Eight scene memories for custom effect setups
  • MIDI IN for real-time control of Auto Pitch, Harmony, and Vocoder
  • Balanced XLR/6.3 mm TRS microphone input with +48 V phantom power
  • USB Type B for USB audio and bus power
  • Two 6.3 mm line outputs with R/BYPASS output
  • Powered by four AA batteries, AA Ni-MH rechargeable batteries, or via USB

Technical specifications

  • Product typeVoice Transformer / Vocal effect processor
  • Signal processing24-bit
  • AD/DA conversion24-bit
  • Sampling frequencies44.1 kHz | 48 kHz | 96 kHz | 192 kHz
  • Microphone input rearXLR/6.3 mm TRS combo jack | balanced | +48 V phantom power | max. 10 mA
  • Microphone input frontStereo mini-jack | plug-in power
  • Line outputs2 x 6.3 mm jack | L/MONO | R/BYPASS
  • Headphone outputStereo mini-jack
  • MIDIMIDI IN
  • USBType B
  • Scene memories8
  • Power supply4 x AA alkaline battery | 4 x AA Ni-MH rechargeable battery | USB bus power
  • Current draw500 mA
  • Weight0.554 kg including batteries
  • Dimensions (W x D x H)174 x 133 x 58 mm

Included accessories

  • Roland Aira VT-4 Voice Transformer
  • 4 x AA alkaline battery
  • Owner's manual
  • Leaflet "USING THE UNIT SAFELY"

Accessories matching the product: Roland Aira VT-4

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decksaver roland aira vt 4
Decksaver Roland Aira VT-4

The Decksaver dust cover fits perfectly the Roland Aira VT-4 and can easily be placed on the device. The Decksaver dust cover has been developed for optimum protection against dust, dirt and liquids. Unlike conventional acrylic covers, the transparent Decksaver dust cover is completely resistant to scratches and cracks. This is due to the robust material, as the cover is made of polycarbonate, which is also used for bulletproof glass. Original Decksaver covers are high quality products and are recommended by many international clubs and bars. Features Decksaver Roland Aira VT-4 Dust cover fits exactly for Roland Aira VT-4 Protects against dust, liquids and scratches Tailor-made, fits like a second skin on your equipment without you having to unplug the cables. Precisely fitting production Milky transparent surface High quality product Simple handling Original Decksaver from UK Technical data Dimensions: 180 x 134 x 31 mm Weight: 0,10 kg ** The additionally illustrated or mentioned devices are not included in the delivery.

Sale price: €29.00 Regular price: €34.51 (15.97% saved)
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Responsible company
Roland Europe Group Limited Germany
Eisenstr. 2-4
65428 Rüsselsheim
Germany

16 of 16 reviews

Average rating of 4.56 out of 5 stars


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1 - 10 of 16 reviews

M. Schröder — 28 March 2025

Review with rating of 4 out of 5 stars

Viel Spaß auf wenig Platz

Sehr kompaktes Gerät mit angenehmer Bedienung. Für Podcasts würde ich es persönlich nicht kaufen, für Musik und Performance aber schon eher. Die Stärken liegen klar im kreativen Bereich. Es geht schnell, klingt ordentlich und lädt zum Experimentieren ein. Verarbeitung wirkt bei meinem Exemplar sauber.

DJ Raze — 27 January 2025

Review with rating of 5 out of 5 stars

live richtig stark

Für live mega praktisch. Ich nutze es bei elektronischen Sachen und zwischendurch für Ansagen / Hooks. Man kann von leicht bearbeitet bis komplett robotermäßig alles machen. Das Ding ist nicht nur Spielzeug, sondern echt inspirierend. Besonders nice: man verliert sich nicht in komplizierten Einstellungen. Auspacken war auch gut, Lieferung schneller als gedacht.

Timo — 15 April 2024

Review with rating of 5 out of 5 stars

klingt besser als gedacht

Hab ehrlich mit mehr Plastik-Spielzeug gerechnet. Aber nee, das Teil liefert. Vor allem wenn man nicht alles bis Anschlag fährt. Kleine Änderungen an der Stimme machen schon viel aus. Für Songideen und Live-Kram wirklich stark.

Nico X — 9 October 2023

Review with rating of 5 out of 5 stars

bisschen krankes teil

positiv gemeint :D das ding kann schön und kaputt gleichzeitig. genau diese mischung liebe ich. paar regler und die stimme sitzt plötzlich ganz anders im track. für mich volltreffer.

Nico — 2 November 2022

Review with rating of 5 out of 5 stars

sofort verständlich

Was ich wirklich mag: man checkt das Gerät schnell. Kein Handbuch-Marathon nötig. Die Oberfläche ist logisch und man kann während der Performance direkt eingreifen. Das ist für mich wichtiger als 1000 Untermenüs. Klanglich richtig nice für Electro, Pop und weirdere Sachen. hab’s seit ein paar tagen und schon fest im setup.

Sven — 16 June 2022

Review with rating of 5 out of 5 stars

Mehr als nur Vocoder

viele denken erst an vocoder und autotune zeug, aber das ding kann halt auch subtil. genau das hat mich überrascht. stimme ein bisschen formen, etwas ambience drauf, fertig. für songwriting oder kreative takes super. usb ist praktisch im setup. ich hab jedenfalls schon nach 2 stunden mehr ideen gehabt als in den letzten wochen :D

Ben — 23 May 2022

Review with rating of 4 out of 5 stars

Gute Kiste mit Charakter

Kein Gerät für jeden, aber für die richtige Anwendung echt stark. Wer Vocal-Effekte live oder im Studio schnell abrufen will, wird hier glücklich. Mir gefällt vor allem, dass man nicht ewig vorbereiten muss. bisschen drehen, bisschen singen, läuft. Nur manche Sounds sind halt eher Geschmackssache. Insgesamt aber klar positiv.

Jay R. — 29 March 2022

Review with rating of 4 out of 5 stars

Great for live messing around

Really like the VT-4 for live use. Small footprint, easy controls, and it feels made for performance instead of endless setup. Pitch and formant stuff is fun, and the vocoder side can sound cool with the right setup. Not every sound is gold right away, so you gotta dial it in a bit. Still, solid unit.

Kirst Erik — 6 October 2021

Review with rating of 5 out of 5 stars

Top Gerne wieder

Flotte Zustellung, sehr toller Preis und gute Qualität ?

Patrick M. — 16 August 2021

Review with rating of 3 out of 5 stars

Kreativ, aber nicht jede Funktion haut mich um

Solides Gerät und definitiv spaßig. Ich mag die direkte Bedienung und die Größe. Aber nicht jeder Effekt war für mich gleich nützlich. Manche Sounds fand ich sofort stark, andere eher speziell. Für experimentelle Vocals super, für jeden Geschmack aber nicht automatisch perfekt. Preis war okay, Produkt selbst eher was für Leute die genau sowas suchen.

Important questions about the article Roland Aira VT-4

Question: Does the Roland Aira VT-4 work without a computer?

Answer: Yes. The voice transformer works standalone; no computer or plug-ins are required for vocal effects.

Question: What vocal effects can the VT-4 create?

Answer: It offers, among other things, harmonizer, vocoder, Auto-Pitch, pitch and formant processing, plus reverb, delay and lo-fi effects. Multiple effects can be combined.

Question: Can I change pitch and vocal character separately?

Answer: Yes. Separate faders control pitch and formant, allowing the pitch and tonal character of the voice to be shaped independently.

Question: Do I need a MIDI keyboard for vocoder and harmonies?

Answer: No, the VT-4 can also work without external MIDI. With a connected MIDI keyboard, however, Auto-Pitch, harmonies and vocoder can be controlled in real time using the notes played.

Question: Is the VT-4 suitable for streaming and podcasts?

Answer: Yes. Via USB audio, it can be integrated into setups for YouTube, game streaming or podcasts when the voice is to be deliberately transformed or processed with effects.

Question: Can I save my own effect settings?

Answer: Yes. The VT-4 provides eight scene memories for saving custom effect setups for quick recall.

Question: How is the Roland Aira VT-4 powered?

Answer: It can run on USB bus power or four AA batteries. Without phantom power, the manufacturer states a runtime of around six hours with alkaline or seven hours with Ni-MH batteries.

Question: Is the VT-4 suitable for live performances?

Answer: Yes. Its controls are directly accessible, so effects and their parameters can be changed while singing or performing without navigating menus.

Roland Aira VT-4 Review

Roland Aira VT-4 Review

The Roland Aira VT-4 in our review: How well do the vocal effects, vocoder, MIDI control and the direct live workflow perform?
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korg kaoss pad v top
Korg KAOSS PAD V

An effects unit becomes truly interesting when it is not just sitting next to your setup, but becomes part of the performance. The Korg KAOSS PAD V combines a touch-sensitive XY-pad with a sampler, vocal processing, and flexible connectivity, allowing you to shape, record, and further process sound directly. Two fingers, multiple movements On the illuminated pad, you control effects using the position of your fingers. In suitable programs, the dual-touch operation allows for two points of contact simultaneously, for instance for filter and delay or pitch and reverb. This creates transitions and sound movements directly from your gesture, instead of you having to work on multiple knobs one after the other. Eight buttons store frequently used programs as favourites. For custom adjustments, 100 user programs are available; the KPV Editor expands editing on the computer by adding settings for parameters, programs, and pad illumination. Effects for signals, voice and instrument The effects library draws on the character of earlier KAOSS PAD generations and ranges from filters, delays, reverbs, and modulation to vocal effects. The Voice-FX-Engine processes vocals with harmonies, pitch effects, and electronic timbres, without requiring a separate vocal processor unit in your setup. A microphone can be connected via the combined MIC/GUITAR input. The Hi-Z input also records electric guitar or bass directly. This way, you can process an instrument or vocals on the pad and combine them with line signals or computer audio. Capturing and evolving samples Ideas do not end with the effect: The unit records material into four sample banks. Up to eight bars are possible per recording, depending on the tempo. With overdub, you add new layers on top, while Gate Hold keeps the material locked to the BPM grid. Multiple playback and slice modes break down loops or reassemble them. This is perfect for short live remixes, spontaneous transitions in a DJ set, and arrangements that are meant to grow during a session. SD or SDHC cards provide storage space for data and samples. Direct connections LINE IN and OUTPUT L/R use RCA jacks. In addition, there is MIDI IN/OUT, a 6.3 mm stereo headphone output, and USB Type B. Via the integrated USB audio interface, you can record signals with your computer, edit them, or incorporate them into a stream. MIC, LINE, and USB signals can be used in parallel within a setup. This keeps the signal path from the microphone, instrument, or media player to the effects unit clear, even when you are bringing together a DAW, livestream, and hardware. The Korg KAOSS PAD V for performative setups The Korg KAOSS PAD V is suitable for DJs, live acts, producers, and streamers who want not just to engage effects, but to play them audibly. It is particularly useful for setups involving vocals, guitar, bass, or line sources, where sampling and live processing are closely linked. Anyone who wants to shape transitions, vocal sounds, or loop ideas with their hands gets a compact tool with intuitive operation and enough memory for their own programs. The combination of touchpad, sampler, and USB audio makes it a cohesive addition to performance and production. Features Korg KAOSS PAD V Dynamic effects unit and sampler for real-time audio processing Illuminated XY touchpad for direct control of effect parameters Dual-touch operation for two contact points in compatible programs 270 programs with 170 presets and 100 user memory slots Voice-FX-Engine for harmonies, pitch effects, and electronic vocal sounds MIC/GUITAR input with Hi-Z support for guitar and bass Four sample banks with recordings up to eight bars and overdub function BPM-synchronous Gate Hold as well as playback and slice modes for loops USB audio interface for recording, editing, and streaming with a computer RCA line inputs and outputs, MIDI IN/OUT, and headphone output Data and sample storage on SD or SDHC cards up to 32 GB KPV Editor for editing custom programs and pad settings Technical specifications Programs270 | 170 presets | 100 user programs InputsLINE IN L/R (RCA) | MIC/GUITAR IN (6.3 mm TRS jack) OutputsOUTPUT L/R (RCA) Headphone output6.3 mm stereo jack MIDIMIDI IN | MIDI OUT USBType B External storageSD | SDHC up to 32 GB Power supplyDC 9 V Weight1.3 kg without power supply Dimensions (W x D x H)210 x 226 x 49 mm Included items Korg KAOSS PAD V Dynamic Effect / Sampler Power supply Quick start guide

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AlphaTheta RMX IGNITE top view

Average rating of 4.67 out of 5 stars

AlphaTheta RMX-IGNITE

The AplaTheta RMX-IGNITE accompanies you as a DJ effect processor and sampler through spontaneous interventions as well as through precisely planned transitions. The model combines a three-band effect architecture with direct control, integrated sample playback, and digital integration into modern setups. This is how you shape individual frequency ranges with intention, add your own sounds to your set, and keep a well-structured signal path in view. Three bands, direct access At the centre is the three-band effect architecture, with which you can process high, mid, and low frequencies separately. This means you don’t just intervene across the entire mix; instead, you control individual sound elements with real precision.Lever FX and Isolate FX act as two different approaches to shaping sound. While the faders are designed for immediate actions, the controls allow for finer curves. Both paths can be combined and further adjusted via a sub-parameter. Effects with a performance focus For spontaneous accents, this article gives you direct effect control via three large, dimensioned levers. That’s how you dial in Echo, Reverb, Juggle, Reverse, Solo, or Stretch quickly and with control, without interrupting your workflow.If you want to shape transitions in more detail, the Isolate FX with continuous controls are available. Tape Echo, Reverb, Drive, Filter, Ducker, and Rhythm can be applied to targeted frequency ranges and support differentiated builds, breaks, and changes in texture. Sampling as an integral part of your set The integrated section with four pads expands the unit with flexible sampling for loops, one-shots, and real-time recordings. You load your own content via USB storage media, organise it with the Sample Manager software, and incorporate it directly into your performance without detours.In addition, preinstalled sounds are available. With six Sample Color FX and Groove Roll with ten rhythmic patterns, you further shape loaded material and add more movement to transitions, layers, and rhythmic additions. Seamlessly integrated into hybrid DJ setups For connecting compatible devices, AlphaTheta relies on Pro DJ Link. With this, you use synchronised BPM and Grid data, play samples from connected USB drives, and integrate the product closely into your existing setup.Through Multi I/O via USB-C, digital send/return is also possible with supported mixers. This connection reduces cabling effort and keeps the signal path consistent, while additional non-audio data can also be transferred. Clean signal processing in detail The internal audio section is designed for high-resolution processing. A DSP works at 96 kHz and with 64-bit internal processing, complemented by 32-bit A/D and D/A converters from ESS Technology.This keeps the sound image clear even during intensive processing. Fine nuances, transients, and dynamics are reproduced precisely, while the original character of the source material is retained in a comprehensible way. Who is the AlphaTheta RMX-IGNITE for? AlphaTheta RMX-IGNITE is a good fit for you if you want to use effects not just as an add-on, but as a shaping tool in your set. The unit is especially suitable for advanced DJs and professionals who want to shape transitions, breaks, layers, and live remixing with intention. Thanks to the clear operating structure, it’s also interesting for ambitious beginners who want to deliberately engage with band-based effect work and sampling.The effector shines above all in performance-heavy DJ setups, in hybrid configurations with compatible players or mixers, and in applications where timing, direct interventions, and flexible sound processing are required. suitable for creative DJ performances with targeted frequency processing ideal for setups with sampling, digital send/return paths, and Pro DJ Link makes sense for users who work from spontaneous interventions to finely tuned curves ideal when you need direct control, a clean signal path, and deep sound shaping Features AlphaTheta RMX-IGNITE Professional DJ effect processor with integrated sampler and three-band effect architecture Lever FX and Isolate FX for direct interventions and finely tuned sound curves Six Lever FX: Echo, Reverb, Juggle, Reverse, Solo, and Stretch Six Isolate FX: Tape Echo, Reverb, Drive, Filter, Ducker, and Rhythm Sub-parameter controls per effect path for expanded adjustment Integrated sampler with four pads for loops, one-shots, and real-time recordings Preinstalled sounds and sample integration via USB storage media Sample Manager software for managing your own sample packs Groove Roll with ten rhythmic patterns for performances with plenty of variety Six Sample Color FX for processing loaded sounds Release Echo with Dry or Mute option for different types of transitions Pro DJ Link for synchronised effects, recording functions, and cross-device sampling Multi I/O via USB-C for digital send/return with supported mixers Display with colour information for effects, BPM, samples, and parameter status Extensive connectivity with USB-A, USB-C, stereo phono jack I/O, and LAN DSP processing with 96 kHz and 64-bit internal processing, as well as 32-bit converters Technical specifications Power supply AC 100–240 V, 50/60 Hz Power consumption DC 15 V, 3.0 A Power consumption (off) 0.3 W Sampling rate 96 kHz Internal processing 64 Bit A/D, D/A converters 32 Bit ADC ESS ES9821Q DAC ESS ES9017S ADC dynamic range 120 dB DAC dynamic range 120 dB | 4-channel summing up to 124 dB Frequency response 20 Hz – 40 kHz Signal-to-noise ratio MST 115 dB | SEND/RETURN 114 dB | CDJ 108 dB THD 0.0018 % Standard in/out level MST +4 dBu / +4 dBu | SEND/RETURN –7.8 dBu / –7.8 dBu | CDJ –6 dBu / –12 dBu Input impedance 47 kΩ Output impedance 680 Ω or less Rated output level / load impedance MST 21 dBu / 10 kΩ | SEND/RETURN 12 dBu / 10 kΩ | CDJ 3 dBu / 10 kΩ Input 1x 6.3 mm TS jack Output 1x 6.3 mm TS jack USB Type A (Sampler) 5 V / 1 A USB Type C (Multi I/O, power adapter) 2 ports LAN 1 × (100BASE-TX) WAV formats 16/24 Bit | 44.1/48/88.2/96 kHz AIFF formats 16/24 Bit | 44.1/48/88.2/96 kHz Weight 2.3 kg Dimensions (W x D x H) 340.0 x 213.3 x 72.8 mm Package contents AlphaTheta RMX-IGNITE Power supply unit Power cable Warranty documents Quick start guide Usage notes

Sale price: €1,149.00 Regular price: €1,199.00 (4.17% saved)
Expected availability: 23 October 2026
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allen heath xone 43 dj mixer 1

Average rating of 4.76 out of 5 stars

Allen & Heath Xone 43

Allen & Heath Xone:43 is an analogue 4+1-channel DJ mixer for clean transitions, controlled sonic interventions and a setup that still stays clear and easy to operate even under time pressure. Four fully equipped channels, an additional microphone/Aux input and the characteristic Xone filter give you exactly the tools you need for a structured, creative and punchy set. It’s not about the sheer amount of functions, but about how practically they can be used in the mix. That’s exactly what makes this model interesting for DJs who value direct access, clear sound and reliable operation. Filters with a signature touch The analogue VCF system is one of the most defining elements of this mixer. With high-pass, band-pass and low-pass as well as adjustable resonance, you can shape transitions so they’re clearly audible, bring individual frequency ranges into focus or give a track more movement. Instead of simply intervening in a rough way, you work here with control and musicality.Especially with longer transitions or reduced sections, the filter shows its strengths. Cutoff and resonance respond directly, without awkward menus or nested functions. This keeps your focus on the set—not on searching for the next step. EQ that really cuts in Each of the four channels is equipped with a 3-band EQ including a Total-Kill function. That means you can not only reduce bass, midrange or treble, but, if needed, remove them completely from the signal. This is particularly useful when you switch basslines cleanly, set vocals apart in a targeted way or want to build breaks more clearly.Together with the filter system, you get very direct access to your sound. The important tools are in the right place and can be operated quickly, without the layout feeling overloaded. Effects without detours The dedicated effects send lets you integrate external devices sensibly into your setup. With send and return, you can bring delays, reverbs or other processors into the mix and control them per channel in a targeted way. The X:FX connection is particularly handy, because it gives you a direct and traceable way to access external effects.This opens up more options for dynamic transitions and individual sound design. Instead of static chains of effects, you can work situationally and build your mix to be noticeably more lively. Faders that move with you Even in the faders, Allen & Heath focuses on what matters. The channel and crossfader run smoothly, respond precisely and support both clean blending and quick interventions. The replaceable crossfader is also prepared for different working styles and can be swapped for a suitable Innofader.On top of that, there are three selectable curve characteristics for the crossfader. This lets you match the behaviour to your style—whether you prefer to blend more smoothly or prefer fast cuts. For a device of this class, that’s a practical detail that makes a real difference in everyday use. Built for clear workflows The overall structure stays straightforward, even though you have plenty of connection options at your disposal. Symmetrical XLR master outputs, a separate booth and record-out, two headphone outputs and a 9-step level meter provide reliable control during operation. On top of that, there’s 20 dB headroom, giving the signal more space and stability.The housing is built to be robust and designed for long-term use. The X:Link port expands the setup if needed with compatible Xone:K controllers, without diluting the mixer’s clear underlying concept. Does the Allen & Heath Xone:43 fit your setup? This mixer is right for you if you prefer analogue mixing, appreciate a clear operating concept and would rather shape your transitions yourself than rely on automated features. It’s particularly suited to DJs working with vinyl, media players or external effects devices, and who expect a direct, musical way of handling. well suited for structured club sets with a focus on sound control of interest for DJs who incorporate filters and EQ actively into their transitions useful for setups with turntables, line sources and external FX devices a good fit for ambitious beginners with high standards and experienced performers What matters less here is digital gimmickry—what’s more important are the signal path, access and feel. That’s exactly why this mixer appeals to people looking for a reliable work tool, and who prefer to define their performance through technical understanding rather than via overloaded menus. Features Allen & Heath Xone:43 Analogue 4+1-channel DJ mixer with a clear layout and direct access to all important functions Four fully equipped channels plus an additional microphone/Aux input for versatile setups VCF filter with high-pass, band-pass and low-pass plus adjustable resonance 3-band EQ with Total-Kill function on all four channels Dedicated effects send for integrating external effects devices with direct channel control Smooth channel faders and replaceable crossfader with three selectable curve characteristics X:Link port for expansion with compatible Xone:K controllers Symmetrical XLR master outputs, separate booth and record-out as well as send/return connections Headphone outputs in 3.5 mm and 6.3 mm for flexible monitoring setups 9-step level meter and 20 dB headroom for controlled working with clean dynamics Technical data Channels 4 + Mic Analogue inputs 1 x XLR | 1 x Stereo-RCA (Aux) | 4 x Stereo-RCA (Line) | 4 x Stereo-RCA (Phono) | 1 x Stereo-RCA (Return) Analogue outputs 2 x XLR | 1 x Stereo-RCA (Booth) | 1 x Stereo-RCA (Record) | 1 x Stereo-RCA (Send) Headphone outputs 1 x 6.3 mm | 1 x 3.5 mm Fader 4 x 45 mm Crossfader 45 mm VCA | replaceable Equalizer 3-band with Kill function Weight 5.1 kg Dimensions (W x D x H) 320 x 370 x 110 mm Included in delivery Allen & Heath Xone 43 DJ mixer Power cable Warranty & safety instructions

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pioneer djs 1000

Average rating of 5 out of 5 stars

Pioneer DJ DJS-1000

Pioneer DJ DJS-1000 combines sampler, 16-track sequencer and effects processor in a standalone unit for creative DJ performances. You can record sounds live, loop them directly, sequence them and shape them with effects, without having to put a computer at the centre. The large 7-inch touch display, the 16 performance pads and the illuminated step buttons give You quick access to everything that really matters in the set. Live sampling without detours With the DJS-1000, You record external audio directly during the performance and use it immediately as your own track. The sampled material is automatically synchronised with the ongoing sequence, can be looped and incorporated directly into new rhythmic or melodic ideas.That way, spontaneous transitions, additional grooves or short remix passages are created without You having to interrupt Your set. This is especially useful when You want to pick up vocals, drums, synth lines or short fragments from Your setup and rearrange them. Sequences that run visibly alongside The 16 large, multi-colour step input buttons make the sequencer very clear. You can see at a glance which steps are active and quickly change patterns. Each track stays clearly traceable because the lighting shows important sequence information directly on the unit.In combination with the 16 tracks, you get a flexible workflow for beats, loops, one-shots and rhythmic variations. You can prepare before the set or incorporate new ideas in the middle of the performance without having to work through nested menus. Pads with feel The 16 large rubber pads respond to touch velocity and are ideal for triggering samples, loops and sequencer tracks. In velocity mode, You control the volume via finger pressure, making Your performance feel noticeably more alive.Using the multi-colour LEDs, You can quickly tell which samples are active. You can also play samples melodically and form new phrases from short sound building blocks. This makes the Pioneer DJ sampler not only a tool for loops, but also a playable instrument. Touchscreen for quick decisions The 7-inch colour display clearly shows You the most important sections separated: Home, sequence and mixer. You get an instant overview of assigned samples, ongoing patterns and the volumes of the individual tracks.Especially in a DJ setup, this direct operation is a big advantage. You don’t have to search for long, but can react when a transition, break or build develops spontaneously. The workflow stays close to the performance and fits well with known Pioneer DJ setups. Creative control with touch strip and effects The touch strip extends Your controls to direct gestures. With pitch bend, You change the pitch; with the note repeat function, You create drum rolls and rhythmic repeats. This lets You shape transitions, fills and short arcs of tension very quickly.To that are added integrated effects such as echo, reverb and filter. You can apply these to individual tracks, track groups or the entire signal. That way, You shape sounds directly on the unit, without having to plan additional external effects hardware as a must. Cleanly integrated into your DJ rig Using MIDI clock, beat sync and Pro DJ Link, the DJS-1000 can be precisely synchronised with compatible CDJ and XDJ setups. Especially when paired with CDJ-2000NXS2 or XDJ-1000MK2, the unit fits neatly into existing Pioneer DJ environments. Beat-sync for aligned tempo Tempo slider for manual control Nudge button for fine-tuning the beat position LAN connection for Pro DJ Link USB media are also supported, so You can manage samples and projects conveniently. In addition, the unit is compatible with projects from the Pioneer DJ Toraiz SP-16. Why does the Pioneer DJ DJS-1000 fit You? This unit is just right for You if You want to expand DJ sets actively—not just play them. It’s aimed at advanced DJs, live performers and producers who want to build loops, samples and their own sequences directly into their setup. For DJs who want to play spontaneous edits and live remixes For performers who want to create additional grooves without a laptop For users of CDJ, XDJ and Pro DJ Link setups For producers who want to rearrange prepared samples live Even ambitious beginners can work with it if they deliberately want to familiarise themselves with sampling, sequencing and performance structures. If You’re looking for a pure playback device, You don’t need this depth. However, if You want more musical control in the DJ booth, You get a very direct tool here. Features Pioneer DJ DJS-1000 Standalone DJ sampler with 16-track sequencer, live sampling and integrated effects 16 large, multi-colour step input buttons for quick creation and editing of sequences 16 velocity-sensitive performance pads for triggering and melodically playing samples and loops 7-inch touch-screen colour display with direct access to the Home, sequence and mixer views Live sampling for external audio with automatic synchronisation to the ongoing sequence Touch strip for pitch bend, drum rolls and other real-time manipulations Integrated effects such as echo, reverb and filter for individual tracks, groups or the overall signal Synchronisation via MIDI clock and beat sync with compatible CDJ and XDJ setups via Pro DJ Link Over 2,500 Loopmasters samples built in for a quick creative start Supports USB storage media for managing samples and projects Compatible with DJS-TSP Project Creator 2 for project and scene 3 files on Mac or PC Supports project files created on the Pioneer DJ Toraiz SP-16 sampler Technical specifications Playable media USB storage media | USB flash storage | Hard drive Playable file formats WAV | AIFF | 16 Bit/24 Bit | 44.1 kHz Supported USB data storage systems FAT | FAT32 | HFS+ Inputs 1 x INPUT L/MONO and R 6.3 mm jack Outputs 1 x OUTPUT RCA | 1 x THRU/OUTPUT2 6.3 mm jack | 2 x PHONES 6.3 mm jack and 3.5 mm jack Other connections 1 x USB Type-A | 1 x USB Type-B | MIDI-IN 5-pin DIN | MIDI-OUT/THRU 5-pin DIN | 1 x LINK LAN 100Base-TX Power supply AC 110-220 V | 50 Hz/60 Hz Frequency range 20 - 20,000 Hz Power consumption 20 W Weight 5.4 kg Dimensions (W x D x H) 320 x 422 x 110 mm What's in the box Pioneer DJ DJS-1000 step sequencer and sampler Power supply cable LAN cable USB cable RCA cable Operating instructions

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Korg Korg NTS 3 Kaoss Pad Kit Top View
Korg Korg NTS-3 Kaoss Pad Kit

Effects are fun when they don't stand between you and the music. A swipe across the pad can open a filter, rhythmically shift a delay or set a loop in motion. That is exactly what the Korg NTS-3 Kaoss Pad Kit is designed for, bringing the renowned KAOSS control to a compact, DIY effects unit. Shape sounds directly on the X/Y pad The touch-sensitive X/Y pad combines two parameters with a single hand movement. This allows you to shape the effect without navigating through nested menus, letting you react immediately to the moment in your set. Mute, FX Depth and Tap BPM are available as dedicated performance functions; use Latch to hold selected effect movements. The range of effects includes 35 algorithms. In addition to filters, modulation, delay and reverb, there are looper, grain shifter, vinyl break, mastering and OSC effects available, among others. This allows you to process external stereo sources with short accents, spatial transitions or more experimental interventions. Four effects as an individual sound chain Up to four effects can be combined simultaneously, switched on and off individually and arranged in different routings. This turns a single gesture on the pad into more complex changes, for example when filters, delay and modulation work together. 200 performance programs save such configurations for later recall. 100 of these programs are pre-assigned from the factory, with another 100 slots available for your own combinations. Recurring transitions, a specific looper application or a fixed effect chain for a live set remain reproducible without having to reconfigure the settings each time. Open for your own effects and adjustments Using the logueSDK, you can develop your own effect algorithms and load additional content into the device. The Librarian application handles the management and transfer. The kit is therefore not limited to the internal effect library, but can be adapted to your very personal way of working. The casing is also part of the concept. The assembly requires no soldering and is completed in less than 20 minutes. Reversible side panels in metallic black and metallic red then give the small effects unit a look suitable for the studio, desktop setup or stage. Korg NTS-3 Kaoss Pad Kit in a live setup The Korg NTS-3 Kaoss Pad Kit is suitable for DJs, live acts and sound designers who want to manipulate external sounds with their hands. Using AUDIO IN and AUDIO OUT, you can integrate it as a compact stereo effects unit; Sync In and Sync Out help with timing synchronization with drum machines or sequencers. USB-C bus power and the small form factor make it a practical tool for mobile setups where direct access to the sound matters. Features Korg NTS-3 Kaoss Pad Kit Programmable DIY stereo effects unit with KAOSS X/Y touchpad 35 internal effects from filter, modulation, delay, reverb, mastering and other categories Up to four effects can be combined simultaneously and used in different routings 200 performance programs with 100 pre-installed and 100 user storage slots Direct performance functions with Mute, FX Depth, Tap BPM and Latch Expandable with your own effects via logueSDK and Librarian application SYNC IN and SYNC OUT for synchronization with compatible devices DIY assembly without soldering with reversible side panels in metallic black and metallic red Technical specifications Effects35 Effect categoriesFilter 5 | Modulation 6 | Delay 4 | Reverb 5 | Other 5 | Mastering 7 | OSC 3 Performance programs200 | 100 Presets | 100 User AUDIO IN3.5 mm stereo mini-jack Headphone/AUDIO OUT3.5 mm stereo mini-jack SYNC IN3.5 mm TRS mini-jack | maximum 20 V input voltage SYNC OUT3.5 mm TRS mini-jack | 5 V output voltage USBType-C Power supplyUSB bus power | 500 mA or less Weight0.119 kg Dimensions (W x D x H)104 x 101 x 39 mm Scope of delivery Korg NTS-3 Kaoss Pad Kit USB cable Assembly instructions

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boss gt 1000core 3

Average rating of 5 out of 5 stars

Boss GT-1000CORE

The BOSS GT-1000CORE manages to pack the full computing power of the BOSS flagship GT-1000 processor into a compact format. Inside, you'll find a host of high-quality amp, cab and effects models for your stage and studio needs. The GT-1000CORE covers all your needs, perfectly suited for creating atmosphere. Its 32-bit/96kHz processing ensures true-to-life modeling and a familiar feel that makes the guitarist and bassist inside you wonder where the amp is. With 24 simultaneously assignable FX blocks, AIRD-controlled guitar and bass preamps, stereo inputs for seamless pedalboard integration, two FX loops for the four-cable amplification method, and direct USB output for easy recording, the BOSS GT-1000CORE earns its place among the world's top mini-amp and FX processors. Features Boss GT-1000CORE Brings the full computing power of the BOSS flagship GT-1000 processor into a compact format True to life 32-bit AD/DA conversion and internal 32-bit/96 kHz processing Modeling technology borrowed from the BOSS amplifiers Waza and Katana Large selection of amp, cabinet and effect models on board 3 AIRD preamps and 16 effects Two send/return loops for external effects, 4-cable method or independent direct outputs Looper for practicing, developing ideas or enhancing live performances Stereo inputs for pedalboard integration MIDI I/O and USB recording Expression Pedal Connections Technical data Sampling frequency: 96 kHz AD/DA conversion: 32 bit Processing: 32-bit floating point Memory: 250 (user) + 250 (preset) Phrase Looper (38 seconds mono, 19 seconds stereo) Power supply: AC Adapter (included) 256 x 80 px LC-Display Weight: 920 g Dimensions (W x D x H): 173 x 135 x 65 mm Scope of delivery Boss GT-1000CORE Power adapter User manual Safety Guide 4x rubber feet

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pioneer djm 250 mk2 2 kanal dj mixer 1

Average rating of 4.96 out of 5 stars

Pioneer DJ DJM-250 MK2

Pioneer DJM-250 MK2 combines classic 2-channel mixing with an integrated USB sound card and direct rekordbox connectivity. The mixer is clearly laid out, responds precisely and suits setups with turntables, CDJs, XDJs or computers. With Magvel Crossfader, 3-band isolators, Sound Color FX and 48 kHz/24-bit processing, you get a compact tool for clean transitions, controlled cuts and flexible DVS workflows. Direct control without detours The layout is intentionally kept easy to read. Each channel offers you its own level indicators, a grippy 3-band EQ and a dedicated filter. This way, you quickly get your bearings and can focus on timing, transitions and track selection. The isolator EQs have a clearly noticeable effect and let you remove highs, midranges or basses in a targeted way.The setup is particularly practical for DJs looking for a mixer that doesn’t feel overloaded. All important functions are right in front of you. You don’t have to navigate through menus and you can also work reliably during quick changes. Fader with feel The contactless Magvel crossfader is designed for precise movement and long-lasting reliability. The magnetic system works without classic contact wear and is therefore also suitable for frequent cutting and scratching. With the crossfader curve, you can adapt the behaviour to your style.The channel faders also run smoothly and evenly. This makes slow blending as controlled as quick mix changes. Combined with the fader start function, compatible Pioneer players can be controlled directly via the fader. Filters that kick in straight away The Sound Color FX bring motion to your transitions without making the mixer complicated. Each channel has its own filter, activated via a button. An LED on the control shows you which filter is active. With the parameter control, you can influence the sound character and shape builds, breaks or fades more directly.The effects section is intentionally kept compact, but chosen in a sensible way. Instead of lots of features, you get a tool that you can use quickly during your mix. Play analog, record digitally Using the integrated USB audio interface, you connect the mixer directly to your PC or Mac. This lets you use digital tracks via rekordbox or record your sets cleanly. The fully digital signal processing with 48 kHz and 24 bit ensures clear conversion and stable sound quality.With rekordbox dj and rekordbox DVS, the mixer can also be integrated into a digital vinyl system. You can work with Control Vinyl, use CDJs or XDJs and still keep the direct feel of a classic mixer. Who is the Pioneer DJM-250 MK2 for? This mixer suits you if you want to build a compact 2-channel setup and place value on direct operation. It’s a good choice for beginners who don’t want to be distracted by too many features, but also for advanced DJs looking for a solid mixer for DVS, scratches or a small home studio. For classic 2-deck setups with turntables or media players For rekordbox DVS setups with Control Vinyl or CDJ/XDJ control For DJs who need a precise crossfader and clear EQ control For small setups where the USB audio interface and mixer in one unit make sense Features Pioneer DJ DJM-250 MK2 Professional 2-channel DJ mixer with integrated USB audio interface for analogue, digital and hybrid setups Suitable for rekordbox dj and rekordbox DVS for controlling digital tracks via turntables, CDJs or XDJs Contactless Magvel crossfader with replaceable magnetic mechanism for precise cuts and high durability Fully digital signal processing with 48 kHz and 24 bit for clear and stable sound reproduction 3-band isolator EQ per channel for targeted control of highs, midranges and basses Sound Color FX filter per channel for quick transitions, sound shaping and creative mix movements Peak VU meter on each channel for safe monitoring of input signals Adjustable crossfader curve with three selectable curves for different mix and scratch styles Fader start function for controlling compatible Pioneer players connected via cable Integrated mounting for rack installation for fixed installations in the club or home studio Smooth channel faders for controlled blends and precise volume level transitions Includes rekordbox dj and rekordbox DVS licence card Technical data Frequency range 20 - 20,000 Hz Sampling rate 48 kHz A/D converter 24 bit D/A converter 24 bit S/N ratio (line) 94 dB Distortion < 0,005 % LINE Power supply AC adapter DC 12 V Channels 2 Equalizer 3-band isolator for HI | MID | LOW Software support rekordbox dj | rekordbox DVS Weight 3.1 kg Dimensions (W x D x H) 240 x 300 x 107 mm Package contents Pioneer DJ DJM-250 MK2 DJ mixer Mains cable Power supply unit USB cable Card with licence key for rekordbox dj and rekordbox dvs Operating instructions Quick start guide Warranty

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technics sl 1210 mk7 1sgyh70xac4rqh

Average rating of 4.83 out of 5 stars

Technics SL-1210 MK7

Technics has exhausted all possibilities to offer all DJs, music fans and enthusiasts a first-class music experience. This commitment is also reflected in the brand new Technics SL-1200MK7. Packed with the latest technology and years of know-how, this turntable will make a significant contribution to the evolution of the club DJ culture. The motor with direct drive creates the core of the SL-1200 series. Introduced in 1970, D.D. motor technology not only offers unparalleled accuracy, but also reliability for long-term use with excellent durability. This motor has evolved with the SL-1200MK7 and achieves an even higher sound quality than the Coreless Direct Drive motor. The SL-1200MK7 features a static Balance S-shaped tonearm to continue Technics' tradition. The tonearm moves in a unique arc on the record to reproduce music with the highest accuracy. The interior has a high precision bearing construction. The tonearm offers a high track fidelity without needle jumping, even during hard use such as scratching. Each of the feet consists of rubber and an inner spring, while the underside is covered with a padding material. They effectively eliminate vibrations even in noisy environments. If the turntable cannot be placed on a flat surface, its height and inclination can be adjusted by turning individual insulator feet. The Technics SL-1210 MK7 has a newly integrated fully digital pitch control, which allows accurate and stable adjustment in the range of ±8/16%. The Target Light, which celebrated its premiere in the SL-1200MK2, is also back on board. Of course also here with the latest technology. The SL-1200MK7 is equipped with a white LED that offers high brightness and a long service life. The lighting has been improved and the range has been increased to ensure optimum visibility of the needle even in poor club light. Whether for professional DJs or music fetishists who don't want to compromise. The Technics SL-1210 is also in the MK7 version one of the best, most durable and timeless turntables you can buy. Features Technics SL-1210 MK7 Latest version of the legendary DJ turntable Low-wear components for extremely long service life Iron coreless direct drive motor High-precision motor control S-shaped tonearm with high sensitivity Extremely high tracking accuracy Turntable is completely vibration dampened Sturdy, robust metal housing Damped, adjustable feet with spring-rubber compound Gold-plated connection sockets Target-Light with white LED light Digital pitch control in the range of ±8/16 %. Technical data Rotational speeds: 33 1/3, 45, 78 rpm Pitch range: ±8%, ±16% Starting torque: 1.8 kg/cm Start-up time: 0.7 s. from a standstill to 33 1/3 rpm Tonearm length: 230 mm Support force range: 0 - 4g (direct scanning) Weight of headshell: Approx. 7.6g Mains voltage: AC230 V, 50 Hz Power consumption: 8 W (Approx. 0.2 W standby) Weight: 9.6 kg Dimensions (W x H x D): 453 x 353 x 169 mm Included in delivery Technics SL-1210 MK7 Turntabledust cover single adapter counterweight auxiliary weight headshell overhang template Screw set for pickup attachment Phono connection cable grounding cable power cable instruction manual Pickup is not included in the delivery

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Korg KAOSS Replay Top View
Korg KAOSS Replay

A good loop can carry a transition, a vocal snippet can suddenly open up a track, and an effect can turn two bars into a brand-new moment. The Korg KAOSS Replay bundles these interventions into a compact sampler and effects unit that allows you to play, record, and integrate directly into a set without needing a computer. Grab samples instead of searching The 16 velocity-sensitive pads are at the heart of the operation. There are 128 sample slots across eight banks available per project, ensuring that one-shots, loops, and longer audio files remain separately prepared. Up to 16 pads can be played simultaneously, while the illumination makes navigation easier during an ongoing set. Samples are created via the switchable line/phono input, the AUX input, the microphone input, or through resampling. With twelve hot cues per pad, you can jump precisely to specific points within your material. With version 2, cutting, normalizing, reversing, and pitch editing are also part of the device's workflow. KAOSS effects with direct access The touch-sensitive XY pad turns effects not into a menu item, but into a performance gesture. Filter sweeps, delays, rhythmic modulations, and vocoder programs are controlled by the position of your finger; the current version 2 software provides more than 200 KAOSS programs for this purpose. Twelve favorite slots shorten the path to frequently used settings. For vocals, there are separate tone, delay, and reverb effects available at the microphone input. This allows announcements, vocals, or voice recordings to be integrated directly into a performance. Transitions, loops and external sources Two group faders allow you to divide pads into groups and crossfade between them. BPM detection, sync, and quantization help to rhythmically align samples and loops with existing material. This is particularly practical when recordings are intended to run for several bars rather than just at specific points. Via USB, the device acts as a 2-in/2-out audio interface with 48 kHz and 16-bit. Additionally, MIDI In and Out are available. This allows the sampler to be integrated into a DJ setup, a hardware rig, or a computer recording environment without losing its direct tactile character. Storage and connections for the mobile setup Up to 100 projects can be saved per microSD card; microSD and microSDHC cards up to 32 GB are supported. Resampling is possible for up to 30 minutes, and live recording for up to 100 minutes. The aluminum housing measures only 284 x 185 x 56 mm and remains highly portable at 2.0 kg. In addition to the line/phono input, there is a 6.3 mm microphone input, a 3.5 mm AUX input, RCA line out, and a headphone output. A footswitch input can supplement the operation when both hands are occupied with instruments, a mixer, or a controller. The Korg KAOSS Replay in a performing setup The Korg KAOSS Replay suits DJs, live acts, producers, and streamers who want to trigger and shape samples and effects themselves. Its strengths shine when prepared pads meet spontaneous recordings and one compact device handles multiple tasks in the setup. For DJ sets with samples, hot cues, and effect sweeps For live performances with loops, resampling, and external sound sources For producers who want to capture and edit ideas without a computer Features Korg KAOSS Replay Standalone dynamic effect unit and sampler for live performance, DJ set, and production 16 velocity-sensitive, illuminated pads with up to 16 simultaneous playbacks 128 sample slots across eight banks per project Sampling via line/phono, AUX, microphone, and resampling More than 200 KAOSS programs with version 2 software XY touchpad for direct control of effects Twelve hot cues per pad as well as sample trim, normalize, reverse, and pitch shift Two group faders with group assignment for transitions between pads BPM detection, sync, and quantization for rhythmically matching loops USB audio interface with 2 inputs and 2 outputs MIDI In and Out as well as connection for a footswitch Storage of up to 100 projects on microSD card Technical specifications Display5-inch LCD touchscreen Sample pads16 velocity-sensitive pads Sample slots128 per project | 8 banks Simultaneous playbacks16 External storagemicroSD | microSDHC up to 32 GB Project capacityup to 100 projects per microSD card Recording functionsSampling | Resampling up to 30 minutes | Live recording up to 100 minutes Audio interface2 In | 2 Out | 48 kHz | 16-bit ConnectionsLine/Phono In (RCA, switchable) | Mic In (6.3 mm jack) | AUX In (3.5 mm jack) | Line Out (RCA) | Headphones (6.3 mm jack) | Footswitch (6.3 mm jack) | MIDI In/Out (5-pin DIN) | USB-MIDI Weight2.0 kg Dimensions (W x D x H)284 x 185 x 56 mm Included in delivery Korg KAOSS Replay sampler USB-C power adapter USB cable type A to micro-B, 1 m microSDHC card, 8 GB Quick Start Guide

Sale price: €712.00 Regular price: €1,099.00 (35.21% saved)
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omnitronic iso 23 mk2 4
Omnitronic ISO-23 MK2

The OMNITRONIC ISO-23 MK2 DJ-Isolator is a high-quality and versatile tool for DJs who want to take their sound processing to the next level. The rack-mountable device offers 3-band frequency isolation, allowing you to individually adjust bass, mids, and treble. With the effective boost and kill function, these frequencies can either be emphasized or completely muted, enabling the creation of creative transitions and the production of acapella and instrumental versions. Ideal for use in clubs, studios, or live performances. A standout feature of the ISO-23 MK2 is the use of high-quality ALPS potentiometers from the RK27 series, known for their long lifespan and precise control. These rotary controls allow for fine and accurate adjustment of frequencies, which is crucial for DJs. The vintage potentiometers also give the device a nostalgic charm, further enhancing the user experience. The isolator excels in its ease of use and high precision, enabling professional sound design. Thanks to the Bypass switch, DJs can easily switch between processed and unaltered signals. This ensures high flexibility in use, especially in live situations where quick actions are needed. The ISO-23 MK2 features both symmetric and asymmetric inputs and outputs (XLR/RCA), making it a versatile solution for various setups. Additionally, it can be integrated into a 19-inch rack with a height of just 1U, making it a compact and space-saving tool for mobile DJs and studios. The frequency isolator is ideal for use in clubs as well as for mobile DJs or solo performers. With a power supply of 100-240 V AC and a low overall power consumption of only 12 W, the device provides reliable performance even during longer sessions. Its robust construction and thoughtful design ensure the ISO-23 MK2 performs excellently in any environment. Features OMNITRONIC ISO-23 MK2 DJ-Isolator 3-band frequency isolator with effective boost and kill function The kill feature allows for complete removal of bass, mids, and treble Classic ALPS rotary potentiometers (Blue Velvet RK27) for precise control 1-channel stereo version for flexible handling Frequency ranges: Bass: 20 Hz - 300 Hz, Mid: 300 Hz - 4 kHz, Treble: 4 kHz - 20 kHz Bypass switch to bypass the isolator Symmetric and asymmetric inputs/outputs (XLR/RCA) Compact 19" rackmount version (1U) Ideal for clubs, dance schools, mobile DJs, and studios Technical Data Power supply: 100-240 V AC, 50/60 Hz Overall power consumption: 12 W Protection class: SK I Isolator: Master Gain: - ∞ to +9 Low/Mid: 300 Hz, 18 dB/Okt, Butterworth Mid/High: 4000 Hz, 18 dB/Okt, Butterworth Connections: Input: Line via 2 x 3-pin XLR Input: Line via 2 x RCA (W) mounting version Output: Line via 2 x 3-pin XLR Output: Line via 2 x RCA (W) mounting version Max. level: Input: +22 dBu Housing type: 19" rackmount 1U Dimensions: Width: 48.3 cm Depth: 14.5 cm Height: 4.45 cm Weight: 2.04 kg Dimensions (W x D x H): 483 x 145 x 44.5 mm Scope of Delivery 1 x OMNITRONIC ISO-23 MK2 DJ-Isolator 1 x Power cable 4 x Feet

Regular price: €236.00
Expected availability: 5 November 2026